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Portrait of an African Man

The Portrait of an African Man (Dutch: Portret van een Afrikaanse man) also known as Portrait of a Moor (Dutch: Portret van een Moor) is a painting by the Dutch Renaissance painter Jan Mostaert. Mostaert probably made the painting between c. 1525 and 1530, or slightly earlier. The exact subject of the painting has long been unclear, although numerous ideas have been put forward, including that the depicted figure is a soldier, a nobleman or Saint Maurice. The portrait is significant in that it may portray the earliest surviving portrait of a specific black man in European painting,[1][2] though Saint Maurice, and Balthazar of the Three Kings or Biblical Magi, had long been usually portrayed as Africans.

Portrait of an African Man (Christophle le More?)
Dutch: Portret van een Afrikaanse man
ArtistJan Mostaert
Yearc. 1525–1530
TypeOil on oak
Dimensions30.8 cm × 21.2 cm (12.1 in × 8.3 in)
LocationRijksmuseum, Amsterdam

Subject edit

 
Head of an African, a charcoal drawing by Albrecht Dürer. Dated circa 1508.

If it is a portrait of a specific real individual, it appears to be the earliest known such painting of a black man in European painting.[2] An African Man, a portrait by Albrecht Dürer in the Albertina in Vienna, might be earlier, with a possible date of 1508,[3] but it is a charcoal drawing.

The Rijksmuseum, who own the painting, have said that it might be Christophle le More (Christopher the Moor), a black archer recorded at the court of the Habsburg emperor Charles V.[2] This theory could be supported by the badge of the Virgin on his cap, which would be a souvenir from a pilgrimage to Halle.[2] He has also been said to be a member of the entourage of Margaret of Austria, Duchess of Savoy at her court in Mechelen. The posture, clothing and other details could indicate service at a European court and adaptation to their norms.[4] The English historian Kate Lowe therefore argues he is a nobleman in the service of a visitor to the court at Mechelen, or such a visitor himself.[5] Other scholars suggest that the insignia on his hat and bag may indicate possible Spanish or Portuguese origins.[6]

In 2013, Wim Pijbes, in a discussion on the Dutch folklore figure Zwarte Piet and his origins, mentions the Portrait of an African Man, saying that the figure of Zwarte Piet is traceable to at least the 16th century, and the proud black figure depicted wearing a velvet jacket and a beret shows attributes nowadays associated with the figure of Zwarte Piet.[7]

Saint Maurice edit

In November 2014 a different explanation was offered by the literary and medieval scholar Marie-José Govers. She claimed the figure represented Saint Maurice, a Roman soldier who by tradition came from Thebes.[8] Govers was to publish her research in 2015 but did so earlier to refute the remarks of Pijbes. She said that the figure depicted was an important man, not a servant. She bases this on the goatskin gloves, the belt which is covered with gemstones and the sword. She also adds that the sword is especially an attribute of Saint Maurice and that the pilgrim badge of Mary on his red beret makes him a Catholic. Govers adds that the time when the painting was made is also important. Govers claims this to be between 1520 and 1525 (disagreeing with the Rijksmuseum's view that the latter is about the earliest likely date).[2] During that period Martin Luther was seen as a threat by Holy Roman Emperor Charles V and was excommunicated by Pope Leo X in 1520.[9] Struggles between Catholics and Protestants were often violent. The depiction of Saint Maurice, a Christian who refused to fight against other Christians, could be related to this.[8]

The art historian and curator Esther Schreuder disagrees with Govers's findings, stating that the evidence presented by Govers is too meager. Schreuder claims the sword is a typical symbol for a soldier and that Saint Maurice is most often depicted with a holy spear.[10]

Saint Maurice was very often depicted as a black soldier in northern Europe, and the years just before Mostaert's painting had produced such depictions in altarpieces by the leading artists Matthias Grünewald (c. 1517–23) and Lucas Cranach the Elder (1522–25).[11] But the small size of the Mostaert is more typical of a personal portrait.[citation needed]

Provenance and exhibition history edit

The painting was bought from art dealer Robert Noortman by the Rijksmuseum in June 2005 with financial support of, amongst others, the Rembrandt Foundation.[12] After the purchase, the painting was exhibited in the Museum Boijmans Van Beuningen for some years due to renovations to the Rijksmuseum.[2] It was returned to display in the Rijksmuseum in September 2021.[13]

References edit

  1. ^ Sosha Lemmen (1 February 2012). "Ambassadeurs van het christendom – De representatieve en (politiek-)missionaire functies van portretten van zwarte mannen en vrouwen uit de 16de en vroege 17de eeuw" (in Dutch). hdl:1874/251873. Retrieved 24 January 2015.
  2. ^ a b c d e f "Portrait of an African Man (Christophle le More?), Jan Jansz Mostaert, c. 1525 – c. 1530". Rijksstudio. Amsterdam: Rijksmuseum. Retrieved 14 January 2015.
  3. ^ "ALBERTINA online - Datenbanksuche". sammlungenonline.albertina.at (in German). Retrieved 14 October 2021.
  4. ^ "Rijksmuseum koopt 'Portret van Afrikaanse man'" (in Dutch). de Volkskrant. 4 July 2005. Retrieved 14 January 2015.
  5. ^ Ernst van den Boogaart (5 August 2005). "Essay: een portretwaardige slaaf" (in Dutch). De Groene Amsterdammer. Retrieved 24 January 2015.
  6. ^ Jablonski, Nina (2012). Living Color. Berkeley, Los Angeles, London: University of California Press. ISBN 978-0-520-25153-3.
  7. ^ "Wie is die Zwarte Piet eigenlijk?" (in Dutch). Nederlandse Omroep Stichting. 23 October 2013. Retrieved 14 January 2015.
  8. ^ a b Marie-José Govers (7 November 2014). "Niet Zwarte Piet, Mauritius in Rijks" (in Dutch). NRC Handelsblad. Retrieved 14 January 2015.
  9. ^ "Martin Luther excommunicated". HISTORY. Retrieved 1 February 2021.
  10. ^ Esther Schreuder (9 November 2014). "St Mauritius en het portret van Mostaert" (in Dutch). estherschreuder.wordpress.com. Retrieved 26 January 2015.
  11. ^ The Grünewald and the Cranach
  12. ^ "Portret van een Afrikaanse Man" (PDF) (in Dutch). Vereniging Rembrandt. Retrieved 24 January 2015.
  13. ^ Boffey, Daniel (28 September 2021). "Earliest European portraits of African men on show together for first time". The Guardian. Retrieved 28 September 2021.

External links edit

  • Display of the painting by the Rijksmuseum

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The Portrait of an African Man Dutch Portret van een Afrikaanse man also known as Portrait of a Moor Dutch Portret van een Moor is a painting by the Dutch Renaissance painter Jan Mostaert Mostaert probably made the painting between c 1525 and 1530 or slightly earlier The exact subject of the painting has long been unclear although numerous ideas have been put forward including that the depicted figure is a soldier a nobleman or Saint Maurice The portrait is significant in that it may portray the earliest surviving portrait of a specific black man in European painting 1 2 though Saint Maurice and Balthazar of the Three Kings or Biblical Magi had long been usually portrayed as Africans Portrait of an African Man Christophle le More Dutch Portret van een Afrikaanse manArtistJan MostaertYearc 1525 1530TypeOil on oakDimensions30 8 cm 21 2 cm 12 1 in 8 3 in LocationRijksmuseum Amsterdam Contents 1 Subject 1 1 Saint Maurice 2 Provenance and exhibition history 3 References 4 External linksSubject edit nbsp Head of an African a charcoal drawing by Albrecht Durer Dated circa 1508 If it is a portrait of a specific real individual it appears to be the earliest known such painting of a black man in European painting 2 An African Man a portrait by Albrecht Durer in the Albertina in Vienna might be earlier with a possible date of 1508 3 but it is a charcoal drawing The Rijksmuseum who own the painting have said that it might be Christophle le More Christopher the Moor a black archer recorded at the court of the Habsburg emperor Charles V 2 This theory could be supported by the badge of the Virgin on his cap which would be a souvenir from a pilgrimage to Halle 2 He has also been said to be a member of the entourage of Margaret of Austria Duchess of Savoy at her court in Mechelen The posture clothing and other details could indicate service at a European court and adaptation to their norms 4 The English historian Kate Lowe therefore argues he is a nobleman in the service of a visitor to the court at Mechelen or such a visitor himself 5 Other scholars suggest that the insignia on his hat and bag may indicate possible Spanish or Portuguese origins 6 In 2013 Wim Pijbes in a discussion on the Dutch folklore figure Zwarte Piet and his origins mentions the Portrait of an African Man saying that the figure of Zwarte Piet is traceable to at least the 16th century and the proud black figure depicted wearing a velvet jacket and a beret shows attributes nowadays associated with the figure of Zwarte Piet 7 Saint Maurice edit In November 2014 a different explanation was offered by the literary and medieval scholar Marie Jose Govers She claimed the figure represented Saint Maurice a Roman soldier who by tradition came from Thebes 8 Govers was to publish her research in 2015 but did so earlier to refute the remarks of Pijbes She said that the figure depicted was an important man not a servant She bases this on the goatskin gloves the belt which is covered with gemstones and the sword She also adds that the sword is especially an attribute of Saint Maurice and that the pilgrim badge of Mary on his red beret makes him a Catholic Govers adds that the time when the painting was made is also important Govers claims this to be between 1520 and 1525 disagreeing with the Rijksmuseum s view that the latter is about the earliest likely date 2 During that period Martin Luther was seen as a threat by Holy Roman Emperor Charles V and was excommunicated by Pope Leo X in 1520 9 Struggles between Catholics and Protestants were often violent The depiction of Saint Maurice a Christian who refused to fight against other Christians could be related to this 8 The art historian and curator Esther Schreuder disagrees with Govers s findings stating that the evidence presented by Govers is too meager Schreuder claims the sword is a typical symbol for a soldier and that Saint Maurice is most often depicted with a holy spear 10 Saint Maurice was very often depicted as a black soldier in northern Europe and the years just before Mostaert s painting had produced such depictions in altarpieces by the leading artists Matthias Grunewald c 1517 23 and Lucas Cranach the Elder 1522 25 11 But the small size of the Mostaert is more typical of a personal portrait citation needed nbsp Statue of Saint Maurice around 1250 Magdeburg Cathedral Germany nbsp Saint Maurice by Master Theoderic 1360s nbsp Lucas Cranach the Elder 1522 25 nbsp Matthias Grunewald c 1517 23 Provenance and exhibition history editThe painting was bought from art dealer Robert Noortman by the Rijksmuseum in June 2005 with financial support of amongst others the Rembrandt Foundation 12 After the purchase the painting was exhibited in the Museum Boijmans Van Beuningen for some years due to renovations to the Rijksmuseum 2 It was returned to display in the Rijksmuseum in September 2021 13 References edit Sosha Lemmen 1 February 2012 Ambassadeurs van het christendom De representatieve en politiek missionaire functies van portretten van zwarte mannen en vrouwen uit de 16de en vroege 17de eeuw in Dutch hdl 1874 251873 Retrieved 24 January 2015 a b c d e f Portrait of an African Man Christophle le More Jan Jansz Mostaert c 1525 c 1530 Rijksstudio Amsterdam Rijksmuseum Retrieved 14 January 2015 ALBERTINA online Datenbanksuche sammlungenonline albertina at in German Retrieved 14 October 2021 Rijksmuseum koopt Portret van Afrikaanse man in Dutch de Volkskrant 4 July 2005 Retrieved 14 January 2015 Ernst van den Boogaart 5 August 2005 Essay een portretwaardige slaaf in Dutch De Groene Amsterdammer Retrieved 24 January 2015 Jablonski Nina 2012 Living Color Berkeley Los Angeles London University of California Press ISBN 978 0 520 25153 3 Wie is die Zwarte Piet eigenlijk in Dutch Nederlandse Omroep Stichting 23 October 2013 Retrieved 14 January 2015 a b Marie Jose Govers 7 November 2014 Niet Zwarte Piet Mauritius in Rijks in Dutch NRC Handelsblad Retrieved 14 January 2015 Martin Luther excommunicated HISTORY Retrieved 1 February 2021 Esther Schreuder 9 November 2014 St Mauritius en het portret van Mostaert in Dutch estherschreuder wordpress com Retrieved 26 January 2015 The Grunewald and the Cranach Portret van een Afrikaanse Man PDF in Dutch Vereniging Rembrandt Retrieved 24 January 2015 Boffey Daniel 28 September 2021 Earliest European portraits of African men on show together for first time The Guardian Retrieved 28 September 2021 External links edit nbsp Wikimedia Commons has media related to Portrait of an African Man Display of the painting by the Rijksmuseum Retrieved from https en wikipedia org w index php title Portrait of an African Man amp oldid 1177373970, wikipedia, wiki, book, books, library,

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