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Marine sandglass

A marine sandglass is a timepiece of simple design that is a relative of the common hourglass, a marine (nautical) instrument known since the 14th century (although reasonably presumed to be of very ancient use and origin). Sandglasses were used to measure the time at sea or on a given navigational course, in repeated measures of small time increments (e.g., 30 minutes). Used together with the chip log, smaller marine sandglasses were also used to measure the boat speed through the water in knots.

1859 Helmsman's marine sandglass, in a four-column wood stand

Although vital to maritime navigation, marine sandglasses were not accurate measuring instruments for the passage of time; many design and environmental factors could affect the duration of sand's flow, and therefore its reported time. Their use continued through the early 19th century, when they were supplanted by reliable mechanical timepieces and by other advances in marine navigation.

Marine sandglasses were very popular on ships, as they were the most dependable measurement of time while at sea. Unlike the liquid-based clepsydra, the motion of the ship did not affect the hourglass. The fact that the hourglass also used granular materials instead of liquids gave it more accurate measurements, as the clepsydra was prone to get condensation inside it during temperature changes.[1] In conjunction with a record of a ship's speed and direction, seamen used the hourglass to determine their position with reasonable accuracy.[1]

Design and use edit

Marine sandglasses originally consisted of two glass bottles, one inverted above the other, connected by a small tube, with the ends wrapped and so joined together. Over time, the later progress in the art of glassblowing allowed them to be made in a single piece. The marine glass was filled with sand or a suitable material such as finely ground eggshell, lead or tin chips (used to avoid humidity). This flowing material was chosen with two main objectives–to avoid the humidity, and to absorb motion– which are both required for shipboard use.[2][3]

Placed in the upper half, the sand would flow slowly and steadily towards the lower half by the action of gravity, taking a certain time to empty (that was calibrated during their design and manufacture). Once the upper portion of the glass was empty, the glass could be turned to measure another time period.[2]

History edit

Antiquity edit

 
Sarcophagus dated ca 350 AD, representing the wedding of Peleus and Thetis (Wincklemann: observe the magnification with the hourglass held by Morpheus in his hands)

The origin of the hourglass is unclear, although unlike its predecessor the clepsydra, or water clock, which may have been invented in ancient Egypt, the first referenced use:

  • According to The American Institute of New York: The clepsammia or sand-glass was invented at Alexandria about 150 B. C.[4]
  • According to the Journal of the British Archaeological Association: the so-called clepsammia were in use before the time of St Jerome (335 AD)[5]
  • M.Llauradó, found during an investigation, the first representation of an hourglass in a sarcophagus dated c. 350 AD, representing the wedding of Peleus and Thetis, discovered in Rome in the 18th century, and studied by Wincklemann in the 19th century, who remarked the hourglass held by Morpheus in his hands.[6]

Middle Ages edit

 
Temperance bearing an hourglass; detail Lorenzetti's Allegory of Good Government, 1338

From the Roman time it disappears completely from historical records until it is re-introduced in medieval Europe.[7][8] By the 8th century it is mentioned by a monk named Luitprand, who served at the cathedral of Chartres, France.[9][10] But it was not until the 14th century that the marine sandglass was seen commonly, the earliest firm evidence being a depiction in the 1338 fresco Allegory of Good Government by Ambrogio Lorenzetti.[11]

For more than 500 years (from 1300 to 1800) the instrument for measuring time at sea was "the Ampoule of hours".[12] In Catalonia there are references of its manufacture since the middle of the 14th century made of Catalan transparent glass according to the formulas of the alchemist Guillem Sedacer, using as a fundent the soda ash obtained by burning barilla (a plant whose ashes dissolved in water and cast with a sieve have been the basis from the "laundry" to wash clothes from the Neolithic). Barilla grows on the Catalan coast from Orihuela to Montpellier and the Italian manuals for making Italian glass (La Sedacina and Arte Vetraria) say very strictly: "bisogna comprare la soda di Spagna" ("you must buy soda from Spain").[13][14]

The use of the marine sandglass has been recorded since the 14th century; The written records about it were mostly from logbooks of European ships.[7] In the same period it appears in other records and lists of ships stores. The earliest recorded reference that can be said with certainty to refer to a marine sandglass dates from c. 1345, in a receipt of Thomas de Stetesham, clerk of the King's ship La George, in the reign of Edward III of England; translated from the Latin, the receipt says: in 1345:[15][16]

The same Thomas accounts to have paid at Lescluse, in Flanders, for twelve glass horologes (" pro xii. orlogiis vitreis "), price of each 4½ gross', in sterling 9s. Item, For four horologes of the same sort (" de eadem secta "), bought there, price of each five gross', making in sterling 3s. 4d.[9][15][16]

Another reference is found in an extensive inventory of the property of Charles V of France in his possession at the time of his death on September 16, 1380.[17] One item is an hourglass from the king's study at his castle of St. Germain en Laye, described as follows:[9][17][18]

Item ung grant orloge de mer, de deux grans fiolles plains de sablon, en ung grant estuy de boys garny d'archal.[9][17][18]

[Item a large sea clock, with two large phials filled with sand, in a large wooden brass-bound case.][9][17][18]

This "orloge de mer" or "heures de naviguer" was sent to him, as a gift, when he was still just a prince (being, therefore, before 1356 when he took the place of his father in prison), by John the hunter, through his daughter Yolande of Aragon, when John asked to send him a manuscript by Jean de Mandeville, "to translate it into the Aragonese language". This point is essential to know the language of the original, since it does not say "to translate it into the Catalan language", which would have been the most important action, because Catalan was their language - this fact therefore implied, that there was no need for a translation into Catalan - on the other hand, if there would have existed in Catalonia, a copy in Catalan language, John wouldn't have asked his daughter for an original, this fact proves that the manuscript in the hands of Yolande of Aragon was written in Catalan.[19]

 
Dotzè del Crestià (Valencia – 1484)

The most interesting thing about the second reference, the one from King Charles, is that a common sand-glass is defined as "ung grant orloge de mer" or "a large sea clock", this together with the fact that the first explanation of its use at sea (found by M.Llauradó) appears in the Francesc Eiximenis work "lo dotzé del crestià"[20] and that was given to him as a present from Joan I of Aragon, suggests that, at this period, the importance of a sand-glass was more commonly related to its use at sea and its fabrication demand may have been originated from the navigational needs from the Catalan navy, a maritime power of the moment in the Mediterranean.[21][22][23]

  • Francesc Eiximenis in the Dotzé del Crestià spoke of naval warfare and of the discipline and order to be observed on ships. Regarding the measurement of time, he wrote what appears in the picture:[24]
  • In French galleys no reference could be found until the French manuscript Stolonomie from the years 1547–1550, where it says that each galley must carry: "... Quatres ampoulletes à sablon pour mestré les gardes à heures...". A phrase very similar to the Catalan Eiximenis.

Importance in navigation edit

 
Copy of a four-column marine sandglass

In long-distance navigation through the open ocean, the sandglass or "glass" used to measure the time was a tool as important as the compass (which indicated sailing direction, and so ship's course).[2][3] Filled with the amount of sand suitable for measuring a lapse of half an hour, each time the sand emptied was also called a "glass"; eight glasses (four hours) defined a "watch".[2][3] The times determined by the sandglass, along with the record in the logbook of the speed measured with the "chip log", permitted the ship's navigator to plot his map position.[2][3] Multiplying the ship's speed by the time the course had been kept (measured with the glass), gave traveled distance,[2][3] a simple, overall method termed dead reckoning.[2][3]

The marine sandglass was critical for maritime navigation before the 19th century.[2][3] At the beginning of that century it became possible to navigate by the lunar distances, thanks to the tables of haversines of Joseph de Mendoza y Ríos.[2][3] Prior to this, dead reckoning navigation based on sandglass-determined times was used, alongside determination of latitude using the quadrant (see also backstaff, astrolabe, and octant);[2][3] this was the only system available to mariners to navigate the globe.[2][3] The parallel use of relative time measurements at sea, and time measurement by mechanical clocks on land continued from at least 1350 to 1805, i.e., for more than 450 years.[2][3]

Although vital to navigation, the marine glass was not an accurate instrument to measure the passage of time.[2][3] The design of the glass affected its accuracy in time measurement; the uniformity in fineness of the sand, the inner diameter of the connecting tube, and design aspects allowing wear that would effect the flow of sand all could contribute.[2][3] In addition, many shipboard factors could affect the duration of sand's flow and therefore influence the time measured, including the humidity inside the glass, the ability for it to be positioned in a perfectly vertical position, and the acceleration or deceleration of the ship's movements.[2][3] Finally, the use of short duration glasses to measure long periods of time introduced further error.[2][3] Marine glass use was supplanted by reliable mechanical timepieces, and by other advances in marine navigation.[2][3]

Watch sandglasses edit

Watch sandglasses were used on ships to measure watch times, typically in half-hour periods. The helmsman[2][3] or ship's page[25] were the crewmen responsible for turning the watch sandglass, thus supplying the time to be registered on the ship's log; watch measurement began with the sun reaching its highest point—its zenith—at midday, which was likewise the essential time reference point for navigation.[25] At that point in time, the ship's bell was struck eight times; after the first glass had emptied (half an hour), the ship's bell was struck once, after another glass, twice, and so on until four hours after midday, when it was again struck eight times.[2][3] At that point, a new watch began, and the sequence was repeated.[2][3]

Hence, in the voyages of Columbus, there are records that his crew logged the passage of time using a half-hour "ampolleta" (glass) that was turned every time it emptied to keep track of the "canonical" hours.[2][3] Likewise, during the voyage of Ferdinand Magellan to circumnavigate the globe, 18 hourglasses from Barcelona were in the ship's inventory, after the trip being authorized by emperor Charles V.[26]

Chip-log sandglass edit

 
Ship log sandglass in the left of the chip log

From the 16th century a much smaller 30-second "glass" was used along with the chip log, to measure the speed (in knots) of the vessel over the water. The procedure was as follows:[2][3]

A sailor ran the chip log and another sailor the sandglass. The slide of the pulled over the stern and let run the first length of line till the quadrant was stabilized in the water. The sailor was leaving to run the line to pass freely leaving the slide by hand and touching the first knot sang "mark!" At the moment of the inverted glass and time began to run while the line was counting the knots as they passed until the sandglass sang "mark!" a second blow when they had dropped all the sand, then he caught the firmly the line, measuring the fraction of knot elapsed to the last mark! and cried P.E.: "Five knots and four fathoms!..[3]

See also edit

References edit

  1. ^ a b Balmer, R. T. "The Operation of Sand Clocks and Their Medieval Development." Technology and Culture, Vol. 19, No. 4 (Oct., 1978), pp. 615–632 Balmer, R. T. "The Operation of Sand Clocks and Their Medieval Development." Technology and Culture, Vol. 19, No. 4 (Oct., 1978), pp. 615–632.
  2. ^ a b c d e f g h i j k l m n o p q r s t u v May, William Edward (1973). A History of Marine Navigation. Henley: Foulis. pp. 108–118. ISBN 978-0-85429-143-4.
  3. ^ a b c d e f g h i j k l m n o p q r s t u v José María Martínez-Hidalgo (1992). Enciclopedia general del mar. Garriga. ISBN 978-84-7079-090-4.
  4. ^ American Institute of the City of New York (1870). Annual Report of the American Institute of the City of New York. C. van Benthuysen. pp. 1042–.
  5. ^ British Archaeological Association (1873). The Journal of the British Archaeological Association. Brit. Arch. Ass. pp. 130–.
  6. ^ British Museum (1810). A Description of the Collection of Ancient Terracottas in the British Museum; with Engravings. K. Bulmer. pp. 88–.
  7. ^ a b European journal of physics : journal of the European Physical Society. 1996.
  8. ^ Mills, A. A., S. Day, and S.Parkes. "Mechanics of the sandglass." Eur. J. Phys. 17 (1996): 97–109.
  9. ^ a b c d e F.J.Britten (190x). OLD CLOCKS AND WATCHES & THEIR MAKERS. LONDON B. T. BATSFORD, 94 HIGH HOLBORN. pp. 16 and 249.
  10. ^ Hourglass history
  11. ^ Frugoni, Chiara (1988). Pietro et Ambrogio Lorenzetti. Scala Books. p. 83. ISBN 0-935748-80-6.
  12. ^ Waters, David W.
  13. ^ Chiara Crisciani (2003). Alchimia e medicina nel Medioevo: Il carmelitano Guglielmo Seda- cer, che si dedica con esaustività alla trattazione alchemica metallurgica e soprattutto valorizza il ruolo del vetro nel suo vasto manuale — la Summa sedacina. SISMEL edizioni del Galluzzo. ISBN 978-88-8450-051-9.
  14. ^ Antonio Neri (1663). L'arte vetraria.
  15. ^ a b Anthony John Turner (1993). Of Time and Measurement: Studies in the History of Horology and Fine Technology. Ashgate Publishing Company. ISBN 978-0-86078-378-7.
  16. ^ a b Nicolas, Nicholas Harris (1847). A History of the Royal Navy, from the earliest times to the wars of the French revolution, vol. II. London: Richard Bentley. p. 476.
  17. ^ a b c d Time Museum; Bruce Chandler; Anthony John Turner (1985). The Time Museum: Time measuring instruments. pt. 1. Astrolabes, astrolabe related instruments. Time Museum. ISBN 978-0-912947-01-3.
  18. ^ a b c Gerhard Dohrn-van Rossum (15 June 1996). History of the Hour: Clocks and Modern Temporal Orders. University of Chicago Press. pp. 380–. ISBN 978-0-226-15510-4.
  19. ^ Johan I D'Arago. Institut d'Estudis Catalans. 1929. pp. 124–. GGKEY:8CXSF5T5A0D.
  20. ^ Eiximenis, Francesc, ca. 1340 – ca. 1409; Donna Mary Rogers (1988). A Partial Edition of Francesc Eiximenis' Dotzè Del Crestià (Chs. 1–97) [microform]. Thesis (Ph.D.) – University of Toronto. ISBN 978-0-315-43411-0.{{cite book}}: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)
  21. ^ Eiximenis, Francesc (ca. 1340-ca. 1409); Donna Mary Rogers (1988). A Partial Edition of Francesc Eiximenis' Dotzè Del Crestià (Chs. 1-97). Thesis (Ph.D.)--University of Toronto. ISBN 978-0-315-43411-0. {{cite book}}: Unknown parameter |agency= ignored (help)CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)
  22. ^ Roca, Josep Maria (January 1929). Johan I D'Arago. pp. 128–. {{cite book}}: Unknown parameter |agency= ignored (help)
  23. ^ Diccionari Català Valencià Balear, Alcover-Moll: Rellotge de sorra. Item dos flascons d'hores, doc. mall., a. 1434 (Boll. Lul. Iii, 312)
  24. ^ Dotzè del Crestià, pàg. 81/100
  25. ^ a b Bergreen, Laurence (2003). Over the Edge of the World: Magellan's Terrifying Circumnavigation of the Globe. William Morrow. ISBN 0-06-621173-5.
  26. ^ Pigafetta (1874). The First Voyage Around the World, 1519–1522. Hakluyt Society Press. pp. A12.

marine, sandglass, marine, sandglass, timepiece, simple, design, that, relative, common, hourglass, marine, nautical, instrument, known, since, 14th, century, although, reasonably, presumed, very, ancient, origin, sandglasses, were, used, measure, time, given,. A marine sandglass is a timepiece of simple design that is a relative of the common hourglass a marine nautical instrument known since the 14th century although reasonably presumed to be of very ancient use and origin Sandglasses were used to measure the time at sea or on a given navigational course in repeated measures of small time increments e g 30 minutes Used together with the chip log smaller marine sandglasses were also used to measure the boat speed through the water in knots 1859 Helmsman s marine sandglass in a four column wood stand Although vital to maritime navigation marine sandglasses were not accurate measuring instruments for the passage of time many design and environmental factors could affect the duration of sand s flow and therefore its reported time Their use continued through the early 19th century when they were supplanted by reliable mechanical timepieces and by other advances in marine navigation Marine sandglasses were very popular on ships as they were the most dependable measurement of time while at sea Unlike the liquid based clepsydra the motion of the ship did not affect the hourglass The fact that the hourglass also used granular materials instead of liquids gave it more accurate measurements as the clepsydra was prone to get condensation inside it during temperature changes 1 In conjunction with a record of a ship s speed and direction seamen used the hourglass to determine their position with reasonable accuracy 1 Contents 1 Design and use 2 History 2 1 Antiquity 2 2 Middle Ages 3 Importance in navigation 4 Watch sandglasses 5 Chip log sandglass 6 See also 7 ReferencesDesign and use editMarine sandglasses originally consisted of two glass bottles one inverted above the other connected by a small tube with the ends wrapped and so joined together Over time the later progress in the art of glassblowing allowed them to be made in a single piece The marine glass was filled with sand or a suitable material such as finely ground eggshell lead or tin chips used to avoid humidity This flowing material was chosen with two main objectives to avoid the humidity and to absorb motion which are both required for shipboard use 2 3 Placed in the upper half the sand would flow slowly and steadily towards the lower half by the action of gravity taking a certain time to empty that was calibrated during their design and manufacture Once the upper portion of the glass was empty the glass could be turned to measure another time period 2 History editAntiquity edit nbsp Sarcophagus dated ca 350 AD representing the wedding of Peleus and Thetis Wincklemann observe the magnification with the hourglass held by Morpheus in his hands The origin of the hourglass is unclear although unlike its predecessor the clepsydra or water clock which may have been invented in ancient Egypt the first referenced use According to The American Institute of New York The clepsammia or sand glass was invented at Alexandria about 150 B C 4 According to the Journal of the British Archaeological Association the so called clepsammia were in use before the time of St Jerome 335 AD 5 M Llaurado found during an investigation the first representation of an hourglass in a sarcophagus dated c 350 AD representing the wedding of Peleus and Thetis discovered in Rome in the 18th century and studied by Wincklemann in the 19th century who remarked the hourglass held by Morpheus in his hands 6 Middle Ages edit nbsp Temperance bearing an hourglass detail Lorenzetti s Allegory of Good Government 1338 From the Roman time it disappears completely from historical records until it is re introduced in medieval Europe 7 8 By the 8th century it is mentioned by a monk named Luitprand who served at the cathedral of Chartres France 9 10 But it was not until the 14th century that the marine sandglass was seen commonly the earliest firm evidence being a depiction in the 1338 fresco Allegory of Good Government by Ambrogio Lorenzetti 11 For more than 500 years from 1300 to 1800 the instrument for measuring time at sea was the Ampoule of hours 12 In Catalonia there are references of its manufacture since the middle of the 14th century made of Catalan transparent glass according to the formulas of the alchemist Guillem Sedacer using as a fundent the soda ash obtained by burning barilla a plant whose ashes dissolved in water and cast with a sieve have been the basis from the laundry to wash clothes from the Neolithic Barilla grows on the Catalan coast from Orihuela to Montpellier and the Italian manuals for making Italian glass La Sedacina and Arte Vetraria say very strictly bisogna comprare la soda di Spagna you must buy soda from Spain 13 14 The use of the marine sandglass has been recorded since the 14th century The written records about it were mostly from logbooks of European ships 7 In the same period it appears in other records and lists of ships stores The earliest recorded reference that can be said with certainty to refer to a marine sandglass dates from c 1345 in a receipt of Thomas de Stetesham clerk of the King s ship La George in the reign of Edward III of England translated from the Latin the receipt says in 1345 15 16 The same Thomas accounts to have paid at Lescluse in Flanders for twelve glass horologes pro xii orlogiis vitreis price of each 4 gross in sterling 9s Item For four horologes of the same sort de eadem secta bought there price of each five gross making in sterling 3s 4d 9 15 16 Another reference is found in an extensive inventory of the property of Charles V of France in his possession at the time of his death on September 16 1380 17 One item is an hourglass from the king s study at his castle of St Germain en Laye described as follows 9 17 18 Item ung grant orloge de mer de deux grans fiolles plains de sablon en ung grant estuy de boys garny d archal 9 17 18 Item a large sea clock with two large phials filled with sand in a large wooden brass bound case 9 17 18 This orloge de mer or heures de naviguer was sent to him as a gift when he was still just a prince being therefore before 1356 when he took the place of his father in prison by John the hunter through his daughter Yolande of Aragon when John asked to send him a manuscript by Jean de Mandeville to translate it into the Aragonese language This point is essential to know the language of the original since it does not say to translate it into the Catalan language which would have been the most important action because Catalan was their language this fact therefore implied that there was no need for a translation into Catalan on the other hand if there would have existed in Catalonia a copy in Catalan language John wouldn t have asked his daughter for an original this fact proves that the manuscript in the hands of Yolande of Aragon was written in Catalan 19 nbsp Dotze del Crestia Valencia 1484 The most interesting thing about the second reference the one from King Charles is that a common sand glass is defined as ung grant orloge de mer or a large sea clock this together with the fact that the first explanation of its use at sea found by M Llaurado appears in the Francesc Eiximenis work lo dotze del crestia 20 and that was given to him as a present from Joan I of Aragon suggests that at this period the importance of a sand glass was more commonly related to its use at sea and its fabrication demand may have been originated from the navigational needs from the Catalan navy a maritime power of the moment in the Mediterranean 21 22 23 Francesc Eiximenis in the Dotze del Crestia spoke of naval warfare and of the discipline and order to be observed on ships Regarding the measurement of time he wrote what appears in the picture 24 In French galleys no reference could be found until the French manuscript Stolonomie from the years 1547 1550 where it says that each galley must carry Quatres ampoulletes a sablon pour mestre les gardes a heures A phrase very similar to the Catalan Eiximenis Importance in navigation editMain article Catalan navy nbsp Copy of a four column marine sandglass In long distance navigation through the open ocean the sandglass or glass used to measure the time was a tool as important as the compass which indicated sailing direction and so ship s course 2 3 Filled with the amount of sand suitable for measuring a lapse of half an hour each time the sand emptied was also called a glass eight glasses four hours defined a watch 2 3 The times determined by the sandglass along with the record in the logbook of the speed measured with the chip log permitted the ship s navigator to plot his map position 2 3 Multiplying the ship s speed by the time the course had been kept measured with the glass gave traveled distance 2 3 a simple overall method termed dead reckoning 2 3 The marine sandglass was critical for maritime navigation before the 19th century 2 3 At the beginning of that century it became possible to navigate by the lunar distances thanks to the tables of haversines of Joseph de Mendoza y Rios 2 3 Prior to this dead reckoning navigation based on sandglass determined times was used alongside determination of latitude using the quadrant see also backstaff astrolabe and octant 2 3 this was the only system available to mariners to navigate the globe 2 3 The parallel use of relative time measurements at sea and time measurement by mechanical clocks on land continued from at least 1350 to 1805 i e for more than 450 years 2 3 Although vital to navigation the marine glass was not an accurate instrument to measure the passage of time 2 3 The design of the glass affected its accuracy in time measurement the uniformity in fineness of the sand the inner diameter of the connecting tube and design aspects allowing wear that would effect the flow of sand all could contribute 2 3 In addition many shipboard factors could affect the duration of sand s flow and therefore influence the time measured including the humidity inside the glass the ability for it to be positioned in a perfectly vertical position and the acceleration or deceleration of the ship s movements 2 3 Finally the use of short duration glasses to measure long periods of time introduced further error 2 3 Marine glass use was supplanted by reliable mechanical timepieces and by other advances in marine navigation 2 3 Watch sandglasses editWatch sandglasses were used on ships to measure watch times typically in half hour periods The helmsman 2 3 or ship s page 25 were the crewmen responsible for turning the watch sandglass thus supplying the time to be registered on the ship s log watch measurement began with the sun reaching its highest point its zenith at midday which was likewise the essential time reference point for navigation 25 At that point in time the ship s bell was struck eight times after the first glass had emptied half an hour the ship s bell was struck once after another glass twice and so on until four hours after midday when it was again struck eight times 2 3 At that point a new watch began and the sequence was repeated 2 3 Hence in the voyages of Columbus there are records that his crew logged the passage of time using a half hour ampolleta glass that was turned every time it emptied to keep track of the canonical hours 2 3 Likewise during the voyage of Ferdinand Magellan to circumnavigate the globe 18 hourglasses from Barcelona were in the ship s inventory after the trip being authorized by emperor Charles V 26 Chip log sandglass edit nbsp Ship log sandglass in the left of the chip logFrom the 16th century a much smaller 30 second glass was used along with the chip log to measure the speed in knots of the vessel over the water The procedure was as follows 2 3 A sailor ran the chip log and another sailor the sandglass The slide of the pulled over the stern and let run the first length of line till the quadrant was stabilized in the water The sailor was leaving to run the line to pass freely leaving the slide by hand and touching the first knot sang mark At the moment of the inverted glass and time began to run while the line was counting the knots as they passed until the sandglass sang mark a second blow when they had dropped all the sand then he caught the firmly the line measuring the fraction of knot elapsed to the last mark and cried P E Five knots and four fathoms 3 See also editWater clock Hourglass Grid compass Rhumbline network Catalan navyReferences edit a b Balmer R T The Operation of Sand Clocks and Their Medieval Development Technology and Culture Vol 19 No 4 Oct 1978 pp 615 632 Balmer R T The Operation of Sand Clocks and Their Medieval Development Technology and Culture Vol 19 No 4 Oct 1978 pp 615 632 a b c d e f g h i j k l m n o p q r s t u v May William Edward 1973 A History of Marine Navigation Henley Foulis pp 108 118 ISBN 978 0 85429 143 4 a b c d e f g h i j k l m n o p q r s t u v Jose Maria Martinez Hidalgo 1992 Enciclopedia general del mar Garriga ISBN 978 84 7079 090 4 American Institute of the City of New York 1870 Annual Report of the American Institute of the City of New York C van Benthuysen pp 1042 British Archaeological Association 1873 The Journal of the British Archaeological Association Brit Arch Ass pp 130 British Museum 1810 A Description of the Collection of Ancient Terracottas in the British Museum with Engravings K Bulmer pp 88 a b European journal of physics journal of the European Physical Society 1996 Mills A A S Day and S Parkes Mechanics of the sandglass Eur J Phys 17 1996 97 109 a b c d e F J Britten 190x OLD CLOCKS AND WATCHES amp THEIR MAKERS LONDON B T BATSFORD 94 HIGH HOLBORN pp 16 and 249 Hourglass history Frugoni Chiara 1988 Pietro et Ambrogio Lorenzetti Scala Books p 83 ISBN 0 935748 80 6 Waters David W Chiara Crisciani 2003 Alchimia e medicina nel Medioevo Il carmelitano Guglielmo Seda cer che si dedica con esaustivita alla trattazione alchemica metallurgica e soprattutto valorizza il ruolo del vetro nel suo vasto manuale la Summa sedacina SISMEL edizioni del Galluzzo ISBN 978 88 8450 051 9 Antonio Neri 1663 L arte vetraria a b Anthony John Turner 1993 Of Time and Measurement Studies in the History of Horology and Fine Technology Ashgate Publishing Company ISBN 978 0 86078 378 7 a b Nicolas Nicholas Harris 1847 A History of the Royal Navy from the earliest times to the wars of the French revolution vol II London Richard Bentley p 476 a b c d Time Museum Bruce Chandler Anthony John Turner 1985 The Time Museum Time measuring instruments pt 1 Astrolabes astrolabe related instruments Time Museum ISBN 978 0 912947 01 3 a b c Gerhard Dohrn van Rossum 15 June 1996 History of the Hour Clocks and Modern Temporal Orders University of Chicago Press pp 380 ISBN 978 0 226 15510 4 Johan I D Arago Institut d Estudis Catalans 1929 pp 124 GGKEY 8CXSF5T5A0D Eiximenis Francesc ca 1340 ca 1409 Donna Mary Rogers 1988 A Partial Edition of Francesc Eiximenis Dotze Del Crestia Chs 1 97 microform Thesis Ph D University of Toronto ISBN 978 0 315 43411 0 a href Template Cite book html title Template Cite book cite book a CS1 maint multiple names authors list link CS1 maint numeric names authors list link Eiximenis Francesc ca 1340 ca 1409 Donna Mary Rogers 1988 A Partial Edition of Francesc Eiximenis Dotze Del Crestia Chs 1 97 Thesis Ph D University of Toronto ISBN 978 0 315 43411 0 a href Template Cite book html title Template Cite book cite book a Unknown parameter agency ignored help CS1 maint multiple names authors list link CS1 maint numeric names authors list link Roca Josep Maria January 1929 Johan I D Arago pp 128 a href Template Cite book html title Template Cite book cite book a Unknown parameter agency ignored help Diccionari Catala Valencia Balear Alcover Moll Rellotge de sorra Item dos flascons d hores doc mall a 1434 Boll Lul Iii 312 Dotze del Crestia pag 81 100 a b Bergreen Laurence 2003 Over the Edge of the World Magellan s Terrifying Circumnavigation of the Globe William Morrow ISBN 0 06 621173 5 Pigafetta 1874 The First Voyage Around the World 1519 1522 Hakluyt Society Press pp A12 Retrieved from https en wikipedia org w index php title Marine sandglass amp oldid 1222703788, wikipedia, wiki, book, books, library,

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