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Rhythm 0

Rhythm 0 was a six-hour long endurance art performed by the Serbian performance artist Marina Abramović in Naples in 1974.[1] The work involved Abramović standing still while the audience was invited to do to her whatever they wished, using one of 72 objects she had placed on a table. These included a rose, feather, perfume, honey, bread, grapes, wine, scissors, a scalpel, nails, a metal bar, a gun, and a bullet.[2][3]

Artist Marina Abramović in 2012

There were no separate stages. Abramović and the visitors stood in the same space, making it clear that the latter were part of the work.[4] The purpose of the piece, she said, was to find out how far the public would go: "What is the public about and what are they going to do in this kind of situation?"[5]

Performance edit

Her instructions were

Instructions:
There are 72 objects on the table that one can use on me as desired.
Performance.
I am the object...
During this period I take full responsibility.

Duration: 6 hours (8 pm – 2 am).[6]

Abramović said the work "pushed her body to the limits".[5] Visitors were gentle to begin with, offering her a rose or a kiss.[2] Art critic Thomas McEvilley, who was present, wrote:

It began tamely. Someone turned her around. Someone thrust her arms into the air. Someone touched her somewhat intimately. The Neapolitan night began to heat up. In the third hour all her clothes were cut from her with razor sharp blades. In the fourth hour the same blades began to explore her skin. Her throat was slashed so someone could suck her blood. Various minor sexual assaults were carried out on her body. She was so committed to the piece that she would not have resisted rape or murder. Faced with her abdication of will, with its implied collapse of human psychology, a protective group began to define itself in the audience. When a loaded gun was thrust to Marina's head and her own finger was being worked around the trigger, a fight broke out between the audience factions."[7]

As Abramović described it later: "What I learned was that ... if you leave it up to the audience, they can kill you ... I felt really violated: they cut up my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the audience. Everyone ran away, to escape an actual confrontation."[8][9]

Reception edit

Rhythm 0 ranked ninth among the all-time best performance art pieces in a 2013 list by Complex magazine.[10]

See also edit

References edit

  1. ^ Abramović, Marina; Thompson, Chris; Weslien, Katarina (2006). "Pure Raw: Performance, Pedagogy, and (Re)presentation". PAJ. 28 (1): 29–50. JSTOR 4139995.
  2. ^ a b "Marina Abramović on Rhythm 0 (1974)", Marina Abramović Institute, 2014, c. 01:00 mins.
  3. ^ "Marina Abramović. Rhythm 0. 1974", Museum of Modern Art.
  4. ^ Frazer Ward, No Innocent Bystanders: Performance Art and Audience, University Press of New England, 2012, p. 125.
  5. ^ a b Abramović 2014, c. 00:00 mins.
  6. ^ Ward 2012, p. 119.
  7. ^ Ward 2012, p. 120.
  8. ^ Daneri, 29; and 30
  9. ^ Abramović 2014, c. 01:45 mins.
  10. ^ Eisinger, Dale (April 9, 2013). "The 25 Best Performance Art Pieces of All Time". Complex. Retrieved July 19, 2017.

External links edit

  • Marina Abramovic on performing Rhythm 0 (1974)

rhythm, hour, long, endurance, performed, serbian, performance, artist, marina, abramović, naples, 1974, work, involved, abramović, standing, still, while, audience, invited, whatever, they, wished, using, objects, placed, table, these, included, rose, feather. Rhythm 0 was a six hour long endurance art performed by the Serbian performance artist Marina Abramovic in Naples in 1974 1 The work involved Abramovic standing still while the audience was invited to do to her whatever they wished using one of 72 objects she had placed on a table These included a rose feather perfume honey bread grapes wine scissors a scalpel nails a metal bar a gun and a bullet 2 3 Artist Marina Abramovic in 2012 There were no separate stages Abramovic and the visitors stood in the same space making it clear that the latter were part of the work 4 The purpose of the piece she said was to find out how far the public would go What is the public about and what are they going to do in this kind of situation 5 Contents 1 Performance 2 Reception 3 See also 4 References 5 External linksPerformance editHer instructions were Instructions There are 72 objects on the table that one can use on me as desired Performance I am the object During this period I take full responsibility Duration 6 hours 8 pm 2 am 6 Abramovic said the work pushed her body to the limits 5 Visitors were gentle to begin with offering her a rose or a kiss 2 Art critic Thomas McEvilley who was present wrote It began tamely Someone turned her around Someone thrust her arms into the air Someone touched her somewhat intimately The Neapolitan night began to heat up In the third hour all her clothes were cut from her with razor sharp blades In the fourth hour the same blades began to explore her skin Her throat was slashed so someone could suck her blood Various minor sexual assaults were carried out on her body She was so committed to the piece that she would not have resisted rape or murder Faced with her abdication of will with its implied collapse of human psychology a protective group began to define itself in the audience When a loaded gun was thrust to Marina s head and her own finger was being worked around the trigger a fight broke out between the audience factions 7 As Abramovic described it later What I learned was that if you leave it up to the audience they can kill you I felt really violated they cut up my clothes stuck rose thorns in my stomach one person aimed the gun at my head and another took it away It created an aggressive atmosphere After exactly 6 hours as planned I stood up and started walking toward the audience Everyone ran away to escape an actual confrontation 8 9 Reception editRhythm 0 ranked ninth among the all time best performance art pieces in a 2013 list by Complex magazine 10 See also editEndurance art The Death of The Artist Empathy and Prostitution Stanford prison experiment Milgram experimentReferences edit Abramovic Marina Thompson Chris Weslien Katarina 2006 Pure Raw Performance Pedagogy and Re presentation PAJ 28 1 29 50 JSTOR 4139995 a b Marina Abramovic on Rhythm 0 1974 Marina Abramovic Institute 2014 c 01 00 mins Marina Abramovic Rhythm 0 1974 Museum of Modern Art Frazer Ward No Innocent Bystanders Performance Art and Audience University Press of New England 2012 p 125 a b Abramovic 2014 c 00 00 mins Ward 2012 p 119 Ward 2012 p 120 Daneri 29 and 30 Abramovic 2014 c 01 45 mins Eisinger Dale April 9 2013 The 25 Best Performance Art Pieces of All Time Complex Retrieved July 19 2017 External links editMarina Abramovic on performing Rhythm 0 1974 Retrieved from https en wikipedia org w index php title Rhythm 0 amp oldid 1217290104, wikipedia, wiki, book, books, library,

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