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Sandra Lahire

Sandra Lahire (November 19, 1950 - July 27, 2001)[1] was a central figure in the experimental feminist filmmaking that emerged in the UK in the 1970s and 1980s.

Sandra Lahire
Born(1950-11-19)November 19, 1950
DiedJuly 27, 2001(2001-07-27) (aged 50)

Life and career edit

Lahire studied Philosophy at the University of Newcastle-upon-Tyne (BA), Fine Art Film at St Martin's School of Art, London, (1984) and Film & Environmental Media at the Royal College of Art, London (MA 1986). It was at St Martin's that she entered the world of independent film, working with artists including Malcolm Le Grice, Lis Rhodes, Tina Keane, Vera Neubauer and studying alongside the film-maker Isaac Julien.[2]

Her poetic short films were made in the context of the London Film-Makers’ Cooperative which “developed a new form of mixed-genre film-making [….] which marked a new stage in experimental film in Britain”, according to Jacqueline Rose. Of this generation Rose has described Lahire as “one of the most gifted, innovative and bold experimental film-makers”.[3]

Her first film, "Arrows", 1984, was a meditation on anorexia, a subject that threaded throughout her work. In 1986 she made ‘’Terminals’’, ‘’Edge’’, and ‘’Plutonium Blonde’’. In 1987, working with film-makers Jean Matthee and Anna Thew, Lahire made ‘’Uranium Hex’’.[4] ‘’Serpent River’’,1989, explored the toxic effects of a uranium mining corporation, owned by Rio Tinto Zinc, on the residents and inhabitants of Serpent River and Elliot Lake in Ontario, Canada.[5] In 1991 she made ‘’Lady Lazarus’’, the first part of a trilogy ‘’Living on Air’’, which was inspired by the poetry of Sylvia Plath and which she made across the span of nine years. The film incorporated an interview with Plath given just before she died. The lead of ‘’Living on Air’’ was played by fellow film-maker Sarah Turner. ‘’Eerie’’ followed in 1992. The second part of the Plath trilogy, ‘’Night Dances’’, 1995, presented Hebrew inscriptions on worn gravestones and allusions to Yom Kippur through which Lahire explored Jewish aspects of her identity. ‘’Persephone’’ and ‘’Knife Born’’ were made in 1997-98, with the final of the Plath trilogy, ‘’Johnny Panic’’, appearing in 1999.[citation needed]

Marina Grzinic has noted Lahire's “profound filmic commentary on anorexia. The body, always that body that is coming near the image of a spectre, that is connected solely with 'air and bones' while minimizing the flesh to zero, is also the primal element she uses to establish her relationship with her surroundings, particularly with a landscape destroyed by pollution or nuclear waste.” Grzinic also underscores the centrality of light and sound in her works, with which “she recreated emotional situations and connections between personal obsession(s) and social structures.”[6]

An essay by Lahire, Lesbians in Media Education, appeared in the anthology Visibly Female: Feminism and Art, edited by Hilary Robinson in 1998.[7] She also wrote an essay for Coil Magazine 'The Fairies Banquet', 1999, on Sarah Pucill's film Swollen Stigma (1998) who was her fellow filmmaker and partner at the time. For Make Magazine Issue 7, which was a special issue on the Miniature 1999, she wrote an essay, 'Little Deaths', on her film Johnny Panic (1999) and Sarah Pucill's film Cast (1999).

Reflections on Lahire and her work by film-makers Sarah Pucill (who was her partner in the last 6 years of her life), Lis Rhodes (for whom Lahire wrote a score for her film Just About Now)[8] and Sarah Turner appeared in Vertigo magazine in Spring 2002.[9]

See also edit

References edit

  1. ^ "Sandra Garner-Lahire". Matt & Andrej Koymasky. 5 June 2003.
  2. ^ Rose, Jacqueline (13 August 2001). "Sandra Lahire: Filmmaker at the forefront of experimental feminist cinema". The Guardian. Retrieved 9 February 2014.
  3. ^ Rose, Jacqueline (13 August 2001). "Sandra Lahire Obituary". The Guardian. Retrieved 7 February 2014.
  4. ^ "Sandra Lahire: Uranium Hex". Arts Catalyst. Retrieved 9 February 2014.
  5. ^ "Uranium Hex". Lux. Retrieved 7 February 2014.
  6. ^ Grzinic, Marina. "Sandra Lahire". Lux. Retrieved 7 February 2014.
  7. ^ Robinson, Hilary. Visibly Female. ASIN 0876635400.
  8. ^ "Sandra Lahire". Women Make Movies. Retrieved 9 February 2014.
  9. ^ "Sandra Lahire". Vertigo Magazine. Retrieved 7 February 2014.

External links edit

  • Sandra Lahire at IMDb

sandra, lahire, november, 1950, july, 2001, central, figure, experimental, feminist, filmmaking, that, emerged, 1970s, 1980s, born, 1950, november, 1950diedjuly, 2001, 2001, aged, contents, life, career, also, references, external, linkslife, career, editlahir. Sandra Lahire November 19 1950 July 27 2001 1 was a central figure in the experimental feminist filmmaking that emerged in the UK in the 1970s and 1980s Sandra LahireBorn 1950 11 19 November 19 1950DiedJuly 27 2001 2001 07 27 aged 50 Contents 1 Life and career 2 See also 3 References 4 External linksLife and career editLahire studied Philosophy at the University of Newcastle upon Tyne BA Fine Art Film at St Martin s School of Art London 1984 and Film amp Environmental Media at the Royal College of Art London MA 1986 It was at St Martin s that she entered the world of independent film working with artists including Malcolm Le Grice Lis Rhodes Tina Keane Vera Neubauer and studying alongside the film maker Isaac Julien 2 Her poetic short films were made in the context of the London Film Makers Cooperative which developed a new form of mixed genre film making which marked a new stage in experimental film in Britain according to Jacqueline Rose Of this generation Rose has described Lahire as one of the most gifted innovative and bold experimental film makers 3 Her first film Arrows 1984 was a meditation on anorexia a subject that threaded throughout her work In 1986 she made Terminals Edge and Plutonium Blonde In 1987 working with film makers Jean Matthee and Anna Thew Lahire made Uranium Hex 4 Serpent River 1989 explored the toxic effects of a uranium mining corporation owned by Rio Tinto Zinc on the residents and inhabitants of Serpent River and Elliot Lake in Ontario Canada 5 In 1991 she made Lady Lazarus the first part of a trilogy Living on Air which was inspired by the poetry of Sylvia Plath and which she made across the span of nine years The film incorporated an interview with Plath given just before she died The lead of Living on Air was played by fellow film maker Sarah Turner Eerie followed in 1992 The second part of the Plath trilogy Night Dances 1995 presented Hebrew inscriptions on worn gravestones and allusions to Yom Kippur through which Lahire explored Jewish aspects of her identity Persephone and Knife Born were made in 1997 98 with the final of the Plath trilogy Johnny Panic appearing in 1999 citation needed Marina Grzinic has noted Lahire s profound filmic commentary on anorexia The body always that body that is coming near the image of a spectre that is connected solely with air and bones while minimizing the flesh to zero is also the primal element she uses to establish her relationship with her surroundings particularly with a landscape destroyed by pollution or nuclear waste Grzinic also underscores the centrality of light and sound in her works with which she recreated emotional situations and connections between personal obsession s and social structures 6 An essay by Lahire Lesbians in Media Education appeared in the anthology Visibly Female Feminism and Art edited by Hilary Robinson in 1998 7 She also wrote an essay for Coil Magazine The Fairies Banquet 1999 on Sarah Pucill s film Swollen Stigma 1998 who was her fellow filmmaker and partner at the time For Make Magazine Issue 7 which was a special issue on the Miniature 1999 she wrote an essay Little Deaths on her film Johnny Panic 1999 and Sarah Pucill s film Cast 1999 Reflections on Lahire and her work by film makers Sarah Pucill who was her partner in the last 6 years of her life Lis Rhodes for whom Lahire wrote a score for her film Just About Now 8 and Sarah Turner appeared in Vertigo magazine in Spring 2002 9 See also editFeminist artReferences edit Sandra Garner Lahire Matt amp Andrej Koymasky 5 June 2003 Rose Jacqueline 13 August 2001 Sandra Lahire Filmmaker at the forefront of experimental feminist cinema The Guardian Retrieved 9 February 2014 Rose Jacqueline 13 August 2001 Sandra Lahire Obituary The Guardian Retrieved 7 February 2014 Sandra Lahire Uranium Hex Arts Catalyst Retrieved 9 February 2014 Uranium Hex Lux Retrieved 7 February 2014 Grzinic Marina Sandra Lahire Lux Retrieved 7 February 2014 Robinson Hilary Visibly Female ASIN 0876635400 Sandra Lahire Women Make Movies Retrieved 9 February 2014 Sandra Lahire Vertigo Magazine Retrieved 7 February 2014 External links editSandra Lahire at IMDb Retrieved from https en wikipedia org w index php title Sandra Lahire amp oldid 1144520227, wikipedia, wiki, book, books, library,

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