Óró sé do bheatha abhaile

Óró, sé do bheatha abhaile or Óró, sé do bheatha 'bhaile ([ˈoːɾˠoː ʃeː d̪ˠə ˈvʲahə ˈwalʲə]) is a traditional Irish song that came to be known as a rebel song in the early twentieth century. Óró is a cheer, whilst sé do bheatha 'bhaile means "welcome home".

Óró, sé do bheatha abhaile
Folk song
English	Oh, welcome home
Genre	Traditional Irish music
Form	Ballad
Language	Irish

History

Similarly to many folk songs, the origins of this song are obscure. While the melody bears a resemblance to the nineteenth century English sea shanty "Drunken Sailor", several versions of the Irish tune and chorus are identifiable.

In 1884, Francis Hogan of Brenormore, near Carrick-on-Suir, then "well over seventy years of age", reported that "this song used to be played at the 'Hauling Home', or the bringing home of a wife". The "hauling home" was a ceremony that took place a month after a wedding when a bride was brought to live in her new husband's home. This version consists only of the chorus.^[1]

Énrí Ó Muirġeasa also records a similar refrain in 1915 from the Barony of Farney, "but the song to which it belonged was lost before my time". There is no mention of "hauling home" and the line that P. W. Joyce gives as thá tu maith le rátha (Irish for ''tis you are happy with prosperity [in store for you]') is instead Tá tú amuiġ le ráiṫċe (Irish for 'You've been gone three months').^[2]

This song has also been associated with the Jacobite cause as the traditional version mentions Séarlas Óg (Irish for 'Young Charles'), referring to Bonnie Prince Charlie and dating the song to the third Jacobite rising of 1745–1746.^[2][3]

The tune appears as number 1425 in George Petrie's The Complete Collection of Irish Music (1855) under the title Ó ro! 'sé do ḃeaṫa a ḃaile (modern script: Ó ro! 'sé do bheatha a bhaile) and is marked "Ancient clan march". It can also be found at number 983 (also marked "Ancient Clan March") and as a fragment at number 1056, titled "Welcome home Prince Charley".^[4]

In the early twentieth century it received new verses by the nationalist poet Patrick Pearse and was often sung by members of the Irish Volunteers during the Easter Rising. It was also sung as a fast march during the Irish War of Independence.^[5]

Since 1916 it has also been known under various other titles, notably Dord na bhFiann (Irish for 'Call of the Fighters') or An Dord Féinne. The latter title is associated with Pearse in particular as Irish Volunteers used to chant the song during British bombardments of Dublin. This version features the pirate or "Great Sea Warrior" Grace O'Malley, a formidable power on the west coast of Ireland in the late sixteenth century. Pearse shows his knowledge of the Jacobite version in the way he adapts it to the new independence cause. He emphasises the Irishness of the fighters by substituting native Grace for foreign Prince Charlie and changing Béidh siad leis-sean Franncaigh is Spáinnigh (Irish for 'They’ll be with him, French and Spanish') to Gaeil féin 's ní Francaigh ná Spáinnigh (Irish for 'Gaels they, and neither French nor Spaniard').

Recordings

The song was recorded by The Dubliners in their 1987 album 25 Years Celebration, by Cruachan on their 1995 album Tuatha na Gael, and by Sinéad O'Connor in her 2003 album She Who Dwells in the Secret Place of the Most High Shall Abide Under the Shadow of the Almighty.

Lyrics

Original version

Óró, sé do bheatha a bhaile, is fearr liom tú ná céad bó bainne: Óró, sé do bheatha a bhaile, tha tu maith le ratha.

Oro, welcome home, I would rather have you than a hundred milk cows: Oro, welcome home, 'tis you are happy with prosperity [in store for you]).^[6]

Jacobite version

Chorus: Óró, sé do bheatha 'bhaile, Óró, sé do bheatha 'bhaile,^[7] Óró, sé do bheatha 'bhaile Anois ar theacht an tsamhraidh. A Shéarlais Óig,^[8] a mhic Rí Shéamais^[9] 'Sé mo mhór-chreach do thriall as Éirinn Gan tuinnte bróig' ort, stoca nó leinidh Ach do chascairt leis na Gallaibh Chorus 'Sé mo léan géar nach bhfeicim Mur mbéinn beo 'na dhiaidh ach seachtain Séarlas Óg is míle gaiscidheach Ag fógairt fáin ar Ghallaibh Chorus Tá Séarlas Óg ag triall thar sáile Béidh siad leisean, Franncaigh is Spáinnigh Óglaigh armtha leis mar gharda 'S bainfidh siad rinnce as éiricigh! Chorus

Chorus: Oh-ro, You're welcome home, Oh-ro, You're welcome home, Oh-ro, You're welcome home, Now that summer's coming! Young Charles, son of King James It's a great distress – your exile from Ireland Without thread of shoe on you, socks or shirt Overthrown by the foreigners Chorus Alas that I do not see If I were alive afterwards only for a week Young Charles and one thousand warriors Banishing all the foreigners Chorus Young Charles is coming over the sea They will be with him, French and Spanish Armed Volunteers with him as a guard And they'll make the heretics dance! Chorus

Patrick Pearse version

Chorus Óró, sé do bheatha 'bhaile, Óró, sé do bheatha 'bhaile,^[7] Óró, sé do bheatha 'bhaile Anois ar theacht an tsamhraidh. 'Sé do bheatha, a bhean ba léanmhar, Do b' é ár gcreach tú bheith i ngéibheann, Do dhúiche bhreá i seilbh méirleach, Is tú díolta leis na Gallaibh. Chorus Tá Gráinne Mhaol ag teacht thar sáile, Óglaigh armtha léi mar gharda, Gaeil iad féin is ní Gaill^[10] ná Spáinnigh, Is cuirfidh siad ruaig ar Ghallaibh. Chorus A bhuí le Rí na bhFeart go bhfeiceam, Mura mbeam beo ina dhiaidh ach seachtain, Gráinne Mhaol agus míle gaiscíoch, Ag fógairt fáin ar Ghallaibh. Chorus

Chorus: Oh-ro You're welcome home, Oh-ro You're welcome home, Oh-ro You're welcome home... Now that summer's coming! Welcome oh woman who was so afflicted, It was our ruin that you were in bondage, Our fine land in the possession of thieves... And you sold to the foreigners! Chorus Gráinne O'Malley is coming over the sea, Armed warriors along with her as her guard, They are Gaels, not invaders [British] nor Spanish... And they will rout the foreigners! Chorus May it please the King of Miracles that we might see, Although we may live for a week once after, Gráinne Mhaol and a thousand warriors... Dispersing the foreigners! Chorus

See also

• List of Irish ballads
• Drunken Sailor

Notes

1. Joyce, Patrick Weston (1909). Old Irish Folk Music and Songs. London (Dublin): Longmans, Green and Co. (Hodges, Figgis & Co.). pp. 121, 130. "The following 34 airs (to "She’s the dear Maid to me") were sent to me from time to time during 1884 by Mr. Francis Hogan of South Lodge, Brenormore, near Carrick-on-Suir, a good musician and a great enthusiast in Irish music and songs. He must have been then well over seventy years of age. Some of these he wrote from memory, and others he copied from MSS."
   p. 130 "275. ORO, 'SE DO BHEATHA A BHAILE: ORO, WELCOME HOME! A Hauling-home Song. The "Hauling home" was bringing home the bride to her husband’s house after marriage. It was usually a month or so after the wedding, and was celebrated as an occasion next only in importance to the wedding itself. The bridegroom brought home his bride at the head of a triumphal procession—all on cars or on horseback. I well remember one where the bride rode on a pillion behind her husband. As they enter the house the bridegroom is supposed to speak or sing:—
   "Oro, sé do bheatha a bhaile, is fearr liom tu ná céad bo bainne
   Oro, sé do bheatha a bhaile, thá tu maith le rátha.
   Oro, welcome home, I would rather have you than a hundred milch cows:
   Oro, welcome home, 'tis you are happy with prosperity [in store for you]."
   "Here is Mr. Hogan’s note on this air:---"This song used to be played at the 'Hauling Home,’ or the bringing home of a wife. The piper, seated outside the house at the arrival of the party, playing hard [i.e. with great spirit]: nearly all who were at the wedding a month previous being in the procession. Oh, for the good old times!” This tune is called in Stanford-Petrie an "ancient clan march": and it is set in the Major, with many accidentals, but another setting is given in the Minor. I give it here as Mr. Hogan wrote it, in its proper Minor form. In several particulars this setting differs from Dr. Petrie’s two versions. It was a march tune, as he calls it: but the March was home to the husband’s house. Dr. Petrie does not state where he procured his two versions."
2. Ó Muirġeasa, Énrí (1915). Céad de Ċeoltaiḃ Ulaḋ. Baile Áṫa Cliaṫ: M. H. Mac Giolla agus a Ṁac. pp. 151, 303. hdl:2027/uc1.b4068544. p. 303 87. Óró, 'sé do ḃeaṫa aḃaile (See page 151.) "This little Jacobite relic I got from Nancy Tracey, Co. Tyrone, and also from Cáit Ní Ċeallaċáin, an old woman 90 years of age in Ballor, Fanad, Co. Donegal. It has a catchy, popular air. A refrain somewhat similar to this one was common in Farney, but the song to which it belonged was lost before my time.
   "Hó, ró, ró, 'sé do ḃeaṫa un a' ḃaile,
   Hó, ró, ró, ós cionn duine eile;
   Hó, ró, ró, 'sé do ḃeaṫa un a' ḃaile,
   Tá tú amuiġ le ráiṫċe."
3. Souchon, Christian (24 July 2010). "Oro! Se Do Bheatha Bhaile". Jacobite Songs. Retrieved 15 December 2012.
4. Petrie, George (1903) [1855]. Stanford, Charles Villiers (ed.). The Complete Collection of Irish Music. London: Boosey & Co. pp. 251, 268, 356. p. 251, No. 983 Ancient Clan March, p. 268, No. 1056 Welcome home Prince Charley, p. 356, No. 1425 Ó ro! 'sé do ḃeaṫa a ḃaile.
5. Pearse, Pádraic H. (2010) [1998]. The Dord Feinne. CELT: Corpus of Electronic Texts. University College, Cork. Retrieved 15 December 2012.
6. http://www.ceolas.org/cgi-bin/ht2/ht2-fc2/file=/tunes/fc2/fc.html&style=&refer=&abstract=&ftpstyle=&grab=&linemode=&max=250?se+do+bheatha+a+bhaile ^{[bare URL]}
7. Some versions have "B'fhearr liom thú ná céad bó bhainne", which translates as "I'd prefer you to a hundred milk cows"
8. Bonnie Prince Charlie, Charles Edward Stuart
9. James, Prince of Wales, James Francis Edward Stuart
10. Some versions have Frainc, i.e. French, instead of Gaill.

External links

• Souchon, Christian (24 July 2010). "Oro! Se Do Bheatha Bhaile". Jacobite Songs. Retrieved 15 December 2012.
• Covers at WhoSampled
• "Oro! Se Do Bheatha Bhaile" as sing by Derek Warfield and The Young Wolfe Tones
• "Oro! Se Do Bheatha Bhaile" (Original Jacobite version)