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Archie Shepp – Bill Dixon Quartet

Archie Shepp – Bill Dixon Quartet is the debut album by saxophonist Archie Shepp and trumpeter Bill Dixon released on the Savoy label in 1962.[2] The album features three performances by Shepp & Dixon with Don Moore and Paul Cohen and a version of Ornette Coleman's composition "Peace" with Reggie Workman and Howard McRae. The album was also rereleased in 1970 as Peace on the French BYG label, flipping the running order on side two ("Somewhere" followed by "Peace"), and on CD in 2010 as a "unauthorized European" edition on the Free Factory label, using the Savoy title but the BYG running order.

Archie Shepp – Bill Dixon Quartet
Studio album by
Released1962
RecordedOctober 1962
GenreAvant-garde jazz
LabelSavoy
ProducerArchie Shepp, Bill Dixon
Archie Shepp chronology
Archie Shepp – Bill Dixon Quartet
(1962)
Four for Trane
(1964)
Bill Dixon chronology
Archie Shepp – Bill Dixon Quartet
(1962)
Bill Dixon 7-tette/Archie Shepp and the New York Contemporary 5
(1964)
Peace Cover
Professional ratings
Review scores
SourceRating
Allmusic[1]

In his book Free Jazz, author Ekkehard Jost observed that among the things Shepp and Dixon had in common was "the ambition to play a kind of music unburdened by traditional constraints and yet retaining to a great extent the essence of older jazz styles."[3] He wrote: "In several ways the quartet recalls the early Ornette Coleman groups. First, there is no piano. Second, in the general compositional and formal frame of reference and even in certain details of Shepp's improvisations, there is not much difficulty recognizing Coleman as the model... Third, as with Coleman, the tunes act principally as emotional triggers and not as determinants of harmony and form. The players improvise on a tonal centre..., or on a relatively flexible modal groundwork... In both cases a steady swinging beat is present at all times, with no recognizable symptoms of rhythmic dissociation."[4]

Reception edit

Richard Brody praised the album: "Dixon plays with a bright, fanfare-like tone and a stirring sense of drama — his solos seem constructed with discursive foresight, like a speaker putting together paragraphs that build to grand conclusions. His expansive, eloquent, distinctively mature and wise style contrasts with Shepp’s impulsive inventions and jaggedly guitar-like tones on tenor saxophone. The quartet's blend of rhapsodic melody and harmonic freedom makes for one of the most boldly yet intimately romantic recordings that modern jazz has to offer."[5]

Joseph Neff wrote that the album "serves as an enlightening prologue to Dixon’s later masterworks, while being totally worthy on its own."[6] He continued: "As on much of his early work, Shepp blows hard and raw... with the second half of 'Trio' becoming attractively harried. Just as illuminating is Dixon's writing, which if plainly avant-garde was never more peggable to the tradition than here; if he's not yet at the compositional level of Coleman, whose tune provides the trumpeter a fine platform for soloing, his talent is obvious... The best valve-blurt comes in the first half of 'Quartet'’s hearty slab of burning free-bop, with Shepp skronking up the later portion as Moore and Cohen rumble and clang throughout. The choice of 'Somewhere' mildly predicts Shepp's reading of 'The Girl from Ipanema' from Fire Music; the way he and Dixon tangle with the melody is a true gas and a valuable snapshot of a fleeting moment in the jazz avant-garde's development."[6]

Track listing edit

  1. "Trio" (Bill Dixon) - 8:53
  2. "Quartet" (Bill Dixon) - 9:16
  3. "Peace" (Ornette Coleman) - 9:28
  4. "Somewhere" (Leonard Bernstein) - 6:00
Recorded in NYC in October 1962

Personnel edit

References edit

  1. ^ Allmusic Review
  2. ^ Bill Dixon biography at jazz.com January 6, 2010, at the Wayback Machine accessed 30 July 2009
  3. ^ Jost, Ekkehard (1994). Free Jazz. Da Capo. p. 107.
  4. ^ Jost, Ekkehard (1994). Free Jazz. Da Capo. p. 108.
  5. ^ Brody, Richard (June 19, 2010). "In Memoriam Bill Dixon". The New Yorker. Retrieved July 27, 2020.
  6. ^ a b Neff, Joseph (January 25, 2017). "Graded on a Curve: The Bill Dixon Orchestra, Intents and Purposes, and the Archie Shepp-Bill Dixon Quartet, (s/t)". The Vinyl District. Retrieved July 27, 2020.

External links edit

  • "Archie Shepp / Bill Dixon - Peace (LP) at Discogs". www.discogs.com. Retrieved 2009-07-30.

archie, shepp, bill, dixon, quartet, debut, album, saxophonist, archie, shepp, trumpeter, bill, dixon, released, savoy, label, 1962, album, features, three, performances, shepp, dixon, with, moore, paul, cohen, version, ornette, coleman, composition, peace, wi. Archie Shepp Bill Dixon Quartet is the debut album by saxophonist Archie Shepp and trumpeter Bill Dixon released on the Savoy label in 1962 2 The album features three performances by Shepp amp Dixon with Don Moore and Paul Cohen and a version of Ornette Coleman s composition Peace with Reggie Workman and Howard McRae The album was also rereleased in 1970 as Peace on the French BYG label flipping the running order on side two Somewhere followed by Peace and on CD in 2010 as a unauthorized European edition on the Free Factory label using the Savoy title but the BYG running order Archie Shepp Bill Dixon QuartetStudio album by Archie SheppReleased1962RecordedOctober 1962GenreAvant garde jazzLabelSavoyProducerArchie Shepp Bill DixonArchie Shepp chronologyArchie Shepp Bill Dixon Quartet 1962 Four for Trane 1964 Bill Dixon chronologyArchie Shepp Bill Dixon Quartet 1962 Bill Dixon 7 tette Archie Shepp and the New York Contemporary 5 1964 Peace Cover Professional ratingsReview scoresSourceRatingAllmusic 1 In his book Free Jazz author Ekkehard Jost observed that among the things Shepp and Dixon had in common was the ambition to play a kind of music unburdened by traditional constraints and yet retaining to a great extent the essence of older jazz styles 3 He wrote In several ways the quartet recalls the early Ornette Coleman groups First there is no piano Second in the general compositional and formal frame of reference and even in certain details of Shepp s improvisations there is not much difficulty recognizing Coleman as the model Third as with Coleman the tunes act principally as emotional triggers and not as determinants of harmony and form The players improvise on a tonal centre or on a relatively flexible modal groundwork In both cases a steady swinging beat is present at all times with no recognizable symptoms of rhythmic dissociation 4 Contents 1 Reception 2 Track listing 3 Personnel 4 References 5 External linksReception editRichard Brody praised the album Dixon plays with a bright fanfare like tone and a stirring sense of drama his solos seem constructed with discursive foresight like a speaker putting together paragraphs that build to grand conclusions His expansive eloquent distinctively mature and wise style contrasts with Shepp s impulsive inventions and jaggedly guitar like tones on tenor saxophone The quartet s blend of rhapsodic melody and harmonic freedom makes for one of the most boldly yet intimately romantic recordings that modern jazz has to offer 5 Joseph Neff wrote that the album serves as an enlightening prologue to Dixon s later masterworks while being totally worthy on its own 6 He continued As on much of his early work Shepp blows hard and raw with the second half of Trio becoming attractively harried Just as illuminating is Dixon s writing which if plainly avant garde was never more peggable to the tradition than here if he s not yet at the compositional level of Coleman whose tune provides the trumpeter a fine platform for soloing his talent is obvious The best valve blurt comes in the first half of Quartet s hearty slab of burning free bop with Shepp skronking up the later portion as Moore and Cohen rumble and clang throughout The choice of Somewhere mildly predicts Shepp s reading of The Girl from Ipanema from Fire Music the way he and Dixon tangle with the melody is a true gas and a valuable snapshot of a fleeting moment in the jazz avant garde s development 6 Track listing edit Trio Bill Dixon 8 53 Quartet Bill Dixon 9 16 Peace Ornette Coleman 9 28 Somewhere Leonard Bernstein 6 00 Recorded in NYC in October 1962Personnel editArchie Shepp tenor saxophone Bill Dixon trumpet Don Moore bass tracks 1 2 amp 4 Reggie Workman bass track 3 Paul Cohen drums tracks 1 2 amp 4 Howard McRae drums track 3 References edit Allmusic Review Bill Dixon biography at jazz com Archived January 6 2010 at the Wayback Machine accessed 30 July 2009 Jost Ekkehard 1994 Free Jazz Da Capo p 107 Jost Ekkehard 1994 Free Jazz Da Capo p 108 Brody Richard June 19 2010 In Memoriam Bill Dixon The New Yorker Retrieved July 27 2020 a b Neff Joseph January 25 2017 Graded on a Curve The Bill Dixon Orchestra Intents and Purposes and the Archie Shepp Bill Dixon Quartet s t The Vinyl District Retrieved July 27 2020 External links edit Archie Shepp Bill Dixon Peace LP at Discogs www discogs com Retrieved 2009 07 30 Retrieved from https en wikipedia org w index php title Archie Shepp Bill Dixon Quartet amp oldid 1170788670, wikipedia, wiki, book, books, library,

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