Nōami (能阿弥, 1397–1471) was a dōbōshū (artist and art connoisseur for the shogunate) in the service of the Ashikaga shogunate, an esteemed suiboku (monochrome ink) painter, renga (linked verse) poet and tate-bana flower artist.[1] He was especially closely involved with the 6th shōgun Ashikaga Yoshinori and the 8th shōgun Ashikaga Yoshimasa.[1] Nōami served the Ashikaga shogunate as the curator of the shogunate's collection of artworks known as the ‘Higashiyama Gomotsu’. An astute art connoisseur, Nōami collected and evaluated the imported artworks for the shogunate and developed elaborate guidelines for the display of artworks in shoin rooms such as the mannerisms for displaying hanging scrolls, ornamenting chigai-dana (staggered shelf alcove), displaying flowers and vases on alcoves, and displaying pieces on shoin writing desks. These guidelines are captured in the "Reference for the Display of Objects of Beauty" (Kundaikan Sō Chōki 君台観左右帳記) available from the National Diet Library Digital Collections. He served as an advisor in the ways of Japanese tea ceremony, kōdō (incense) and a variety of other elements related to the arts.
Dōbōshū (artist and art connoisseur for the shogunate), Suiboku ink painting
Patron(s)
Ashikaga Yoshinori and Ashikaga Yoshimasa
Nōami had a meaningful exchange with Murata Shukō. It is said that Nōami taught Shukō tate-bana flower arrangement and the appraisal of Chinese artworks while Shukō taught Nōami the daisu style of chanoyu (tea ritual).
An accomplished artist in his own right, Nōami was a student of Shūbun, and painted primarily landscapes, in the suiboku (monochrome ink) style. Together with his son Geiami and grandson Sōami, the three are known as the San-ami or "Three Ami's" and are among the most celebrated landscape painters in the Japanese tradition. Nōami is also known by his birth name of Nakao Shinnō 中尾真能, and by his buddhist name Shunōsai 春鷗斎.[2]
nōami, 能阿弥, 1397, 1471, dōbōshū, artist, connoisseur, shogunate, service, ashikaga, shogunate, esteemed, suiboku, monochrome, painter, renga, linked, verse, poet, tate, bana, flower, artist, especially, closely, involved, with, shōgun, ashikaga, yoshinori, shō. Nōami 能阿弥 1397 1471 was a dōbōshu artist and art connoisseur for the shogunate in the service of the Ashikaga shogunate an esteemed suiboku monochrome ink painter renga linked verse poet and tate bana flower artist 1 He was especially closely involved with the 6th shōgun Ashikaga Yoshinori and the 8th shōgun Ashikaga Yoshimasa 1 Nōami served the Ashikaga shogunate as the curator of the shogunate s collection of artworks known as the Higashiyama Gomotsu An astute art connoisseur Nōami collected and evaluated the imported artworks for the shogunate and developed elaborate guidelines for the display of artworks in shoin rooms such as the mannerisms for displaying hanging scrolls ornamenting chigai dana staggered shelf alcove displaying flowers and vases on alcoves and displaying pieces on shoin writing desks These guidelines are captured in the Reference for the Display of Objects of Beauty Kundaikan Sō Chōki 君台観左右帳記 available from the National Diet Library Digital Collections He served as an advisor in the ways of Japanese tea ceremony kōdō incense and a variety of other elements related to the arts Nōami 能阿弥Ami 阿弥Guayin in White Robe 1473 Tokiwayama BunkoBornNakao Shinnō 中尾真能1397Died1471Known forDōbōshu artist and art connoisseur for the shogunate Suiboku ink paintingPatron s Ashikaga Yoshinori and Ashikaga YoshimasaNōami had a meaningful exchange with Murata Shukō It is said that Nōami taught Shukō tate bana flower arrangement and the appraisal of Chinese artworks while Shukō taught Nōami the daisu style of chanoyu tea ritual An accomplished artist in his own right Nōami was a student of Shubun and painted primarily landscapes in the suiboku monochrome ink style Together with his son Geiami and grandson Sōami the three are known as the San ami or Three Ami s and are among the most celebrated landscape painters in the Japanese tradition Nōami is also known by his birth name of Nakao Shinnō 中尾真能 and by his buddhist name Shunōsai 春鷗斎 2 Selected works edit nbsp Lotus Masaki Art Museum nbsp KannonReferences edit a b Chanoyu jinbutsu jiten ryakuden kotoba itsuwa Sekai Bunkasha 世界文化社 Tōkyō Sekaibunkasha 2011 ISBN 9784418113088 OCLC 731903922 a href Template Cite book html title Template Cite book cite book a CS1 maint others link Kadokawa chadō daijiten Hayashiya Tatsusaburō 1914 1998 林屋辰三郎 1914 1998 Fukyuban Shohan ed Tōkyō Kadokawa Shoten 2002 ISBN 4040226011 OCLC 52313407 a href Template Cite book html title Template Cite book cite book a CS1 maint others link Further reading editFrederic Louis 2002 Japan Encyclopedia Cambridge Massachusetts Harvard University Press Sadō Daijiten Kadogawa Shoten 茶道大辞典 角川書店 2002 ISBN 4 04 022601 1 Japanese Chanoyu Jinbutsu Jiten Sekaibunka sha 2011 ISBN 978 4 418 11308 8 Japanese nbsp This article about a Japanese painter is a stub You can help Wikipedia by expanding it vte Retrieved from https en wikipedia org w index php title Nōami amp oldid 1178683243, wikipedia, wiki, book, books, library,
