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Philip Hyde (photographer)

Philip Hyde (1921–2006) was an American landscape photographer and conservationist.[1][2] His photographs of the American West were used in more environmental campaigns than those of any other photographer.[3][4]

Education edit

Hyde first attended Ansel Adams' photography program at the California School of Fine Arts, now the San Francisco Art Institute, beginning with the Summer Session in 1946 and enrolling in the full-time professional photography training, the first of its kind, in the Fall of 1947, studying under photographers such as Edward Weston, Minor White, Imogen Cunningham and Dorothea Lange.[5][6] Out of thousands of Ansel Adams' students, Hyde was one of the few Ansel Adams asked to teach with him.

Career with the Sierra Club edit

Hyde became a contributing photographer for the Sierra Club Annual in 1950.[3] He photographed for This is Dinosaur: Echo Park Country and Its Magic Rivers, a 1955 book edited by Wallace Stegner highlighting a proposed dam on the Green River in Dinosaur National Monument in Utah and Colorado.

Hyde eventually became the primary conservation photographer for the Sierra Club.[1] David Brower commissioned him to photograph for what came to be known as "battle books", that helped the Sierra Club lead a coalition of environmental groups to establish or expand numerous national parks, wilderness areas and national seashores.[7] This series of books the Sierra Club called The Exhibit Format Series. The most well-known photographers for the series were Ansel Adams, Eliot Porter and Philip Hyde. The Exhibit Format Series helped bring national attention to the Sierra Club and the cause of conservation and popularized the coffee table photography book paving the way for thousands of books of this type in the years since.[8]

In the late 1950s and early 1960s, the US Bureau of Reclamation proposed two dams in the Colorado River on either end of the Grand Canyon. The Sierra Club published a book called Time and the River Flowing: Grand Canyon in 1964 in a successful campaign to turn public opinion against these dam projects that threatened the integrity of the wild river and its canyon.[1] Hyde was the primary photographer. This book reshaped the image of the Grand Canyon for Americans and triggered an outpouring of support and letters from all over the world to prevent the flooding of the canyon. Hyde's photographs appeared in campaigns to create North Cascades National Park, Redwood National Park, Point Reyes National Seashore, High Sierra wilderness, the Wind River Range, Canyonlands, islands off Puerto Rico, Big Sur, Kings Canyon, Sequoia National Park, Denali National Park, Tongass National Forest, the Navajo Tribal Parks, the Oregon Cascades, and many other national treasures.[9]

Hyde said, "For every place there will always be people that want to exploit it, and there will always be people—hopefully—that want to save it and keep it as it is. Even with the risk of inviting the crowds into paradise, better to publish your photographs and rally the troops. What’s in the frame of the photograph matters artistically, to be sure, but what’s outside the frame can destroy it."[10]

Color Photography edit

Hyde began making color photographs in 1948. In 1949, the California School of Fine Arts photography department supplemented its usual black and white training with a color photography class that Philip Hyde attended.[5] The Sierra Club Exhibit Format Series began to introduce color photography to their books in 1962. In Wildness Is The Preservation of the World by Eliot Porter was entirely in color and Island In Time: The Point Reyes Peninsula contained a significant number of color photographic reproductions.[11] Philip Hyde's color photographs also appeared in Time and The River Flowing: Grand Canyon, Navajo Wildlands and other Sierra Club books before the 1970s. After spending time in the desert and discovering improvements in the dye transfer printing process, in the 1970s Hyde gradually transitioned completely away from black-and-white photography to focus solely on color. He collaborated with author Edward Abbey on the desert classic, "Slickrock: The Canyon Country of Southeast Utah," (1971) yet another Sierra Club book published to highlight the threats to wilderness, in this case, the Utah Redrock country of Canyonlands National Park, Capitol Reef National Park, and the Escalante River wilderness.[10]

Publications edit

Hyde had 15 books of his own work and contributions to more than 70 others.[7] In those following he was the primary illustrator:

  • 2009: The Ghosts of Glen Canyon: History Beneath Lake Powell by C. Gregory Crampton Foreword by Edward Abbey
  • 1992: The Range of Light by Philip Hyde with Selections from John Muir - ISBN 0-87905-480-8
  • 1991: Sierra Club: 100 Years of Protecting Nature by Tom Turner; Sierra Club Books
  • 1987, 1990: Drylands: The Deserts of North America text and photographs by Philip Hyde - ISBN 0-517-03289-9
  • 1982: Images of the Southwest (Dye Transfer Color Portfolio)
  • 1980: State Parks Of California: From 1864 to the Present by Joseph Engbeck
  • 1979: Glen Canyon Portfolio - ISBN 0-87358-187-3
  • 1979: Voices for the Earth by Harold Gilliam; Sierra Club Books
  • 1976: A Trace of Desert Waters: The Great Basin Story by Samuel B. Houghton
  • 1973: Mountain and Desert (Sierra Club Limited Edition Lithograph Portfolio)
  • 1972: The Beautiful Southwest
  • 1971, 1987: Slickrock: The Canyon Country of Southeast Utah by Edward Abbey and Philip Hyde; Sierra Club Books - ISBN 0-87156-051-8
  • 1971: Alaska: The Great Land by Mike Miller and Peggy Wayburn; Sierra Club Books
  • 1971: The Wilderness World of the Grand Canyon by Ann and Myron Sutton
  • 1971: The Pursuit of Wilderness by Paul Brooks
  • 1971: An Island Called California
  • 1970: Glen Canyon Before Lake Powell
  • 1969: The Grand Colorado: The Story of a River and Its Canyons Foreword by Wallace Stegner, by T. H. Watkins and others.
  • 1968: South of Yosemite: Selected Writings of John Muir ed. by Frederic R. Gunsky
  • 1967: Navajo Wildlands: As Long as the Rivers Shall Run by Stephen C. Jett, with selections from Willa Cather and others. Edited by Kenneth Brower with a foreword by David Brower. Sierra Club Exhibit Format Series.
  • 1965: Not Man Apart: Photographs of the Big Sur Coast poetry by Robinson Jeffers; photographs by Philip Hyde, Wynn Bullock, Cedrick Wright, Edward Weston, Morley Baer, Ansel Adams, William Garnett, Eliot Porter, Cole Weston, Don Worth and others. Sierra Club Exhibit Format Series.
  • 1965: National Parks of the West
  • 1965: The Wild Cascades: Forgotten Parkland by Harvey Manning, photographs by Philip Hyde, Ansel Adams, Martin Litton, Bob and Ira Spring, David Simmons, John Warth and others. Sierra Club Exhibit Format Series.
  • 1964: Time and the River Flowing: Grand Canyon by Francois Leydet, photographs by Philip Hyde, Ansel Adams, Eliot Porter, Martin Litton, Clyde Childress, Richard Norgaard, P. T. Reilly, Joseph Wood Krutch, Katie Lee and others. Sierra Club Exhibit Format Series.
  • 1964: Wildlands in our Civilization
  • 1963: The Last Redwoods: Photographs and Story of a Vanishing Scenic Resource by Philip Hyde and François Leydet; Foreword by Stewart L. Udall. Sierra Club Exhibit Format Series.
  • 1962, 2nd ed. 1973: Island In time: The Point Reyes Peninsula by Harold Gilliam. Sierra Club Books
  • 1961: Wilderness: America’s Living Heritage
  • 1960: A Climber’s Guide to Glacier National Park Sierra Club Books.
  • 1955: This Is Dinosaur: Echo Park Country and Its Magic Rivers ed. by Wallace Stegner photographs by Philip Hyde, Martin Litton and others. Sierra Club Books.
  • 1951: Sierra Club Annual Sierra Club Books.

Hyde's last interview was featured in "Lasting Light: 125 Years of Grand Canyon Photography" by Stephen Trimble.[12] A profile and portfolio appeared in "The Golden Decade: Photography at the California School of Fine Arts 1945-55", pages 187-197.[6]

References edit

  1. ^ a b c Brozan, Nadine (19 April 2006). "Philip J. Hyde, 84, Conservation Photographer". The New York Times.
  2. ^ "Archives - Los Angeles Times". Los Angeles Times.
  3. ^ a b "Philip Hyde". 8 April 2015.
  4. ^ "Landscape Masters Through Time".
  5. ^ a b Gunderson, Comer and Klochko (2006). The Moment of Seeing: Minor White at the California School of Fine Art. Chronicle Books
  6. ^ a b William Heick, Ira Latour, C. Macauley (2016). The Golden Decade, at the California School of Fine Arts 1945-55.Steidl ISBN 978-3-86930-902-6
  7. ^ a b "Philip Hyde -- leading nature photographer". 16 April 2006.
  8. ^ Tom Turner (1991). Sierra Club: 100 Years of Protecting Nature. Abrams.
  9. ^ Various volumes--the Sierra Club Exhibit Format Series--see books above--see also David Brower's Foreword to Navajo Wildlands.
  10. ^ a b Edward Abbey and Philip Hyde (1971). Slickrock: The Canyon Country of Southeast Utah.Sierra Club Books
  11. ^ Harold Gilliam (1962). Island In Time: The Point Reyes Peninsula. Sierra Club Books
  12. ^ Stephen Trimble (2006). Lasting Light: 125 Years of Grand Canyon Photography ISBN 0-87358-894-0

External links edit

  • Philip Hyde Photography
  • Philip Hyde Landscape Photography Blog by David Leland Hyde
  • Philip Hyde Photographs of Hetch Hetchy Reservoir, 1955

philip, hyde, photographer, this, article, needs, additional, citations, verification, please, help, improve, this, article, adding, citations, reliable, sources, unsourced, material, challenged, removed, find, sources, philip, hyde, photographer, news, newspa. This article needs additional citations for verification Please help improve this article by adding citations to reliable sources Unsourced material may be challenged and removed Find sources Philip Hyde photographer news newspapers books scholar JSTOR January 2010 Learn how and when to remove this message Philip Hyde 1921 2006 was an American landscape photographer and conservationist 1 2 His photographs of the American West were used in more environmental campaigns than those of any other photographer 3 4 Contents 1 Education 2 Career with the Sierra Club 3 Color Photography 4 Publications 5 References 6 External linksEducation editHyde first attended Ansel Adams photography program at the California School of Fine Arts now the San Francisco Art Institute beginning with the Summer Session in 1946 and enrolling in the full time professional photography training the first of its kind in the Fall of 1947 studying under photographers such as Edward Weston Minor White Imogen Cunningham and Dorothea Lange 5 6 Out of thousands of Ansel Adams students Hyde was one of the few Ansel Adams asked to teach with him Career with the Sierra Club editHyde became a contributing photographer for the Sierra Club Annual in 1950 3 He photographed for This is Dinosaur Echo Park Country and Its Magic Rivers a 1955 book edited by Wallace Stegner highlighting a proposed dam on the Green River in Dinosaur National Monument in Utah and Colorado Hyde eventually became the primary conservation photographer for the Sierra Club 1 David Brower commissioned him to photograph for what came to be known as battle books that helped the Sierra Club lead a coalition of environmental groups to establish or expand numerous national parks wilderness areas and national seashores 7 This series of books the Sierra Club called The Exhibit Format Series The most well known photographers for the series were Ansel Adams Eliot Porter and Philip Hyde The Exhibit Format Series helped bring national attention to the Sierra Club and the cause of conservation and popularized the coffee table photography book paving the way for thousands of books of this type in the years since 8 In the late 1950s and early 1960s the US Bureau of Reclamation proposed two dams in the Colorado River on either end of the Grand Canyon The Sierra Club published a book called Time and the River Flowing Grand Canyon in 1964 in a successful campaign to turn public opinion against these dam projects that threatened the integrity of the wild river and its canyon 1 Hyde was the primary photographer This book reshaped the image of the Grand Canyon for Americans and triggered an outpouring of support and letters from all over the world to prevent the flooding of the canyon Hyde s photographs appeared in campaigns to create North Cascades National Park Redwood National Park Point Reyes National Seashore High Sierra wilderness the Wind River Range Canyonlands islands off Puerto Rico Big Sur Kings Canyon Sequoia National Park Denali National Park Tongass National Forest the Navajo Tribal Parks the Oregon Cascades and many other national treasures 9 Hyde said For every place there will always be people that want to exploit it and there will always be people hopefully that want to save it and keep it as it is Even with the risk of inviting the crowds into paradise better to publish your photographs and rally the troops What s in the frame of the photograph matters artistically to be sure but what s outside the frame can destroy it 10 Color Photography editHyde began making color photographs in 1948 In 1949 the California School of Fine Arts photography department supplemented its usual black and white training with a color photography class that Philip Hyde attended 5 The Sierra Club Exhibit Format Series began to introduce color photography to their books in 1962 In Wildness Is The Preservation of the World by Eliot Porter was entirely in color and Island In Time The Point Reyes Peninsula contained a significant number of color photographic reproductions 11 Philip Hyde s color photographs also appeared in Time and The River Flowing Grand Canyon Navajo Wildlands and other Sierra Club books before the 1970s After spending time in the desert and discovering improvements in the dye transfer printing process in the 1970s Hyde gradually transitioned completely away from black and white photography to focus solely on color He collaborated with author Edward Abbey on the desert classic Slickrock The Canyon Country of Southeast Utah 1971 yet another Sierra Club book published to highlight the threats to wilderness in this case the Utah Redrock country of Canyonlands National Park Capitol Reef National Park and the Escalante River wilderness 10 Publications editHyde had 15 books of his own work and contributions to more than 70 others 7 In those following he was the primary illustrator 2009 The Ghosts of Glen Canyon History Beneath Lake Powell by C Gregory Crampton Foreword by Edward Abbey 1992 The Range of Light by Philip Hyde with Selections from John Muir ISBN 0 87905 480 8 1991 Sierra Club 100 Years of Protecting Nature by Tom Turner Sierra Club Books 1987 1990 Drylands The Deserts of North America text and photographs by Philip Hyde ISBN 0 517 03289 9 1982 Images of the Southwest Dye Transfer Color Portfolio 1980 State Parks Of California From 1864 to the Present by Joseph Engbeck 1979 Glen Canyon Portfolio ISBN 0 87358 187 3 1979 Voices for the Earth by Harold Gilliam Sierra Club Books 1976 A Trace of Desert Waters The Great Basin Story by Samuel B Houghton 1973 Mountain and Desert Sierra Club Limited Edition Lithograph Portfolio 1972 The Beautiful Southwest 1971 1987 Slickrock The Canyon Country of Southeast Utah by Edward Abbey and Philip Hyde Sierra Club Books ISBN 0 87156 051 8 1971 Alaska The Great Land by Mike Miller and Peggy Wayburn Sierra Club Books 1971 The Wilderness World of the Grand Canyon by Ann and Myron Sutton 1971 The Pursuit of Wilderness by Paul Brooks 1971 An Island Called California 1970 Glen Canyon Before Lake Powell 1969 The Grand Colorado The Story of a River and Its Canyons Foreword by Wallace Stegner by T H Watkins and others 1968 South of Yosemite Selected Writings of John Muir ed by Frederic R Gunsky 1967 Navajo Wildlands As Long as the Rivers Shall Run by Stephen C Jett with selections from Willa Cather and others Edited by Kenneth Brower with a foreword by David Brower Sierra Club Exhibit Format Series 1965 Not Man Apart Photographs of the Big Sur Coast poetry by Robinson Jeffers photographs by Philip Hyde Wynn Bullock Cedrick Wright Edward Weston Morley Baer Ansel Adams William Garnett Eliot Porter Cole Weston Don Worth and others Sierra Club Exhibit Format Series 1965 National Parks of the West 1965 The Wild Cascades Forgotten Parkland by Harvey Manning photographs by Philip Hyde Ansel Adams Martin Litton Bob and Ira Spring David Simmons John Warth and others Sierra Club Exhibit Format Series 1964 Time and the River Flowing Grand Canyon by Francois Leydet photographs by Philip Hyde Ansel Adams Eliot Porter Martin Litton Clyde Childress Richard Norgaard P T Reilly Joseph Wood Krutch Katie Lee and others Sierra Club Exhibit Format Series 1964 Wildlands in our Civilization 1963 The Last Redwoods Photographs and Story of a Vanishing Scenic Resource by Philip Hyde and Francois Leydet Foreword by Stewart L Udall Sierra Club Exhibit Format Series 1962 2nd ed 1973 Island In time The Point Reyes Peninsula by Harold Gilliam Sierra Club Books 1961 Wilderness America s Living Heritage 1960 A Climber s Guide to Glacier National Park Sierra Club Books 1955 This Is Dinosaur Echo Park Country and Its Magic Rivers ed by Wallace Stegner photographs by Philip Hyde Martin Litton and others Sierra Club Books 1951 Sierra Club Annual Sierra Club Books Hyde s last interview was featured in Lasting Light 125 Years of Grand Canyon Photography by Stephen Trimble 12 A profile and portfolio appeared in The Golden Decade Photography at the California School of Fine Arts 1945 55 pages 187 197 6 References edit a b c Brozan Nadine 19 April 2006 Philip J Hyde 84 Conservation Photographer The New York Times Archives Los Angeles Times Los Angeles Times a b Philip Hyde 8 April 2015 Landscape Masters Through Time a b Gunderson Comer and Klochko 2006 The Moment of Seeing Minor White at the California School of Fine Art Chronicle Books a b William Heick Ira Latour C Macauley 2016 The Golden Decade at the California School of Fine Arts 1945 55 Steidl ISBN 978 3 86930 902 6 a b Philip Hyde leading nature photographer 16 April 2006 Tom Turner 1991 Sierra Club 100 Years of Protecting Nature Abrams Various volumes the Sierra Club Exhibit Format Series see books above see also David Brower s Foreword to Navajo Wildlands a b Edward Abbey and Philip Hyde 1971 Slickrock The Canyon Country of Southeast Utah Sierra Club Books Harold Gilliam 1962 Island In Time The Point Reyes Peninsula Sierra Club Books Stephen Trimble 2006 Lasting Light 125 Years of Grand Canyon Photography ISBN 0 87358 894 0External links editPhilip Hyde Photography Philip Hyde Landscape Photography Blog by David Leland Hyde Philip Hyde Photographs of Hetch Hetchy Reservoir 1955 Retrieved from https en wikipedia org w index php title Philip Hyde photographer amp oldid 1216285854, wikipedia, wiki, book, books, library,

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