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Manuel Chrysaphes

Manuel Doukas Chrysaphes (Greek: Μανουὴλ Δούκας Χρυσάφης, fl. 1440–1470) was the most prominent Byzantine musician of the 15th century.

Life and works edit

A singer, composer, and musical theoretician, Manuel Chrysaphes was called "the New Koukouzeles" by his admirer, the Cretan composer John Plousiadinos. He is the author of at least 300 compositions, including nearly full modal cycles of liturgical ordinaries (alleluiaria, cheroubika, and koinonika), kalophonic stichera for various movable and fixed feasts throughout the year, kratemata (wordless compositions), and both simple and kalophonic psalmody for Vespers and Matins.

Little is known of his life, except that he held the office of lampadarios at the Constantinopolitan Court,[1] and received commissions from the last two Byzantine emperors, John VIII Palaiologos and Constantine XI Palaiologos. Two of his own autographs survive, one from July 1458 in the Iviron Monastery in Mount Athos, and one from July 1463 in the Topkapi Palace collection. He is also one of the few Byzantine musicians to write on theoretical issues. His surviving treatise, On the Theory of the Art of Chanting and On Certain Erroneous Views That Some Hold about It, is an invaluable guide to Byzantine music and the evolution of Byzantine singing in the late Palaiologan period.

Notes edit

  1. ^ Not at the Hagia Sophia cathedral, as Chrysanthos of Madytos and others who quoted him, wrote. The "Lampadarios" was a prestigious office of a soloist who replaced or directed the left choir.

References edit

  • Antonopoulos, Spyridon (2015). The Life and Works of Manuel Chrysaphes and the Figure of Composer in Late Byzantium (PhD Diss). Vol. 1–2. City University of London.
  • Conomos, Dimitri, ed. (1985). The Treatise of Manuel Chrysaphes, the Lampadarios: [Περὶ τῶν ἐνθεωρουμένων τῇ ψαλτικῇ τέχνῃ καὶ ὧν φρουνοῦσι κακῶς τινες περὶ αὐτῶν] On the Theory of the Art of Chanting and on Certain Erroneous Views that some hold about it (Mount Athos, Iviron Monastery MS 1120, July 1458). Monumenta Musicae Byzantinae - Corpus Scriptorum de Re Musica. Vol. 2. Vienna: Verlag der Österreichischen Akademie der Wissenschaften. ISBN 978-3-7001-0732-3.
  • Kazhdan, Alexander, ed. (1991). Oxford Dictionary of Byzantium. Oxford University Press. p. 450. ISBN 978-0-19-504652-6.
  • Polemis, Demetrios I. (1968), The Doukai: A Contribution to Byzantine Prosopography, London: Athlone Press, p. 116

See also edit

manuel, chrysaphes, confused, with, 17th, century, composer, chrysaphes, younger, manuel, doukas, chrysaphes, greek, Μανουὴλ, Δούκας, Χρυσάφης, 1440, 1470, most, prominent, byzantine, musician, 15th, century, contents, life, works, notes, references, alsolife,. Not to be confused with the 17th century composer Chrysaphes the Younger Manuel Doukas Chrysaphes Greek Manoyὴl Doykas Xrysafhs fl 1440 1470 was the most prominent Byzantine musician of the 15th century Contents 1 Life and works 2 Notes 3 References 4 See alsoLife and works editA singer composer and musical theoretician Manuel Chrysaphes was called the New Koukouzeles by his admirer the Cretan composer John Plousiadinos He is the author of at least 300 compositions including nearly full modal cycles of liturgical ordinaries alleluiaria cheroubika and koinonika kalophonic stichera for various movable and fixed feasts throughout the year kratemata wordless compositions and both simple and kalophonic psalmody for Vespers and Matins Little is known of his life except that he held the office of lampadarios at the Constantinopolitan Court 1 and received commissions from the last two Byzantine emperors John VIII Palaiologos and Constantine XI Palaiologos Two of his own autographs survive one from July 1458 in the Iviron Monastery in Mount Athos and one from July 1463 in the Topkapi Palace collection He is also one of the few Byzantine musicians to write on theoretical issues His surviving treatise On the Theory of the Art of Chanting and On Certain Erroneous Views That Some Hold about It is an invaluable guide to Byzantine music and the evolution of Byzantine singing in the late Palaiologan period Notes edit Not at the Hagia Sophia cathedral as Chrysanthos of Madytos and others who quoted him wrote The Lampadarios was a prestigious office of a soloist who replaced or directed the left choir References editAntonopoulos Spyridon 2015 The Life and Works of Manuel Chrysaphes and the Figure of Composer in Late Byzantium PhD Diss Vol 1 2 City University of London Conomos Dimitri ed 1985 The Treatise of Manuel Chrysaphes the Lampadarios Perὶ tῶn ἐn8ewroymenwn tῇ psaltikῇ texnῃ kaὶ ὧn froynoῦsi kakῶs tines perὶ aὐtῶn On the Theory of the Art of Chanting and on Certain Erroneous Views that some hold about it Mount Athos Iviron Monastery MS 1120 July 1458 Monumenta Musicae Byzantinae Corpus Scriptorum de Re Musica Vol 2 Vienna Verlag der Osterreichischen Akademie der Wissenschaften ISBN 978 3 7001 0732 3 Kazhdan Alexander ed 1991 Oxford Dictionary of Byzantium Oxford University Press p 450 ISBN 978 0 19 504652 6 Polemis Demetrios I 1968 The Doukai A Contribution to Byzantine Prosopography London Athlone Press p 116See also editChrysaphes the Younger John Kukuzelis nbsp This Byzantine biographical article is a stub You can help Wikipedia by expanding it vte Retrieved from https en wikipedia org w index php title Manuel Chrysaphes amp oldid 1167917508, wikipedia, wiki, book, books, library,

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