The music of Epirus (Greek: Μουσική της Ηπείρου), in Epirus, northwestern Greece, present to varying degree in the rest of Greece and the islands, contains folk songs that are mostly pentatonic and polyphonic, characterized as relaxed, gentle and exceptionally beautiful, and sung by both male and female singers.[1]
Distinctive songs include lament songs (mirolóyia), shepherd's songs (skáros) and drinking songs (tis távlas).[2] The clarinet is the most prominent folk instrument in Epirus, used to accompany dances, mostly slow and heavy, like the menousis, fisouni, podhia, syrtos sta dyo (pogonisios), syrtos sta tria, zagorisios, kentimeni, koftos, yiatros and tsamikos. Other instruments used are violin, floghera and sterianó laouto. Notable composers include clarinist Petroloukas Chalkias and laouto player Vasilis Kostas.
The polyphonic song of Epirus constitutes one of the most interesting musical forms, not only for the east Mediterranean and the Balkans, but also for the worldwide repertoire of the folkpolyphony like the yodeling of Switzerland. Besides its scale, what attests to its very old origin is its vocal, collective, rhetorical and modal character.[3][4]
The corresponding dances are slow and stately; they are invariably danced in counter-clockwise circles. Women's dances are especially noble, allowing for a minimum of leg and arm movement, and calling for formal traditional attire: ankle-length black coats, gold threadtuques with a single long tassel, and hammered gold jewellery.
References
^World Music: The Rough Guide by Simon Broughton, Mark Ellingham - 1999 - ISBN1-85828-635-2,page 127,"The repertoire could be characterized as "relaxed, gentle and exceptionally beautiful" and falls into three categories which are also found further south. mirologya or laments (the instrumental counterpart is called skaros); drinking songs or tis tavlas ;and various danceable melodies as noted above common to the entire mainland and the islands also"
^World Music: The Rough Guide by Simon Broughton, Mark Ellingham - 1999 - ISBN1-85828-635-2,page 127,"The repertoire tends to fall into three categories which are also found further south mirologya or laments (the instrumental counterpart is called skaros); drinking songs or tis tavlas ;and various dancable melodies as noted above common to the entire mainland and the islands also"
^Engendering Song: Singing and Subjectivity at Prespa by Jane C. Sugarman,1997,ISBN0-226-77972-6,page 356,"Neither of the polyphonic textures characteristic of south Albanian singing is unique to Albanians. The style is shared with Greeks in the Northwestern district of Epirus (see Fakiou and Romanos 1984) while the Tosk style is common among Aromanian communities from the Kolonje region of Albania the so called Faserotii (see Lortat-Jacob and Bouet 1983) and among Slavs of the Kastoria region of Northern Greece (see N.Kaufamann 1959. Macedonians in the lower villages of the Prespa district also formerly sang this style "
^Engendering Song: Singing and Subjectivity at Prespa by Jane C. Sugarman,1997,ISBN0-226-77972-6,page 356,A striking counterpart from outside the Balkans is the polyphonic Yodeling of juuzli from the Muotatal region of Switzerland
Further reading
World Music: The Rough Guide by Simon Broughton, Mark Ellingham - 1999 - ISBN1-85828-635-2
Greek Folk Dances by Rickey Holden, Mary Vouras – 1965
Engendering Song: Singing and Subjectivity at Prespa by Jane C. Sugarman,1997,ISBN0-226-77972-6
"Deropolitissa", Greek traditional song from Epirus
Skaros, Greek traditional shepherd's song from Epirus
Moiroloi, Greek traditional lament song from Epirus
April 18, 2023
music, epirus, greece, music, epirus, greek, Μουσική, της, Ηπείρου, epirus, northwestern, greece, present, varying, degree, rest, greece, islands, contains, folk, songs, that, mostly, pentatonic, polyphonic, characterized, relaxed, gentle, exceptionally, beaut. The music of Epirus Greek Moysikh ths Hpeiroy in Epirus northwestern Greece present to varying degree in the rest of Greece and the islands contains folk songs that are mostly pentatonic and polyphonic characterized as relaxed gentle and exceptionally beautiful and sung by both male and female singers 1 Distinctive songs include lament songs miroloyia shepherd s songs skaros and drinking songs tis tavlas 2 The clarinet is the most prominent folk instrument in Epirus used to accompany dances mostly slow and heavy like the menousis fisouni podhia syrtos sta dyo pogonisios syrtos sta tria zagorisios kentimeni koftos yiatros and tsamikos Other instruments used are violin floghera and steriano laouto Notable composers include clarinist Petroloukas Chalkias and laouto player Vasilis Kostas The polyphonic song of Epirus constitutes one of the most interesting musical forms not only for the east Mediterranean and the Balkans but also for the worldwide repertoire of the folk polyphony like the yodeling of Switzerland Besides its scale what attests to its very old origin is its vocal collective rhetorical and modal character 3 4 The corresponding dances are slow and stately they are invariably danced in counter clockwise circles Women s dances are especially noble allowing for a minimum of leg and arm movement and calling for formal traditional attire ankle length black coats gold thread tuques with a single long tassel and hammered gold jewellery References Edit World Music The Rough Guide by Simon Broughton Mark Ellingham 1999 ISBN 1 85828 635 2 page 127 The repertoire could be characterized as relaxed gentle and exceptionally beautiful and falls into three categories which are also found further south mirologya or laments the instrumental counterpart is called skaros drinking songs or tis tavlas and various danceable melodies as noted above common to the entire mainland and the islands also World Music The Rough Guide by Simon Broughton Mark Ellingham 1999 ISBN 1 85828 635 2 page 127 The repertoire tends to fall into three categories which are also found further south mirologya or laments the instrumental counterpart is called skaros drinking songs or tis tavlas and various dancable melodies as noted above common to the entire mainland and the islands also Engendering Song Singing and Subjectivity at Prespa by Jane C Sugarman 1997 ISBN 0 226 77972 6 page 356 Neither of the polyphonic textures characteristic of south Albanian singing is unique to Albanians The style is shared with Greeks in the Northwestern district of Epirus see Fakiou and Romanos 1984 while the Tosk style is common among Aromanian communities from the Kolonje region of Albania the so called Faserotii see Lortat Jacob and Bouet 1983 and among Slavs of the Kastoria region of Northern Greece see N Kaufamann 1959 Macedonians in the lower villages of the Prespa district also formerly sang this style Engendering Song Singing and Subjectivity at Prespa by Jane C Sugarman 1997 ISBN 0 226 77972 6 page 356 A striking counterpart from outside the Balkans is the polyphonic Yodeling of juuzli from the Muotatal region of SwitzerlandFurther reading EditWorld Music The Rough Guide by Simon Broughton Mark Ellingham 1999 ISBN 1 85828 635 2 Greek Folk Dances by Rickey Holden Mary Vouras 1965 Engendering Song Singing and Subjectivity at Prespa by Jane C Sugarman 1997 ISBN 0 226 77972 6External links EditGreek traditional music from Epirus permanent dead link Songs from Politsani Epirus Music Deropolitissa Greek traditional song from Epirus Skaros Greek traditional shepherd s song from Epirus Moiroloi Greek traditional lament song from Epirus Retrieved from https en wikipedia org w index php title Music of Epirus Greece amp oldid 1132442562, wikipedia, wiki, book, books, library,
