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Shintōhō Eiga

Shintōhō Eiga (新東宝映画, lit. Shintoho Pictures) is a Japanese pink film production company and film distributor located in Tokyo, Japan which has been among the most influential studios in the pink film genre since its beginnings.

Shintōhō Eiga
新東宝映画
Founded1961
FounderKōichi Gotō
Headquarters,
Key people
Akira Mori, General Manager
ProductsPink films
Websiteshin-toho.com

Foundation

The first Shintōhō, or "New Toho", also known as Shintōhō Co. Ltd. (新東宝株式会社, Shintōhō kabushiki kaisha), was formed as an offshoot of the Toho Company after World War II.[1] When this company went bankrupt in May 1961, two new companies were created in its place. Shintōhō's former president, Mitsuru Ōkura, formed the Ōkura Eiga studio (later OP Eiga) after buying the Shintōhō production facilities in Setagaya, Tokyo while Kōichi Gotō, a Shintōhō employee at the company's Kansai sales office in Osaka, bought the rights to the name of the company. Three years later, in 1964, the 33-year-old Gotō used borrowed money to buy the management rights to the section in Osaka where he had previously worked. He named his new company Shintōhō Kōgyō (新東宝興業) or "Shintoho Entertainment". In 1972, this company moved to Tokyo and absorbed another piece of the former Shintōhō Company (Tokyo Kōei) to become Shintōhō Eiga (新東宝映画).[2] After relocating to Tokyo, president Kōichi Gotō and his staff shared offices with Kokuei, the earliest pink film production company.[3]

In this early period, the company mostly distributed films from other production studios, either those produced by the original Shintōhō or bought from other independent studios, but it also began to produce its own films.[4] Among these early films was the sadomasochistic April 1968 Absolutely Secret: Girl Torture produced by Tokyo Kōei and featuring future pink film superstar Naomi Tani.[5][6] Another early work was the September 1968 release Love Hotel directed by Shin'ya Yamamoto (director) and also produced by Tokyo Kōei.[7]

A further group of early movies came from director Kiyoshi Komori who had been directing mainstream films for the original Shintōhō since 1953 but when that company dissolved, began directing pink films for Shintōhō Eiga. Komori made a number of films distributed by Shintōhō from 1964 until his retirement from pink film in the mid 1970s.[8][9]

The 1970s

After absorbing Tokyo Kōei and moving to Tokyo, Shintōhō began a period of rapid expansion. To compete with OP Eiga and its distribution network, Shintōhō began its own theater network, partnering with Kokuei, Nihon Cinema and Aoi Eiga. The years 1972-1976 constituted the peak years for Shintōhō when it produced some 60 films a year.[3]

One of the directors working with Shintōhō during this period was Kōji Wakamatsu who made a number of S&M themed pink films for the studio including the 1975 Pornographic Casebook: Sexual Darkness and the 1976 Women Cruelty Dark Chronicles.[10] Two other torture-filled works from Wakamatsu from this time are Torture Chronicles: 100 Years (1975) and its 1977 sequel Torture Chronicles Continues: 100 Years.[11]

Toward the end of the decade, Shintōhō released the June 1979 Mamoru Watanabe Meiji period film Virgin Rope Makeover (少女縄化粧, Shōjo nawa geshō). The movie won the Best Film award at the Zoom-Up Film Festival (ズームアップ映画祭) while Watanabe took the Best Director award.[12][13]

The 1980s

The decade of the 1980s was a difficult one for the pink film industry generally, a combination of the advent of adult videos (AV) in 1981 and strict new government rules for theatrical films in 1984 caused a plunge in box office revenues.[14] In order to compete with early AVs, which had taken a substantial portion of the adult entertainment market, Shintōhō transferred some of their films to video and began shooting new material directly on video. However, the pink film studios had trouble competing with the low budget videos produced by the new AV companies which also had the advantage of using real sex (though censored) in their productions.[15]

Shintōhō also kept up its output of pink film as well. Especially popular was director Yōjirō Takita's Molester's Train (痴漢電車, Chikan densha) series featuring Detective Kuroda and his side-kick Hamako which began with the 1982 Molester's Train: Please Continue and ended eleven films later in 1985 with Molester's Train: 1 Centimeter From the Wall. The studio also released other entries in the series with different characters and by different directors, chiefly Minoru Inao (1983-1984) and Masahiro Kasai (1988-1991).[16] One of Kasai's films Molester's Train: Shaking Booty (痴漢電車 お尻を振っておねだり, Chikan Densha: Oshiri O Futte Onedari) won the Best Film Third Place award and Kasai took one of Best New Director prizes at the first Pink Grand Prix in 1988.[17]

As part of its Roman porno films, Nikkatsu started a Female Teacher series in 1977 based on sex and rape in the classroom. When Nikkatsu discontinued the series in 1983 due to complaints from teachers and the Japanese government, Shintōhō stepped in with the 1983 Female Teacher: Tight Bondage Discipline (女教師 緊縛化粧, Onna Kyōshi Kinbaku-gesho).[18]

Another significant series for Shintōhō was the "Detective With Sunglasses" set of hardboiled action films directed by Yoshiho Fukuoka which featured actor Shirō Shimomoto as the ultra-hip Detective Eiji. The first film in the series was the 1983 Serial Rape: Attack! (連続暴行 犯す, Renzoku boko Okasu), followed by the 1985 Disgraced! Uniform Virgin (凌辱!制服処女, Ryojoku! Seifuku shojo) and the 1987 Almost Ripe Madonna: Tasty Big Thighs (半熟マドンナ おいしい太腿, Hanjuku Madonna Oishii Futomomo). According to the Weissers, the series declined in quality and popularity after the first entry.[19]

The 1990s

The 1990s saw a further decline in the pink film industry; Nikkatsu had released its last Roman porno film in 1988, and the company declared bankruptcy in 1993. However, the pink film was still being produced in large quantities and actually increased its share of total Japanese film production. In fact, Shintōhō president Kōichi Gotō was able to report that 1991-92 was the most profitable year in the company's history.[20]

Of the new generation of directors from this period, often called (sometimes derisively) the "Four Heavenly Kings", one in particular, Hisayasu Satō, made a number of prominent films released by Shintōhō starting in the late 1980s.[21] His 1990 film, named Poaching By The Water by the director, with its themes of forced sex and bestiality, caused a good deal of controversy and scandal.[22] Shintōhō helped this along by renaming the film Horse and Woman and Dog[23] and according to the company's website, it became one of their all-time hits.[24] When Shintōhō decided to resurrect the Molester Train series originally started at the studio by director Yōjirō Takita in 1982, they chose Satō to direct the 1993 installment Molester's Train: Nasty Behavior.[25] The film starred AV idol Yumika Hayashi[26] and it was named the second best film at the Pink Grand Prix festival.[27]

Shintōhō moved into video production again in 1992 with their "Hard Porno" line of S&M videos beginning with a series of films from the 1970s which had been sold to the studio by director Koji Wakamatsu.[28][29]

The company celebrated its 30-year anniversary in 1993 with the release of Obscenities of Japan (ニッポンの猥褻, Nippon no waisetsu), a film described by general manager Akira Mori as "something akin to a pink-tinged version of a historical epic." The movie, directed by Minoru Inao and written by Takahisa Zeze, had double the budget of a standard pink film and featured actress Yumika Hayashi and actor Shinji Kubo.[30][31][32]

In 1994, the studio released the Kokuei produced film Keep on Masturbating: Non-Stop Pleasure from director Toshiya Ueno which, in addition to winning Best Film of the year at the 1994 Pink Grand Prix, also brought awards to director Ueno, screenwriter Takahisa Zeze, and actors Takeshi Itō and Hotaru Hazuki.[33] Jasper Sharp calls this "one of Ueno's most accomplished films" and posits the work as a lead-in to the next generation of Japanese pink film directors known as "The Seven Lucky Gods."[34]

The 2000s and beyond

At the beginning of the 21st century, only five pink film production companies were still operating in Japan. In addition to Shintōhō, the existing studios were Kokuei (which distributes its films through Shintōhō), OP Eiga, Xces, and ENK which produces gay-themed films.[35] Despite the decline in studios, pink films were still a significant force in Japanese cinema, and of the 287 films released in Japan in 2003, 89 were pink films.[36]

In 2004, the studio released Tsumugi which marked the pink film debut of AV Idol and actress Sora Aoi. The film won the fourth place Best Film Award at the 2004 Pink Grand Prix[37] and Aoi took a Best New Actress award.[38] The "Molester Train" series, begun in 1982, was re-invented once again in 2005 when Shintōhō produced Molester's Train: Suggestive Indecent Hips by director Naoyuki Tomomatsu. The film won the 3rd place Best Film award at that year's Pink Grand Prix.[39]

Personnel and output

Directors

Directors whose films were produced or released by Shintōhō Eiga include:

Actors and actresses

Notable actors and actresses who performed at Shintōhō Eiga include:

Films

Notable films produced or released by Shintōhō Eiga:

Bibliography

English

  • Sharp, Jasper (2008). Behind the Pink Curtain: The Complete History of Japanese Sex Cinema. Guildford: FAB Press. ISBN 978-1-903254-54-7.
  • Weisser, Thomas; Yuko Mihara Weisser (1998). Japanese Cinema Encyclopedia: The Sex Films. Miami: Vital Books : Asian Cult Cinema Publications. ISBN 1-88928-852-7.

Japanese

Notes

  1. ^ Stephens, Chuck. "Jigoku: Hell on Earth". criterion.com. Retrieved 2010-06-18.
  2. ^ Sharp, Jasper (2008). Behind the Pink Curtain: The Complete History of Japanese Sex Cinema. Guildford: FAB Press. pp. 10, 46. ISBN 978-1-903254-54-7.
  3. ^ a b Sharp, p. 204
  4. ^ Sharp, p. 203-204
  5. ^ Weisser, Thomas; Yuko Mihara Weisser (1998). Japanese Cinema Encyclopedia: The Sex Films. Miami: Vital Books : Asian Cult Cinema Publications. p. 438. ISBN 978-1-889288-52-9.
  6. ^ Sharp, p. 348
  7. ^ Weisser, p. 251-252
  8. ^ Weisser, p. 285
  9. ^ "小森白" (in Japanese). JMDB. Retrieved 2015-07-01.
  10. ^ Sharp, p. 120, 364-365
  11. ^ Weisser, p. 439-440
  12. ^ "PINK FILM CHRONICLE 1962-2012 -午後8時の映画祭" (in Japanese). www2u.biglobe.ne.jp/~p-g. Archived from the original on 2013-10-30. Retrieved 2013-10-28. {{cite web}}: External link in |publisher= (help)
  13. ^ Sharp, p.211-212, p. 366
  14. ^ Weisser, p. 27-29
  15. ^ Schönherr, Johannes (December 29, 2006). "Japanese AV - A Short Introduction". Midnight Eye. Retrieved 2014-05-17.
  16. ^ Weisser, p. 276-279
  17. ^ "Best Ten of 1988 1988年度ベストテン <第1回ピンク大賞>" (in Japanese). P.G. Web Site. Retrieved 2010-04-16.
  18. ^ Weisser, p. 148-150
  19. ^ Weisser, p. 116
  20. ^ Sharp p. 249
  21. ^ Sharp, p. 356-358
  22. ^ Firsching, Robert. "Uma To Onna To Inu". Allmovie. Retrieved 2009-12-13.
  23. ^ Weisser, p. 469
  24. ^ (in Japanese). Shintōhō homepage. Archived from the original on 2008-08-02. Retrieved 2010-04-15. 新東宝映画史上ナンバーワンといってもいいほどのヒットを記録した話題作でもあった。 {{cite web}}: External link in |publisher= (help)
  25. ^ Weisser, p. 476
  26. ^ 痴漢電車 いやらしい行為 (in Japanese). Japanese Movie Database. Retrieved 2010-02-21.
  27. ^ "Best Ten of 1993, 6th Ceremony 1993年度ベストテン <第6回ピンク大賞>" (in Japanese). P.G. Web Site. Retrieved 2010-04-16.
  28. ^ Weisser, p. 97
  29. ^ "100 YEARS OF TORTURE (Gomon hyakunenshi)" (in German). der breite grat. Retrieved 2015-07-01.
  30. ^ "Porn legacy: A chronicle of 50 years of pink films". Tokyo Reporter. Retrieved 2015-07-02.
  31. ^ Bull, Brett (August 12, 2012). "Fading shades of pink". Japan Times. Retrieved 2015-07-02.
  32. ^ "ニッポンの猥褻" (in Japanese). JMDB. Retrieved 2015-07-02.
  33. ^ "Best Ten of 1994 (1994年度ベストテン)" (in Japanese). P.G. Web Site. Retrieved January 18, 2009.
  34. ^ Sharp p. 311
  35. ^ Sharp, p. 10
  36. ^ "Jouni Hokkanen: Pink Daydreams - Japanese Pinku Eiga (a lecture)". Antti Alanen: Film Diary. April 9, 2010. Retrieved 2015-07-02.
  37. ^ Toda, Miho (2005-05-06). "ja:ピンク映画界のアカデミー賞というべき"ピンク大賞"蒼井そら、林由美香らが来場する、年に一度の祭典に密着!" (in Japanese). MovieWalker. Retrieved January 21, 2009.
  38. ^ "Best Ten of 2004" (in Japanese). P.G. Web Site. Retrieved January 18, 2009.
  39. ^ "Best Ten of 2005 (2005年度ベストテン)" (in Japanese). P.G. Web Site. Retrieved 2009-01-18.

External links

  • "Official Website" (in Japanese).

shintōhō, eiga, mainstream, film, company, which, went, bankrupt, 1961, shintoho, 新東宝映画, shintoho, pictures, japanese, pink, film, production, company, film, distributor, located, tokyo, japan, which, been, among, most, influential, studios, pink, film, genre,. For the mainstream film company which went bankrupt in 1961 see Shintoho Shintōhō Eiga 新東宝映画 lit Shintoho Pictures is a Japanese pink film production company and film distributor located in Tokyo Japan which has been among the most influential studios in the pink film genre since its beginnings Shintōhō Eiga新東宝映画Founded1961FounderKōichi GotōHeadquartersTokyo JapanKey peopleAkira Mori General ManagerProductsPink filmsWebsiteshin toho wbr com Contents 1 Foundation 2 The 1970s 3 The 1980s 4 The 1990s 5 The 2000s and beyond 6 Personnel and output 6 1 Directors 6 2 Actors and actresses 6 3 Films 7 Bibliography 7 1 English 7 2 Japanese 8 Notes 9 External linksFoundation EditThe first Shintōhō or New Toho also known as Shintōhō Co Ltd 新東宝株式会社 Shintōhō kabushiki kaisha was formed as an offshoot of the Toho Company after World War II 1 When this company went bankrupt in May 1961 two new companies were created in its place Shintōhō s former president Mitsuru Ōkura formed the Ōkura Eiga studio later OP Eiga after buying the Shintōhō production facilities in Setagaya Tokyo while Kōichi Gotō a Shintōhō employee at the company s Kansai sales office in Osaka bought the rights to the name of the company Three years later in 1964 the 33 year old Gotō used borrowed money to buy the management rights to the section in Osaka where he had previously worked He named his new company Shintōhō Kōgyō 新東宝興業 or Shintoho Entertainment In 1972 this company moved to Tokyo and absorbed another piece of the former Shintōhō Company Tokyo Kōei to become Shintōhō Eiga 新東宝映画 2 After relocating to Tokyo president Kōichi Gotō and his staff shared offices with Kokuei the earliest pink film production company 3 In this early period the company mostly distributed films from other production studios either those produced by the original Shintōhō or bought from other independent studios but it also began to produce its own films 4 Among these early films was the sadomasochistic April 1968 Absolutely Secret Girl Torture produced by Tokyo Kōei and featuring future pink film superstar Naomi Tani 5 6 Another early work was the September 1968 release Love Hotel directed by Shin ya Yamamoto director and also produced by Tokyo Kōei 7 A further group of early movies came from director Kiyoshi Komori who had been directing mainstream films for the original Shintōhō since 1953 but when that company dissolved began directing pink films for Shintōhō Eiga Komori made a number of films distributed by Shintōhō from 1964 until his retirement from pink film in the mid 1970s 8 9 The 1970s EditAfter absorbing Tokyo Kōei and moving to Tokyo Shintōhō began a period of rapid expansion To compete with OP Eiga and its distribution network Shintōhō began its own theater network partnering with Kokuei Nihon Cinema and Aoi Eiga The years 1972 1976 constituted the peak years for Shintōhō when it produced some 60 films a year 3 One of the directors working with Shintōhō during this period was Kōji Wakamatsu who made a number of S amp M themed pink films for the studio including the 1975 Pornographic Casebook Sexual Darkness and the 1976 Women Cruelty Dark Chronicles 10 Two other torture filled works from Wakamatsu from this time are Torture Chronicles 100 Years 1975 and its 1977 sequel Torture Chronicles Continues 100 Years 11 Toward the end of the decade Shintōhō released the June 1979 Mamoru Watanabe Meiji period film Virgin Rope Makeover 少女縄化粧 Shōjo nawa geshō The movie won the Best Film award at the Zoom Up Film Festival ズームアップ映画祭 while Watanabe took the Best Director award 12 13 The 1980s EditThe decade of the 1980s was a difficult one for the pink film industry generally a combination of the advent of adult videos AV in 1981 and strict new government rules for theatrical films in 1984 caused a plunge in box office revenues 14 In order to compete with early AVs which had taken a substantial portion of the adult entertainment market Shintōhō transferred some of their films to video and began shooting new material directly on video However the pink film studios had trouble competing with the low budget videos produced by the new AV companies which also had the advantage of using real sex though censored in their productions 15 Shintōhō also kept up its output of pink film as well Especially popular was director Yōjirō Takita s Molester s Train 痴漢電車 Chikan densha series featuring Detective Kuroda and his side kick Hamako which began with the 1982 Molester s Train Please Continue and ended eleven films later in 1985 with Molester s Train 1 Centimeter From the Wall The studio also released other entries in the series with different characters and by different directors chiefly Minoru Inao 1983 1984 and Masahiro Kasai 1988 1991 16 One of Kasai s films Molester s Train Shaking Booty 痴漢電車 お尻を振っておねだり Chikan Densha Oshiri O Futte Onedari won the Best Film Third Place award and Kasai took one of Best New Director prizes at the first Pink Grand Prix in 1988 17 As part of its Roman porno films Nikkatsu started a Female Teacher series in 1977 based on sex and rape in the classroom When Nikkatsu discontinued the series in 1983 due to complaints from teachers and the Japanese government Shintōhō stepped in with the 1983 Female Teacher Tight Bondage Discipline 女教師 緊縛化粧 Onna Kyōshi Kinbaku gesho 18 Another significant series for Shintōhō was the Detective With Sunglasses set of hardboiled action films directed by Yoshiho Fukuoka which featured actor Shirō Shimomoto as the ultra hip Detective Eiji The first film in the series was the 1983 Serial Rape Attack 連続暴行 犯す Renzoku boko Okasu followed by the 1985 Disgraced Uniform Virgin 凌辱 制服処女 Ryojoku Seifuku shojo and the 1987 Almost Ripe Madonna Tasty Big Thighs 半熟マドンナ おいしい太腿 Hanjuku Madonna Oishii Futomomo According to the Weissers the series declined in quality and popularity after the first entry 19 The 1990s EditThe 1990s saw a further decline in the pink film industry Nikkatsu had released its last Roman porno film in 1988 and the company declared bankruptcy in 1993 However the pink film was still being produced in large quantities and actually increased its share of total Japanese film production In fact Shintōhō president Kōichi Gotō was able to report that 1991 92 was the most profitable year in the company s history 20 Of the new generation of directors from this period often called sometimes derisively the Four Heavenly Kings one in particular Hisayasu Satō made a number of prominent films released by Shintōhō starting in the late 1980s 21 His 1990 film named Poaching By The Water by the director with its themes of forced sex and bestiality caused a good deal of controversy and scandal 22 Shintōhō helped this along by renaming the film Horse and Woman and Dog 23 and according to the company s website it became one of their all time hits 24 When Shintōhō decided to resurrect the Molester Train series originally started at the studio by director Yōjirō Takita in 1982 they chose Satō to direct the 1993 installment Molester s Train Nasty Behavior 25 The film starred AV idol Yumika Hayashi 26 and it was named the second best film at the Pink Grand Prix festival 27 Shintōhō moved into video production again in 1992 with their Hard Porno line of S amp M videos beginning with a series of films from the 1970s which had been sold to the studio by director Koji Wakamatsu 28 29 The company celebrated its 30 year anniversary in 1993 with the release of Obscenities of Japan ニッポンの猥褻 Nippon no waisetsu a film described by general manager Akira Mori as something akin to a pink tinged version of a historical epic The movie directed by Minoru Inao and written by Takahisa Zeze had double the budget of a standard pink film and featured actress Yumika Hayashi and actor Shinji Kubo 30 31 32 In 1994 the studio released the Kokuei produced film Keep on Masturbating Non Stop Pleasure from director Toshiya Ueno which in addition to winning Best Film of the year at the 1994 Pink Grand Prix also brought awards to director Ueno screenwriter Takahisa Zeze and actors Takeshi Itō and Hotaru Hazuki 33 Jasper Sharp calls this one of Ueno s most accomplished films and posits the work as a lead in to the next generation of Japanese pink film directors known as The Seven Lucky Gods 34 The 2000s and beyond EditAt the beginning of the 21st century only five pink film production companies were still operating in Japan In addition to Shintōhō the existing studios were Kokuei which distributes its films through Shintōhō OP Eiga Xces and ENK which produces gay themed films 35 Despite the decline in studios pink films were still a significant force in Japanese cinema and of the 287 films released in Japan in 2003 89 were pink films 36 In 2004 the studio released Tsumugi which marked the pink film debut of AV Idol and actress Sora Aoi The film won the fourth place Best Film Award at the 2004 Pink Grand Prix 37 and Aoi took a Best New Actress award 38 The Molester Train series begun in 1982 was re invented once again in 2005 when Shintōhō produced Molester s Train Suggestive Indecent Hips by director Naoyuki Tomomatsu The film won the 3rd place Best Film award at that year s Pink Grand Prix 39 Personnel and output EditDirectors Edit Directors whose films were produced or released by Shintōhō Eiga include Akira Fukuhara Daisuke Gotō Sachi Hamano Yutaka Ikejima Shinji Imaoka Shuji Kataoka Kiyoshi Komori Mitsuru Meike Hisayasu Sato Osamu Satō Toshiki Satō Masayuki Suo Banmei Takahashi Yōjirō Takita Naoyuki Tomomatsu Toshiya Ueno Shin ya Yamamoto director Kōji Wakamatsu Mamoru Watanabe Takahisa Zeze Actors and actresses Edit Notable actors and actresses who performed at Shintōhō Eiga include Izumi Aki Sora Aoi Mayu Asada Lemon Hanazawa Kyōko Hashimoto Hotaru Hazuki Rinako Hirasawa Yukijiro Hotaru Yutaka Ikejima Kiyomi Ito Takeshi Ito Sakurako Kaoru Konatsu Emi Kuroda Kyōko Natsume Yuka Ōsawa Mayuko Sasaki Yōko Satomi Shirō Shimomoto Naomi Tani Yumi Yoshiyuki Akiho Yoshizawa Films Edit Notable films produced or released by Shintōhō Eiga Absolutely Secret Girl Torture Kiyoshi Komori 1968 Love Hotel Shin ya Yamamoto 1968 Raped with Eyes Daydream Toshiyuki Mizutani 1982 S amp M Hunter Shuji Kataoka 1986 Sexy Battle Girls Mototsugu Watanabe 1986 Lesbian Harem Tomoaki Hosoyama 1987 Horse and Woman and Dog Hisayasu Satō 1990 Real Underwear Body Yutaka Ikejima 1994 Molester s Train Housewife Madam is a Pervert Toshiki Satō 1994 Pink Salon Hospital 3 No Pants Exam Room Mototsugu Watanabe 2000 Mourning Wife Daisuke Gotō 2001 Office Lady s Sexual Confession Burning Love Affair Yutaka Ikejima 2002 Obscene Stalker It Holds in Darkness Yutaka Ikejima 2002 A Lonely Cow Weeps at Dawn Daisuke Gotō 2003 The Glamorous Life of Sachiko Hanai Mitsuru Meike 2003 Tsumugi Hidekazu Takahara 2004 Hard Lesbian Quick and Deep Osamu Satō 2005 Frog Song Shinji Imaoka 2005 Blind Love Daisuke Gotō 2005 Chikan Densha Suggestive Indecent Hips Naoyuki Tomomatsu 2005 Three Naked Sisters Lewdness Yasufumi Tanaka 2006 Mature Woman Wife Hunting Yutaka Ikejima 2006 Aching Wives Continuous Adultery Akira Fukuhara 2006 New Tokyo Decadence The Slave Osamu Satō 2007 Temptation Eating Me Osamu Satō 2007 Continuous Adultery 2 A Portrait of Incest between Sisters Akira Fukuhara 2008 Bibliography EditEnglish Edit Sharp Jasper 2008 Behind the Pink Curtain The Complete History of Japanese Sex Cinema Guildford FAB Press ISBN 978 1 903254 54 7 Weisser Thomas Yuko Mihara Weisser 1998 Japanese Cinema Encyclopedia The Sex Films Miami Vital Books Asian Cult Cinema Publications ISBN 1 88928 852 7 Japanese Edit Japanese Cinema Database Agency for Cultural Affairs Retrieved 2009 10 10 Japanese Movie Database in Japanese Japanese Movie Database Retrieved 2009 10 10 Notes Edit Stephens Chuck Jigoku Hell on Earth criterion com Retrieved 2010 06 18 Sharp Jasper 2008 Behind the Pink Curtain The Complete History of Japanese Sex Cinema Guildford FAB Press pp 10 46 ISBN 978 1 903254 54 7 a b Sharp p 204 Sharp p 203 204 Weisser Thomas Yuko Mihara Weisser 1998 Japanese Cinema Encyclopedia The Sex Films Miami Vital Books Asian Cult Cinema Publications p 438 ISBN 978 1 889288 52 9 Sharp p 348 Weisser p 251 252 Weisser p 285 小森白 in Japanese JMDB Retrieved 2015 07 01 Sharp p 120 364 365 Weisser p 439 440 PINK FILM CHRONICLE 1962 2012 午後8時の映画祭 in Japanese www2u biglobe ne jp p g Archived from the original on 2013 10 30 Retrieved 2013 10 28 a href Template Cite web html title Template Cite web cite web a External link in code class cs1 code publisher code help Sharp p 211 212 p 366 Weisser p 27 29 Schonherr Johannes December 29 2006 Japanese AV A Short Introduction Midnight Eye Retrieved 2014 05 17 Weisser p 276 279 Best Ten of 1988 1988年度ベストテン 第1回ピンク大賞 in Japanese P G Web Site Retrieved 2010 04 16 Weisser p 148 150 Weisser p 116 Sharp p 249 Sharp p 356 358 Firsching Robert Uma To Onna To Inu Allmovie Retrieved 2009 12 13 Weisser p 469 馬と女と犬 in Japanese Shintōhō homepage Archived from the original on 2008 08 02 Retrieved 2010 04 15 新東宝映画史上ナンバーワンといってもいいほどのヒットを記録した話題作でもあった a href Template Cite web html title Template Cite web cite web a External link in code class cs1 code publisher code help Weisser p 476 痴漢電車 いやらしい行為 in Japanese Japanese Movie Database Retrieved 2010 02 21 Best Ten of 1993 6th Ceremony 1993年度ベストテン 第6回ピンク大賞 in Japanese P G Web Site Retrieved 2010 04 16 Weisser p 97 100 YEARS OF TORTURE Gomon hyakunenshi in German der breite grat Retrieved 2015 07 01 Porn legacy A chronicle of 50 years of pink films Tokyo Reporter Retrieved 2015 07 02 Bull Brett August 12 2012 Fading shades of pink Japan Times Retrieved 2015 07 02 ニッポンの猥褻 in Japanese JMDB Retrieved 2015 07 02 Best Ten of 1994 1994年度ベストテン in Japanese P G Web Site Retrieved January 18 2009 Sharp p 311 Sharp p 10 Jouni Hokkanen Pink Daydreams Japanese Pinku Eiga a lecture Antti Alanen Film Diary April 9 2010 Retrieved 2015 07 02 Toda Miho 2005 05 06 ja ピンク映画界のアカデミー賞というべき ピンク大賞 蒼井そら 林由美香らが来場する 年に一度の祭典に密着 in Japanese MovieWalker Retrieved January 21 2009 Best Ten of 2004 in Japanese P G Web Site Retrieved January 18 2009 Best Ten of 2005 2005年度ベストテン in Japanese P G Web Site Retrieved 2009 01 18 External links Edit Official Website in Japanese Retrieved from https en wikipedia org w index php title Shintōhō Eiga amp oldid 1058771589, wikipedia, wiki, book, books, library,

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