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Pua Kumbu

Pua Kumbu is a traditional patterned multicolored ceremonial cotton cloth used by the Iban people in Sarawak, Malaysia.[1][2][3]

A Pua Kumbu in Sheepstor parish church, on Dartmoor. It was donated to the church by the people of Sarawak in memory of the White Rajahs.
Textile from the Iban

Legends on the origins of Iban weaving

There are many legends about the origin of Pua Kumbu rare,[4][5] all revolving around the characters of Menggin and Dara Tinchin. The story starts with Menggin, an Iban hunter who shot a beautiful bird with his blowpipe. As he ran to retrieve his game, what he found was a woven skirt instead of a bird. He kept the woven skirt as he had never seen one before. However, he did not know that it belonged to Dara Tinchin Temaga, eldest daughter of a petara known as Singalang Burong. She was looking for her kain everywhere. When she met Menggin, he returned the skirt. In return, Dara married Menggin, although she was already married. She brought him to her home, the other world, the land of the Gods. They also had a son, Sera Gunting. After a year, Dara’s first husband returned home. She asked Menggin and Sera to return to the Iban world and for their journey to wear a jacket known as baju burong and her kain that she had woven. From that day onwards, the jacket and kain have been passed down to many Iban women so they can weave the same designs and remain close to the Gods. And that is how the weaving of pua kumbu began.[6][7]

Dyeing and weaving process

The process starts with preparing the yarn for the weaving, which consists of the following:

  • Nabu’ - winding the thread into balls
  • Muai - to sort out
  • Ngirit - the process of stretching and pulling a skin of thread horizontally, one thead at a time, to form the base or warp
  • Ngarap - the selection of alternate warp
  • Ngebat - tying
  • Mampul - to cover
  • Muka’ tanchang - untying
  • Ngerembai - unfolding
  • Anak and Ara – adding side designs

Weaving

In order to prepare for the weaving process, the yarns are unfolded and carefully arranged on a wooden frame. Before the actual weaving begins, the side sections of the unfolded yarn known as anak or ara are carefully arranged. Nenun or weaving is done using a backstrap loom placed in a convenient spot within the longhouse. The final stage involves finishing of the top and bottom edges with a crowfeet pattern.

Dyeing

All of the raw materials for the natural dyes are harvested from the rainforest. The Iban have traditionally made use of a large number of plants to produce a range of rich beautiful dyes. The rengat plant produces an ‘indigo’ colour in many different tones. The akar penawar landak is used to obtain yellow color dye. For the Engkudu dye, if kapok or quicklime is added the colour will turn brown. The yarn is dipped into the combination, turned until it is well saturated and left to soak before it is dried under the sun. After the dye process yarns are further prepared by tying sections to build up the design.[6][7]

In the media

Filem Negara Malaysia produced a 16-minute documentary about Pua Kumbu in 1993 and has been aired on Radio Televisyen Malaysia (RTM) and TV Pendidikan.[8]

Further reading

  • Traude Gavin, Iban Ritual Textiles. KITLV Press. 2003. xi, pp. 356 (ISBN 90-6718-202-8).
  • “Pua Kumbu,” The Asian Civilisations Museum A-Z Guide to its Collections. p. 258. Asian Civilisations Museum. 2003. National Heritage Board, Singapore.

References

  1. ^ Nor Affizar Ibrahim (23 August 2006). "Pua Kumbu kian diminati" (in Malay). Berita Harian. Retrieved 8 August 2018.{{cite news}}: CS1 maint: url-status (link)
  2. ^ "Kaum Iban pertahan seni anyam bakul, Pua Kumbu" (in Malay). Berita Harian. 23 December 2003. Retrieved 8 August 2018.{{cite news}}: CS1 maint: url-status (link)
  3. ^ "Keistimewaan Pua Kumbu" (in Malay). Utusan Malaysia. 3 October 2001. Retrieved 8 August 2010.{{cite news}}: CS1 maint: url-status (link)
  4. ^ Abd Rahman Adam (8 November 2014). "Pua Kumbu 'berhantu'" (in Malay). Harian Metro. Retrieved 8 August 2015.
  5. ^ "The untold tale of Pua Kumbu". Borneo Post. 20 August 2017. Retrieved 8 August 2018.
  6. ^ a b http://rhgareh.com, adapted from Margaret Linggi “The ties that bind” (2001) & story told by Bangie ak Embol
  7. ^ a b Textile tales of Pua Kumbu – Polysensory Intermedia Exhibition, published by University of Malaya
  8. ^ Pua Kumbu (Motion picture) (in Malay). Filem Negara Malaysia. 1993.

External links

  • (in Malay)
  • RETROSPEKTIF: "Pua Kumbu" (1993) on YouTube – a documentary about the traditional patterned cloth produced by Filem Negara Malaysia

kumbu, this, article, possibly, contains, original, research, please, improve, verifying, claims, made, adding, inline, citations, statements, consisting, only, original, research, should, removed, february, 2016, learn, when, remove, this, template, message, . This article possibly contains original research Please improve it by verifying the claims made and adding inline citations Statements consisting only of original research should be removed February 2016 Learn how and when to remove this template message Pua Kumbu is a traditional patterned multicolored ceremonial cotton cloth used by the Iban people in Sarawak Malaysia 1 2 3 A Pua Kumbu in Sheepstor parish church on Dartmoor It was donated to the church by the people of Sarawak in memory of the White Rajahs Textile from the Iban Contents 1 Legends on the origins of Iban weaving 2 Dyeing and weaving process 2 1 Weaving 2 2 Dyeing 3 In the media 4 Further reading 5 References 6 External linksLegends on the origins of Iban weaving EditThere are many legends about the origin of Pua Kumbu rare 4 5 all revolving around the characters of Menggin and Dara Tinchin The story starts with Menggin an Iban hunter who shot a beautiful bird with his blowpipe As he ran to retrieve his game what he found was a woven skirt instead of a bird He kept the woven skirt as he had never seen one before However he did not know that it belonged to Dara Tinchin Temaga eldest daughter of a petara known as Singalang Burong She was looking for her kain everywhere When she met Menggin he returned the skirt In return Dara married Menggin although she was already married She brought him to her home the other world the land of the Gods They also had a son Sera Gunting After a year Dara s first husband returned home She asked Menggin and Sera to return to the Iban world and for their journey to wear a jacket known as baju burong and her kain that she had woven From that day onwards the jacket and kain have been passed down to many Iban women so they can weave the same designs and remain close to the Gods And that is how the weaving of pua kumbu began 6 7 Dyeing and weaving process EditThe process starts with preparing the yarn for the weaving which consists of the following Nabu winding the thread into balls Muai to sort out Ngirit the process of stretching and pulling a skin of thread horizontally one thead at a time to form the base or warp Ngarap the selection of alternate warp Ngebat tying Mampul to cover Muka tanchang untying Ngerembai unfolding Anak and Ara adding side designsWeaving Edit In order to prepare for the weaving process the yarns are unfolded and carefully arranged on a wooden frame Before the actual weaving begins the side sections of the unfolded yarn known as anak or ara are carefully arranged Nenun or weaving is done using a backstrap loom placed in a convenient spot within the longhouse The final stage involves finishing of the top and bottom edges with a crowfeet pattern Dyeing Edit All of the raw materials for the natural dyes are harvested from the rainforest The Iban have traditionally made use of a large number of plants to produce a range of rich beautiful dyes The rengat plant produces an indigo colour in many different tones The akar penawar landak is used to obtain yellow color dye For the Engkudu dye if kapok or quicklime is added the colour will turn brown The yarn is dipped into the combination turned until it is well saturated and left to soak before it is dried under the sun After the dye process yarns are further prepared by tying sections to build up the design 6 7 In the media EditFilem Negara Malaysia produced a 16 minute documentary about Pua Kumbu in 1993 and has been aired on Radio Televisyen Malaysia RTM and TV Pendidikan 8 Further reading EditTraude Gavin Iban Ritual Textiles KITLV Press 2003 xi pp 356 ISBN 90 6718 202 8 Pua Kumbu The Asian Civilisations Museum A Z Guide to its Collections p 258 Asian Civilisations Museum 2003 National Heritage Board Singapore References Edit Nor Affizar Ibrahim 23 August 2006 Pua Kumbu kian diminati in Malay Berita Harian Retrieved 8 August 2018 a href Template Cite news html title Template Cite news cite news a CS1 maint url status link Kaum Iban pertahan seni anyam bakul Pua Kumbu in Malay Berita Harian 23 December 2003 Retrieved 8 August 2018 a href Template Cite news html title Template Cite news cite news a CS1 maint url status link Keistimewaan Pua Kumbu in Malay Utusan Malaysia 3 October 2001 Retrieved 8 August 2010 a href Template Cite news html title Template Cite news cite news a CS1 maint url status link Abd Rahman Adam 8 November 2014 Pua Kumbu berhantu in Malay Harian Metro Retrieved 8 August 2015 The untold tale of Pua Kumbu Borneo Post 20 August 2017 Retrieved 8 August 2018 a b http rhgareh com adapted from Margaret Linggi The ties that bind 2001 amp story told by Bangie ak Embol a b Textile tales of Pua Kumbu Polysensory Intermedia Exhibition published by University of Malaya Pua Kumbu Motion picture in Malay Filem Negara Malaysia 1993 External links Edit Wikimedia Commons has media related to Pua in Malay Pua Kumbu Malaysia National Library RETROSPEKTIF Pua Kumbu 1993 on YouTube a documentary about the traditional patterned cloth produced by Filem Negara Malaysia Retrieved from https en wikipedia org w index php title Pua Kumbu amp oldid 1115190920, wikipedia, wiki, book, books, library,

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