Ong Keng Sen (born 20 November 1963; Chinese: 王景生; pinyin: Wáng Jǐng Shēng; Pe̍h-ōe-jī: Ông Kíng-senn) is a Singaporean director of the theatre group TheatreWorks, which was founded in 1985.
Ong Keng Sen was youngest of six children born to immigrants from Putian, China. Ong joined the drama club at Anglo-Chinese Primary School and went on to serve as president of the Varsity Playhouse of the National University of Singapore as he was studying law. A trained lawyer, he completed his pupillage at Singapore law firm Lee & Lee.[1] Ong is also Fulbright scholar who studied intercultural performance with the Performance Studies Department at Tisch School of the Arts, New York University.
Theatre career
Theatre
Ong took on the post of artistic director of theatre group TheatreWorks in 1988.[2] He was involved with the production of comedies such as Beauty World and Army Daze.[3][4] His local productions include Destinies of Flowers in the Mirror and Descendants of the Admiral Eunuch.[5]
Ong was the director of Singapore International Festival of Arts (SIFA) from 2014 to 2017.[6] The SIFA was a revamped, independent version of its predecessor, the Singapore Arts Festival. Ong was invited to recreate this national performing arts festival after an industry review. He was the first artist to helm the festival since the festival's inception in 1977, which had previously been headed by civil servants.[7] In this capacity, he sought to ensure the sustainability of the festival.[8]
Ong restructured the festival and renamed it SIFA to highlight the Singapore and international perspectives in it. Beginning with 20,000 audiences in SIFA 2014,[9] this has increased to 62,000 and in 2016, the festival peaked with 155,000 attendances, 96% capacity houses and 75% of its performances sold out.[citation needed] Further in 2016, he was responsible for raising 20% of the S$9 mil festival through sponsorship. During his tenure, he has brought international artists to work with Singapore art schools. He has capacity-built cultural development through his scaffold of an alternating international and local focus for SIFA from year to year.[citation needed] As festival director, he has been vocal about the government restrictions and non-transparent OB markers for performance arts staged in Singapore.[10][11]
In addition to serving as festival director, Ong has directed one performance every year at the festival. Ong directed Facing Goya, a Michael Nyman-composed opera, for the opening of Singapore International Festival of Arts 2014.[12]
In 2015, Ong directed a six-hour site-specific performance, The Incredible Adventures Of Border Crossers, for the opening of the inaugural Singapore Festival in France at the Palais de Tokyo. The production involved 30 foreigners and explored what it meant to be a "border crosser".[13] The festival also re-staged at Theater de la Ville Paris, TheatreWorks' Lear Dreaming, directed by Ong.[14] In the same year, Lear, directed by Ong and written by Rio Kishida, was selected by The Business Times as one of the "finest plays in 50 years" alongside productions by Goh Poh Seng, Michael Chiang and Alfian Sa'at and others.[15]
In 2016, Ong created Sandaime Richard based on Hideki Noda's script of the same title with kabuki onnagata Kazutaro Nakamura as Richard III.[16] This gender bending production at Tokyo Metropolitan Theater was followed by a new production of Trojan Women at the National Theater of Korea, showcasing a blend of pansori, K-pop and Greek tragedy.[17] In particular, the show gained much attention by casting a male pansori singer as Helen of Troy.[citation needed]
Film
Ong directed the Singaporean film Army Daze, based on a play written by Michael Chiang. The movie was released in 1996.
Themes and style
Ong is a member of the Asia-Europe Network, which promotes the artistic exchange between Asia and Europe. He has been applauded around the world[by whom?] for this kind of transcultural theatre which mixes Western and Eastern performance traditions, especially dance with spoken word drama. Ong is largely contributed to cultivating young, educated, imaginative audiences for new works.[18] Ong's unique "process-oriented" projects involves placing wide ranges of master practitioners of different traditions on the same stage, but remaining independent in their own aesthetics.[19] He is particularly well known for his performance at the Bunkamura Cocoon Tokyo production of Lear in 1997, his Desdemona at the Adelaide Festival, Australia in 2000, and his Search:Hamlet at the Kronbourg Castle in Elsinore and Copenhagen.
Accolades
Ong is the first artist to have received the two most acclaimed Singaporean cultural awards, the Young Artist Award (1992) and the Cultural Medallion (2003).[20] In 2010, he received the prestigious Fukuoka Prize for Art and Culture for his contemporary performance directions.
^"A facelift for Beauty World". The Straits Times. 20 August 1988.
^. sia.stanford.edu. Archived from the original on 3 March 2016. Retrieved 21 January 2018.
^Yusof, Helmi. "A more modest fest before Ong exits". The Business Times.
^Yee, Chen May (12 August 2014). "Ong Keng Sen on his vision for the Singapore International Festival of Arts". The New York Times.
^"Singapore International Festival of the Arts 2017: An Enchanted Swan Song from Festival Director Ong Keng Sen". 21 April 2017.
^"Ong Keng Sen disappointed after 4 years as Arts Fest director". The Straits Times. 12 September 2017.
^Harmon, Steph (8 September 2017). "Art v government at Singapore festival: 'I fear once I leave, they will punish me'". the Guardian.
^Jagdish, Bharati (24 October 2015). "Ong Keng Sen 'embarrassed' talking about Singapore in front of international artists". Channel NewsAsia.
^Nanda, Akshita (12 August 2014). "Facing Goya not for the fossilised, says director Ong Keng Sen". The Straits Times. Singapore Press Holdings. Retrieved 2 September 2014.
^Ng, Kelly (10 September 2014). "Local arts groups take French stages next year in three-month festival". MediaCorp. TODAY. Retrieved 10 September 2014.
^Tan, Corrie (10 September 2014). "France to host three-month festival of Singapore arts and culture". The Straits Times. Singapore Press Holdings. Retrieved 10 September 2014.
^Yusof, Helmi. "The finest plays in 50 years". The Business Times. Singapore Press Holdings. Retrieved 5 January 2015.
^Eglinton, Mika (22 November 2016). "Ong's spellbinding take on 'Richard III' | The Japan Times". The Japan Times.
^Kwon, Mee-yoo (23 November 2017). "Ong Keng Sen bridges tradition with contemporary". The Korea Times.
^Leiter, Samuel (2007). Encyclopedia of Asian Theatre. Vol. II.
^Leiter, Samuel (2007). Encyclopedia of Asian Theatre. Vol. II.
^"He's a radical role model". Today. 27 September 2003.
keng, born, november, 1963, chinese, 王景生, pinyin, wáng, jǐng, shēng, Ông, kíng, senn, singaporean, director, theatre, group, theatreworks, which, founded, 1985, born, 1963, november, 1963, nationalitysingaporeaneducationnational, university, singapore, york, u. Ong Keng Sen born 20 November 1963 Chinese 王景生 pinyin Wang Jǐng Sheng Pe h ōe ji Ong King senn is a Singaporean director of the theatre group TheatreWorks which was founded in 1985 Ong Keng SenBorn 1963 11 20 20 November 1963 age 59 NationalitySingaporeanEducationNational University of Singapore New York UniversityOccupationdirectorAgentTheatreWorksAwardsYoung Artist Award 1992 Cultural Medallion 2003 Fukuoka Prize for Art and Culture 2010 Chinese nameSimplified Chinese王景生Transcriptions Contents 1 Early life 2 Theatre career 2 1 Theatre 2 2 Film 3 Themes and style 4 Accolades 5 Personal life 6 See also 7 References 8 External linksEarly life EditOng Keng Sen was youngest of six children born to immigrants from Putian China Ong joined the drama club at Anglo Chinese Primary School and went on to serve as president of the Varsity Playhouse of the National University of Singapore as he was studying law A trained lawyer he completed his pupillage at Singapore law firm Lee amp Lee 1 Ong is also Fulbright scholar who studied intercultural performance with the Performance Studies Department at Tisch School of the Arts New York University Theatre career EditTheatre Edit Ong took on the post of artistic director of theatre group TheatreWorks in 1988 2 He was involved with the production of comedies such as Beauty World and Army Daze 3 4 His local productions include Destinies of Flowers in the Mirror and Descendants of the Admiral Eunuch 5 Ong was the director of Singapore International Festival of Arts SIFA from 2014 to 2017 6 The SIFA was a revamped independent version of its predecessor the Singapore Arts Festival Ong was invited to recreate this national performing arts festival after an industry review He was the first artist to helm the festival since the festival s inception in 1977 which had previously been headed by civil servants 7 In this capacity he sought to ensure the sustainability of the festival 8 Ong restructured the festival and renamed it SIFA to highlight the Singapore and international perspectives in it Beginning with 20 000 audiences in SIFA 2014 9 this has increased to 62 000 and in 2016 the festival peaked with 155 000 attendances 96 capacity houses and 75 of its performances sold out citation needed Further in 2016 he was responsible for raising 20 of the S 9 mil festival through sponsorship During his tenure he has brought international artists to work with Singapore art schools He has capacity built cultural development through his scaffold of an alternating international and local focus for SIFA from year to year citation needed As festival director he has been vocal about the government restrictions and non transparent OB markers for performance arts staged in Singapore 10 11 In addition to serving as festival director Ong has directed one performance every year at the festival Ong directed Facing Goya a Michael Nyman composed opera for the opening of Singapore International Festival of Arts 2014 12 In 2015 Ong directed a six hour site specific performance The Incredible Adventures Of Border Crossers for the opening of the inaugural Singapore Festival in France at the Palais de Tokyo The production involved 30 foreigners and explored what it meant to be a border crosser 13 The festival also re staged at Theater de la Ville Paris TheatreWorks Lear Dreaming directed by Ong 14 In the same year Lear directed by Ong and written by Rio Kishida was selected by The Business Times as one of the finest plays in 50 years alongside productions by Goh Poh Seng Michael Chiang and Alfian Sa at and others 15 In 2016 Ong created Sandaime Richard based on Hideki Noda s script of the same title with kabuki onnagata Kazutaro Nakamura as Richard III 16 This gender bending production at Tokyo Metropolitan Theater was followed by a new production of Trojan Women at the National Theater of Korea showcasing a blend of pansori K pop and Greek tragedy 17 In particular the show gained much attention by casting a male pansori singer as Helen of Troy citation needed Film Edit Ong directed the Singaporean film Army Daze based on a play written by Michael Chiang The movie was released in 1996 Themes and style EditOng is a member of the Asia Europe Network which promotes the artistic exchange between Asia and Europe He has been applauded around the world by whom for this kind of transcultural theatre which mixes Western and Eastern performance traditions especially dance with spoken word drama Ong is largely contributed to cultivating young educated imaginative audiences for new works 18 Ong s unique process oriented projects involves placing wide ranges of master practitioners of different traditions on the same stage but remaining independent in their own aesthetics 19 He is particularly well known for his performance at the Bunkamura Cocoon Tokyo production of Lear in 1997 his Desdemona at the Adelaide Festival Australia in 2000 and his Search Hamlet at the Kronbourg Castle in Elsinore and Copenhagen Accolades EditOng is the first artist to have received the two most acclaimed Singaporean cultural awards the Young Artist Award 1992 and the Cultural Medallion 2003 20 In 2010 he received the prestigious Fukuoka Prize for Art and Culture for his contemporary performance directions Personal life EditOng Keng Sen is the younger brother of Ong Keng Yong 21 See also EditCulture of Singapore TheatreWorksReferences Edit Zhuang Zara Ong Keng Sen From papers to plays Prestige Online Society s Luxury Authority Prestige Online WE RE 25 Today 1 December 2009 TRUE OR FALSE Today 3 June 2008 A facelift for Beauty World The Straits Times 20 August 1988 Shakespeare In Asia sia stanford edu Archived from the original on 3 March 2016 Retrieved 21 January 2018 Yusof Helmi A more modest fest before Ong exits The Business Times Yee Chen May 12 August 2014 Ong Keng Sen on his vision for the Singapore International Festival of Arts The New York Times Singapore International Festival of the Arts 2017 An Enchanted Swan Song from Festival Director Ong Keng Sen 21 April 2017 Ong Keng Sen disappointed after 4 years as Arts Fest director The Straits Times 12 September 2017 Harmon Steph 8 September 2017 Art v government at Singapore festival I fear once I leave they will punish me the Guardian Jagdish Bharati 24 October 2015 Ong Keng Sen embarrassed talking about Singapore in front of international artists Channel NewsAsia Nanda Akshita 12 August 2014 Facing Goya not for the fossilised says director Ong Keng Sen The Straits Times Singapore Press Holdings Retrieved 2 September 2014 Ng Kelly 10 September 2014 Local arts groups take French stages next year in three month festival MediaCorp TODAY Retrieved 10 September 2014 Tan Corrie 10 September 2014 France to host three month festival of Singapore arts and culture The Straits Times Singapore Press Holdings Retrieved 10 September 2014 Yusof Helmi The finest plays in 50 years The Business Times Singapore Press Holdings Retrieved 5 January 2015 Eglinton Mika 22 November 2016 Ong s spellbinding take on Richard III The Japan Times The Japan Times Kwon Mee yoo 23 November 2017 Ong Keng Sen bridges tradition with contemporary The Korea Times Leiter Samuel 2007 Encyclopedia of Asian Theatre Vol II Leiter Samuel 2007 Encyclopedia of Asian Theatre Vol II He s a radical role model Today 27 September 2003 Ong Keng Sen External links EditCulture base website Pathfinder website Emedia website Abc website http edinburghfestival list co uk article 18721 diaspora with theatreworks and the singapore chinese orchestra http www theherald co uk features features display var 2521037 0 New angle on story of worlds diaspora php Retrieved from https en wikipedia org w index php title Ong Keng Sen amp oldid 1149610709, wikipedia, wiki, book, books, library,
