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Satsuma kiriko

Satsuma kiriko (薩摩切子) is a style of cut glass, now a traditional Japanese craft. It was manufactured by the Satsuma clan from the final years of the Edo period to the beginning of the Meiji period (1868–1912). Today, faithful reproductions are produced.

Two cut glass cups

History edit

Shimazu Narioki (1791–1859), a feudal lord of the Edo period, invited glass craftsmen from Edo (now Tokyo) to produce Satsuma kiriko. The manufacturing methods were based on foreign books from Nagasaki. Narioki’s son Shimazu Nariakira introduced it into his Shuseikan Enterprise, the first western-style industrial enterprise in Japan, with factories that produced steel, textiles, and other products. The cut glass was very advanced craftwork. Nariakira was extremely fond of it, and sent it to other feudal lords as presents. After his death, the manufacture of Satsuma kiriko was discontinued in the early Meiji period because of financial difficulties, damage to the factory in the bombardment of Kagoshima, and disturbances during the Satsuma Rebellion. The craftsmen and skills dispersed to Tokyo and Osaka. Only a few pieces of Satsuma kiriko were produced in those days, so they fetch high prices as antiques.

Manufacture of Satsuma Kiriko edit

The Hari Seiko Zensho (Handbook of Glass Technology), written in 1830 by Kazuyoshi Hanai detailed the manufacture of Satsuma kiriko.[1] The Hari Seiko Zensho presented a glassmaking technique influenced heavily by China.[1] Satsuma kiriko was made by melting lead and mixing it with powdered white stone.[1] As the stone and lead was reheated, zinc was sometimes combined with the mix in order to "eliminate impurities".[1] Finally, as the mixture cooled niter was added to it and after melting the compound was shaped into Satsuma kiriko.[1]

The difference between Edo Kiriko and Satsuma Kiriko edit

Edo kiriko (ja:江戸切子) features transparent and colorless glass, while Satsuma kiriko is more delicate and features overlaid colored glass. According to a recent study, the new one is produced since the section of the colorless Satsuma kiriko is tidied up.[clarification needed] The main feature is the deep color of the overlaid colored glass. Also, cutting the glass boldly gives beautiful gradations of color.[1]

Western influence in Meiji Japan edit

To properly understand Satsuma Kiriko, it can be helpful to understand the Japanese historical context it was developed in. During the Meiji period, Japan began to market goods to the Western market, which saw the manufacture of textiles specifically for a Western audience.[2] Satsuma Kiriko was heavily influenced by Dutch and English glassmaking techniques.[3] Western hunger for Japanese art showed itself in the form of "japonisme", where artists used Japanese motifs and techniques in their art. Vincent Van Gogh was famously influenced by Japanese art.[3]

Reproduction and present edit

From 1985 a glass factory, an artisan, and a researcher together succeeded in reproducing Satsuma kiriko. In 1989 Satsuma glass industrial art, under the supervision and direct management of Shimadzu Limited, was certified[clarification needed] as a traditional artifact of Kagoshima. At present, they produce both reproductions of the old-style Satsuma kiriko and new designs and colors based on that style.

Area of production edit

Satsuma kiriko is made in Kagoshima Prefecture. The overlaying colored glass and the reproductions are produced in the workshops of Satsuma Glass Studio and Satsuma Vidro Craft. Making kiriko needs sophisticated skills because the overlaying colored glass makes it difficult to manipulate the grinder. Some Satsuma kiriko production is outsourced to Edo kiriko craftsmen.

See also edit

References edit

  1. ^ a b c d e f Tsuchiya, Yoshio (1984-01-01). "Satsuma Kiriko Japan's First Artistic Cut Glass". Journal of Glass Studies. 26: 102–110. JSTOR 24188802.
  2. ^ Hiroko t. Mcdermott (Spring 2010). "Meiji Kyoto Textile Art and Takashimaya". Monumenta Nipponica. 65 (1): 37–88. doi:10.1353/mni.0.0106. S2CID 161209351.
  3. ^ a b "East Meets West: Cross-Cultural Influences in Glassmaking in the 18th and 19th Centuries". Journal of Glass Studies. 52.

External links edit

satsuma, kiriko, this, article, multiple, issues, please, help, improve, discuss, these, issues, talk, page, learn, when, remove, these, template, messages, this, article, needs, additional, citations, verification, please, help, improve, this, article, adding. This article has multiple issues Please help improve it or discuss these issues on the talk page Learn how and when to remove these template messages This article needs additional citations for verification Please help improve this article by adding citations to reliable sources Unsourced material may be challenged and removed Find sources Satsuma kiriko news newspapers books scholar JSTOR July 2010 Learn how and when to remove this message This article includes a list of general references but it lacks sufficient corresponding inline citations Please help to improve this article by introducing more precise citations July 2010 Learn how and when to remove this message Learn how and when to remove this message Satsuma kiriko 薩摩切子 is a style of cut glass now a traditional Japanese craft It was manufactured by the Satsuma clan from the final years of the Edo period to the beginning of the Meiji period 1868 1912 Today faithful reproductions are produced Two cut glass cups Contents 1 History 2 Manufacture of Satsuma Kiriko 3 The difference between Edo Kiriko and Satsuma Kiriko 4 Western influence in Meiji Japan 5 Reproduction and present 6 Area of production 7 See also 8 References 9 External linksHistory editShimazu Narioki 1791 1859 a feudal lord of the Edo period invited glass craftsmen from Edo now Tokyo to produce Satsuma kiriko The manufacturing methods were based on foreign books from Nagasaki Narioki s son Shimazu Nariakira introduced it into his Shuseikan Enterprise the first western style industrial enterprise in Japan with factories that produced steel textiles and other products The cut glass was very advanced craftwork Nariakira was extremely fond of it and sent it to other feudal lords as presents After his death the manufacture of Satsuma kiriko was discontinued in the early Meiji period because of financial difficulties damage to the factory in the bombardment of Kagoshima and disturbances during the Satsuma Rebellion The craftsmen and skills dispersed to Tokyo and Osaka Only a few pieces of Satsuma kiriko were produced in those days so they fetch high prices as antiques Manufacture of Satsuma Kiriko editThe Hari Seiko Zensho Handbook of Glass Technology written in 1830 by Kazuyoshi Hanai detailed the manufacture of Satsuma kiriko 1 The Hari Seiko Zensho presented a glassmaking technique influenced heavily by China 1 Satsuma kiriko was made by melting lead and mixing it with powdered white stone 1 As the stone and lead was reheated zinc was sometimes combined with the mix in order to eliminate impurities 1 Finally as the mixture cooled niter was added to it and after melting the compound was shaped into Satsuma kiriko 1 The difference between Edo Kiriko and Satsuma Kiriko editEdo kiriko ja 江戸切子 features transparent and colorless glass while Satsuma kiriko is more delicate and features overlaid colored glass According to a recent study the new one is produced since the section of the colorless Satsuma kiriko is tidied up clarification needed The main feature is the deep color of the overlaid colored glass Also cutting the glass boldly gives beautiful gradations of color 1 Western influence in Meiji Japan editTo properly understand Satsuma Kiriko it can be helpful to understand the Japanese historical context it was developed in During the Meiji period Japan began to market goods to the Western market which saw the manufacture of textiles specifically for a Western audience 2 Satsuma Kiriko was heavily influenced by Dutch and English glassmaking techniques 3 Western hunger for Japanese art showed itself in the form of japonisme where artists used Japanese motifs and techniques in their art Vincent Van Gogh was famously influenced by Japanese art 3 Reproduction and present editFrom 1985 a glass factory an artisan and a researcher together succeeded in reproducing Satsuma kiriko In 1989 Satsuma glass industrial art under the supervision and direct management of Shimadzu Limited was certified clarification needed as a traditional artifact of Kagoshima At present they produce both reproductions of the old style Satsuma kiriko and new designs and colors based on that style Area of production editSatsuma kiriko is made in Kagoshima Prefecture The overlaying colored glass and the reproductions are produced in the workshops of Satsuma Glass Studio and Satsuma Vidro Craft Making kiriko needs sophisticated skills because the overlaying colored glass makes it difficult to manipulate the grinder Some Satsuma kiriko production is outsourced to Edo kiriko craftsmen See also editHistory of glass Glass engraving Flashed glassReferences edit a b c d e f Tsuchiya Yoshio 1984 01 01 Satsuma Kiriko Japan s First Artistic Cut Glass Journal of Glass Studies 26 102 110 JSTOR 24188802 Hiroko t Mcdermott Spring 2010 Meiji Kyoto Textile Art and Takashimaya Monumenta Nipponica 65 1 37 88 doi 10 1353 mni 0 0106 S2CID 161209351 a b East Meets West Cross Cultural Influences in Glassmaking in the 18th and 19th Centuries Journal of Glass Studies 52 External links edithttp www satsumakiriko co jp NHK美の壺File14切り子 Images from an NHK broadcast of July 2006 Edo and Satsuma cut glass In Japanese http www satsumakiriko com http www shimadzu ltd jp http www azaikazutakanosuke com Retrieved from https en wikipedia org w index php title Satsuma kiriko amp oldid 1024050965, wikipedia, wiki, book, books, library,

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