Naná is a 1985 Mexicanmusical, erotic and sexploitation film directed by Rafael Baledón. Based in the 1880 novel Nana, by Emile Zola, the film exposes an exemplary manner the principles of the naturalistic novel. Her protagonist is a beautiful young woman of humble origins who seeks, through the high prostitution, access to a well-off. Naná symbolizes the degradation of the Second Empire.[1] The film is an adaptation of the same name Mexican stageplay produced and starred by the actress and singer Irma Serrano in the 1970s.
In the Paris of the 19th century, a prostitute causes uproar. The name of the prostitute is Teresa, but everyone knows her as Naná (Irma Serrano). Naná and her best friend Satan (Veronica Castro) work as prostitutes, first on the streets of Paris, and after in a small room. In her youth, Naná was sexually abused by her stepfather and thrown from her home by her mother. As the result of this violation, she gave birth to a son. Naná prostitutes herself to raise her son, whom she stays away from her, under the care of her aunt. Nana occasionally works in a theater, which is really an underground brothel. One night, Naná is presented in the theater as "The Venus of Fire," and caused a sensation by showing her naked body. Immediately the most powerful men come to her offering jewelry and luxuries for her favors. Naná accepts the attentions of a banker, who presents her with a house in the French countryside. In this house, Naná holds an affair with a young aristocrat who she called Coquito (Jaime Garza). This same night, she is pressed by the banker to fulfill her sexual favors, while the owner of the theater-brothel where she worked, forced herto return to fulfill a contract. Naná repudiate both men and seeks solace in the Count Muffat (Manuel Ojeda), a distinguished and respectable aristocrat dedicated to the charity. However, Muffat confesses that he has also succumbed to her charms and desires her. Disappointed, Naná decides to leave her life as a courtesan and returns to work on the streets. However, one night that she is chased by the police, Naná is rescued by Satin (Isela Vega), a courtesan and friend. After spending the night together, Satin convinces her to return to her life as a courtesan. Naná then accepted becoming mistress of Count Muffat and returns to the theater to present her nude shows. With support from Muffat Nana tries to become a serious actress, snatching the characters to the actress and courtesan Rosa Mignon, but is ridiculed, because they say that she only serves to show her naked body. Disappointment causes that Naná falling into the lowest degradation. Her home becomes in the center of the vice of Paris, where people go to get drunk, performed orgies and all sorts of sexual debauchery. One night, the Count Muffat, who has been ruined by the debauchery of Naná, decides to face her in the middle of a party hosted by her for the triumphs of a mare (called Naná in her honor) in a horse show. In comparison, Naná reveals to the Count Muffat the adultery of his wife in this same house. The Count decides to leave her. That night, her young lover Coquito, commits suicide after he to discover that Naná had sexual relations with his brother, a soldier. After tonight, Naná decided to retire from life as a courtesan. Her friend Satan dies victim from tuberculosis. It is revealed that Naná reunites with her child, who dies soon later by smallpox. Naná returns to Paris two years later, infected by smallpox and in abject poverty. Nana died in the streets of Paris. Her body is confused between the bodies of the tramps, while a carnival through the streets of Paris. In this moment, the Prussian army invades the city.
The films is an adaptation of a polemic stageplay of the 1970s produced and starred by the Mexican actress and singer Irma Serrano La Tigresa in her own stage, the Teatro Fru Fru, in México City. The stageplay caused controversy in Mexico by his representation of nude, erotism and lesbic performances. The film reproduces the original stageplay and was censured by many movie theaters because his high erotic content.
Referencesedit
^. Archived from the original on 2012-01-27. Retrieved 2012-10-05.
nana, 1985, film, naná, 1985, mexican, musical, erotic, sexploitation, film, directed, rafael, baledón, based, 1880, novel, nana, emile, zola, film, exposes, exemplary, manner, principles, naturalistic, novel, protagonist, beautiful, young, woman, humble, orig. Nana is a 1985 Mexican musical erotic and sexploitation film directed by Rafael Baledon Based in the 1880 novel Nana by Emile Zola the film exposes an exemplary manner the principles of the naturalistic novel Her protagonist is a beautiful young woman of humble origins who seeks through the high prostitution access to a well off Nana symbolizes the degradation of the Second Empire 1 The film is an adaptation of the same name Mexican stageplay produced and starred by the actress and singer Irma Serrano in the 1970s NanaDirected byRafael BaledonWritten byEmile ZolaIrma SerranoProduced byJose BolanosStarringIrma SerranoIsela VegaVeronica CastroGregorio CasalCinematographyLeon SanchezEdited byCarlos SavageMusic byRafael ElizondoRelease dateMay 9 1985 1985 05 09 CountryMexicoLanguageSpanish Contents 1 Plot 2 Cast 3 Production notes 4 References 5 External linksPlot editIn the Paris of the 19th century a prostitute causes uproar The name of the prostitute is Teresa but everyone knows her as Nana Irma Serrano Nana and her best friend Satan Veronica Castro work as prostitutes first on the streets of Paris and after in a small room In her youth Nana was sexually abused by her stepfather and thrown from her home by her mother As the result of this violation she gave birth to a son Nana prostitutes herself to raise her son whom she stays away from her under the care of her aunt Nana occasionally works in a theater which is really an underground brothel One night Nana is presented in the theater as The Venus of Fire and caused a sensation by showing her naked body Immediately the most powerful men come to her offering jewelry and luxuries for her favors Nana accepts the attentions of a banker who presents her with a house in the French countryside In this house Nana holds an affair with a young aristocrat who she called Coquito Jaime Garza This same night she is pressed by the banker to fulfill her sexual favors while the owner of the theater brothel where she worked forced herto return to fulfill a contract Nana repudiate both men and seeks solace in the Count Muffat Manuel Ojeda a distinguished and respectable aristocrat dedicated to the charity However Muffat confesses that he has also succumbed to her charms and desires her Disappointed Nana decides to leave her life as a courtesan and returns to work on the streets However one night that she is chased by the police Nana is rescued by Satin Isela Vega a courtesan and friend After spending the night together Satin convinces her to return to her life as a courtesan Nana then accepted becoming mistress of Count Muffat and returns to the theater to present her nude shows With support from Muffat Nana tries to become a serious actress snatching the characters to the actress and courtesan Rosa Mignon but is ridiculed because they say that she only serves to show her naked body Disappointment causes that Nana falling into the lowest degradation Her home becomes in the center of the vice of Paris where people go to get drunk performed orgies and all sorts of sexual debauchery One night the Count Muffat who has been ruined by the debauchery of Nana decides to face her in the middle of a party hosted by her for the triumphs of a mare called Nana in her honor in a horse show In comparison Nana reveals to the Count Muffat the adultery of his wife in this same house The Count decides to leave her That night her young lover Coquito commits suicide after he to discover that Nana had sexual relations with his brother a soldier After tonight Nana decided to retire from life as a courtesan Her friend Satan dies victim from tuberculosis It is revealed that Nana reunites with her child who dies soon later by smallpox Nana returns to Paris two years later infected by smallpox and in abject poverty Nana died in the streets of Paris Her body is confused between the bodies of the tramps while a carnival through the streets of Paris In this moment the Prussian army invades the city Cast editIrma Serrano as Nana Manuel Ojeda as Muffat Isela Vega as Satin Veronica Castro as Satan Jaime Garza as Coquito Roberto Cobo as FranciscoProduction notes editThe films is an adaptation of a polemic stageplay of the 1970s produced and starred by the Mexican actress and singer Irma Serrano La Tigresa in her own stage the Teatro Fru Fru in Mexico City The stageplay caused controversy in Mexico by his representation of nude erotism and lesbic performances The film reproduces the original stageplay and was censured by many movie theaters because his high erotic content References edit Portal del Cine Mexicano Nana Archived from the original on 2012 01 27 Retrieved 2012 10 05 External links editNana at IMDb nbsp Portal del Cine Mexicano Nana Cine Mexicano de Galletas Nana Retrieved from https en wikipedia org w index php title Nana 1985 film amp oldid 1203429045, wikipedia, wiki, book, books, library,
