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Malaysian hip hop

The Malaysian hip hop is a hip hop music performed in Malaysia. Many of Malaysian hip hop artistes performed songs mostly in English, but also rhymed in their native Malay language.[1]

Malaysian hip hop
Stylistic originsHip hop
Cultural originsLate 1980s and early 1990s, Kuala Lumpur, Malaysia
Other topics
Malaysian pop

History Edit

Malaysian hip hop music started in the late 1980s and early 1990s with rap groups such as KRU, 4U2C, NICO, Naughtius Maximus, and HQA, but their so-called "rap music" was not accepted by the mainstream community and so they had to change to a more pop-ish sound.[2][3] In 1991, local rapper HQA released the classic album Baguvix. At around the same time, another group called Krash Kozz was the only group to introduce the new jack swing hip hop sound to Malaysian listeners, but they disbanded after their third album, New Jack The Street Beat was released.

Those were trying times, when the pioneers of the local hip hop scene were trying hard to break the monotony of rock music, love ballads and pop sounds, which are staples in the Malaysian music scene, with the fans of these genres refusing to accept this new form of music. However, the younger generation, especially those in the urban areas, were more curious and receptive; they were more positively in-tuned to receive this new culture that was creating waves across the globe, which was further expedited and cemented by the introduction of records from American hip hop artists like the N.W.A, Brand Nubian, Gang Starr, Cypress Hill, and many others.

In 1994, Naughtius Maximus, Malaysia's first genuine hip hop collective, was formed by the merger of four hip hop groups - Whyness, Deceased, Reffugeez and Under Pressure. A year later, they release their only self-titled album which was touted as Malaysia's first genuine hip hop album. However, not long after its release, Malaysian public broadcaster Radio Televisyen Malaysia (RTM) banned 9 of the album's 13 tracks because it is too "westernized". As a result, Naughtius Maximus disbanded in 1996 with some of its members left to pursue their studies and concentrated on their own careers. The group later reformed with only Mista Rem, Spit and Jungle Jerry as the remaining members.

The Malaysian music scene was dominated by these poppy-sounding groups until 1995–1996, when Poetic Ammo—composed of Yogi B, Point Blanc, C. Loco and Land Slyde—came out with their album It's a Nice Day to Be Alive. Their first hit, "Everything Changes", revolutionized the local music industry. There were also groups from the underground scene that have established themselves such as The Rebel Scum, but it was Poetic Ammo that "made it big".

One of the "powerhouses" of hip hop in Malaysia is Too Phat, which consists of Malique and Joe Flizzow.[4] They were signed to EMI International's Positive Tone division and produced their first hit album, Whutadilly, and their first single was "Too Phat Baby".

Hip-hop has come a long way in Malaysia as seen from its growing industry and the success it has garnered in the mainstream music landscape. In 2010, three of Malaysia's biggest rappers—SonaOne, Joe Flizzow and Altimet—collaborated on a track called "Who Do It Better". In the song, Altimet, who was wearing an Eric B & Rakim T-shirt, raps in Malay about being schooled by hip-hop's earliest stars. In 2014, Joe Flizzow and SonaOne worked together on a track called "Apa Khabar" that talks about how far hip-hop has come in Malaysia. The track won two national music awards. That same year, SonaOne, was awarded the best song for "No More", the first time an English song managed to clinch the title at the Malaysian Anugerah Industri Muzik.[5]

Hip hop record labels Edit

See also Edit

References Edit

  1. ^ Syanty Octavia Amry (24 January 2015). (in Malay). Harian Metro. Archived from the original on 17 October 2019. Retrieved 25 March 2020.
  2. ^ "Hip-hop as 'uniting force' in multi-ethnic Malaysia | Music | DW.DE | 21.02.2014". DW.DE. 21 February 2014. Retrieved 25 February 2014.
  3. ^ "hqa". Huckyea.bandcamp.com. 15 December 1991. Retrieved 25 February 2014.
  4. ^ "Hip-Hop, Haircuts and Hot Dogs: The Success Story of Joe Flizzow". MTV Iggy. 12 December 2013. Retrieved 25 February 2014.
  5. ^ Mohamed Nasir, Kamaludeen (2020). Representing Islam: Hip-Hop of the September 11 Generation. Indiana University Press. ISBN 9780253053077. Retrieved 25 May 2021.

malaysian, this, article, needs, additional, citations, verification, please, help, improve, this, article, adding, citations, reliable, sources, unsourced, material, challenged, removed, find, sources, news, newspapers, books, scholar, jstor, november, 2020, . This article needs additional citations for verification Please help improve this article by adding citations to reliable sources Unsourced material may be challenged and removed Find sources Malaysian hip hop news newspapers books scholar JSTOR November 2020 Learn how and when to remove this template message The Malaysian hip hop is a hip hop music performed in Malaysia Many of Malaysian hip hop artistes performed songs mostly in English but also rhymed in their native Malay language 1 Malaysian hip hopStylistic originsHip hopCultural originsLate 1980s and early 1990s Kuala Lumpur MalaysiaOther topicsMalaysian pop Contents 1 History 2 Hip hop record labels 3 See also 4 ReferencesHistory EditMalaysian hip hop music started in the late 1980s and early 1990s with rap groups such as KRU 4U2C NICO Naughtius Maximus and HQA but their so called rap music was not accepted by the mainstream community and so they had to change to a more pop ish sound 2 3 In 1991 local rapper HQA released the classic album Baguvix At around the same time another group called Krash Kozz was the only group to introduce the new jack swing hip hop sound to Malaysian listeners but they disbanded after their third album New Jack The Street Beat was released Those were trying times when the pioneers of the local hip hop scene were trying hard to break the monotony of rock music love ballads and pop sounds which are staples in the Malaysian music scene with the fans of these genres refusing to accept this new form of music However the younger generation especially those in the urban areas were more curious and receptive they were more positively in tuned to receive this new culture that was creating waves across the globe which was further expedited and cemented by the introduction of records from American hip hop artists like the N W A Brand Nubian Gang Starr Cypress Hill and many others In 1994 Naughtius Maximus Malaysia s first genuine hip hop collective was formed by the merger of four hip hop groups Whyness Deceased Reffugeez and Under Pressure A year later they release their only self titled album which was touted as Malaysia s first genuine hip hop album However not long after its release Malaysian public broadcaster Radio Televisyen Malaysia RTM banned 9 of the album s 13 tracks because it is too westernized As a result Naughtius Maximus disbanded in 1996 with some of its members left to pursue their studies and concentrated on their own careers The group later reformed with only Mista Rem Spit and Jungle Jerry as the remaining members The Malaysian music scene was dominated by these poppy sounding groups until 1995 1996 when Poetic Ammo composed of Yogi B Point Blanc C Loco and Land Slyde came out with their album It s a Nice Day to Be Alive Their first hit Everything Changes revolutionized the local music industry There were also groups from the underground scene that have established themselves such as The Rebel Scum but it was Poetic Ammo that made it big One of the powerhouses of hip hop in Malaysia is Too Phat which consists of Malique and Joe Flizzow 4 They were signed to EMI International s Positive Tone division and produced their first hit album Whutadilly and their first single was Too Phat Baby Hip hop has come a long way in Malaysia as seen from its growing industry and the success it has garnered in the mainstream music landscape In 2010 three of Malaysia s biggest rappers SonaOne Joe Flizzow and Altimet collaborated on a track called Who Do It Better In the song Altimet who was wearing an Eric B amp Rakim T shirt raps in Malay about being schooled by hip hop s earliest stars In 2014 Joe Flizzow and SonaOne worked together on a track called Apa Khabar that talks about how far hip hop has come in Malaysia The track won two national music awards That same year SonaOne was awarded the best song for No More the first time an English song managed to clinch the title at the Malaysian Anugerah Industri Muzik 5 Hip hop record labels EditKartel RecordsSee also EditMusic of Malaysia Malaysian popReferences Edit Syanty Octavia Amry 24 January 2015 Hip hop diiktiraf in Malay Harian Metro Archived from the original on 17 October 2019 Retrieved 25 March 2020 Hip hop as uniting force in multi ethnic Malaysia Music DW DE 21 02 2014 DW DE 21 February 2014 Retrieved 25 February 2014 hqa Huckyea bandcamp com 15 December 1991 Retrieved 25 February 2014 Hip Hop Haircuts and Hot Dogs The Success Story of Joe Flizzow MTV Iggy 12 December 2013 Retrieved 25 February 2014 Mohamed Nasir Kamaludeen 2020 Representing Islam Hip Hop of the September 11 Generation Indiana University Press ISBN 9780253053077 Retrieved 25 May 2021 Retrieved from https en wikipedia org w index php title Malaysian hip hop amp oldid 1148076429, wikipedia, wiki, book, books, library,

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