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Mecca for Moderns

Mecca for Moderns is the sixth studio album by the Manhattan Transfer. It was released in 1981 by Atlantic Records.

Mecca for Moderns
Studio album by
Released1981
StudioDawnbreaker Studio, San Francisco, California
GenreVocal jazz, pop
Length36:12
LabelAtlantic
ProducerJay Graydon
The Manhattan Transfer chronology
Extensions
(1979)
Mecca for Moderns
(1981)
The Best of The Manhattan Transfer
(1981)
Professional ratings
Review scores
SourceRating
AllMusic [1]

This album was the highest-charting album to date for the group, peaking on Billboard magazine's Top Pop Catalog Albums chart at No. 22. With this album, the Manhattan Transfer became the first group to win Grammy Awards in both the pop and jazz categories in the same year.

Awards edit

The song "The Boy from New York City" became their first top 10 hit, reaching number 7 on Billboard Magazine's Hot 100 chart. This song also won the group the Grammy for Best Pop Performance by a Duo or Group With Vocals.

The song "Until I Met You (Corner Pocket)" also earned them a Grammy for Best Jazz Vocal Performance, Duo or Group.

The song "A Nightingale Sang in Berkeley Square" which was arranged by Gene Puerling, won the Grammy Best Vocal Arrangement for Two or More Voices.

The song "Spies in the Night", which incorporates the "James Bond Theme", also charted on Billboard Magazine's Bubbling Under chart, peaking at number 103.

Album name edit

According to Tim Hauser, he picked up the name for this album from a Duke Ellington album entitled Live at the Blue Note 1952. "While reading the cover, he noticed it said 'The Blue Note was a haven for the smart set, in fact, the real mecca for moderns.' The group liked the phrase, and it fit well with the album concept."[2]

Track listing edit

No.TitleWriter(s)Length
1."On the Boulevard"Richard Page, Jay Graydon, Marc Jordan4:08
2."The Boy from New York City"George Davis, John T. Taylor3:40
3."(Wanted) Dead or Alive"Art DeCoteau, Slinger Francisco3:27
4."Spies in the Night"David Foster, Jay Graydon3:59
5."Smile Again"Bill Champlin, David Foster, Jay Graydon, Alan Paul4:33
6."Until I Met You (Corner Pocket)"Freddie Green, Don Wolf5:17
7."(The Word of) Confirmation"Charlie Parker3:14
8."Kafka"Bernard Kafka, Jay Graydon4:08
9."A Nightingale Sang in Berkeley Square"Eric Maschwitz, Manning Sherwin3:46

Personnel edit

The Manhattan Transfer edit

Musicians edit

Production edit

  • Producer, Remix – Jay Graydon
  • Engineer – Joseph Bogan
  • Assistant Engineers – Bob Bullock and Deborah Thompson
  • Recorded at Dawnbreaker Studios (San Fernando, CA).
  • Overdubbed and Mixed at Garden Rake Studios (Studio City, CA).
  • Mastered by Bernie Grundman at A&M Studios (Hollywood, CA).
  • Musical Contractor – Frank DeCaro
  • Art Direction – Steve Arnold, Richard DeGussie and Sarah Richardson.
  • Photography – Steve Arnold

References edit

  1. ^ Ginell, Richard S.. Mecca for Moderns at AllMusic
  2. ^ "Mecca For Moderns." The Manhattan Transfer. February 7, 2011. Accessed July 22, 2015. http://manhattantransfer.net/discography/mecca-for-moderns/

External links edit

  • Mecca for Moderns Retrieved from discogs October 16, 2010

mecca, moderns, sixth, studio, album, manhattan, transfer, released, 1981, atlantic, records, studio, album, manhattan, transferreleased1981studiodawnbreaker, studio, francisco, californiagenrevocal, jazz, poplength36, 12labelatlanticproducerjay, graydonthe, m. Mecca for Moderns is the sixth studio album by the Manhattan Transfer It was released in 1981 by Atlantic Records Mecca for ModernsStudio album by the Manhattan TransferReleased1981StudioDawnbreaker Studio San Francisco CaliforniaGenreVocal jazz popLength36 12LabelAtlanticProducerJay GraydonThe Manhattan Transfer chronologyExtensions 1979 Mecca for Moderns 1981 The Best of The Manhattan Transfer 1981 Professional ratingsReview scoresSourceRatingAllMusic 1 This album was the highest charting album to date for the group peaking on Billboard magazine s Top Pop Catalog Albums chart at No 22 With this album the Manhattan Transfer became the first group to win Grammy Awards in both the pop and jazz categories in the same year Contents 1 Awards 2 Album name 3 Track listing 4 Personnel 4 1 The Manhattan Transfer 4 2 Musicians 4 3 Production 5 References 6 External linksAwards editThe song The Boy from New York City became their first top 10 hit reaching number 7 on Billboard Magazine s Hot 100 chart This song also won the group the Grammy for Best Pop Performance by a Duo or Group With Vocals The song Until I Met You Corner Pocket also earned them a Grammy for Best Jazz Vocal Performance Duo or Group The song A Nightingale Sang in Berkeley Square which was arranged by Gene Puerling won the Grammy Best Vocal Arrangement for Two or More Voices The song Spies in the Night which incorporates the James Bond Theme also charted on Billboard Magazine s Bubbling Under chart peaking at number 103 Album name editAccording to Tim Hauser he picked up the name for this album from a Duke Ellington album entitled Live at the Blue Note 1952 While reading the cover he noticed it said The Blue Note was a haven for the smart set in fact the real mecca for moderns The group liked the phrase and it fit well with the album concept 2 Track listing editNo TitleWriter s Length1 On the Boulevard Richard Page Jay Graydon Marc Jordan4 082 The Boy from New York City George Davis John T Taylor3 403 Wanted Dead or Alive Art DeCoteau Slinger Francisco3 274 Spies in the Night David Foster Jay Graydon3 595 Smile Again Bill Champlin David Foster Jay Graydon Alan Paul4 336 Until I Met You Corner Pocket Freddie Green Don Wolf5 177 The Word of Confirmation Charlie Parker3 148 Kafka Bernard Kafka Jay Graydon4 089 A Nightingale Sang in Berkeley Square Eric Maschwitz Manning Sherwin3 46Personnel editThe Manhattan Transfer edit Cheryl Bentyne vocals Tim Hauser vocals Alan Paul vocals vocal arrangement 2 4 Janis Siegel vocals vocal arrangement 6 Musicians edit Victor Feldman Fender Rhodes 1 acoustic piano 1 Jay Graydon synthesizers 1 3 guitar 1 4 8 arrangements 1 3 5 8 horn arrangements 2 rhythm arrangements 2 4 6 vocal arrangements 4 6 David Foster acoustic piano 2 4 5 keyboards 5 synthesizers 5 Greg Mathieson organ 3 synthesizers 3 Michael Boddicker synthesizers 4 8 Yaron Gershovsky acoustic piano 6 8 Milcho Leviev acoustic piano 7 8 arrangements 7 Steve George synthesizers 8 Steve Lukather guitar 1 4 5 Dean Parks guitar 2 8 Al Viola guitar 6 Abraham Laboriel bass 1 8 Steve Gadd drums 1 3 8 Mike Baird drums 2 Alex Acuna percussion 3 Andy Narell cowbell 3 steel drums 3 Don Roberts saxophone 2 Tom Scott saxophone 3 Lyricon 3 Richie Cole saxophone 7 Jerry Hey trumpet 2 Bernard Kafka arrangements 8 Gene Puerling arrangements 9 Jon Hendricks scatting 7 Production edit Producer Remix Jay Graydon Engineer Joseph Bogan Assistant Engineers Bob Bullock and Deborah Thompson Recorded at Dawnbreaker Studios San Fernando CA Overdubbed and Mixed at Garden Rake Studios Studio City CA Mastered by Bernie Grundman at A amp M Studios Hollywood CA Musical Contractor Frank DeCaro Art Direction Steve Arnold Richard DeGussie and Sarah Richardson Photography Steve ArnoldReferences edit Ginell Richard S Mecca for Moderns at AllMusic Mecca For Moderns The Manhattan Transfer February 7 2011 Accessed July 22 2015 http manhattantransfer net discography mecca for moderns External links editThe Manhattan Transfer Official Website Mecca for Moderns Retrieved from discogs October 16 2010 Retrieved from https en wikipedia org w index php title Mecca for Moderns amp oldid 1215601374, wikipedia, wiki, book, books, library,

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