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Portland Center Stage

January 01, 1970

Portland Center Stage at The Armory is a theater company based in Portland, Oregon, United States. Theater productions are presented at The Armory in Portland's Pearl District. Portland Center Stage at The Armory was founded in 1988 as the northern sibling of the Oregon Shakespeare Festival in Ashland, Oregon. It became an independent theater in 1993 and in 1994 Elizabeth Huddle became producing artistic director. Chris Coleman took over in 2000 as the company's fourth artistic director. In 2018, Marissa Wolf was named the fifth artistic director and Cynthia Fuhrman named Managing Director.

Portland Center Stage at The Armory
The Armory
AbbreviationPCS
FormationNovember 12, 1988
TypeTheatre company
PurposeTheatrical productions in Portland, Oregon
Location
Membership
Portland, Oregon
Official language
English
Artistic Director
Marissa Wolf
Main organ
Board of Directors
AffiliationsLeague of Regional Theatres, Actors' Equity Association, Theatre Communications Group
WebsitePortland Center Stage at The Armory

The company began a capital campaign in 2004, and in 2006 moved into The Armory, which includes two theaters, a bar and restaurant, a costume shop, production facilities and office space. Portland Center Stage at The Armory produces at least ten productions annually between September and June, and productions include musicals, classical, contemporary and premiere pieces. Portland Center Stage at The Armory has received positive commentary in regional guidebooks including Best Places Northwest, Best Places Portland and Moon Handbooks Oregon.

History edit

1988–2000 edit

Portland Center Stage was founded in 1988,[1] and was the "northern sibling" of the Oregon Shakespeare Festival (OSF) in Ashland, Oregon,[2] and continued as a branch of OSF until 1994.[3] The company was originally known as "Oregon Shakespeare Festival Portland".[4] Its first production was Heartbreak House.[2] Dennis Bigelow was PCS's first artistic director and was let go by the OSF in 1992.[5] A two-year transitional process began in 1993, during which the OSF maintained a supervisory role over PCS.[6] The Oregonian reported that the OSF's artistic director Henry Woronicz "couldn't figure out how to integrate the two closely enough for his liking, and he was unwilling to have Portland go its own way without supervision".[6]

The advisory board for Oregon Shakespeare Festival Portland was reformulated as the board of directors of the PCS, and Elizabeth Huddle was hired in May 1994 as the producing artistic director.[2][6] Huddle had previously served on the PCS's search committee for a new artistic director, but decided to put her name in for consideration.[7] In 1994 the PCS had a budget of US$2.2 million,[8] and over 11,000 subscribers.[6]

In May 1995 the company's financial numbers for its transitional 1994–1995 period with its new artistic director were reported to be a deficit of $240,000.[9] The company experienced what The Oregonian described as a "jarring divorce" from the OSF.[10] Huddle had been on the 1991 search committee for the OSF's artistic director Henry Woronicz, but he suddenly announced his resignation in June 1995 effective the following October citing "personal reasons".[11] Huddle and the rest of the theater community were surprised by Woronicz's resignation.[11] In 2000 PCS board president Julie Vigeland commented to The Seattle Times that after separating from OSF "it was a real challenge to form our own identity", but that Huddle "did a wonderful job helping us do that for the last six years".[12]

2000–present edit

Its fourth artistic director Chris Coleman took over in May 2000,[13] and recruited experienced actors to the company.[2] Coleman had previously co-founded Actor's Express in Atlanta, Georgia, and was the artistic director there.[14] Coleman initially signed on for a three-year contract.[12] Before Coleman began as artistic director with PCS, the company was already the largest live theater production company in Portland.[15] However, the organization was facing sporadic attendance at performances as well as financial difficulties,[15] with a deficit at the end of 1999 of $700,000.[10] In 2000 PCS had a deficit of $880,000 and a base of 10,000 subscribers.[12] The financial position of the company later stabilized, and Coleman had a 2000 budget of $3.2 million to work with when he came on.[10] A 2003 consultant's report, however, found that PCS relied more heavily on gifts and grants to fund its operations than its peers around the company.[16]

Coleman hired the Portland company Sandstrom Design to help with marketing.[15] Sandstrom helped to improve the promotional materials of the organization, while Portland Center Stage modified the nature and style of its performances.[15] Sandstrom Design produced a 56-page flyer that showed the performance schedule for the 2003–2004 season which was mailed to subscribers, potential customers, handed out at performances and placed around town.[15] The promotional campaign stressed the unique qualities of a live theater performance as entertainment over television and film.[15] PCS's productions were presented in the Winningstad and Newmark theatres in Portland through the 2005–2006 season.[1][17] Portland Center Stage moved to the new Gerding Theater at the Armory beginning with the 2006–2007 season.[17]

Portland Center Stage began a $32.9 million capital campaign in 2004, with the goal of building a new theater complex in The Armory, a historic building in Portland.[2] The company began usage of The Armory in September 2006.[2] PCS received $150,000 from the United States Department of Housing and Urban Development in September 2006 for "renovations and upgrades to its facility",[18] and an additional $500,000 as part of the "Portland Center Stage Armory Theater Energy Conservation Project".[19]

As of 2023, the theater is being run by Artistic Director Marissa Wolf and Managing Director Liam Kaas-Lentz. During the 2020 shut down, Portland Center Stage presented several virtual productions ranging from new works created specifically for the medium, to classic plays performed as virtual staged readings. In 2021, PCS returned to in person productions.

The theater facilities at The Armory include the 590-seat U.S. Bank Main Stage theater, the 199-seat Ellyn Bye Studio (a flexible black box theater), administrative offices, the Vigeland Rehearsal Hall and a costume shop.[2] Ten or more productions are performed annually, from September through June.[1] The company's productions include contemporary, classical pieces and modern premieres, in addition to a summer playwrights festival, JAW (previously known as Just Add Water/West).[20][21] PCS has approximately 9,000 subscribers and an annual audience of over 150,000.[2]

Productions edit

When Elizabeth Huddle became producing artistic director in 1994, a production schedule had already been set by the OSF's Pat Patton.[5] Huddle made changes to her first season's schedule and decided to direct the first play of the season Arms and the Man,[5] instead of the previously scheduled play Jean Anouilh's translation of Sophocles' Antigone.[4] Portland Center Stage was nominated for "Best Production" in the 1994–95 Drammy Awards which recognize excellence in Portland theater, for Arms and the Man.[22]

Huddle was artistic director for the world premiere of the play Comfort and Joy: A Play in Two Acts, which premiered at PCS on December 2, 1995.[23] Huddle had commissioned playwright Jack Heifner to write Comfort and Joy,[24] which was the first time that Portland Center Stage had ever produced a new play.[25] Huddle ended her time with the Portland Center Stage company in January 2000.[14] One of Huddle's final productions with PCS was A Christmas Carol, and her final production with the company was Bus Stop.[14]

Chris Coleman's first production after signing on with PCS in 2000 was the play The Devils by Elizabeth Egloff, based on the novel of the same name by Fyodor Dostoevsky.[12] Theater critic Misha Berson of The Seattle Times described Coleman's choice as "an especially audacious departure for Portland Center Stage", though reviews in Portland media were mixed, it received a positive review in The Oregonian and from audience feedback.[12] Other productions in the 2000–2001 season included Martin McDonagh's Irish comedy, The Cripple of Inishmaan, A Christmas Carol, Patrick Marber's Closer, and adaptation of Antigone, and the Northwest premiere of A New Brain by William Finn.[12]

Coleman opened the 2006, 2007 and 2008 seasons at PCS with musicals.[26] He opened the 2006 season with West Side Story, and the 2007 season with Cabaret.[26] Other productions in the 2007–2008 season included Doubt, a Parable, Twelfth Night, and Sometimes a Great Notion.[27] PCS received a total of 12 awards at the 29th annual Drammy Awards in June 2008, including "Outstanding Production" for Twelfth Night.[28] Coleman opened the 2008–2009 season with Guys and Dolls, which The Oregonian and Willamette Week described as a timely choice in light of the Great Recession.[26][29]

Reception edit

In her 2004 guide Best Places Northwest Giselle Smith wrote that PCS "offers excellent production values, whatever the play".[30] In his 2004 book Best Places Portland, author John Gottberg wrote positively of Portland Center Stage, commenting: "Portland's leading professional theater company is on a par with the country's best regional theaters."[1] The 2007 guidebook Moon Handbooks Oregon notes that the company: "produces innovative and sometimes daring productions".[31]

References edit

  1. ^ a b c d Gottberg, John (2004). Best Places Portland: The Locals' Guide to the Best Restaurants, Lodgings, Sights, Shopping, and More!. Sasquatch Books. pp. 263. ISBN 1-57061-400-8.
  2. ^ a b c d e f g h Volz, Jim (2007). The Back Stage Guide to Working in Regional Theater: Jobs for Actors and Other Theater Professionals. Back Stage Books. pp. 256–257. ISBN 978-0-8230-7880-6.
  3. ^ Adcock, Joe (May 11, 1994). "Huddle Saved Intiman; Sets Sights On Portland Company". Seattle Post-Intelligencer. p. C6.
  4. ^ a b Matthews, Lynn (October 28, 1994). "Hands-On Director Switches To 'Arms'". The Columbian. The Columbian Publishing Co. p. B9.
  5. ^ a b c Johnson, Barry (June 18, 1995). "Elizabeth Huddle Puts Audience's Taste Center Stage". The Oregonian. Oregonian Publishing Co. p. F10.
  6. ^ a b c d Johnson, Barry (July 17, 1994). "The Big Three Signal Change". The Oregonian. Oregonian Publishing Co. p. J03.
  7. ^ Berson, Misha (May 13, 1994). "Portland Center Stage Taps Huddle". The Seattle Times. p. D23.
  8. ^ Johnson, Barry (May 10, 1994). "New Leader Takes Center Stage". The Oregonian. Oregonian Publishing Co. p. D01.
  9. ^ Johnson, Barry (May 12, 1995). "Center Stage Runs $240,000 In The Red". The Oregonian. Oregonian Publishing Co. p. 32.
  10. ^ a b c Johnson, Barry (November 14, 1999). "New Director Takes Center Stage". The Oregonian. Oregonian Publishing Co. p. F01.
  11. ^ a b Johnson, Barry (July 9, 1995). "Rising About The Tempest". The Oregonian. Oregonian Publishing Co. p. E01.
  12. ^ a b c d e f Berson, Misha (October 27, 2000). "Coleman gives Portland a drama to talk about". The Seattle Times. The Seattle Times Company. from the original on May 19, 2011. Retrieved October 10, 2008.
  13. ^ Berson, Misha (November 18, 1999). "Off-Stage News". The Seattle Times. p. I34.
  14. ^ a b c Adcock, Joe (December 2, 1999). "Huddle Moving On After Portland Theater Success". Seattle Post-Intelligencer. p. E9.
  15. ^ a b c d e f Hickey, Lisa (2004). Designs That Stand Up, Speak Out, and Can't Be Ignored. Rockport Publishers. pp. 90–91. ISBN 1-59253-104-0.
  16. ^ Jaquiss, Nigel (February 9, 2005). . Willamette Week. Archived from the original on June 6, 2007. Retrieved October 7, 2008.
  17. ^ a b "About the Armory". PCS.org. www.pcs.org. 2011. Archived from the original on April 15, 2013. Retrieved June 26, 2011.
  18. ^ United States Congress (2005). Making Appropriations for the Departments of Transportations, Treasury, and Housing and Urban Development, the Judiciary, District of Columbia, and Independent Agencies for the Fiscal Year Ending September 30, 2006, and for Other Purposes. DIANE Publishing. p. 253. ISBN 1-4289-8541-7. from the original on February 23, 2012. Retrieved October 5, 2016.
  19. ^ United States Senate, Committee on Appropriations (2006). Energy and Water Appropriations Bill, 2006: Report (to Accompany H.R. 2419). DIANE Publishing. p. 124. ISBN 1-4289-1005-0.
  20. ^ Vincent, Caitlin Claire (2007). Let's Go: Roadtripping USA on a Budget: The Complete Coast-to-Coast Guide to America. Macmillan. pp. 678. ISBN 978-0-312-36182-2.
  21. ^ "JAW: A Playwrights Festival". Portland Center Stage. Archived from the original on September 6, 2012. Retrieved August 11, 2010.
  22. ^ Matthews, Lynn (June 7, 1995). "Drammy Awards Focus On Theater Excellence". The Columbian. The Columbian Publishing Co. p. B3.
  23. ^ Heifner, Jack (1999). Comfort and Joy: A Play in Two Acts. Dramatic Publishing. p. 4. ISBN 0-87129-908-9.
  24. ^ Johnson, Barry (June 18, 1995). "Repertoire Reaches From Coward To Fugard". The Oregonian. Oregonian Publishing Co. p. F10.
  25. ^ Johnson, Barry (February 28, 1995). "Center Stage Takes 'Dream' To The Air". The Oregonian. Oregonian Publishing Co. p. C06.
  26. ^ a b c Hughley, Marty (September 28, 2008). "Portland Center Stage escapes into the colorful world of "Guys & Dolls"". The Oregonian. Oregon Live LLC. from the original on September 30, 2008. Retrieved October 11, 2008.
  27. ^ Ibarra, Sergio; Elise Eggart; Alex Breaux; Vanessa Dube (2007). Let's Go USA. Macmillan. p. 941. ISBN 978-0-312-37445-7.
  28. ^ Hughley, Marty (June 9, 2008). "Portland Center Stage hogs Drammy Awards spotlight". The Oregonian. Oregon Live LLC. from the original on June 15, 2008. Retrieved October 11, 2008.
  29. ^ Waterhouse, Ben (October 1, 2008). . Willamette Week. Willamette Week Newspaper. Archived from the original on October 2, 2008. Retrieved October 11, 2008.
  30. ^ Smith, Giselle (2004). Best Places Northwest: The Best Restaurants, Lodgings, and a Complete Guide to the Region. Sasquatch Books. p. 7. ISBN 1-57061-417-2.
  31. ^ Morris, Elizabeth; Judy Jewell; Mark Morris; Bill McRae (2007). Moon Handbooks Oregon. Avalon Travel. p. 64. ISBN 978-1-56691-930-2.

External links edit

  • Official website

January 01, 1970
portland, center, stage, armory, theater, company, based, portland, oregon, united, states, theater, productions, presented, armory, portland, pearl, district, armory, founded, 1988, northern, sibling, oregon, shakespeare, festival, ashland, oregon, became, in. Portland Center Stage at The Armory is a theater company based in Portland Oregon United States Theater productions are presented at The Armory in Portland s Pearl District Portland Center Stage at The Armory was founded in 1988 as the northern sibling of the Oregon Shakespeare Festival in Ashland Oregon It became an independent theater in 1993 and in 1994 Elizabeth Huddle became producing artistic director Chris Coleman took over in 2000 as the company s fourth artistic director In 2018 Marissa Wolf was named the fifth artistic director and Cynthia Fuhrman named Managing Director Portland Center Stage at The ArmoryThe ArmoryAbbreviationPCSFormationNovember 12 1988TypeTheatre companyPurposeTheatrical productions in Portland OregonLocationPortland Center Stage at The ArmoryMembershipPortland OregonOfficial languageEnglishArtistic DirectorMarissa WolfMain organBoard of DirectorsAffiliationsLeague of Regional Theatres Actors Equity Association Theatre Communications GroupWebsitePortland Center Stage at The Armory The company began a capital campaign in 2004 and in 2006 moved into The Armory which includes two theaters a bar and restaurant a costume shop production facilities and office space Portland Center Stage at The Armory produces at least ten productions annually between September and June and productions include musicals classical contemporary and premiere pieces Portland Center Stage at The Armory has received positive commentary in regional guidebooks including Best Places Northwest Best Places Portland and Moon Handbooks Oregon Contents 1 History 1 1 1988 2000 1 2 2000 present 2 Productions 3 Reception 4 References 5 External linksHistory edit1988 2000 edit Portland Center Stage was founded in 1988 1 and was the northern sibling of the Oregon Shakespeare Festival OSF in Ashland Oregon 2 and continued as a branch of OSF until 1994 3 The company was originally known as Oregon Shakespeare Festival Portland 4 Its first production was Heartbreak House 2 Dennis Bigelow was PCS s first artistic director and was let go by the OSF in 1992 5 A two year transitional process began in 1993 during which the OSF maintained a supervisory role over PCS 6 The Oregonian reported that the OSF s artistic director Henry Woronicz couldn t figure out how to integrate the two closely enough for his liking and he was unwilling to have Portland go its own way without supervision 6 The advisory board for Oregon Shakespeare Festival Portland was reformulated as the board of directors of the PCS and Elizabeth Huddle was hired in May 1994 as the producing artistic director 2 6 Huddle had previously served on the PCS s search committee for a new artistic director but decided to put her name in for consideration 7 In 1994 the PCS had a budget of US 2 2 million 8 and over 11 000 subscribers 6 In May 1995 the company s financial numbers for its transitional 1994 1995 period with its new artistic director were reported to be a deficit of 240 000 9 The company experienced what The Oregonian described as a jarring divorce from the OSF 10 Huddle had been on the 1991 search committee for the OSF s artistic director Henry Woronicz but he suddenly announced his resignation in June 1995 effective the following October citing personal reasons 11 Huddle and the rest of the theater community were surprised by Woronicz s resignation 11 In 2000 PCS board president Julie Vigeland commented to The Seattle Times that after separating from OSF it was a real challenge to form our own identity but that Huddle did a wonderful job helping us do that for the last six years 12 2000 present edit Its fourth artistic director Chris Coleman took over in May 2000 13 and recruited experienced actors to the company 2 Coleman had previously co founded Actor s Express in Atlanta Georgia and was the artistic director there 14 Coleman initially signed on for a three year contract 12 Before Coleman began as artistic director with PCS the company was already the largest live theater production company in Portland 15 However the organization was facing sporadic attendance at performances as well as financial difficulties 15 with a deficit at the end of 1999 of 700 000 10 In 2000 PCS had a deficit of 880 000 and a base of 10 000 subscribers 12 The financial position of the company later stabilized and Coleman had a 2000 budget of 3 2 million to work with when he came on 10 A 2003 consultant s report however found that PCS relied more heavily on gifts and grants to fund its operations than its peers around the company 16 Coleman hired the Portland company Sandstrom Design to help with marketing 15 Sandstrom helped to improve the promotional materials of the organization while Portland Center Stage modified the nature and style of its performances 15 Sandstrom Design produced a 56 page flyer that showed the performance schedule for the 2003 2004 season which was mailed to subscribers potential customers handed out at performances and placed around town 15 The promotional campaign stressed the unique qualities of a live theater performance as entertainment over television and film 15 PCS s productions were presented in the Winningstad and Newmark theatres in Portland through the 2005 2006 season 1 17 Portland Center Stage moved to the new Gerding Theater at the Armory beginning with the 2006 2007 season 17 Portland Center Stage began a 32 9 million capital campaign in 2004 with the goal of building a new theater complex in The Armory a historic building in Portland 2 The company began usage of The Armory in September 2006 2 PCS received 150 000 from the United States Department of Housing and Urban Development in September 2006 for renovations and upgrades to its facility 18 and an additional 500 000 as part of the Portland Center Stage Armory Theater Energy Conservation Project 19 As of 2023 the theater is being run by Artistic Director Marissa Wolf and Managing Director Liam Kaas Lentz During the 2020 shut down Portland Center Stage presented several virtual productions ranging from new works created specifically for the medium to classic plays performed as virtual staged readings In 2021 PCS returned to in person productions The theater facilities at The Armory include the 590 seat U S Bank Main Stage theater the 199 seat Ellyn Bye Studio a flexible black box theater administrative offices the Vigeland Rehearsal Hall and a costume shop 2 Ten or more productions are performed annually from September through June 1 The company s productions include contemporary classical pieces and modern premieres in addition to a summer playwrights festival JAW previously known as Just Add Water West 20 21 PCS has approximately 9 000 subscribers and an annual audience of over 150 000 2 Productions editWhen Elizabeth Huddle became producing artistic director in 1994 a production schedule had already been set by the OSF s Pat Patton 5 Huddle made changes to her first season s schedule and decided to direct the first play of the season Arms and the Man 5 instead of the previously scheduled play Jean Anouilh s translation of Sophocles Antigone 4 Portland Center Stage was nominated for Best Production in the 1994 95 Drammy Awards which recognize excellence in Portland theater for Arms and the Man 22 Huddle was artistic director for the world premiere of the play Comfort and Joy A Play in Two Acts which premiered at PCS on December 2 1995 23 Huddle had commissioned playwright Jack Heifner to write Comfort and Joy 24 which was the first time that Portland Center Stage had ever produced a new play 25 Huddle ended her time with the Portland Center Stage company in January 2000 14 One of Huddle s final productions with PCS was A Christmas Carol and her final production with the company was Bus Stop 14 Chris Coleman s first production after signing on with PCS in 2000 was the play The Devils by Elizabeth Egloff based on the novel of the same name by Fyodor Dostoevsky 12 Theater critic Misha Berson of The Seattle Times described Coleman s choice as an especially audacious departure for Portland Center Stage though reviews in Portland media were mixed it received a positive review in The Oregonian and from audience feedback 12 Other productions in the 2000 2001 season included Martin McDonagh s Irish comedy The Cripple of Inishmaan A Christmas Carol Patrick Marber s Closer and adaptation of Antigone and the Northwest premiere of A New Brain by William Finn 12 Coleman opened the 2006 2007 and 2008 seasons at PCS with musicals 26 He opened the 2006 season with West Side Story and the 2007 season with Cabaret 26 Other productions in the 2007 2008 season included Doubt a Parable Twelfth Night and Sometimes a Great Notion 27 PCS received a total of 12 awards at the 29th annual Drammy Awards in June 2008 including Outstanding Production for Twelfth Night 28 Coleman opened the 2008 2009 season with Guys and Dolls which The Oregonian and Willamette Week described as a timely choice in light of the Great Recession 26 29 Reception editIn her 2004 guide Best Places Northwest Giselle Smith wrote that PCS offers excellent production values whatever the play 30 In his 2004 book Best Places Portland author John Gottberg wrote positively of Portland Center Stage commenting Portland s leading professional theater company is on a par with the country s best regional theaters 1 The 2007 guidebook Moon Handbooks Oregon notes that the company produces innovative and sometimes daring productions 31 References edit a b c d Gottberg John 2004 Best Places Portland The Locals Guide to the Best Restaurants Lodgings Sights Shopping and More Sasquatch Books pp 263 ISBN 1 57061 400 8 a b c d e f g h Volz Jim 2007 The Back Stage Guide to Working in Regional Theater Jobs for Actors and Other Theater Professionals Back Stage Books pp 256 257 ISBN 978 0 8230 7880 6 Adcock Joe May 11 1994 Huddle Saved Intiman Sets Sights On Portland Company Seattle Post Intelligencer p C6 a b Matthews Lynn October 28 1994 Hands On Director Switches To Arms The Columbian The Columbian Publishing Co p B9 a b c Johnson Barry June 18 1995 Elizabeth Huddle Puts Audience s Taste Center Stage The Oregonian Oregonian Publishing Co p F10 a b c d Johnson Barry July 17 1994 The Big Three Signal Change The Oregonian Oregonian Publishing Co p J03 Berson Misha May 13 1994 Portland Center Stage Taps Huddle The Seattle Times p D23 Johnson Barry May 10 1994 New Leader Takes Center Stage The Oregonian Oregonian Publishing Co p D01 Johnson Barry May 12 1995 Center Stage Runs 240 000 In The Red The Oregonian Oregonian Publishing Co p 32 a b c Johnson Barry November 14 1999 New Director Takes Center Stage The Oregonian Oregonian Publishing Co p F01 a b Johnson Barry July 9 1995 Rising About The Tempest The Oregonian Oregonian Publishing Co p E01 a b c d e f Berson Misha October 27 2000 Coleman gives Portland a drama to talk about The Seattle Times The Seattle Times Company Archived from the original on May 19 2011 Retrieved October 10 2008 Berson Misha November 18 1999 Off Stage News The Seattle Times p I34 a b c Adcock Joe December 2 1999 Huddle Moving On After Portland Theater Success Seattle Post Intelligencer p E9 a b c d e f Hickey Lisa 2004 Designs That Stand Up Speak Out and Can t Be Ignored Rockport Publishers pp 90 91 ISBN 1 59253 104 0 Jaquiss Nigel February 9 2005 Portland Center Stage Needs Your Money Willamette Week Archived from the original on June 6 2007 Retrieved October 7 2008 a b About the Armory PCS org www pcs org 2011 Archived from the original on April 15 2013 Retrieved June 26 2011 United States Congress 2005 Making Appropriations for the Departments of Transportations Treasury and Housing and Urban Development the Judiciary District of Columbia and Independent Agencies for the Fiscal Year Ending September 30 2006 and for Other Purposes DIANE Publishing p 253 ISBN 1 4289 8541 7 Archived from the original on February 23 2012 Retrieved October 5 2016 United States Senate Committee on Appropriations 2006 Energy and Water Appropriations Bill 2006 Report to Accompany H R 2419 DIANE Publishing p 124 ISBN 1 4289 1005 0 Vincent Caitlin Claire 2007 Let s Go Roadtripping USA on a Budget The Complete Coast to Coast Guide to America Macmillan pp 678 ISBN 978 0 312 36182 2 JAW A Playwrights Festival Portland Center Stage Archived from the original on September 6 2012 Retrieved August 11 2010 Matthews Lynn June 7 1995 Drammy Awards Focus On Theater Excellence The Columbian The Columbian Publishing Co p B3 Heifner Jack 1999 Comfort and Joy A Play in Two Acts Dramatic Publishing p 4 ISBN 0 87129 908 9 Johnson Barry June 18 1995 Repertoire Reaches From Coward To Fugard The Oregonian Oregonian Publishing Co p F10 Johnson Barry February 28 1995 Center Stage Takes Dream To The Air The Oregonian Oregonian Publishing Co p C06 a b c Hughley Marty September 28 2008 Portland Center Stage escapes into the colorful world of Guys amp Dolls The Oregonian Oregon Live LLC Archived from the original on September 30 2008 Retrieved October 11 2008 Ibarra Sergio Elise Eggart Alex Breaux Vanessa Dube 2007 Let s Go USA Macmillan p 941 ISBN 978 0 312 37445 7 Hughley Marty June 9 2008 Portland Center Stage hogs Drammy Awards spotlight The Oregonian Oregon Live LLC Archived from the original on June 15 2008 Retrieved October 11 2008 Waterhouse Ben October 1 2008 Guys And Dolls Portland Center Stage If Congress can t bail us out PCS will try Willamette Week Willamette Week Newspaper Archived from the original on October 2 2008 Retrieved October 11 2008 Smith Giselle 2004 Best Places Northwest The Best Restaurants Lodgings and a Complete Guide to the Region Sasquatch Books p 7 ISBN 1 57061 417 2 Morris Elizabeth Judy Jewell Mark Morris Bill McRae 2007 Moon Handbooks Oregon Avalon Travel p 64 ISBN 978 1 56691 930 2 External links editOfficial website Portals nbsp Arts nbsp Music nbsp Theatre nbsp Oregon nbsp United States Retrieved from https en wikipedia org w index php title Portland Center Stage amp oldid 1178368865, wikipedia, wiki, book, books, library,

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