Sans Soleil (French pronunciation:[sɑ̃sɔlɛj]; "Sunless") is a 1983 French documentary film directed by Chris Marker. It is a meditation on the nature of human memory, showing the inability to recall the context and nuances of memory, and how, as a result, the perception of personal and global histories is affected. The title Sans Soleil is from the song cycle Sunless by Modest Mussorgsky, a brief fragment of which features in the film. Sans Soleil is composed of stock footage, clips from Japanese movies and shows, excerpts from other films as well as documentary footage shot by Marker.
Expanding the documentary genre, this experimental essay-film is a composition of thoughts, images and scenes, mainly from Japan and Guinea-Bissau, "two extreme poles of survival".[2] Some other scenes were filmed in Cape Verde, Iceland, Paris, and San Francisco. A female narrator reads from letters supposedly sent to her by the (fictitious) cameraman Sandor Krasna.
Sans Soleil is often labeled a documentary, travelogue, or essay-film. Despite the film's modest use of fictional content, it should not be confused with a mockumentary. The fictional content derived from the juxtaposition of narrative and image adds meaning to the film along with occasional nondescript movement between locations and lack of character-based narrative.
Chris Marker has said: "On a more matter-of-fact level, I could tell you that the film intended to be, and is nothing more than, a home movie. I really think that my main talent has been to find people to pay for my home movies. Were I born rich, I guess I would have made more or less the same films, at least the traveling kind, but nobody would have heard of them except my friends and visitors."[3]
Title and introductory quotationsEdit
The title Sans Soleil is from the song cycle Sunless by Modest Mussorgsky "although only a brief fragment of Mussorgsky's cycle of songs (a brief passage of 'Sur le fleuve', the last of the songs in the cycle, which concerns itself with death) is heard in the course of the film."[4]
The original French version of Sans Soleil opens with the following quotation by Jean Racine from the second preface to his tragedy Bajazet (1672):
"L'éloignement des pays répare en quelque sorte la trop grande proximité des temps." (The distance between the countries compensates somewhat for the excessive closeness of the times.)
Marker replaced this quote with the following one by T. S. Eliot from Ash Wednesday (1930) for the English version of the film:
"Because I know that time is always time And place is always and only place"...
(And what is actual is actual only for one time And only for one place.)[5]
ProductionEdit
Sans Soleil contains some stock footage, clips from Japanese films and television, and a few excerpts from other films. The original documentary footage was filmed by Marker with a 16mm Beaulieu silent film camera in conjunction with a non-sync portable tape recorder; the film contains no synchronous sound.[6] Some of the stock footage shots were colourized with an EMS Spectre video synthesizer. A number of sequences in Sans Soleil are borrowed from other filmmakers who are not mentioned until the film's credits, except the footage of the Icelandic volcano which is accredited in narration to Haroun Tazieff.[7]
The filmmakers whose footage was used who were not mentioned in the narration are Sana Na N'Hada, Jean-Michel Humeau, Mario Marret, Eugenio Bentivoglio and Daniele Tessier. Pierre Camus was an assistant director; Anne-Marie L'Hote and Catherine Adda, assistant editors; Antoine Bonfanti and Paul Bertault, mixing.[8]
The film was assembled largely in the 1970s, a period when Marker was part of a political commune and preferred to downplay his authorial signature, which may partly explain why he is represented in the film by Sandor Krasna's letters. The title "Conception and editing: Chris Marker," at the end of the credits, is the only indication that Sans Soleil is his film.[9]
InfluencesEdit
The sequence in San Francisco references Alfred Hitchcock's 1958 film Vertigo and Marker's own 1962 film La Jetée. Marker's use of the name "The Zone" to describe the space in which Hayao Yamaneko's images are transformed is a homage to Stalker, a 1979 film by Andrei Tarkovsky, as noted in one of the letters read in the film.
English rock band Kasabian used a sound clip from the documentary in their 2009 album West Ryder Pauper Lunatic Asylum at the beginning of the song "West Ryder Silver Bullet".
ReceptionEdit
Sans Soleil has received critical acclaim, and has appeared in many "best films" lists:
"From Toy Story to Psycho: the 100 greatest films of all time" (The Daily Telegraph, 2019): #62[10]
However, not all critics have been so positive. In The Guardian, Peter Bradshaw awarded it 3 stars out of 5, saying it was "sometimes perplexing, often intriguing, occasionally redundant. The modified video images of urban commotion and guerrilla warfare, together with Moog-synth score, look a bit quaint."[13] In The New York Times, Vincent Canby was negative, saying "Mr. Marker pretends to be examining the quality of contemporary life, though what he actually is doing is examining his own, not always coherent or especially interesting reactions to our world. Sans Soleil is a totally self-absorbed movie that closes out all but the most devoted Marker students."[14]
ReferencesEdit
^"BFI/Sight & Sound: Greatest Documentaries of All Time | 2014 - Movie list". MUBI. Retrieved 2023-06-16.
^"Personal Effects: The Guarded Intimacy of Sans Soleil". The Criterion Collection. Retrieved 2018-02-13.
^"Letter to Theresa by Chris Marker – Behind the Veils of Sans Soleil | Chris Marker". Chris Marker. Retrieved 2018-02-13.
^Valkola, Jarmo (2012). Thoughts on images: a philosophical evaluation by Jarmo Valkola. ISBN9786068266237. Retrieved 2020-05-24.
^"Racine/Eliot" from booklet accompanying La Jetée/Sans Soleil DVD produced by Criterion
^"Notes on Filmmaking", essay by Chris Marker in booklet accompanying La Jetée/Sans Soleil DVD produced by Criterion
^Lupton, Catherine (2006). Chris Marker : memories of the future (Repr. ed.). London: Reaktion Books. pp. 156. ISBN978-1861892232.
^Len (13 April 1983). "Pictures: Sans Soleil". Variety. 310 (11): 20. ProQuest 1438388986.
^Lopate, Phillip (Winter 1992). "In Search of the Centaur: The Essay-Film". The Threepenny Review. 48 (48): 19–22. JSTOR 4384052.
^"From Toy Story to Psycho: the 100 greatest films of all time". The Telegraph. 8 September 2017.
^"The Greatest Documentaries of All Time | Sight & Sound". British Film Institute.
^"Silent film tops documentary poll". BBC News. 1 August 2014.
^Bradshaw, Peter (15 November 2002). "Film: Sans Soleil". The Guardian.
^Canby, Vincent (26 October 1983). "Film: 'Sans Soleil,' Views of People". The New York Times.
sans, soleil, french, pronunciation, sɔlɛj, sunless, 1983, french, documentary, film, directed, chris, marker, meditation, nature, human, memory, showing, inability, recall, context, nuances, memory, result, perception, personal, global, histories, affected, t. Sans Soleil French pronunciation sɑ sɔlɛj Sunless is a 1983 French documentary film directed by Chris Marker It is a meditation on the nature of human memory showing the inability to recall the context and nuances of memory and how as a result the perception of personal and global histories is affected The title Sans Soleil is from the song cycle Sunless by Modest Mussorgsky a brief fragment of which features in the film Sans Soleil is composed of stock footage clips from Japanese movies and shows excerpts from other films as well as documentary footage shot by Marker Sans SoleilFilm posterDirected byChris MarkerWritten byChris Marker as Sandor Krasna Narrated byFlorence Delay French version Riyoko Ikeda Japanese version Charlotte Kerr German version Alexandra Stewart English version CinematographyChris Marker as Sandor Krasna Edited byChris MarkerMusic byChris Marker as Michel Krasna Distributed byArgos FilmsRelease date1983 1983 Running time100 minutesCountryFranceLanguageFrenchIn a 2014 Sight and Sound poll film critics voted Sans Soleil the third best documentary film of all time 1 Contents 1 Description 2 Title and introductory quotations 3 Production 4 Influences 5 Reception 6 References 7 External linksDescription EditExpanding the documentary genre this experimental essay film is a composition of thoughts images and scenes mainly from Japan and Guinea Bissau two extreme poles of survival 2 Some other scenes were filmed in Cape Verde Iceland Paris and San Francisco A female narrator reads from letters supposedly sent to her by the fictitious cameraman Sandor Krasna Sans Soleil is often labeled a documentary travelogue or essay film Despite the film s modest use of fictional content it should not be confused with a mockumentary The fictional content derived from the juxtaposition of narrative and image adds meaning to the film along with occasional nondescript movement between locations and lack of character based narrative Chris Marker has said On a more matter of fact level I could tell you that the film intended to be and is nothing more than a home movie I really think that my main talent has been to find people to pay for my home movies Were I born rich I guess I would have made more or less the same films at least the traveling kind but nobody would have heard of them except my friends and visitors 3 Title and introductory quotations EditThe title Sans Soleil is from the song cycle Sunless by Modest Mussorgsky although only a brief fragment of Mussorgsky s cycle of songs a brief passage of Sur le fleuve the last of the songs in the cycle which concerns itself with death is heard in the course of the film 4 The original French version of Sans Soleil opens with the following quotation by Jean Racine from the second preface to his tragedy Bajazet 1672 L eloignement des pays repare en quelque sorte la trop grande proximite des temps The distance between the countries compensates somewhat for the excessive closeness of the times Marker replaced this quote with the following one by T S Eliot from Ash Wednesday 1930 for the English version of the film Because I know that time is always time And place is always and only place And what is actual is actual only for one time And only for one place 5 Production EditSans Soleil contains some stock footage clips from Japanese films and television and a few excerpts from other films The original documentary footage was filmed by Marker with a 16mm Beaulieu silent film camera in conjunction with a non sync portable tape recorder the film contains no synchronous sound 6 Some of the stock footage shots were colourized with an EMS Spectre video synthesizer A number of sequences in Sans Soleil are borrowed from other filmmakers who are not mentioned until the film s credits except the footage of the Icelandic volcano which is accredited in narration to Haroun Tazieff 7 The filmmakers whose footage was used who were not mentioned in the narration are Sana Na N Hada Jean Michel Humeau Mario Marret Eugenio Bentivoglio and Daniele Tessier Pierre Camus was an assistant director Anne Marie L Hote and Catherine Adda assistant editors Antoine Bonfanti and Paul Bertault mixing 8 The film was assembled largely in the 1970s a period when Marker was part of a political commune and preferred to downplay his authorial signature which may partly explain why he is represented in the film by Sandor Krasna s letters The title Conception and editing Chris Marker at the end of the credits is the only indication that Sans Soleil is his film 9 Influences EditThis section needs additional citations for verification Please help improve this article by adding citations to reliable sources in this section Unsourced material may be challenged and removed Find sources Sans Soleil news newspapers books scholar JSTOR June 2023 Learn how and when to remove this template message The sequence in San Francisco references Alfred Hitchcock s 1958 film Vertigo and Marker s own 1962 film La Jetee Marker s use of the name The Zone to describe the space in which Hayao Yamaneko s images are transformed is a homage to Stalker a 1979 film by Andrei Tarkovsky as noted in one of the letters read in the film English rock band Kasabian used a sound clip from the documentary in their 2009 album West Ryder Pauper Lunatic Asylum at the beginning of the song West Ryder Silver Bullet Reception EditSans Soleil has received critical acclaim and has appeared in many best films lists From Toy Story to Psycho the 100 greatest films of all time The Daily Telegraph 2019 62 10 Critics 50 Greatest Documentaries of All Time Sight amp Sound 2014 3 11 12 However not all critics have been so positive In The Guardian Peter Bradshaw awarded it 3 stars out of 5 saying it was sometimes perplexing often intriguing occasionally redundant The modified video images of urban commotion and guerrilla warfare together with Moog synth score look a bit quaint 13 In The New York Times Vincent Canby was negative saying Mr Marker pretends to be examining the quality of contemporary life though what he actually is doing is examining his own not always coherent or especially interesting reactions to our world Sans Soleil is a totally self absorbed movie that closes out all but the most devoted Marker students 14 References Edit BFI Sight amp Sound Greatest Documentaries of All Time 2014 Movie list MUBI Retrieved 2023 06 16 Personal Effects The Guarded Intimacy of Sans Soleil The Criterion Collection Retrieved 2018 02 13 Letter to Theresa by Chris Marker Behind the Veils of Sans Soleil Chris Marker Chris Marker Retrieved 2018 02 13 Valkola Jarmo 2012 Thoughts on images a philosophical evaluation by Jarmo Valkola ISBN 9786068266237 Retrieved 2020 05 24 Racine Eliot from booklet accompanying La Jetee Sans Soleil DVD produced by Criterion Notes on Filmmaking essay by Chris Marker in booklet accompanying La Jetee Sans Soleil DVD produced by Criterion Lupton Catherine 2006 Chris Marker memories of the future Repr ed London Reaktion Books pp 156 ISBN 978 1861892232 Len 13 April 1983 Pictures Sans Soleil Variety 310 11 20 ProQuest 1438388986 Lopate Phillip Winter 1992 In Search of the Centaur The Essay Film The Threepenny Review 48 48 19 22 JSTOR 4384052 From Toy Story to Psycho the 100 greatest films of all time The Telegraph 8 September 2017 The Greatest Documentaries of All Time Sight amp Sound British Film Institute Silent film tops documentary poll BBC News 1 August 2014 Bradshaw Peter 15 November 2002 Film Sans Soleil The Guardian Canby Vincent 26 October 1983 Film Sans Soleil Views of People The New York Times External links Edit nbsp Wikiquote has quotations related to Sans Soleil Sans Soleil at IMDb Sans Soleil at Rotten Tomatoes Sans Soleil at AllMovie Full text of the film Personal Effects The Guarded Intimacy of Sans Soleil an essay by Jonathan Rosenbaum at the Criterion Collection Retrieved from https en wikipedia org w index php title Sans Soleil amp oldid 1180214807, 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