Paris Bordone (Paris Paschalinus Bordone; 5 July 1500 – 19 January 1571) was an Italian painter of the Venetian Renaissance who, despite training with Titian, maintained a strand of Mannerist complexity and provincial vigor.
Portrait of a Gentleman in armor with two pages. Oil on canvas. between 1520 and 1571, Metropolitan Museum of Art.Venus, Mars, and Cupid crowned by Victory, c. 1560Venus and Amor, 1545–1550, imagination of an idealized beauty in the form introduced by Giorgione that once belonged to Adolf Hitler,[1]National Museum in WarsawSleeping Venus with Cupid
Biographyedit
Venetian Lovers, between 1525 and 1530
Bordone was born in Treviso, but had moved to Venice by late adolescence. He apprenticed briefly and unhappily (according to Vasari) with Titian. Vasari may have met the elder Bordone.
Bordone's works of the 1520s include the Holy Family in Florence, Sacra Conversazione with Donor (Glasgow), and Holy Family with St. Catherine (Hermitage Museum). The St. Ambrose and a Donor (1523) is now in the Pinacoteca di Brera. In 1525–26, Bordone painted an altarpiece for the church of S. Agostino in Crema, a Madonna with St. Christopher and St George (now in the Palazzo Tadini collection at Lovere). A second altarpiece, Pentecost, is also in the Pinacoteca di Brera.
Christ as 'The Light of the World' , c. 1550. The National Gallery, London.
In 1534–35, he painted his large-scale masterpiece for the Scuola di San Marco a canvas of The Fisherman Presenting the Ring to Doge Gradenigo (Accademia). However, comparison between this latter painting and the near-contemporary, and structurally similar, Presentation of the Virgin[2] reveals Bordone's limitations, his use of superior perspective which creates dwarfed distant perspectives, and limited coloration relative to the brilliant tints of Titian.
Bordone also painted smaller cabinet pieces, showing half-figures, semi-undressed men and women from mythology or religious stories in a muscular interaction despite the crowded space. He frequently combined portraiture with allegory.[3]
Paris Bordone subsequently executed many important mural paintings in Venice, Treviso and Vicenza, all of which have perished. In 1538 he was invited to France by Francis I, at whose court he painted many portraits, though no trace of them is to be found in French collections, the two portraits at the Louvre being later acquisitions. On his return journey he also worked for the Fugger palace at Augsburg, but again the works have been lost.
Wikimedia Commons has media related to Paris Bordone.
^Schwarz, Birgit (2009). Geniewahn: Hitler und die Kunst. Böhlau Verlag Wien. p. 312. ISBN978-32-05783-07-7. Mehrere Gemälde aus dem Berghof befinden sich heute im Nationalmuseum in Warschau. Bordones Venus und Amor etwa (Abb. 100)
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This article needs additional citations for verification Please help improve this article by adding citations to reliable sources Unsourced material may be challenged and removed Find sources Paris Bordone news newspapers books scholar JSTOR March 2015 Learn how and when to remove this template message Paris Bordone Paris Paschalinus Bordone 5 July 1500 19 January 1571 was an Italian painter of the Venetian Renaissance who despite training with Titian maintained a strand of Mannerist complexity and provincial vigor Portrait of a Gentleman in armor with two pages Oil on canvas between 1520 and 1571 Metropolitan Museum of Art Venus Mars and Cupid crowned by Victory c 1560Venus and Amor 1545 1550 imagination of an idealized beauty in the form introduced by Giorgione that once belonged to Adolf Hitler 1 National Museum in WarsawSleeping Venus with CupidBiography edit nbsp Venetian Lovers between 1525 and 1530Bordone was born in Treviso but had moved to Venice by late adolescence He apprenticed briefly and unhappily according to Vasari with Titian Vasari may have met the elder Bordone Bordone s works of the 1520s include the Holy Family in Florence Sacra Conversazione with Donor Glasgow and Holy Family with St Catherine Hermitage Museum The St Ambrose and a Donor 1523 is now in the Pinacoteca di Brera In 1525 26 Bordone painted an altarpiece for the church of S Agostino in Crema a Madonna with St Christopher and St George now in the Palazzo Tadini collection at Lovere A second altarpiece Pentecost is also in the Pinacoteca di Brera nbsp Christ as The Light of the World c 1550 The National Gallery London In 1534 35 he painted his large scale masterpiece for the Scuola di San Marco a canvas of The Fisherman Presenting the Ring to Doge Gradenigo Accademia However comparison between this latter painting and the near contemporary and structurally similar Presentation of the Virgin 2 reveals Bordone s limitations his use of superior perspective which creates dwarfed distant perspectives and limited coloration relative to the brilliant tints of Titian Bordone also painted smaller cabinet pieces showing half figures semi undressed men and women from mythology or religious stories in a muscular interaction despite the crowded space He frequently combined portraiture with allegory 3 Paris Bordone subsequently executed many important mural paintings in Venice Treviso and Vicenza all of which have perished In 1538 he was invited to France by Francis I at whose court he painted many portraits though no trace of them is to be found in French collections the two portraits at the Louvre being later acquisitions On his return journey he also worked for the Fugger palace at Augsburg but again the works have been lost Partial list of works editAnnunciation in the Musee des Beaux Arts de Caen Baptism of Christ in the National Gallery of Art Washington D C Bathsheba Bathing with an African Servant The Walters Art Museum Baltimore Chess Players in Berlin Daphnis and Chloe Porczynski Gallery Warsaw Holy Family Bridgewater House Westminster Madonna Accademia di Belle Arti Tadini at Lovere Mythological picture the Galleria Borghese Rome Mythological picture the Doria Pamphilj Gallery Rome The paintings in the Duomo of Treviso Rest on the Flight into Egypt National Gallery of Victoria Portrait of a young woman Thyssen Bornemisza Museum Madrid Perseus Armed by Mercury and Minerva Birmingham Museum of Art A Portrait of a Lady The National Gallery London Portrait of Giovanni Jacopo Caraglio Wawel Castle Krakow nbsp Jupiter and Io nbsp Flora nbsp Alvise Contarini nbsp The Rest on the Flight into Egypt c 1530 Musee des Beaux Arts de Strasbourg nbsp The Baptism of Christ c 1535 1540 National Gallery of Art Washington D C nbsp Venus and Mars with Cupid 1559 1560 Doria Pamphilj Gallery nbsp The Rape of Proserpina nbsp Athena Scorning the Advances of Hephaestus nbsp Venus Flora Mars and Cupid An Allegory 1550s The Hermitage Museum nbsp Presentation of the Ring to the Doge Bartolomeo Gradenigo 1534 nbsp Portrait of a young woman ca 1543 1550 Thyssen Bornemisza Museum Madrid 4 References edit nbsp Wikimedia Commons has media related to Paris Bordone Schwarz Birgit 2009 Geniewahn Hitler und die Kunst Bohlau Verlag Wien p 312 ISBN 978 32 05783 07 7 Mehrere Gemalde aus dem Berghof befinden sich heute im Nationalmuseum in Warschau Bordones Venus und Amor etwa Abb 100 By Titian and also at Accademia Mandel Corinne 2003 Bordone Bordon Paris Grove Art Online Portrait of a Young Woman Museo Nacional Thyssen Bornemisza Retrieved 2022 07 05 Attribution nbsp This article incorporates text from a publication now in the public domain Chisholm Hugh ed 1911 Bordone Paris Encyclopaedia Britannica 11th ed Cambridge University Press Retrieved from https en wikipedia org w index php title Paris Bordone amp oldid 1096613302, wikipedia, wiki, book, books, library,
