The raga is of audav-shadav nature, i.e., it has five swaras (notes) in the arohana (ascent) and six in the avarohana (descent). All the swaras are used are shudhha swaras, no komal swara is used. It is an Uttaranga pradhan raga, with the higher notes on the saptak (octave) being used more frequently.
shankara, raga, shankara, raga, hindustani, classical, music, shankarathaatbilavaltime, daylate, night, 3arohanas, ṠavarohanaṠ, spakadṠ, svadigasamavadinisimilarhansadhvani, contents, origin, technical, description, samay, time, alsoorigin, editthe, raga, emer. Shankara is a raga in Hindustani classical music ShankaraThaatBilavalTime of dayLate night 12 3ArohanaS G P N D Ṡ N ṠAvarohanaṠ N D P G P G R R SPakadṠ N P G P R G R SVadiGaSamavadiNiSimilarHansadhvani Contents 1 Origin 2 Technical description 3 Samay time 4 See alsoOrigin editThe raga emerges from Bilaval thaat Technical description editThe raga is of audav shadav nature i e it has five swaras notes in the arohana ascent and six in the avarohana descent All the swaras are used are shudhha swaras no komal swara is used It is an Uttaranga pradhan raga with the higher notes on the saptak octave being used more frequently Arohana S G P N D Ṡ N Ṡ Avarohana Ṡ N D P G P G R R S Pakad Ṡ N P G P R G R SThe vadi swara is Ga and the samvadi is Ni The rishabh Re is very weak but yet significant in the way it supplements the gandhar Ga Samay time editThis proper time to sing this raga is supposed to be the last phase of night 12 3 A M See also editRag Shankara Rag Mala in Jogia Retrieved from https en wikipedia org w index php title Shankara raga amp oldid 1111353401, wikipedia, wiki, book, books, library,
