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Sandra Leveson

April 14, 2024

Sandra Leveson (born 1944), also known as Sandra Leveson-Meares, is an Australian painter, printmaker, and teacher.[1]

Sandra Leveson
Born1944 (age 79–80)
Melbourne, Australia
EducationCaulfield Institute of Technology, National Gallery School
Known forAbstract painting, printmaking

Training edit

From 1959, aged fourteen, to 1963, Leveson studied design at Caulfield Institute of Technology where she and sculptor Ken Leveson met while he was taking fashion illustration.[2] She continued studies at the National Gallery School 1959-63 and they married in 1966 and lived in Sandringham and both taught at Brighton Technical College.[3] In 1971 they were contemplating buying nineteenth-century mill near Castlemaine "for another environment to work in,"[2] but instead converted a warehouse to a studio-cum-townhouse at 4 Tyrone Street, South Yarra.[4] She undertook overseas study in the UK and US in 1974[5] and 1976.[6][7]

Career and reception edit

Teacher edit

While resident at 23 Tennyson Street, Sandringham,[8] where she was photographed in 1970 by Paul Cox (lecturer at Prahran College) with her then husband Ken,[9] Leveson taught printmaking at Brighton Technical College. From 1970 to 1982 she lectured in Fine Art at the Prahran College of Advanced Education[10] where she was Head of printmaking 1972–82.[11][8] In Sydney, Prahran College graduate Carol Jerrems made a sequence of photographs of her in 1974 for A Book About Australia Women.[12]

Artist edit

In the late mid-1960s Leveson adopted a geometric Op Art style in her early screen prints.[13][14][15] Of these reviewer Patrick McCaughey wrote:

Good design wins out too often. These prints may contain intricacies but never real difficulties for the spectator. They do too much and make life much too easy with their bland matt colors. Pleasant enough and skilful in their decorative organisatiton, it's a pressure free art, demanding little and sustaining little. The exhibition, one suspects, hides a better artist than it reveals. The shaped polyptych upstairs promises a curtness awaiting future delivery.[16]

Later works established her as a colourist when in 1968 they were shown at Pinacotheca Gallery, Melbourne, in a joint show Recent prints 18 – 29 November with Alan Warren.[17] However, despite their adherence to the high Modernist colour field style and to geometric abstraction then ascendant, as Foster points out, Leveson's work, and Lesley Dumbrell's likewise, was not included amongst the predominantly male artists' in the 1968 The Field survey.[18] In 1971 Leveson started screen printing on her canvases. Ruth Faerber in 1972 confirmed the lyrical quality of her imagery;

Sandra Leveson uses an optical off-register dot pattern to create moire patterned surfaces in lyrical romantic color. Built up with a minute pointilistic technique, large silkscreen prints in editions, single canvases and double-sided glass images conjure up drifting recangular and diamond forms, structured by strongly contrasting stable and strict borders of flat color. Skill and sensitivity are superbly combined in works of restful elegance.[19]

That emphasis led her American Abstract Expressionist-influenced works of the 1970s, and first seen in Sydney in 1972[20] at The Holdsworth Galleries,[21] which in turn was adapted to her semi-abstract representation of expansive Australian landscape.[22] However McCaughey continued to regard Leveson's work of this period, shown at Realties at the end of 1972, as lightweight;

They make all the right moves for seriousness. I mean they've got "color spread", "optical displacement" and even some cautious shaped prints. But we've all been dragged round this track too often for the moves to come off. There's not a twitch we can't predict, except one's own aghast grimace.[23]

Daniel Thomas pointed out in her 1974 show at Bonython the link between Leveson's screen printing, through the use of stencils, with her painting, describing the effect in her "Optic Series" as "like looking at a pale Rothko through a flyscreen." Thomas noted that she was then selling works at around $1,000.[24] Leveson in interview said the effect was inspired on her overseas residencies during which she took photographs of mist and fog, "showing images behind a curtain, a natural haze."[25]Age reviewer Maureen Gilchrist summing up exhibitions of the year 1976 concluded that Leveson's at Realities gallery, with those of Lesley Dumbrell at Powell Street, were "the year's most compelling," her "large canvases, painted and then successively silkscreened with one of the dominant colors, achieves extraordinarily subtle effects of hovering, vibration and translucency. These lyrical works have such titles as Lesbos, evoking a female consiciousnses."[26] In April, Gilchrist reviewed the survey of ten years of the artist's work held at Melbourne University, and remarked on its evolution and the influence of her overseas travel to see Noland,[27] Rothko, Louis, Turner and Monet;[28]

In the earlier screen prints and acrylics Leveson was involved with optics and with creating a simple, clearly defined, geometric regularity. Gradually she began to relinquish this approach and is now attempting a far more complex unity. In the new canvases she begins with a brushy, gestural spread of colors, usually applied centrally, and then successively screens one of the dominant colors over these, employing a silkscreen technique. The effect is a series of semitransparent veils [...] The effect is as fugitive as an apparition, but it is not amorphous. The silk-screened veil of dots acts as a regulating device, a grid, balancing the fluid, spontaneously brushed gestures of the hand.[29]

Paul Taylor of the same retrospective also noted the synthesis of "juxtaposed gestural strokes with the screenprint grid and also...the lyrical palette."[30]

In April 1978 Leveson was invited onto a "Discussion Panel On Painting," at the Art Gallery of New South Wales in conjunction with the exhibition of a paintings there by John Walker, chaired by Patrick McCaughey, with David Aspden, Syd Ball, John Firth-Smith, Alun Leach-Jones and John Peart.[31] Then in June that year joined in the symposium "Views on Recent Changes in Women's Art", with Janine Burke, Lesley Dumbrell, Helen Geier, Memory Holloway, Jenny Watson, Elizabeth Gower at Powell Street Gallery South Yarra.[32] In 1987, Leveson was again invited to the AGNSW as a speaker in "Artists on Art," beside William Delafield Cook, Fred Cress, John Firth-Smith, Robert Jacks, Michael Johnson, Colin Lanceley, Terence Maloon on Hilarie Mais, Susan Norrie and Richard Dunn, Tim Storrier, Ann Thomson and John Wolseley for the Centre for the History of the Decorative Arts.[33]

Also by 1978, Leveson had found a receptive market in Fort Worth, Texas, for Australian landscapes that looked familiar to Texans, exhibiting paintings and prints at Gallery One, later named William Campbell Contemporary Art.[34][35][36]

Sasha Grishin, in 1978, reacted with a contrary view of her contributions at Susan Gillespie Galleries, Canberra; "Sandra Leveson's suite of four screenprints, 'Half Moon Bay' Nos | to 4, with its juxtaposition of photographic seascapes and soft pastel-like backgrounds, leads to nowhere and is executed with a professional slickness that leaves one uneasy."[37] Likewise Robert Rooney, reviewing her contributions to a group show at Realities in early 1979 in The Age considered her lyricism as having been taken too far, with "gestures...devoid of energy and her colors favor powder puff flesh and eye shadow. Fresh Water Plain has superimposed dot screens for added strength, but it doesn't come off. Not as good as her early stuff."[38]

McCulloch in 2006 characterised her style as "coolly restrained abstracts, which are often characterised by pastel blues and pinks divided by a horizon-like line."[39]

In 1980 after her second husband Russell Meares accepted a professorship in psychology at the University of Sydney,[40] he and Leveson relocated from Melbourne to Sydney, converting a former chemical warehouse in Balmain for a large studio.[41] However her Harbour-inspired imagery left reviewer Memory Holloway detecting no emotion and "one idea, one image which is flogged into submission: a tough and aggressive triangle," in over-simplified compositions in which "the eye is never enticed into the work, never arrested or caught in any visual tangle, but glides effortlessly over the slick surfaces without interruption."[42] On her own work in 1987 Leveson remarked; *Basically I'm a romantic so I like that thing about the image being not quite there, fugitive, ephemeral."[28]

Exhibitions edit

Solo edit

Leveson achieved early recognition and from 1962, then aged 18,[43] she commenced a series of solo shows, first in Melbourne's Pinacotheca, and Realities[44][45][46] and later, Greythorn,[47] and at Macquarie Galleries in Sydney.[48][49] Others include;

  • 1962, to 29 November: Sandra Leveson, Pinacotheca, St Kilda[50]
  • 1968, 18 – 29 November: Recent prints Joint show with Alan Warren. Pinacotheca'[17][16]
  • 1970: Joint show, Strines Gallery, Cnr Rathdown & Faraday Sts., Carlton[51]
  • 1972, March: Holdsworth Art Gallery[19]
  • 1972, December: Realities, Toorak[23]
  • 1974, from 1 February: Sandra Leveson, paintings and prints and Gordon Andrews, jewellery and sculpture. Bonython Art Gallery, Sydney[52][53][54][24]
  • 1976: Realities Gallery, Toorak
  • 1977, 26 April - 3 June: A Decade of Sandra Leveson, Melbourne University[55]
  • 1978, 4–18 August: Paper Works, with Peter Powditch, Powell Street Gallery[56]
  • 1978, 18 November – 8 December: First US exhibition, Gallery One, Fort Worth, Texas[35]
  • 1980, 29 March – 12 April: Sandra Leveson, New Paintings, Australia's Finest Contemporary Artist, Gallery One, Fort Worth, Texas[57]
  • 1980, to 24 December: Prints by Sandra Leveson, Axiom Gallery, Richmond[58]
  • 1982, 5–26 November: Recent paintings and works on paper by Sandra Leveson Meares. Realities gallery, Toorak[59]
  • 1983, 7 May – 18 June: Sandra Leveson-Meares, Gallery One, Fort Worth, Texas[60][61]
  • 1985, 5–23 February: Sandra Leveson-Meares - Gouaches, Macquarie Galleries, Sydney[62][63]
  • 1985, 22 October –  6 November: Paintings by Sandra Leveson-Meares, William Campbell Contemporary Art, Fort Worth, Texas[64]
  • 1987, 4–22 August: Recent Paintings by Sandra Leveson, Macquarie Galleries, Sydney[65][28]
  • 1989, 18 March–8 April: Sandra Leveson : Recent Paintings, Macquarie Galleries, Sydney[66]
  • 1991: Exhibition of works by Sandra Leveson and David Van Nunen from the 1990 Artists' Camp organised by the Museums and Art Galleries of the Northern Territory[67]
  • 1991, 12 October – 16 November: Australian painter Sandra Leveson, William Campbell Contemporary Art, Fort Worth, Texas[68][69][70]
  • 1994, to 8 January: Sandra Leveson 30 Year Survey, Campbelltown City Art Gallery
  • 1994: New England Regional Art Museum with a tour of regional galleries
  • 1994, December–January: William Campbell Contemporary Art, Fort Worth, Texas[71][36]
  • 1994–95, 2 December to 22 January: Sandra Leveson 30 Year Survey, Campbelltown City Art Gallery[72]
  • 1995: Wagga Wagga City Art Gallery
  • 1995, June: Sandra Leveson : Impressions of the Landscape, Greythorn Galleries, Toorak[47]
  • 1996: A Decade of Sandra Leveson 1986-1996, BMG Art Gallery, Adelaide[73]
  • 2011: Sandra Leveson : painting of poise and passion, TarraWarra Museum of Art[74]
  • 2015: Sandra Leveson : painting of poise and passion, Macquarie University. Art Gallery[75]

Group edit

  • 1971: A Decade of Australian Painting, McClelland Gallery 1971
  • 1973: Georges Invitation Art Prize
  • 1975, 26–28 November: Artists For Labor And Democracy : An exhibition of paintings, sculptures, prints, drawings and photographs. Ian Armstrong, Asher Bilu, Jack Courier, Peter Campbell, Liz Cross, Peter Corlett, Noel Counihan, Peter Cole, Joan Coxsedge, Lesley Dumbrell, John Davis, Neil Douglas, John Hopkins, Geoff Lowe, Vlase Nikoleski, Gareth Sanson, Ivan Durrant, Dale Hickey, Kevin Lincoln, Keith Nicholl, John Scurry, Len French, Mary Hammond, Sandra Leveson, John Neeson, Andrew Sibley, Anita Furey, George Johnson, Alun Leach Jones, Ailsa O'Conner, Douglas Stubbs, Mike Field, Martin Jones, Donald Laycock, Chris Pyett, Max Thompson, Bob Grieve, Robert Jacks, Danny Moynahan, Laurie Peterson, Andrew Maclean, Craig Gough, Inge King, Ted May, Cliff Pugh, Jennifer Talbot, Geoff LaGerche, Grahame King, Vic Majzner, Lenton Parr, Edith Wall, Bill Gregory, Les Kossatz, Clive Murray-White, Richard Rudd, David Wilson, Helen Geir, Bill Kelly, Jeff Makin, Sweeney Reed, Patrick Geir, Roger Kemp, Erica McGilchrist, and others, at Toorak Art Gallery[76]
  • 1977, 29–31 January: Brighton City Cultural Centre opening exhibition, with Roger Kemp, Gary Shead, John Howley and others, Halifax St., Middle Brighton[77]
  • 1978, May: Prahran College Staff exhibition, Roger Kemp. Vic Majzner, David Wilson, Sandra Leveson, Helen Geier, Jeff Makin and others[78]
  • 1978, 29 July – 8 August: David Aspden, John Firth Smith. Sandra Leveson, Peter Powditch. Powell Street Gallery, Sth Yarra
  • 1978, 12–22 December: Works on paper with Barbara Campbell, Sandra Leveson, Kate Briscoe, Jenny Watson and Mandy Martin. Susan Gillespie Galleries, Manuka[37]
  • 1979, March: Frank Hodgkinson, Don Laycock, John Wolseley, Roger Kemp, Asher Bilu, Dinny Nolan Tjampitjinpa, David Rankin, Lloyd Rees, Realities gallery Toorak[38]
  • 1979, September: Contemporary prints and paintings including artists Miro, Leroy Neiman, Jim Dine, Folon, Gene Davis, Bruno Bruni, Victor Vasarely, Sandra Leveson, Will Barnet and R. C. Gorman. Gallery One, Fort Worth, Texas, USA[79]
  • 1982, from September 1982 – February 1985: Australian Screenprints, with Ray Arnold, Sydney Ball, John Coburn, Bruce Latimer, Alun Leach-Jones, Mandy Martin, Greg Moncrieff, Ann Newmarch, Sally Robinson, David Rose, Stephen Spurrier, Arthur Wicks, Norman Wight and Paul Zika. Starting Institute of Modern Art, Brisbane and touring 21 state and regional galleries throughout Australia[80]
  • 1986, April: ArtWalk '86, with Dan Allison, Jack Boynton, Michel Demanche, Ken Dixon, Peter Dean, Dorothy Gillespie, A.M. Hudson, Val Hunnicutt, Doug Hill, Nancy Lamb, Sandra Leveson-Meares, Larry Millar, David McCullough, Richard Thompson, Cecil Touchon, Karl Umlauf and Sara Waters. William Campbell Contemporary Art, Fort Worth, Texas[81]
  • 1986, 15 August – 21 September: Original prints of the 70s by Syd Ball, John Coburn, Sandra Leveson and Martin Sharp. Lake Macquarie Gallery, Old Council Chambers, Speers Point, Lake Macquarie.
  • 1987, 18 September – 17 October: Gallery artists, William Campbell Contemporary Art, Fort Worth, Texas[82]
  • 1988, to 16 January: Gallery artists, including work by Michael Johnson, Fred Cress, John Coburn, Sandra Leveson, John Beard, Bernard Ollis and others, Macquarie Galleries[83][81]
  • 1988, to 17 July Contemporary views of New England with works by Cressida Campbell, Sandra Leveson, Max Miller, Angus Nivison, Ann Thomson and Guy Warren. New England Regional gallery, Armidale[84]
  • 1988: Aspects of Australian Art, Houston International Festival exhibition, Houston, 1988
  • 1988: Contemporary views of New England : Cressida Campbell, Sandra Leveson, Max Miller, Angus Nivison, Ann Thomson, Guy Warren[85]
  • 1991, August: Gallery artists, William Campbell Contemporary Art, Fort Worth, Texas[86]
  • 1994, to 18 May: Prints and Etchings by Michael Leunig, John Spooner, Anita Lawrence, Sandra Leveson and Louis Kahan, Avant Garden, 46 Vincent St, Daylesford.[87]
  • 1994, 12–30 November: Prints by Frank Hodgkinson, Sandra Leveson. Jeff Makin, Graeme Peebles, David Rankin. Distelfink, 432 Burwood Rd Hawthorn[88]
  • 1995, 15–16 July: Works from Australian Galleries artists, 5th International Works on Paper Fair, Sydney[89]
  • 1995, July: Limited edition prints by Lin Onus, Frank Hodgkinson, Graeme Peebles, Sandra Leveson, Gallery 130, 130 Flinders St, Melbourne[90]
  • 1996, from 19 January: It's a Guitar Shaped World Two, Tamworth Country Music Festival exhibition, Tamworth City Gallery[91]
  • 1996, April: Original prints by Jan Neil, Clem Millward, Sandra Leveson and David Rose, Steven Print, 259 Victoria St. Abbotsford[92]
  • 1998, to 31 March: Summer Exhibition; Paintings by Prominent Australian Artists, Wagner Art Gallery, 39 Gurner St, Paddington[93]
  • 1998, 8 October: Recent paintings by Sandra Leveson, Greythom, 462 Toorak Rd, Toorak[94]
  • 2000, 26 October–12 November: New Works: Paintings By Sandra Leveson, Greythorn Galleries, 462 Toorak Rd, Toorak[95]
  • 2000, 9–23 December: Christmas Exhibition, Contemporary paintings by leading Australian artists including: Albert Tucker, Arthur Boyd, Charles Blackman, David Boyd, David Aspen, Judy Cassab, John Coburn, Ray Crooke, Robert Dickerson, Geoff Dyer, Donald Friend, William Boissevain, Frank Hodgkinson, Robert Juniper, Louis Kahan, Sandra Leveson! Leonard Long, Sidney Nolan, John Olsen, John Perceval, John Rigby, Susan Sheridan, Brett Whitely & Margaret Woodward. Wagner Art Gallery, 39 Gurner St, Paddington[96]
  • 2001, 8–31 March: Australian Women Artists: Hermia Boyd, Celia Perceval, Sandra Leveson. Elizabeth Durack, Eveline Syme, Janet Cumbrae-Stewart, Barbara Tribe. Vanessa Wood Fine Art, Mosman[97]
  • 2001, 5–30 April: Autumn Collection, Fred Cress; Brett Whiteley; Sidney Long; Robert Dickerson; Arthur Boyd; Jason Cordero; David Boyd; Sandra Leveson: Frances Fussell; Elizabeth Durack; Celia Perceval; Hermia Boyd; John Firth-Smith; Charles Blackman; John Coburn; Harry Bilson; J.J. Hilder; Sir Ivor Hele; Thomas Gleghorn; Scott McDougall. Vanessa Wood Fine Art, Mosman[98]
  • 2001, 26 October – 25 November: Portia Geach Memorial Award, Julianne Mills, Yuri Shimmyo, Sandra Leveson, National Trust, S. H. Ervin Gallery, The Rocks, Sydney[99]
  • 2012, 5 April to 3 May: Less is more - more or less, with George Baker, Malcolm Benham, Virginia Coventry, Elizabeth Cummings, Margaret Dredge, Ruth Faerber, Vivienne Ferguson, Victor Greenaway, Steve Harrison, Anna Herold Pola, Jenny Herbert-Smith, David Horton, Melanie Howard, Tim Maguire, Frank Marinelli, Russell McQuilty, Miranda Parkes, Robyn Quinn, Peggy Randall, Jai Smith, Carly Snoswell, Daniel Templeman, Aida Tomescu, Shoalhaven City Arts Centre[100]
  • 2013: Great and Small, Yvonne Boag, Ian Grant, Sandra Leveson, Alan Oldfield, Eric Smith, Anita Taylor, Ken Woolley; Pinson Gallery at Syndicate at Danks, Sydney[101]

Awards and commissions edit

  • 1971: 1971 Corio Painting Prize, Geelong Art Gallery[102]
  • 1972: Alice Prize, Painting Prize, Northern Territory Art Gallery[39]
  • 1972: Trustees Award, Queensland Art Gallery[103]
  • 1975: Trustees Purchase Award, Tasmanian Art Gallery & Museum[39]
  • 1978: Commissioned Patron Print for Australian Print Council[39]
  • 1978: Transporting Art, painted trams, Victorian Arts Board[104]

Collections edit

References edit

  1. ^ [Sandra Leveson : Australian Art and Artists file], retrieved 3 April 2022
  2. ^ a b "They've no time for getting bored". The Age. 3 June 1971. p. 22.
  3. ^ "Real Estate : Sandringham : There's even a lookout for a glimpse of the sea". The Age. 28 February 1981. p. 45.
  4. ^ "Real Estate : The Best, Weekend : Street of the Week". The Age. 25 October 1985. pp. 116–117.
  5. ^ "The picture parade". The Sydney Morning Herald. 3 February 1974. p. 102.
  6. ^ Drury, Nevill (1994). Images 2: contemporary Australian painting. East Roseville: Craftsman House. ISBN 978-976-8097-69-9. OCLC 932313824.
  7. ^ Germaine, Max (1991). A dictionary of women artists of Australia. Roseville East, NSW, Australia; New York, NY: Craftsman House ; STBS Ltd. (distributor). ISBN 978-976-8097-13-2. OCLC 26591029.
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  85. ^ Eisenberg, Joseph (1988). Contemporary views of New England: Cressida Campbell, Sandra Leveson, Max Miller, Angus Nivison, Ann Thomson, Guy Warren. Armidale: New England Regional Art Museum. ISBN 978-0-9592749-9-8. OCLC 222028410.
  86. ^ Tyson, Janet (29 August 1991). "Art Review". Fort Worth Star-Telegram. p. 114.
  87. ^ "Galleries". The Age. 22 April 1994. p. 45.
  88. ^ "Exhibitions". The Age. 11 November 1994. p. 48.
  89. ^ James, Bruce (12 July 1995). "Medium that carries a vital message". The Sydney Morning Herald. p. 18.
  90. ^ "Galleries". The Age. 14 July 1995. p. 44.
  91. ^ Burke, Kelly (16 January 1996). "No strings attached in bush bash bounty". The Sydney Morning Herald , Tue • Page 13. p. 13.
  92. ^ "The Age EG". The Age (Melbourne, Victoria, Australia) 05 Apr 1996, Fri Page 48. 5 April 1996. p. 48.
  93. ^ "Advertising". The Sydney Morning Herald. 10 January 1998. p. 128.
  94. ^ "The Age Entertainment Guide : Exhibitions". The Age. 2 October 1998. p. 79.
  95. ^ "Entertainment Guide : Exhibitions". The Age. 10 November 2000. p. 56.
  96. ^ "Advertising". The Sydney Morning Herald. 16 December 2000. p. 87.
  97. ^ Gotting, Peter (8 March 2001). "Spotlight : Opening". The Sydney Morning Herald. p. 14.
  98. ^ "Advertising". The Sydney Morning Herald. 31 March 2001. p. 107.
  99. ^ "Advertising". The Sydney Morning Herald. 3 November 2001. p. 102.
  100. ^ a b Dingle, Max; Shoalhaven City Arts Centre (Nowra, N.S.W.) (2012). Less is More - More or Less: from the M G Dingle & G B Hughes Collection. Nowra, N.S.W.: Shoalhaven City Arts Centre. ISBN 978-0-646-57149-2. OCLC 785984364.
  101. ^ Taylor, A. (1 May 2013). "Aerial (2013) and Preparations (2013)". {{cite journal}}: Cite journal requires |journal= (help)
  102. ^ Erlich, Rita (28 December 1981). "Galleries : Prosperity, neglect at Geelong". The Age. p. 6.
  103. ^ "In Brief". The Canberra Times. 13 October 1972. p. 3.
  104. ^ Veitch, Carol (30 August 1978). "Melbourne's paintings on wheels : When the decorated trams take to the tracks more than a few heads will turn". The Australian Women's Weekly: 31.
  105. ^ "Dionysus, 1975-1976 by Sandra Leveson". www.artgallery.nsw.gov.au. Retrieved 3 April 2022.
  106. ^ corporateName=Commonwealth Parliament; address=Parliament House, Canberra. "About the Parliament House art collection". www.aph.gov.au. Retrieved 3 April 2022.{{cite web}}: CS1 maint: multiple names: authors list (link)
  107. ^ "A Lasting Impression". ICCSydney. Retrieved 3 April 2022.
  108. ^ "Bulletin Briefing : Art". The Bulletin. 096 (4897): 49. 16 March 1974.
  109. ^ "Newcastle Art Gallery". newcastle-collections.ncc.nsw.gov.au. Retrieved 3 April 2022.

External links edit

  • Artist website

April 14, 2024
sandra, leveson, born, 1944, also, known, meares, australian, painter, printmaker, teacher, born1944, melbourne, australiaeducationcaulfield, institute, technology, national, gallery, schoolknown, forabstract, painting, printmaking, contents, training, career,. Sandra Leveson born 1944 also known as Sandra Leveson Meares is an Australian painter printmaker and teacher 1 Sandra LevesonBorn1944 age 79 80 Melbourne AustraliaEducationCaulfield Institute of Technology National Gallery SchoolKnown forAbstract painting printmaking Contents 1 Training 2 Career and reception 2 1 Teacher 2 2 Artist 3 Exhibitions 3 1 Solo 3 2 Group 4 Awards and commissions 5 Collections 6 References 7 External linksTraining editFrom 1959 aged fourteen to 1963 Leveson studied design at Caulfield Institute of Technology where she and sculptor Ken Leveson met while he was taking fashion illustration 2 She continued studies at the National Gallery School 1959 63 and they married in 1966 and lived in Sandringham and both taught at Brighton Technical College 3 In 1971 they were contemplating buying nineteenth century mill near Castlemaine for another environment to work in 2 but instead converted a warehouse to a studio cum townhouse at 4 Tyrone Street South Yarra 4 She undertook overseas study in the UK and US in 1974 5 and 1976 6 7 Career and reception editTeacher edit While resident at 23 Tennyson Street Sandringham 8 where she was photographed in 1970 by Paul Cox lecturer at Prahran College with her then husband Ken 9 Leveson taught printmaking at Brighton Technical College From 1970 to 1982 she lectured in Fine Art at the Prahran College of Advanced Education 10 where she was Head of printmaking 1972 82 11 8 In Sydney Prahran College graduate Carol Jerrems made a sequence of photographs of her in 1974 for A Book About Australia Women 12 Artist editIn the late mid 1960s Leveson adopted a geometric Op Art style in her early screen prints 13 14 15 Of these reviewer Patrick McCaughey wrote Good design wins out too often These prints may contain intricacies but never real difficulties for the spectator They do too much and make life much too easy with their bland matt colors Pleasant enough and skilful in their decorative organisatiton it s a pressure free art demanding little and sustaining little The exhibition one suspects hides a better artist than it reveals The shaped polyptych upstairs promises a curtness awaiting future delivery 16 Later works established her as a colourist when in 1968 they were shown at Pinacotheca Gallery Melbourne in a joint show Recent prints 18 29 November with Alan Warren 17 However despite their adherence to the high Modernist colour field style and to geometric abstraction then ascendant as Foster points out Leveson s work and Lesley Dumbrell s likewise was not included amongst the predominantly male artists in the 1968 The Field survey 18 In 1971 Leveson started screen printing on her canvases Ruth Faerber in 1972 confirmed the lyrical quality of her imagery Sandra Leveson uses an optical off register dot pattern to create moire patterned surfaces in lyrical romantic color Built up with a minute pointilistic technique large silkscreen prints in editions single canvases and double sided glass images conjure up drifting recangular and diamond forms structured by strongly contrasting stable and strict borders of flat color Skill and sensitivity are superbly combined in works of restful elegance 19 That emphasis led her American Abstract Expressionist influenced works of the 1970s and first seen in Sydney in 1972 20 at The Holdsworth Galleries 21 which in turn was adapted to her semi abstract representation of expansive Australian landscape 22 However McCaughey continued to regard Leveson s work of this period shown at Realties at the end of 1972 as lightweight They make all the right moves for seriousness I mean they ve got color spread optical displacement and even some cautious shaped prints But we ve all been dragged round this track too often for the moves to come off There s not a twitch we can t predict except one s own aghast grimace 23 Daniel Thomas pointed out in her 1974 show at Bonython the link between Leveson s screen printing through the use of stencils with her painting describing the effect in her Optic Series as like looking at a pale Rothko through a flyscreen Thomas noted that she was then selling works at around 1 000 24 Leveson in interview said the effect was inspired on her overseas residencies during which she took photographs of mist and fog showing images behind a curtain a natural haze 25 Age reviewer Maureen Gilchrist summing up exhibitions of the year 1976 concluded that Leveson s at Realities gallery with those of Lesley Dumbrell at Powell Street were the year s most compelling her large canvases painted and then successively silkscreened with one of the dominant colors achieves extraordinarily subtle effects of hovering vibration and translucency These lyrical works have such titles as Lesbos evoking a female consiciousnses 26 In April Gilchrist reviewed the survey of ten years of the artist s work held at Melbourne University and remarked on its evolution and the influence of her overseas travel to see Noland 27 Rothko Louis Turner and Monet 28 In the earlier screen prints and acrylics Leveson was involved with optics and with creating a simple clearly defined geometric regularity Gradually she began to relinquish this approach and is now attempting a far more complex unity In the new canvases she begins with a brushy gestural spread of colors usually applied centrally and then successively screens one of the dominant colors over these employing a silkscreen technique The effect is a series of semitransparent veils The effect is as fugitive as an apparition but it is not amorphous The silk screened veil of dots acts as a regulating device a grid balancing the fluid spontaneously brushed gestures of the hand 29 Paul Taylor of the same retrospective also noted the synthesis of juxtaposed gestural strokes with the screenprint grid and also the lyrical palette 30 In April 1978 Leveson was invited onto a Discussion Panel On Painting at the Art Gallery of New South Wales in conjunction with the exhibition of a paintings there by John Walker chaired by Patrick McCaughey with David Aspden Syd Ball John Firth Smith Alun Leach Jones and John Peart 31 Then in June that year joined in the symposium Views on Recent Changes in Women s Art with Janine Burke Lesley Dumbrell Helen Geier Memory Holloway Jenny Watson Elizabeth Gower at Powell Street Gallery South Yarra 32 In 1987 Leveson was again invited to the AGNSW as a speaker in Artists on Art beside William Delafield Cook Fred Cress John Firth Smith Robert Jacks Michael Johnson Colin Lanceley Terence Maloon on Hilarie Mais Susan Norrie and Richard Dunn Tim Storrier Ann Thomson and John Wolseley for the Centre for the History of the Decorative Arts 33 Also by 1978 Leveson had found a receptive market in Fort Worth Texas for Australian landscapes that looked familiar to Texans exhibiting paintings and prints at Gallery One later named William Campbell Contemporary Art 34 35 36 Sasha Grishin in 1978 reacted with a contrary view of her contributions at Susan Gillespie Galleries Canberra Sandra Leveson s suite of four screenprints Half Moon Bay Nos to 4 with its juxtaposition of photographic seascapes and soft pastel like backgrounds leads to nowhere and is executed with a professional slickness that leaves one uneasy 37 Likewise Robert Rooney reviewing her contributions to a group show at Realities in early 1979 in The Age considered her lyricism as having been taken too far with gestures devoid of energy and her colors favor powder puff flesh and eye shadow Fresh Water Plain has superimposed dot screens for added strength but it doesn t come off Not as good as her early stuff 38 McCulloch in 2006 characterised her style as coolly restrained abstracts which are often characterised by pastel blues and pinks divided by a horizon like line 39 In 1980 after her second husband Russell Meares accepted a professorship in psychology at the University of Sydney 40 he and Leveson relocated from Melbourne to Sydney converting a former chemical warehouse in Balmain for a large studio 41 However her Harbour inspired imagery left reviewer Memory Holloway detecting no emotion and one idea one image which is flogged into submission a tough and aggressive triangle in over simplified compositions in which the eye is never enticed into the work never arrested or caught in any visual tangle but glides effortlessly over the slick surfaces without interruption 42 On her own work in 1987 Leveson remarked Basically I m a romantic so I like that thing about the image being not quite there fugitive ephemeral 28 Exhibitions editSolo edit Leveson achieved early recognition and from 1962 then aged 18 43 she commenced a series of solo shows first in Melbourne s Pinacotheca and Realities 44 45 46 and later Greythorn 47 and at Macquarie Galleries in Sydney 48 49 Others include 1962 to 29 November Sandra Leveson Pinacotheca St Kilda 50 1968 18 29 November Recent prints Joint show with Alan Warren Pinacotheca 17 16 1970 Joint show Strines Gallery Cnr Rathdown amp Faraday Sts Carlton 51 1972 March Holdsworth Art Gallery 19 1972 December Realities Toorak 23 1974 from 1 February Sandra Leveson paintings and prints and Gordon Andrews jewellery and sculpture Bonython Art Gallery Sydney 52 53 54 24 1976 Realities Gallery Toorak 1977 26 April 3 June A Decade of Sandra Leveson Melbourne University 55 1978 4 18 August Paper Works with Peter Powditch Powell Street Gallery 56 1978 18 November 8 December First US exhibition Gallery One Fort Worth Texas 35 1980 29 March 12 April Sandra Leveson New Paintings Australia s Finest Contemporary Artist Gallery One Fort Worth Texas 57 1980 to 24 December Prints by Sandra Leveson Axiom Gallery Richmond 58 1982 5 26 November Recent paintings and works on paper by Sandra Leveson Meares Realities gallery Toorak 59 1983 7 May 18 June Sandra Leveson Meares Gallery One Fort Worth Texas 60 61 1985 5 23 February Sandra Leveson Meares Gouaches Macquarie Galleries Sydney 62 63 1985 22 October 6 November Paintings by Sandra Leveson Meares William Campbell Contemporary Art Fort Worth Texas 64 1987 4 22 August Recent Paintings by Sandra Leveson Macquarie Galleries Sydney 65 28 1989 18 March 8 April Sandra Leveson Recent Paintings Macquarie Galleries Sydney 66 1991 Exhibition of works by Sandra Leveson and David Van Nunen from the 1990 Artists Camp organised by the Museums and Art Galleries of the Northern Territory 67 1991 12 October 16 November Australian painter Sandra Leveson William Campbell Contemporary Art Fort Worth Texas 68 69 70 1994 to 8 January Sandra Leveson 30 Year Survey Campbelltown City Art Gallery 1994 New England Regional Art Museum with a tour of regional galleries 1994 December January William Campbell Contemporary Art Fort Worth Texas 71 36 1994 95 2 December to 22 January Sandra Leveson 30 Year Survey Campbelltown City Art Gallery 72 1995 Wagga Wagga City Art Gallery 1995 June Sandra Leveson Impressions of the Landscape Greythorn Galleries Toorak 47 1996 A Decade of Sandra Leveson 1986 1996 BMG Art Gallery Adelaide 73 2011 Sandra Leveson painting of poise and passion TarraWarra Museum of Art 74 2015 Sandra Leveson painting of poise and passion Macquarie University Art Gallery 75 Group edit 1971 A Decade of Australian Painting McClelland Gallery 1971 1973 Georges Invitation Art Prize 1975 26 28 November Artists For Labor And Democracy An exhibition of paintings sculptures prints drawings and photographs Ian Armstrong Asher Bilu Jack Courier Peter Campbell Liz Cross Peter Corlett Noel Counihan Peter Cole Joan Coxsedge Lesley Dumbrell John Davis Neil Douglas John Hopkins Geoff Lowe Vlase Nikoleski Gareth Sanson Ivan Durrant Dale Hickey Kevin Lincoln Keith Nicholl John Scurry Len French Mary Hammond Sandra Leveson John Neeson Andrew Sibley Anita Furey George Johnson Alun Leach Jones Ailsa O Conner Douglas Stubbs Mike Field Martin Jones Donald Laycock Chris Pyett Max Thompson Bob Grieve Robert Jacks Danny Moynahan Laurie Peterson Andrew Maclean Craig Gough Inge King Ted May Cliff Pugh Jennifer Talbot Geoff LaGerche Grahame King Vic Majzner Lenton Parr Edith Wall Bill Gregory Les Kossatz Clive Murray White Richard Rudd David Wilson Helen Geir Bill Kelly Jeff Makin Sweeney Reed Patrick Geir Roger Kemp Erica McGilchrist and others at Toorak Art Gallery 76 1977 29 31 January Brighton City Cultural Centre opening exhibition with Roger Kemp Gary Shead John Howley and others Halifax St Middle Brighton 77 1978 May Prahran College Staff exhibition Roger Kemp Vic Majzner David Wilson Sandra Leveson Helen Geier Jeff Makin and others 78 1978 29 July 8 August David Aspden John Firth Smith Sandra Leveson Peter Powditch Powell Street Gallery Sth Yarra 1978 12 22 December Works on paper with Barbara Campbell Sandra Leveson Kate Briscoe Jenny Watson and Mandy Martin Susan Gillespie Galleries Manuka 37 1979 March Frank Hodgkinson Don Laycock John Wolseley Roger Kemp Asher Bilu Dinny Nolan Tjampitjinpa David Rankin Lloyd Rees Realities gallery Toorak 38 1979 September Contemporary prints and paintings including artists Miro Leroy Neiman Jim Dine Folon Gene Davis Bruno Bruni Victor Vasarely Sandra Leveson Will Barnet and R C Gorman Gallery One Fort Worth Texas USA 79 1982 from September 1982 February 1985 Australian Screenprints with Ray Arnold Sydney Ball John Coburn Bruce Latimer Alun Leach Jones Mandy Martin Greg Moncrieff Ann Newmarch Sally Robinson David Rose Stephen Spurrier Arthur Wicks Norman Wight and Paul Zika Starting Institute of Modern Art Brisbane and touring 21 state and regional galleries throughout Australia 80 1986 April ArtWalk 86 with Dan Allison Jack Boynton Michel Demanche Ken Dixon Peter Dean Dorothy Gillespie A M Hudson Val Hunnicutt Doug Hill Nancy Lamb Sandra Leveson Meares Larry Millar David McCullough Richard Thompson Cecil Touchon Karl Umlauf and Sara Waters William Campbell Contemporary Art Fort Worth Texas 81 1986 15 August 21 September Original prints of the 70s by Syd Ball John Coburn Sandra Leveson and Martin Sharp Lake Macquarie Gallery Old Council Chambers Speers Point Lake Macquarie 1987 18 September 17 October Gallery artists William Campbell Contemporary Art Fort Worth Texas 82 1988 to 16 January Gallery artists including work by Michael Johnson Fred Cress John Coburn Sandra Leveson John Beard Bernard Ollis and others Macquarie Galleries 83 81 1988 to 17 July Contemporary views of New England with works by Cressida Campbell Sandra Leveson Max Miller Angus Nivison Ann Thomson and Guy Warren New England Regional gallery Armidale 84 1988 Aspects of Australian Art Houston International Festival exhibition Houston 1988 1988 Contemporary views of New England Cressida Campbell Sandra Leveson Max Miller Angus Nivison Ann Thomson Guy Warren 85 1991 August Gallery artists William Campbell Contemporary Art Fort Worth Texas 86 1994 to 18 May Prints and Etchings by Michael Leunig John Spooner Anita Lawrence Sandra Leveson and Louis Kahan Avant Garden 46 Vincent St Daylesford 87 1994 12 30 November Prints by Frank Hodgkinson Sandra Leveson Jeff Makin Graeme Peebles David Rankin Distelfink 432 Burwood Rd Hawthorn 88 1995 15 16 July Works from Australian Galleries artists 5th International Works on Paper Fair Sydney 89 1995 July Limited edition prints by Lin Onus Frank Hodgkinson Graeme Peebles Sandra Leveson Gallery 130 130 Flinders St Melbourne 90 1996 from 19 January It s a Guitar Shaped World Two Tamworth Country Music Festival exhibition Tamworth City Gallery 91 1996 April Original prints by Jan Neil Clem Millward Sandra Leveson and David Rose Steven Print 259 Victoria St Abbotsford 92 1998 to 31 March Summer Exhibition Paintings by Prominent Australian Artists Wagner Art Gallery 39 Gurner St Paddington 93 1998 8 October Recent paintings by Sandra Leveson Greythom 462 Toorak Rd Toorak 94 2000 26 October 12 November New Works Paintings By Sandra Leveson Greythorn Galleries 462 Toorak Rd Toorak 95 2000 9 23 December Christmas Exhibition Contemporary paintings by leading Australian artists including Albert Tucker Arthur Boyd Charles Blackman David Boyd David Aspen Judy Cassab John Coburn Ray Crooke Robert Dickerson Geoff Dyer Donald Friend William Boissevain Frank Hodgkinson Robert Juniper Louis Kahan Sandra Leveson Leonard Long Sidney Nolan John Olsen John Perceval John Rigby Susan Sheridan Brett Whitely amp Margaret Woodward Wagner Art Gallery 39 Gurner St Paddington 96 2001 8 31 March Australian Women Artists Hermia Boyd Celia Perceval Sandra Leveson Elizabeth Durack Eveline Syme Janet Cumbrae Stewart Barbara Tribe Vanessa Wood Fine Art Mosman 97 2001 5 30 April Autumn Collection Fred Cress Brett Whiteley Sidney Long Robert Dickerson Arthur Boyd Jason Cordero David Boyd Sandra Leveson Frances Fussell Elizabeth Durack Celia Perceval Hermia Boyd John Firth Smith Charles Blackman John Coburn Harry Bilson J J Hilder Sir Ivor Hele Thomas Gleghorn Scott McDougall Vanessa Wood Fine Art Mosman 98 2001 26 October 25 November Portia Geach Memorial Award Julianne Mills Yuri Shimmyo Sandra Leveson National Trust S H Ervin Gallery The Rocks Sydney 99 2012 5 April to 3 May Less is more more or less with George Baker Malcolm Benham Virginia Coventry Elizabeth Cummings Margaret Dredge Ruth Faerber Vivienne Ferguson Victor Greenaway Steve Harrison Anna Herold Pola Jenny Herbert Smith David Horton Melanie Howard Tim Maguire Frank Marinelli Russell McQuilty Miranda Parkes Robyn Quinn Peggy Randall Jai Smith Carly Snoswell Daniel Templeman Aida Tomescu Shoalhaven City Arts Centre 100 2013 Great and Small Yvonne Boag Ian Grant Sandra Leveson Alan Oldfield Eric Smith Anita Taylor Ken Woolley Pinson Gallery at Syndicate at Danks Sydney 101 Awards and commissions edit1971 1971 Corio Painting Prize Geelong Art Gallery 102 1972 Alice Prize Painting Prize Northern Territory Art Gallery 39 1972 Trustees Award Queensland Art Gallery 103 1975 Trustees Purchase Award Tasmanian Art Gallery amp Museum 39 1978 Commissioned Patron Print for Australian Print Council 39 1978 Transporting Art painted trams Victorian Arts Board 104 Collections editNational Gallery of Australia 13 Art Gallery of New South Wales Art Gallery of South Australia 105 Museum and Art Gallery of the Northern Territory MAGNT 67 National Gallery of Victoria 39 Queensland Art Gallery 14 Tasmanian Museum and Art Gallery TMAG Parliament House 106 Artbank 39 International Convention Centre Sydney 107 Geelong Art Gallery 108 Newcastle Art Gallery 109 University of Melbourne 39 University of Western Australia 39 M G Dingle and G B Hughes Collection Shoalhaven City Arts Centre 100 References edit Sandra Leveson Australian Art and Artists file retrieved 3 April 2022 a b They ve no time for getting bored The Age 3 June 1971 p 22 Real Estate Sandringham There s even a lookout for a glimpse of the sea The Age 28 February 1981 p 45 Real Estate The Best Weekend Street of the Week The Age 25 October 1985 pp 116 117 The picture parade The Sydney Morning Herald 3 February 1974 p 102 Drury Nevill 1994 Images 2 contemporary Australian painting East Roseville Craftsman House ISBN 978 976 8097 69 9 OCLC 932313824 Germaine Max 1991 A dictionary of women artists of Australia Roseville East NSW Australia New York NY Craftsman House STBS Ltd distributor ISBN 978 976 8097 13 2 OCLC 26591029 a b De Groen Geoffrey Mackinnon Leah 1978 Conversations with australian artists Melbourne Quartet Melbourne ISBN 978 0 908128 00 6 OCLC 963500747 Sandringham Tony Ward Ingrid Sandra Leveson Ken Leveson Jan Hurrell www mga org au Retrieved 3 April 2022 Art at College The Australian Jewish News 7 November 1975 p 23 Buckrich Judith Raphael 2007 Design for living a history of Prahran Tech Windsor Vic Prahran Mechanics Institute Press ISBN 978 0 9756000 8 5 OCLC 225572527 Fraser Virginia Jerrems Carol 1974 A Book about Australian women North Fitzroy Vic Outback Press ISBN 978 0 86888 007 5 OCLC 1365981 a b Leveson Sandra 1970 No 1 Print screen print National Gallery of Australia Retrieved 3 April 2022 a b Leveson Sandra 1970 Optic series D 1972 Queensland Art Gallery Gallery of Modern Art Retrieved 3 April 2022 Burke Janine 1990 Field of vision a decade of change women s art in the seventies Ringwood Vic Australia Viking ISBN 9780670835867 OCLC 1035485995 a b McCaughey Patrick 27 November 1968 Art The Age p 6 a b The Sun 20 November 1968 p23 Foster Julie Rosewarne 1995 Advocating a gender inclusive curriculum in the visual arts politics pedagogy postmodernism Australian Art Education 18 2 17 27 ISSN 1032 1942 OCLC 7128716299 a b Faerber Ruth 2 March 1972 Entertainment and the Arts Looking In Looking Out The Australian Jewish Times p 6 Lynn Elwyn 4 March 1972 Posters as art The Bulletin 094 4796 36 Listings Art The Bulletin 096 4891 42 2 February 1974 Ivory Helen Leveson Sandra 1993 Sandra Leveson East Roseville NSW Australia New York NY Craftsman House STBS Ltd distributor ISBN 9789768097439 OCLC 1202224003 a b McCaughey Patrick 13 December 1972 Bauble and bon bon ring out the year The Age p 2 a b Thomas Daniel 7 February 1974 Art swing to the extremes The Sydney Morning Herald p 7 Sandra Leveson interviewed by Geoffrey De Groen in the Geoffrey De Groen oral history collection 1976 OCLC 1038274915 retrieved 28 April 2022 Gilchrist Maureen 1 January 1977 Women painters shine The Age p 14 Makin Jeff 1976 Noland was here Quadrant 20 1 53 57 a b c Watson Bronwyn 14 August 1987 Galleries The Sydney Morning Herald p 14 Gilchrist Maureen 27 April 1977 Artist draws veil from 10 years work The Age p 2 Taylor Paul 1984 Anything goes Australian art and art criticism 1970 1980 Melbourne Art amp Text Distributed by Kingfisher Books p 72 ISBN 978 0 9591042 0 2 OCLC 28991135 Advertising 8 April 1978 Art Gallery of New South Wales The Sydney Morning p 40 Weekender Hear This The Age 2 June 1978 p 32 Advertising The Sydney Morning Herald 19 May 1987 p 45 Cochrane Peter 16 July 1991 An artist who can fool the Texans The Sydney Morning Herald p 5 a b Robertson Laura 12 November 1978 Art Notes Fort Worth Star Telegram p 103 a b Wilson Wade 25 December 1994 In the Galleries Australian artist has landscape love affair Fort Worth Star Telegram p 106 a b Grishin Sasha 20 December 1978 Varied quality from five women artists The Canberra Times p 26 a b Rooney Robert 21 March 1979 Art The Age p 2 a b c d e f g h McCulloch Alan McCulloch Susan McCulloch Childs Emily 2006 The new McCulloch s encyclopedia of Australian art ISBN 978 0 522 85317 9 OCLC 80568976 Staff Profile Russell Meares The University of Sydney Retrieved 6 April 2022 McIntyre Arthur 24 September 1982 Melbourne s loss is Sydney s gain Interview The Age p 14 Holloway Memory 10 November 1982 Flogging the image into submission The Age p 14 Around the Galleries The Australian Jewish News 8 October 1976 p 13 Around the Galleries The Australian Jewish News 15 December 1972 p 23 McCulloch Susan 1 June 1982 Realities has new style The Age p 20 Sutton Pollyanna 26 August 1990 State of the Art A who s who guide to Melbourne s commercial galleries The Age p 23 a b Advertising The Australian Jewish News 16 June 1995 p 26 Leveson Sandra Macquarie Galleries 1989 Sandra Leveson Sydney Macquarie Galleries ISBN 978 1 875365 00 5 OCLC 220431481 Bottrell Fay Stacey Wesley 1977 The artist craftsman in Australia Ultimo N S W Murray ISBN 978 0 909950 64 4 OCLC 29005292 Age guide to entertainment amp arts The Age 22 November 1968 p 17 Heide Museum of Modern Art Melbourne Babington Brooke Njoo Celeste 2018 Strines Gallery Heide Museum of Modern Art Melbourne 25 August 2018 24 February 2019 Heide Museum of Modern Art Melbourne pp 37 47 51 ISBN 978 1 921330 63 6 Bulletin Briefing Art The Bulletin 096 4893 56 16 February 1974 Faerber Ruth 21 February 1974 Art Moon Goddess The Australian Jewish Times p 16 Thomas Daniel 31 January 1974 New Exhibitions The Sydney Morning Herald p 7 Leveson Sandra University of Melbourne University Gallery 1977 Sandra Leveson 1967 77 Melbourne University Gallery University of Melbourne OCLC 272523444 Paper Works The Australian Jewish News 4 August 1978 p 37 Talk of the Town Fort Worth Star Telegram 25 March 1980 p 22 Galleries The Age 12 December 1980 p 40 Galleries The Age 5 November 1982 p 46 Museums Fort Worth Star Telegram 6 May 1983 p 40 Lowe Ron 8 May 1983 Art Notes Fort Worth Star Telegram p 87 Galleries The Sydney Morning Herald 8 February 1985 p 39 Short Susanna 15 February 1985 The Galleries From the sublime to the ridiculous The Sydney Morning Herald p 12 Community Calendar Art Fort Worth Star Telegram 22 October 1985 p 26 Galleries The Sydney Morning Herald 31 July 1987 p 46 Galleries The Sydney Morning Herald 1 March 1989 p 98 a b Leveson Sandra Van Nunen David Museum and Art Gallery of the Northern Territory 1991 Artists in Kakadu 1990 Darwin Museums and Art Galleries of the Northern Territory OCLC 951486757 Art Galleries Fort Worth Star Telegram 11 October 1991 p 116 Click Sandra Leveson Reception Fort Worth Star Telegram 17 October 1991 p 56 Tyson Janet 18 October 1991 Art Review Inside the outback Paintings from deep in the deserts of Australia Fort Worth Star Telegram p 84 Art Fort Worth Dealers Association Fort Worth Star Telegram 7 December 1994 p 88 Galleries The Sydney Morning Herald 20 January 1995 p 55 Leveson Sandra BMGArt Gallery 1996 Sandra Leveson decade of Sandra Leveson 1986 1996 Adelaide BMG Art OCLC 222171367 Leveson Sandra TarraWarra Museum of Art 2011 Sandra Leveson painting of poise and passion Healesville Vic TarraWarra Museum of Art OCLC 773612209 Leveson Sandra Hargraves Kate Janiszewski Leonard Pinson Peter Macquarie University Art Gallery 2015 Sandra Leveson paintings of poise and passion 17 June 31 July 2015 ISBN 978 1 74138 433 8 OCLC 918906104 Advertisement 22 November 1975 Artists for Labor and Democracy The Age p 19 Living Out Happenings The Age 28 January 1977 p 18 Eagle Mary 25 May 1978 Art The Age p 2 Eyrich Claire 9 September 1979 Gallery Night New works on display at six simultaneous openings Fort Worth Star Telegram p 81 Exhibitions The Age 7 September 1982 p 14 a b Wilson Wade 24 April 1986 One Fort Worth gallery included in Art Walk 86 Fort Worth Star Telegram p 36 Gallery Shows Fort Worth Star Telegram 18 September 1987 p 131 Galleries The Sydney Morning Herald 8 January 1988 p 42 Galleries The Sydney Morning Herald 24 June 1988 p 55 Eisenberg Joseph 1988 Contemporary views of New England Cressida Campbell Sandra Leveson Max Miller Angus Nivison Ann Thomson Guy Warren Armidale New England Regional Art Museum ISBN 978 0 9592749 9 8 OCLC 222028410 Tyson Janet 29 August 1991 Art Review Fort Worth Star Telegram p 114 Galleries The Age 22 April 1994 p 45 Exhibitions The Age 11 November 1994 p 48 James Bruce 12 July 1995 Medium that carries a vital message The Sydney Morning Herald p 18 Galleries The Age 14 July 1995 p 44 Burke Kelly 16 January 1996 No strings attached in bush bash bounty The Sydney Morning Herald Tue Page 13 p 13 The Age EG The Age Melbourne Victoria Australia 05 Apr 1996 Fri Page 48 5 April 1996 p 48 Advertising The Sydney Morning Herald 10 January 1998 p 128 The Age Entertainment Guide Exhibitions The Age 2 October 1998 p 79 Entertainment Guide Exhibitions The Age 10 November 2000 p 56 Advertising The Sydney Morning Herald 16 December 2000 p 87 Gotting Peter 8 March 2001 Spotlight Opening The Sydney Morning Herald p 14 Advertising The Sydney Morning Herald 31 March 2001 p 107 Advertising The Sydney Morning Herald 3 November 2001 p 102 a b Dingle Max Shoalhaven City Arts Centre Nowra N S W 2012 Less is More More or Less from the M G Dingle amp G B Hughes Collection Nowra N S W Shoalhaven City Arts Centre ISBN 978 0 646 57149 2 OCLC 785984364 Taylor A 1 May 2013 Aerial 2013 and Preparations 2013 a href Template Cite journal html title Template Cite journal cite journal a Cite journal requires journal help Erlich Rita 28 December 1981 Galleries Prosperity neglect at Geelong The Age p 6 In Brief The Canberra Times 13 October 1972 p 3 Veitch Carol 30 August 1978 Melbourne s paintings on wheels When the decorated trams take to the tracks more than a few heads will turn The Australian Women s Weekly 31 Dionysus 1975 1976 by Sandra Leveson www artgallery nsw gov au Retrieved 3 April 2022 corporateName Commonwealth Parliament address Parliament House Canberra About the Parliament House art collection www aph gov au Retrieved 3 April 2022 a href Template Cite web html title Template Cite web cite web a CS1 maint multiple names authors list link A Lasting Impression ICCSydney Retrieved 3 April 2022 Bulletin Briefing Art The Bulletin 096 4897 49 16 March 1974 Newcastle Art Gallery newcastle collections ncc nsw gov au Retrieved 3 April 2022 External links editArtist website Retrieved from https en wikipedia org w index php title Sandra Leveson amp oldid 1179725648, wikipedia, wiki, book, books, library,

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