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Rudolph de Harak

Rudolph de Harak, also Rudy de Harak (April 10, 1924 – April 24, 2002), was an American graphic designer. De Harak was notable as a designer who covered a broad spectrum of applications with a distinctly modernist aesthetic. He was also influential as a professor of design.

Career edit

 
De Harak's digital clock at 200 Water Street

De Harak was born in Culver City, California. After serving in World War II, de Harak was influenced by two lectures given by Will Burtin and György Kepes which compelled him to pursue graphic design. Along with Saul Bass, Alvin Lustig and others, de Harak helped found the Los Angeles Society for Contemporary Designers before he moved to New York City to become art director for Seventeen for just 18 months.[1] At the same time, de Harak drew illustrations for Esquire and soon began his long tenure in teaching.[2] De Harak served "as the Frank Stanton Professor of Design, for a quarter century at the Cooper Union, and visiting professor at Yale, Alfred University, Parsons, Pratt Institute and other schools."[1]

He designed a three-story digital clock installed on the exterior of 200 Water St. (previously 127 John St.) in New York City. The clock consists of "72 square modules with numerals that light according to date, hour, minute and second". He also designed a neon-illuminated entrance and a scaffold covered with brightly covered canvas outside.[3]

De Harak was a member of the 1989 Art Directors Club Hall of Fame.[4] He was the recipient of a 1992 AIGA Medal.

Influences edit

De Harak's work was influenced by modernism and the International Typographic Style. He was also influenced by abstract expressionism, Dada, op art and pop art.[5]

References edit

  1. ^ a b "1992 AIGA Medalist: Rudolph de Harak".
  2. ^ Heller, Steven (April 30, 2002). "Rudolph de Harak, 78, Artist And Environmental Designer". New York Times.
  3. ^ Steven Heller. "Rudolph de Harak". AIGA. Retrieved 2013-10-07.
  4. ^ "Oops..."
  5. ^ "Rational Simplicity: Celebrating Rudolph de Harak, an unsung hero of mid-century graphic design". www.itsnicethat.com. Retrieved 2021-04-08.

Notes edit

  • Heller, Steven, "Rudolph de Harak, 78, Artist And Environmental Designer", The New York Times, April 30, 2002. The New York Times
  • Heller, Steven, "Rudolph de Harak – A Playful Modernist", Baseline 45, edited by Mike Daines and Hans Dieter Reichert, Bradbourne Publishing, 2004.
  • Heller, Steven, "A Humanist's Modernist", AIGA Medalists at aiga.org A Humanist's Modernist
  • Forester, Russel, "Rudolph de Harak", Graphic Design Archive at rit.edu Rudolph de Harak, Graphic Design Archive at rit.edu
  • "Rudolph de Harak", the 1989 Art Directors Club Hall of Fame at adcglobal.org 1989 Art Directors Club Hall of Fame at adcglobal.org


rudolph, harak, also, rudy, harak, april, 1924, april, 2002, american, graphic, designer, harak, notable, designer, covered, broad, spectrum, applications, with, distinctly, modernist, aesthetic, also, influential, professor, design, contents, career, influenc. Rudolph de Harak also Rudy de Harak April 10 1924 April 24 2002 was an American graphic designer De Harak was notable as a designer who covered a broad spectrum of applications with a distinctly modernist aesthetic He was also influential as a professor of design Contents 1 Career 1 1 Influences 2 References 3 NotesCareer edit nbsp De Harak s digital clock at 200 Water StreetDe Harak was born in Culver City California After serving in World War II de Harak was influenced by two lectures given by Will Burtin and Gyorgy Kepes which compelled him to pursue graphic design Along with Saul Bass Alvin Lustig and others de Harak helped found the Los Angeles Society for Contemporary Designers before he moved to New York City to become art director for Seventeen for just 18 months 1 At the same time de Harak drew illustrations for Esquire and soon began his long tenure in teaching 2 De Harak served as the Frank Stanton Professor of Design for a quarter century at the Cooper Union and visiting professor at Yale Alfred University Parsons Pratt Institute and other schools 1 He designed a three story digital clock installed on the exterior of 200 Water St previously 127 John St in New York City The clock consists of 72 square modules with numerals that light according to date hour minute and second He also designed a neon illuminated entrance and a scaffold covered with brightly covered canvas outside 3 De Harak was a member of the 1989 Art Directors Club Hall of Fame 4 He was the recipient of a 1992 AIGA Medal Influences edit De Harak s work was influenced by modernism and the International Typographic Style He was also influenced by abstract expressionism Dada op art and pop art 5 References edit a b 1992 AIGA Medalist Rudolph de Harak Heller Steven April 30 2002 Rudolph de Harak 78 Artist And Environmental Designer New York Times Steven Heller Rudolph de Harak AIGA Retrieved 2013 10 07 Oops Rational Simplicity Celebrating Rudolph de Harak an unsung hero of mid century graphic design www itsnicethat com Retrieved 2021 04 08 Notes editHeller Steven Rudolph de Harak 78 Artist And Environmental Designer The New York Times April 30 2002 The New York Times Heller Steven Rudolph de Harak A Playful Modernist Baseline 45 edited by Mike Daines and Hans Dieter Reichert Bradbourne Publishing 2004 Heller Steven A Humanist s Modernist AIGA Medalists at aiga org A Humanist s Modernist Forester Russel Rudolph de Harak Graphic Design Archive at rit edu Rudolph de Harak Graphic Design Archive at rit edu Rudolph de Harak the 1989 Art Directors Club Hall of Fame at adcglobal org 1989 Art Directors Club Hall of Fame at adcglobal org nbsp This article about an artist from the United States is a stub You can help Wikipedia by expanding it vte Retrieved from https en wikipedia org w index php title Rudolph de Harak amp oldid 1072520492, wikipedia, wiki, book, books, library,

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