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Pepe Arias

January 01, 1970

Pepe Arias (José Pablo Arias Martinez; 16 January 1900 – 23 February 1967) was an Argentine actor and comedian.

Pepe Arias
Born
José Pablo Arias Martinez

(1900-01-16)16 January 1900
Buenos Aires, Argentina
Died23 February 1967(1967-02-23) (aged 67)
Buenos Aires, Argentina
NationalityArgentine
Occupation(s)Actor and comedian
Known forMonologues
SpouseCarmen Olmedo

Early years edit

José Pablo Arias Martinez was born in the former Abasto district of Buenos Aires on 16 January 1900.[1] He first appeared on stage in 1916, and became a remarkable stage actor in grotesque, comedy and drama roles.[2] In 1922 the influence of the company of Madame Rasimi and her Ba-Ta-Clán, arrived from Paris, established the structure of the Buenos Aires revue.[2] Arias learned his art among the founders of Argentine theater, such as Luis Arata and Enrique Da Rosas. He perfected all the elements of farce and grotesque, with his face painted with extreme make-up. He also played serious roles, and earned the Municipal Award for best dramatic actor for his performance in Ovid by Laurent Doillet at the Odeon Theatre in 1942.[1]

Film and radio edit

 
Flyer for Puerto nuevo (1936)

Arias' style became established when he moved to film and radio.[2] He was a pioneer of talking films, and appeared in twenty four films. These included the brilliant Kilómetro 111 (1938) directed by Mario Soffici and Fantasmas en Buenos Aires (1943) directed by Enrique Santos Discépolo.[1] He became known on radio for delivering monologues as characters such as "Don Vistobueno Ciruela". He also starred in long-running revues at the Maipo and the Nacional theaters, and would deliver his monologues on stage. He avoided television, which he called "a dreadful fire that burns with lightning speed".[1]

Monologues edit

In 1963 Arias described the monologue as a type of political reporting. He said that he read the headlines and told the news on stage, adding a humorous comment but always with up-to-date information. Thursday's political joke is not funny on Friday.[1] He would call his audience his "dear filipipones".[1] The nonsense word perhaps came from "philippic", and was used by his "Brother José" character in El hermano José (1941). The mocking but affectionate greeting became the trademark of his monologues.[3] It is the title of his 1989 biography by Carlos Inzillo.[4]

In 1956 Arias said that political jokes were a basic element of revues in Buenos Aires, and he had never had real problems.[1] He called politics a gentleman's game (juego de caballeros), which the public always understood, as did the governments of Yrigoyen, Alvear, Uriburu, Justo, Ortiz and Castillo. Those political leaders knew how to laugh. They knew that humor turned politics into a game and stripped it of solemnity and seriousness, which are always dangerous. Politics is a gentleman's game and those who are not gentlemen cannot play politics. There was only one period when satire disappeared from revues, but otherwise nothing happened.[1] He was banned between 1952 and 1955 by the Peronist government.[1]

Last years edit

In the late 1950s Pepe Arias discovered and fell in love with the resort town of Pinamar. He began to spend much of his time there with his partner Petra, in peace and quiet at their home on Burriquetas Street.[1] Pepe Arias died in his sleep at 5:00 p.m. on 23 February 1967 in Buenos Aires.[2] His last film was La señora del intendente (1967) by Armando Bó, released after his death, where he looked tired beside Isabel Sarli.[1]

 
Poster for Las seis suegras de Barba Azul (1945)

Films edit

Pepe Arias appeared in the following films:[5]

Notes edit

  1. ^ a b c d e f g h i j k Inzillo 1997.
  2. ^ a b c d Amuchastegui 1997.
  3. ^ Filipipón, filipipona, Clarín 2008.
  4. ^ Inzillo 1989.
  5. ^ Pepe Arias, Cinenacional.

Sources edit

  • Amuchastegui, Irene (23 February 1997). "Hace 30 años moría Pepe Arias". Clarín. Buenos Aires. Retrieved 2014-06-05.
  • "Filipipón, filipipona (Nueva versión de la editada el 28 de marzo)". Clarín (in Spanish). 7 April 2008. Retrieved 2014-06-06.
  • Inzillo, Carlos (1989). "Queridos Filipipones": una bio-filmoradiografía afectiva de Pepe Arias. Ed. Corregidor. p. 227. ISBN 9789500505543.
  • Inzillo, Carlos (23 February 1997). "Treinta años sin Pepe Arias". La Nación (in Spanish). Retrieved 2014-06-06.
  • "Pepe Arias". Cinenacional. Retrieved 2014-06-05.

January 01, 1970
pepe, arias, josé, pablo, arias, martinez, january, 1900, february, 1967, argentine, actor, comedian, bornjosé, pablo, arias, martinez, 1900, january, 1900buenos, aires, argentinadied23, february, 1967, 1967, aged, buenos, aires, argentinanationalityargentineo. Pepe Arias Jose Pablo Arias Martinez 16 January 1900 23 February 1967 was an Argentine actor and comedian Pepe AriasBornJose Pablo Arias Martinez 1900 01 16 16 January 1900Buenos Aires ArgentinaDied23 February 1967 1967 02 23 aged 67 Buenos Aires ArgentinaNationalityArgentineOccupation s Actor and comedianKnown forMonologuesSpouseCarmen Olmedo Contents 1 Early years 2 Film and radio 3 Monologues 4 Last years 5 Films 6 Notes 7 SourcesEarly years editJose Pablo Arias Martinez was born in the former Abasto district of Buenos Aires on 16 January 1900 1 He first appeared on stage in 1916 and became a remarkable stage actor in grotesque comedy and drama roles 2 In 1922 the influence of the company of Madame Rasimi and her Ba Ta Clan arrived from Paris established the structure of the Buenos Aires revue 2 Arias learned his art among the founders of Argentine theater such as Luis Arata and Enrique Da Rosas He perfected all the elements of farce and grotesque with his face painted with extreme make up He also played serious roles and earned the Municipal Award for best dramatic actor for his performance in Ovid by Laurent Doillet at the Odeon Theatre in 1942 1 Film and radio edit nbsp Flyer for Puerto nuevo 1936 Arias style became established when he moved to film and radio 2 He was a pioneer of talking films and appeared in twenty four films These included the brilliant Kilometro 111 1938 directed by Mario Soffici and Fantasmas en Buenos Aires 1943 directed by Enrique Santos Discepolo 1 He became known on radio for delivering monologues as characters such as Don Vistobueno Ciruela He also starred in long running revues at the Maipo and the Nacional theaters and would deliver his monologues on stage He avoided television which he called a dreadful fire that burns with lightning speed 1 Monologues editIn 1963 Arias described the monologue as a type of political reporting He said that he read the headlines and told the news on stage adding a humorous comment but always with up to date information Thursday s political joke is not funny on Friday 1 He would call his audience his dear filipipones 1 The nonsense word perhaps came from philippic and was used by his Brother Jose character in El hermano Jose 1941 The mocking but affectionate greeting became the trademark of his monologues 3 It is the title of his 1989 biography by Carlos Inzillo 4 In 1956 Arias said that political jokes were a basic element of revues in Buenos Aires and he had never had real problems 1 He called politics a gentleman s game juego de caballeros which the public always understood as did the governments of Yrigoyen Alvear Uriburu Justo Ortiz and Castillo Those political leaders knew how to laugh They knew that humor turned politics into a game and stripped it of solemnity and seriousness which are always dangerous Politics is a gentleman s game and those who are not gentlemen cannot play politics There was only one period when satire disappeared from revues but otherwise nothing happened 1 He was banned between 1952 and 1955 by the Peronist government 1 Last years editIn the late 1950s Pepe Arias discovered and fell in love with the resort town of Pinamar He began to spend much of his time there with his partner Petra in peace and quiet at their home on Burriquetas Street 1 Pepe Arias died in his sleep at 5 00 p m on 23 February 1967 in Buenos Aires 2 His last film was La senora del intendente 1967 by Armando Bo released after his death where he looked tired beside Isabel Sarli 1 nbsp Poster for Las seis suegras de Barba Azul 1945 Films editPepe Arias appeared in the following films 5 Tango 1933 Bonito Puerto nuevo 1936 El pobre Perez 1937 Segundos afuera 1937 Kilometro 111 1938 Maestro Levita 1938 El Loco Serenata 1939 Jose El Gran Dorbal El Loco Serenata El haragan de la familia 1940 Flecha de oro 1940 El hermano Jose 1941 Napoleon 1941 Fantasmas en Buenos Aires 1942 El profesor Cero 1942 La guerra la gano yo 1943 El fabricante de estrellas 1943 Diogenes Rodriguez Las seis suegras de Barba Azul 1945 La mujer mas honesta del mundo 1947 Rodriguez supernumerario 1948 Todo un heroe 1949 Fulmine 1949 Una noche cualquiera 1951 Mercado de abasto 1955 Lorenzo Miraglia Estrellas de Buenos Aires 1956 La mujer del zapatero 1965 La senora del intendente 1967 Dr Amable GambettaNotes edit a b c d e f g h i j k Inzillo 1997 a b c d Amuchastegui 1997 Filipipon filipipona Clarin 2008 Inzillo 1989 Pepe Arias Cinenacional Sources editAmuchastegui Irene 23 February 1997 Hace 30 anos moria Pepe Arias Clarin Buenos Aires Retrieved 2014 06 05 Filipipon filipipona Nueva version de la editada el 28 de marzo Clarin in Spanish 7 April 2008 Retrieved 2014 06 06 Inzillo Carlos 1989 Queridos Filipipones una bio filmoradiografia afectiva de Pepe Arias Ed Corregidor p 227 ISBN 9789500505543 Inzillo Carlos 23 February 1997 Treinta anos sin Pepe Arias La Nacion in Spanish Retrieved 2014 06 06 Pepe Arias Cinenacional Retrieved 2014 06 05 Retrieved from https en 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