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Mainstream jazz

Mainstream jazz is a term coined in the 1950s by music journalist Stanley Dance, who considered anything within the popular jazz of the Swing Era "mainstream",[1] and did not include the bebop style.

Duke Ellington Orchestra

Jazz in the mainstream

After Dance defined mainstream jazz in the 1950s, the definition changed with the evolution and progression of jazz music. What was mainstream then would not be considered mainstream now. In a general sense, mainstream jazz can be considered what was most popular at the time: For example, during the Swing era, swing and big band music were in their prime and what target audiences were looking for. Although bebop was introduced into jazz during that time, audiences had not developed an ear for it.[1]

Mainstream jazz musicians

The jazz musicians listed below were either considered "mainstream" musicians, or were influenced by mainstream musicians.

Swing era

  • Duke Ellington was an important influence on mainstream jazz; his music during the swing era was not known for breaking rules.[2]
  • Coleman Hawkins made significant contributions to big band music prior to introducing bebop to his style.[3]
  • Johnny Hodges was a member of Duke Ellington's Orchestra and became a familiar voice within the orchestra itself.[4]
  • Benny Carter was a major influence on the big band style.
  • Roy Eldridge has been named one of the most influential jazz musicians both within the swing era and to the development of bebop. His trumpet playing was influenced by Louis Armstrong.[5]

Mainstream jazz in popular culture

In the 1950s and 1960s, jazz was a mainstream part of pop culture. Jazz music was on the radio and Hollywood frequently incorporated jazz in television and films.[6]

References

  1. ^ a b McRae, Barry. 2005. "Sound Investment: Mainstream." Jazz Journal International, Aug 1, 10.
  2. ^ Dance, Stanley. 1970. Theœ World of Duke Ellington. New York: Scribner.
  3. ^ Yanow, Scott. "Coleman Hawkins". All Music. Retrieved 11 December 2017.
  4. ^ Tumpak, John R. (2011). "Johnny Hodges: Sensual Musical Beauty". Memory Lane (172): 41–42.
  5. ^ Schuller, Gunther (11 December 2017). "Eldridge, (David) Roy ['Little Jazz']". Oxford Music Online.
  6. ^ Stanbridge, Alan (2008-05-01). "From the Margins to the Mainstream: Jazz, Social Relations, and Discourses of Value". Critical Studies in Improvisation. 4 (1). doi:10.21083/csieci.v4i1.361. ISSN 1712-0624.

mainstream, jazz, term, coined, 1950s, music, journalist, stanley, dance, considered, anything, within, popular, jazz, swing, mainstream, include, bebop, style, duke, ellington, orchestra, contents, jazz, mainstream, musicians, swing, popular, culture, referen. Mainstream jazz is a term coined in the 1950s by music journalist Stanley Dance who considered anything within the popular jazz of the Swing Era mainstream 1 and did not include the bebop style Duke Ellington Orchestra Contents 1 Jazz in the mainstream 1 1 Mainstream jazz musicians 1 1 1 Swing era 2 Mainstream jazz in popular culture 3 ReferencesJazz in the mainstream EditAfter Dance defined mainstream jazz in the 1950s the definition changed with the evolution and progression of jazz music What was mainstream then would not be considered mainstream now In a general sense mainstream jazz can be considered what was most popular at the time For example during the Swing era swing and big band music were in their prime and what target audiences were looking for Although bebop was introduced into jazz during that time audiences had not developed an ear for it 1 Mainstream jazz musicians Edit The jazz musicians listed below were either considered mainstream musicians or were influenced by mainstream musicians Swing era Edit Duke Ellington was an important influence on mainstream jazz his music during the swing era was not known for breaking rules 2 Coleman Hawkins made significant contributions to big band music prior to introducing bebop to his style 3 Johnny Hodges was a member of Duke Ellington s Orchestra and became a familiar voice within the orchestra itself 4 Benny Carter was a major influence on the big band style Roy Eldridge has been named one of the most influential jazz musicians both within the swing era and to the development of bebop His trumpet playing was influenced by Louis Armstrong 5 Mainstream jazz in popular culture EditIn the 1950s and 1960s jazz was a mainstream part of pop culture Jazz music was on the radio and Hollywood frequently incorporated jazz in television and films 6 References Edit a b McRae Barry 2005 Sound Investment Mainstream Jazz Journal International Aug 1 10 Dance Stanley 1970 The World of Duke Ellington New York Scribner Yanow Scott Coleman Hawkins All Music Retrieved 11 December 2017 Tumpak John R 2011 Johnny Hodges Sensual Musical Beauty Memory Lane 172 41 42 Schuller Gunther 11 December 2017 Eldridge David Roy Little Jazz Oxford Music Online Stanbridge Alan 2008 05 01 From the Margins to the Mainstream Jazz Social Relations and Discourses of Value Critical Studies in Improvisation 4 1 doi 10 21083 csieci v4i1 361 ISSN 1712 0624 Retrieved from https en wikipedia org w index php title Mainstream jazz amp oldid 1079042537, wikipedia, wiki, book, books, library,

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