fbpx
Wikipedia

Los Ángeles Negros

January 07, 2023

Los Ángeles Negros (English: The Black Angels) are a Chilean pop ballad band formed in San Carlos de Chile in 1968. The band's best-known line-up consisted of singer Germaín de la Fuente, guitarist Mario Gutiérrez, keyboardist Jorge González, bassist Miguel Ángel "Nano" Concha, and drummer Luis Ortiz. Their music is a blend of boleros, psychedelic funk and rock music, known as Balada rockmántica.

Los Ángeles Negros
Los Ángeles Negros' classic line-up. From left to right: Germaín de la Fuente, Luis Ortíz, Jorge González, Mario Gutiérrez, and Miguel Ángel "Nano" Concha.
Background information
OriginSan Carlos, Chile
GenresBalada rockmántica[1]
Years active1968 (1968)–present
LabelsEMI Odeon
MembersPrincipal
  • Germaín de la Fuente
  • Mario Gutiérrez
  • Jorge González
  • Miguel Ángel "Nano" Concha
  • Luis Ortiz
  • Osvaldo Jose Astudillo singer
Websitelosangelesnegros.com.mx

The original members of the band included three teenagers and a worker from a local school. After winning a local competition in June 1968, they recorded and released their first single, "Porque Te Quiero", which attracted the attention of Chile's Odeon Records representatives, urging two of the four members of the band to record an album with three other studio musicians. As a result, they recorded Porque Te Quiero in 1969, and several chart-topping singles across Latin America in the following years.

Following De la Fuente's departure from the group, most of the classic band members also left and established bands with similar names, including Germaín y sus Ángeles Negros and Los Ángeles de Chile. Guitarist Mario Gutiérrez continued to work with other musicians under the name of Los Ángeles Negros. Songs by Los Ángeles Negros have been covered by singers including Celia Cruz, Raphael, and José Luis Rodríguez, while others have been sampled by hip-hop and rap musicians such as Funkdoobiest, Damian Marley, the Beastie Boys, and Jay-Z.

History

Formation, radio competition, and the first LP (1968–1969)

Cristián Blasser and Mario Gutiérrez, students from the Escuela Consolidada de San Carlos (now Liceo Politécnico de San Carlos), and Sergio Rojas, who worked at the school, formed a band in 1968. Upon hearing an announcement of a bands tournament organized by La Discusión radio station from Chillán, they recruited Germaín de la Fuente, who was well known in the local scene for his vocal abilities. Blasser and Gutiérrez played the guitar, Rojas the bass, and De la Fuente became the keyboardist and lead vocalist. Most of the band members were musically inspired by acts such as The Beatles except De la Fuente, who did not like them at all and wanted to do bolero music. As a result, they created a mixed style[2] known as the Balada rockmántica or Bolero-beat.[1]

Sergio Rojas suggested the band to be named Los Ángeles Negros (The Black Angels), in reference to another Chilean band called Pat Henry y Los Diablos Azules (Pat Henry and the Blue Devils). Although the band was initially reluctant to use a name in Spanish, they adopted Los Ángeles Negros after De la Fuente's mother said she liked it.[3]

In June 1968 Los Ángeles Negros won La Discusión radio station's competition, in which they competed against a band named Los Cangrejo, and received the opportunity to record a single in Sello Indis,[4] an independent label owned by pianist Raúl Lara. They recorded "Porque Te Quiero"/"Día Sin Sol", which was released by Indis as a single.[2]

After recording the songs in Santiago, the band returned to San Carlos and became a quintet when drummer Federico Blasser joined them. In the meantime, their single received high airplay in some Chilean provinces, and because of De la Fuente's voice, attracted the attention of Jorge Oñate, the director of Chile's Odeon Records, who asked the band to go to Santiago to record an LP for his record company. However, only De la Fuente and guitarist Mario Gutiérrez eventually went. Oñate quickly contacted three studio musicians —drummer Luis Ortiz, keyboardist Jorge González, and bassist Miguel Ángel "Nano" Concha— with which De la Fuente and Gutiérrez recorded Los Ángeles Negros' debut LP, Porque Te Quiero, released in 1969.[2]

Latin American success, and departure of Ortíz and De la Fuente (1969–1974)

Following the release of Porque Te Quiero, Gutiérrez and De la Fuente suggested the studio musicians to stay permanently in the group, a proposal which they accepted. The new band members used to be part of another Chilean group called Los Minimás, whose music was influenced by the psychedelic funk, which they incorporated in their next recordings with Los Ángeles Negros. Later, in October 1969, they recorded and released their second album, Y Volveré. The record contained songs which helped the band become popular throughout Chile and Latin America, including "Y Volveré" (cover version of "Emporte-moi" by Alain Barrière with new lyrics by De la Fuente), "Como Quisiera Decirte", and "Murió la Flor".[2]

Los Ángeles Negros then began a tour in Latin America, visiting countries including Ecuador, Peru, Venezuela, and Argentina. According to Jorge Leiva from the Chilean National Council of Culture and the Arts' website Música Popular, they performed at "stadiums which were full of people, with an unusual media coverage". In 1971, they moved to Mexico, where their LP Y Volveré sold 700,000 copies. The band released seven new LPs between 1970 and 1974: Te Dejo la Ciudad Sin Mí (1970), Esta Noche La Paso Contigo (1971), La Cita (1971), El Tren Hacia El Olvido (1972), Déjenme Si Estoy Llorando (1973), Quédate en Mis Sueños (1973), and Aplaude Mi Final (1973).[2]

Their popularity in Chile decreased, however. Besides the fact that the country was taken control by a Government Junta after the 1973 coup d'état, the musical scene of the time was mostly "folkloric", with Víctor Jara and Violeta Parra as some prominent figures. The band was also despectively qualified as "cebolleros" (drama queens). The internal relationship of the band was deteriorated, which concluded with the departure of Ortiz from Los Ángeles Negros, following an argument with De la Fuente in mid-1972. De la Fuente lost interest in the band, and subsequently quit the group in March 1974.[2]

Mi Vida Como Un Carrusel, continuing success, and return to Chile (1974–1993)

After Ortíz and De la Fuente left the band, the remaining members continued to play under the direction of Miguel Ángel "Nano" Concha as Los Ángeles Negros. Ismael Montes replaced De la Fuente as the singer, and Luis Astudillo replaced Ortiz as the drummer. Los Ángeles Negros recorded and released the album Mi Vida Como Un Carrusel in 1974. Meanwhile, De la Fuente along with other Mexican musicians formed the band Germaín y sus Ángeles Negros, and settled in Mexico City.[2]

Los Ángeles Negros played during the following years with the Argentine singer Oscar Antonio Seín and Enrique Castillo, Mickey Alarcón and Guillermo Lynch from Chile, releasing the albums Despacito, Bolerísimo, an instrumental one (all three from 1976), Serenata Sin Luna (1977), Pasión y Vida (1978), Será Varón, Será Mujer (1979), and Tu Enamorado (1980). Drummer Luis Ortíz returned to the band in 1982, following Astudillo's departure in 1981. They achieved success with songs such as "Volverás" and "Paloma Del Sur". After the successful period in the early 1980s when the band performed live at least 150 times in Mexico in a year, they decided to move to this country in 1982.[2]

However, in 1982, keyboardist Jorge Gonzalez left for De la Fuente's band, although he would occasionally play for Los Ángeles Negros as a "hired musician". Singer Eddie Martínez joined Los Ángeles Negros, while drummer Luis Astudillo returned to the band for the second time in 1986, after Ortiz moved to Canadá the previous year. From Ortíz comeback in 1981 until his new departure, the band released Volverás (1981), Siempre Románticos (1982), Maldito Piano/Locamente Mía (1983), Con Alas Nuevas (1984), and Prohibido (1985). The band did not release new albums until the 1989 album El Esperado Regreso. The next year they released De Aquí En Adelante, an album "inspired by tropical music, which showed the band's difficulties finding a new musical path", according to Jorge Leiva.[2]

"Nano" Concha decided to return to Chile in 1992, and established an oldies music store in Santiago. Former members González and De la Fuente also returned to Chile, in 1993.[2]

Gutiérrez's leadership and the reunion (1993–2021)

Guitarist Gutiérrez continued to be part of Los Ángeles Negros as the only original member, and later became its leader until 2021. Los Ángeles Negros recruited another singer in addition to Martínez, the Chilean Johnny Antonio Saavedra. The band plays yearly at least 50 times in Mexico, keeping the Ángeles Negros' most well-known songs in their live repertoire, and they have released two albums since 1993: Toda Una Vida (1996), and Metamorfosis (2003).[2]

Gutiérrez has been involved in several legal battles against the former members of the band and other unrelated individuals who perform as "Los Ángeles Negros" or similar names, who are for him "músicos piratas" (illegal musicians).[5] Those individuals include singer Germaín de la Fuente, who performs since 1974 as Germaín y sus Ángeles Negros, keyboardist Jorge González with singer Micky Alarcón, who created a band called El Sonido de los Ángeles in the late 1990s, and drummer Luis Ortíz and singer Guillermo Lynch, who created the band Los Ángeles de Chile.[2]

De la Fuente, González, Concha, and Ortíz announced their reunion in February 2009 to commemorate the fortieth anniversary of Y Volveré, originally released in 1969.[6] Their label EMI qualified the event as "unprecedented". Gutiérrez did not want to participate in the Ángeles Negros reunion, fearing eventual criticism.[7] They played together for the first time since 1972 at the Teatro Caupolicán on 14 February 2010. The group's reunion, however, lasted until March of that year, because of "economic issues" just before a performance at Sala SCD, a concert hall in Santiago.[2]

Legacy and recognition

The style of Los Ángeles Negros, Balada rockmántica or Bolero-beat, was immediately imitated by Chilean bands such as Los Golpes, Capablanca, Los Galos, and the Peruvian band Los Pasteles Verdes. They also influenced bands such as Los Bukis from Mexico,[2] and Los Bunkers from Chile.[8] Los Ángeles Negros are regarded as a "classic example of romantic Latin music."[9]

Several songs by Los Ángeles Negros have been covered by bands and artists such as Los Tr3s, Los Bunkers, Sexual Democracia, José José, Raphael, and Celia Cruz, while others have been sampled by hip hop and rap acts such as the Beatnuts the Beastie Boys, Jay-Z, Damian Marley, and Funkdoobiest.[2]

A documentary titled Ángeles Negros directed by Chilean filmmakers Pachi Bustos and Jorge Leiva was premiered at the Hoyts and Arte Alameda cinemas in Santiago on 18 October 2007. The documentary, which was recorded in Chile, Mexico, and the United States, is a "tribute" to the band, and "reviews their history".[10] The band was awarded "El Micrófono de Oro" (The Golden Microphone) by the Asociación Nacional de Locutores de México in 2012.[11] The band's 1969 song "El Rey y Yo" was featured in 2013 videogame Grand Theft Auto V, specifically in the game's radio East Los FM. "['El Rey y Yo'] is the gamers' preferred song", states a La Cuarta article describing the song's inclusion in the videogame.[12]

Members

Discography

Studio albums[2]

Citations

  1. ^ a b Tenorio 2000, p. 365.
  2. ^ a b c d e f g h i j k l m n o p q r Leiva 2012.
  3. ^ Gumucio 2004.
  4. ^ Chiappe 2012.
  5. ^ La Nación 2012a.
  6. ^ El Universal 2009.
  7. ^ Maira 2009.
  8. ^ Vergara 2012.
  9. ^ Lavin 2004.
  10. ^ El Mercurio Online 2007.
  11. ^ La Nación 2012b.
  12. ^ La Cuarta 2013.
  13. ^ Radio Uno 91.7 2012.

Sources

  • Avant-Mier, Roberto (6 May 2010). Rock the Nation: Latin/o Identities and the Latin Rock Diaspora. Continuum International Publishing Group. ISBN 9781441164483. Retrieved 22 August 2012.
  • Tenorio, Myriam Olguín (2000). Memoria para un Nuevo Siglo: Chile, Miradas a la Segunda Mitad Del Siglo XX. LOM Ediciones. ISBN 9789562822220. Retrieved 22 August 2012.
  • Leiva, Jorge (2012). . musicapopular.cl (in Spanish). Santiago, Chile: National Council of Culture and the Arts. Archived from the original on 19 June 2013. Retrieved 22 August 2012.
  • Gumucio, Rafael (April 2004). "Germain de la Fuente: Clásico, romántico, psicodélico" (PDF). Revista Fibra (in Spanish). Archived (PDF) from the original on 27 February 2013. Retrieved 22 August 2012.
  • Chiappe, Jorge (2012). "Mario Gutierrez "Los Angeles Negros"". Recuerdos FM (in Spanish). Fray Luis Beltrán, Santa Fe, Argentina. from the original on 9 November 2012. Retrieved 23 August 2012.
  • "Sin Mario Gutiérrez será reunión de Los Ángeles Negros". Radio Uno 91.7 (in Spanish). PRISA. 12 August 2012. Archived from the original on 27 February 2013. Retrieved 22 August 2012.
  • Vergara, Felipe (26 August 2012). "Los Bunkers: "Queremos mostrar el crecimiento que hemos tenido en estos años"". Diario La Discusión (in Spanish). Archived from the original on 27 February 2013. Retrieved 29 August 2012.
  • "Los Ángeles Negros denuncian a "impostores que ofrecen conciertos en Angol"". La Nación (in Spanish). 27 January 2012. from the original on 7 February 2012. Retrieved 29 August 2012.
  • Maira, Manuel (11 August 2009). "Fundador de Los Angeles Negros: "No quiero que engañen a la gente"". La Tercera (in Spanish). COPESA. from the original on 22 July 2015. Retrieved 29 August 2012.
  • "Los Ángeles Negros planean show único y homenaje masivo". El Universal (in Spanish). El Universal Compañía Periodística Nacional. 6 February 2009. from the original on 9 February 2009. Retrieved 29 August 2012.
  • "Los Ángeles Negros reviven en documental". EMOL (in Spanish). Empresa El Mercurio S.A.P. 18 October 2007. from the original on 24 September 2015. Retrieved 29 August 2012.
  • "Los Ángeles Negros premiados en México". La Nación (in Spanish). Empresa Periodística La Nación S.A. 26 March 2012. from the original on 5 October 2013. Retrieved 29 August 2012.
  • Lavin, Thea (12 February 2004). . The Oakland Tribune. Alameda Newspaper Group. Archived from the original on 11 October 2013. Retrieved 30 August 2012. (subscription required)
  • . La Cuarta (in Spanish). Santiago, Chile: COPESA. 24 September 2013. Archived from the original on 5 October 2013. Retrieved 4 October 2013.

External links

  • Gutiérrez's Ángeles Negros official website (in Spanish)

January 07, 2023
Ángeles, negros, english, black, angels, chilean, ballad, band, formed, carlos, chile, 1968, band, best, known, line, consisted, singer, germaín, fuente, guitarist, mario, gutiérrez, keyboardist, jorge, gonzález, bassist, miguel, Ángel, nano, concha, drummer, . Los Angeles Negros English The Black Angels are a Chilean pop ballad band formed in San Carlos de Chile in 1968 The band s best known line up consisted of singer Germain de la Fuente guitarist Mario Gutierrez keyboardist Jorge Gonzalez bassist Miguel Angel Nano Concha and drummer Luis Ortiz Their music is a blend of boleros psychedelic funk and rock music known as Balada rockmantica Los Angeles NegrosLos Angeles Negros classic line up From left to right Germain de la Fuente Luis Ortiz Jorge Gonzalez Mario Gutierrez and Miguel Angel Nano Concha Background informationOriginSan Carlos ChileGenresBalada rockmantica 1 Years active1968 1968 presentLabelsEMI OdeonMembersPrincipalGermain de la Fuente Mario Gutierrez Jorge Gonzalez Miguel Angel Nano Concha Luis Ortiz Osvaldo Jose Astudillo singerWebsitelosangelesnegros wbr com wbr mxThe original members of the band included three teenagers and a worker from a local school After winning a local competition in June 1968 they recorded and released their first single Porque Te Quiero which attracted the attention of Chile s Odeon Records representatives urging two of the four members of the band to record an album with three other studio musicians As a result they recorded Porque Te Quiero in 1969 and several chart topping singles across Latin America in the following years Following De la Fuente s departure from the group most of the classic band members also left and established bands with similar names including Germain y sus Angeles Negros and Los Angeles de Chile Guitarist Mario Gutierrez continued to work with other musicians under the name of Los Angeles Negros Songs by Los Angeles Negros have been covered by singers including Celia Cruz Raphael and Jose Luis Rodriguez while others have been sampled by hip hop and rap musicians such as Funkdoobiest Damian Marley the Beastie Boys and Jay Z Contents 1 History 1 1 Formation radio competition and the first LP 1968 1969 1 2 Latin American success and departure of Ortiz and De la Fuente 1969 1974 1 3 Mi Vida Como Un Carrusel continuing success and return to Chile 1974 1993 1 4 Gutierrez s leadership and the reunion 1993 2021 2 Legacy and recognition 3 Members 4 Discography 5 Citations 6 Sources 7 External linksHistory EditFormation radio competition and the first LP 1968 1969 Edit Cristian Blasser and Mario Gutierrez students from the Escuela Consolidada de San Carlos now Liceo Politecnico de San Carlos and Sergio Rojas who worked at the school formed a band in 1968 Upon hearing an announcement of a bands tournament organized by La Discusion radio station from Chillan they recruited Germain de la Fuente who was well known in the local scene for his vocal abilities Blasser and Gutierrez played the guitar Rojas the bass and De la Fuente became the keyboardist and lead vocalist Most of the band members were musically inspired by acts such as The Beatles except De la Fuente who did not like them at all and wanted to do bolero music As a result they created a mixed style 2 known as the Balada rockmantica or Bolero beat 1 Sergio Rojas suggested the band to be named Los Angeles Negros The Black Angels in reference to another Chilean band called Pat Henry y Los Diablos Azules Pat Henry and the Blue Devils Although the band was initially reluctant to use a name in Spanish they adopted Los Angeles Negros after De la Fuente s mother said she liked it 3 In June 1968 Los Angeles Negros won La Discusion radio station s competition in which they competed against a band named Los Cangrejo and received the opportunity to record a single in Sello Indis 4 an independent label owned by pianist Raul Lara They recorded Porque Te Quiero Dia Sin Sol which was released by Indis as a single 2 After recording the songs in Santiago the band returned to San Carlos and became a quintet when drummer Federico Blasser joined them In the meantime their single received high airplay in some Chilean provinces and because of De la Fuente s voice attracted the attention of Jorge Onate the director of Chile s Odeon Records who asked the band to go to Santiago to record an LP for his record company However only De la Fuente and guitarist Mario Gutierrez eventually went Onate quickly contacted three studio musicians drummer Luis Ortiz keyboardist Jorge Gonzalez and bassist Miguel Angel Nano Concha with which De la Fuente and Gutierrez recorded Los Angeles Negros debut LP Porque Te Quiero released in 1969 2 Latin American success and departure of Ortiz and De la Fuente 1969 1974 Edit Following the release of Porque Te Quiero Gutierrez and De la Fuente suggested the studio musicians to stay permanently in the group a proposal which they accepted The new band members used to be part of another Chilean group called Los Minimas whose music was influenced by the psychedelic funk which they incorporated in their next recordings with Los Angeles Negros Later in October 1969 they recorded and released their second album Y Volvere The record contained songs which helped the band become popular throughout Chile and Latin America including Y Volvere cover version of Emporte moi by Alain Barriere with new lyrics by De la Fuente Como Quisiera Decirte and Murio la Flor 2 Los Angeles Negros then began a tour in Latin America visiting countries including Ecuador Peru Venezuela and Argentina According to Jorge Leiva from the Chilean National Council of Culture and the Arts website Musica Popular they performed at stadiums which were full of people with an unusual media coverage In 1971 they moved to Mexico where their LP Y Volvere sold 700 000 copies The band released seven new LPs between 1970 and 1974 Te Dejo la Ciudad Sin Mi 1970 Esta Noche La Paso Contigo 1971 La Cita 1971 El Tren Hacia El Olvido 1972 Dejenme Si Estoy Llorando 1973 Quedate en Mis Suenos 1973 and Aplaude Mi Final 1973 2 Their popularity in Chile decreased however Besides the fact that the country was taken control by a Government Junta after the 1973 coup d etat the musical scene of the time was mostly folkloric with Victor Jara and Violeta Parra as some prominent figures The band was also despectively qualified as cebolleros drama queens The internal relationship of the band was deteriorated which concluded with the departure of Ortiz from Los Angeles Negros following an argument with De la Fuente in mid 1972 De la Fuente lost interest in the band and subsequently quit the group in March 1974 2 Mi Vida Como Un Carrusel continuing success and return to Chile 1974 1993 Edit After Ortiz and De la Fuente left the band the remaining members continued to play under the direction of Miguel Angel Nano Concha as Los Angeles Negros Ismael Montes replaced De la Fuente as the singer and Luis Astudillo replaced Ortiz as the drummer Los Angeles Negros recorded and released the album Mi Vida Como Un Carrusel in 1974 Meanwhile De la Fuente along with other Mexican musicians formed the band Germain y sus Angeles Negros and settled in Mexico City 2 Los Angeles Negros played during the following years with the Argentine singer Oscar Antonio Sein and Enrique Castillo Mickey Alarcon and Guillermo Lynch from Chile releasing the albums Despacito Bolerisimo an instrumental one all three from 1976 Serenata Sin Luna 1977 Pasion y Vida 1978 Sera Varon Sera Mujer 1979 and Tu Enamorado 1980 Drummer Luis Ortiz returned to the band in 1982 following Astudillo s departure in 1981 They achieved success with songs such as Volveras and Paloma Del Sur After the successful period in the early 1980s when the band performed live at least 150 times in Mexico in a year they decided to move to this country in 1982 2 However in 1982 keyboardist Jorge Gonzalez left for De la Fuente s band although he would occasionally play for Los Angeles Negros as a hired musician Singer Eddie Martinez joined Los Angeles Negros while drummer Luis Astudillo returned to the band for the second time in 1986 after Ortiz moved to Canada the previous year From Ortiz comeback in 1981 until his new departure the band released Volveras 1981 Siempre Romanticos 1982 Maldito Piano Locamente Mia 1983 Con Alas Nuevas 1984 and Prohibido 1985 The band did not release new albums until the 1989 album El Esperado Regreso The next year they released De Aqui En Adelante an album inspired by tropical music which showed the band s difficulties finding a new musical path according to Jorge Leiva 2 Nano Concha decided to return to Chile in 1992 and established an oldies music store in Santiago Former members Gonzalez and De la Fuente also returned to Chile in 1993 2 Gutierrez s leadership and the reunion 1993 2021 Edit Guitarist Gutierrez continued to be part of Los Angeles Negros as the only original member and later became its leader until 2021 Los Angeles Negros recruited another singer in addition to Martinez the Chilean Johnny Antonio Saavedra The band plays yearly at least 50 times in Mexico keeping the Angeles Negros most well known songs in their live repertoire and they have released two albums since 1993 Toda Una Vida 1996 and Metamorfosis 2003 2 Gutierrez has been involved in several legal battles against the former members of the band and other unrelated individuals who perform as Los Angeles Negros or similar names who are for him musicos piratas illegal musicians 5 Those individuals include singer Germain de la Fuente who performs since 1974 as Germain y sus Angeles Negros keyboardist Jorge Gonzalez with singer Micky Alarcon who created a band called El Sonido de los Angeles in the late 1990s and drummer Luis Ortiz and singer Guillermo Lynch who created the band Los Angeles de Chile 2 De la Fuente Gonzalez Concha and Ortiz announced their reunion in February 2009 to commemorate the fortieth anniversary of Y Volvere originally released in 1969 6 Their label EMI qualified the event as unprecedented Gutierrez did not want to participate in the Angeles Negros reunion fearing eventual criticism 7 They played together for the first time since 1972 at the Teatro Caupolican on 14 February 2010 The group s reunion however lasted until March of that year because of economic issues just before a performance at Sala SCD a concert hall in Santiago 2 Legacy and recognition EditThe style of Los Angeles Negros Balada rockmantica or Bolero beat was immediately imitated by Chilean bands such as Los Golpes Capablanca Los Galos and the Peruvian band Los Pasteles Verdes They also influenced bands such as Los Bukis from Mexico 2 and Los Bunkers from Chile 8 Los Angeles Negros are regarded as a classic example of romantic Latin music 9 Several songs by Los Angeles Negros have been covered by bands and artists such as Los Tr3s Los Bunkers Sexual Democracia Jose Jose Raphael and Celia Cruz while others have been sampled by hip hop and rap acts such as the Beatnuts the Beastie Boys Jay Z Damian Marley and Funkdoobiest 2 A documentary titled Angeles Negros directed by Chilean filmmakers Pachi Bustos and Jorge Leiva was premiered at the Hoyts and Arte Alameda cinemas in Santiago on 18 October 2007 The documentary which was recorded in Chile Mexico and the United States is a tribute to the band and reviews their history 10 The band was awarded El Microfono de Oro The Golden Microphone by the Asociacion Nacional de Locutores de Mexico in 2012 11 The band s 1969 song El Rey y Yo was featured in 2013 videogame Grand Theft Auto V specifically in the game s radio East Los FM El Rey y Yo is the gamers preferred song states a La Cuarta article describing the song s inclusion in the videogame 12 Members EditCurrent members 2 Eddy Martinez vocals 1983 present Horacio Medina bass 1993 present Alejandro Munoz keyboards 1993 present Antonio Saavedra vocals 2001 present Principal line up 13 Germain de la Fuente lead vocals 1968 1974 Mario Gutierrez guitar 1968 2021 Jorge Gonzalez keyboards 1969 1985 1989 1992 Miguel Angel Nano Concha bass 1969 1992 Luis Ortiz drums percussion 1969 1973 1981 1986 Other past members 2 Mario Gutierrez guitar 1968 2021 Luis Astudillo drums percussion 1974 1980 1986 2019 Cristian Blasser keyboards 1968 1969 Federico Blasser drums percussion 1968 1969 Sergio Rojas bass 1968 1969 Ismael Montes vocals 1974 1976 Oscar Sein vocals 1977 Micky Alarcon vocals 1977 1981 Guillermo Lynch vocals 1980 1981 Enrique Castillo vocals 1981 1985 1987 1992 Gaston Galdames vocals 1994 2001 Discography EditStudio albums 2 Porque Te Quiero 1969 Y Volvere 1969 Te Dejo La Ciudad Sin Mi 1970 Esta Noche La Paso Contigo 1971 La Cita 1971 El Tren Hacia El Olvido 1972 Dejenme Si Estoy Llorando 1973 Quedate En Mis Suenos 1973 Aplaude Mi Final 1973 Mi Vida Como Un Carrusel 1974 Despacito 1976 Bolerisimo 1976 Instrumental 1976 Serenata Sin Luna 1977 Pasion y Vida 1978 Sera Varon Sera Mujer 1979 Tu Enamorado 1980 Volveras 1981 Siempre Romanticos 1982 Maldito Piano Locamente Mia 1983 Con Alas Nuevas 1984 Prohibido 1985 El Esperado Regreso 1990 De Aqui En Adelante 1991 Toda Una Vida 1996 Metamorfosis 2003 Citations Edit a b Tenorio 2000 p 365 a b c d e f g h i j k l m n o p q r Leiva 2012 Gumucio 2004 Chiappe 2012 La Nacion 2012a El Universal 2009 Maira 2009 Vergara 2012 Lavin 2004 El Mercurio Online 2007 La Nacion 2012b La Cuarta 2013 Radio Uno 91 7 2012 Sources EditAvant Mier Roberto 6 May 2010 Rock the Nation Latin o Identities and the Latin Rock Diaspora Continuum International Publishing Group ISBN 9781441164483 Retrieved 22 August 2012 Tenorio Myriam Olguin 2000 Memoria para un Nuevo Siglo Chile Miradas a la Segunda Mitad Del Siglo XX LOM Ediciones ISBN 9789562822220 Retrieved 22 August 2012 Leiva Jorge 2012 Los Angeles Negros musicapopular cl in Spanish Santiago Chile National Council of Culture and the Arts Archived from the original on 19 June 2013 Retrieved 22 August 2012 Gumucio Rafael April 2004 Germain de la Fuente Clasico romantico psicodelico PDF Revista Fibra in Spanish Archived PDF from the original on 27 February 2013 Retrieved 22 August 2012 Chiappe Jorge 2012 Mario Gutierrez Los Angeles Negros Recuerdos FM in Spanish Fray Luis Beltran Santa Fe Argentina Archived from the original on 9 November 2012 Retrieved 23 August 2012 Sin Mario Gutierrez sera reunion de Los Angeles Negros Radio Uno 91 7 in Spanish PRISA 12 August 2012 Archived from the original on 27 February 2013 Retrieved 22 August 2012 Vergara Felipe 26 August 2012 Los Bunkers Queremos mostrar el crecimiento que hemos tenido en estos anos Diario La Discusion in Spanish Archived from the original on 27 February 2013 Retrieved 29 August 2012 Los Angeles Negros denuncian a impostores que ofrecen conciertos en Angol La Nacion in Spanish 27 January 2012 Archived from the original on 7 February 2012 Retrieved 29 August 2012 Maira Manuel 11 August 2009 Fundador de Los Angeles Negros No quiero que enganen a la gente La Tercera in Spanish COPESA Archived from the original on 22 July 2015 Retrieved 29 August 2012 Los Angeles Negros planean show unico y homenaje masivo El Universal in Spanish El Universal Compania Periodistica Nacional 6 February 2009 Archived from the original on 9 February 2009 Retrieved 29 August 2012 Los Angeles Negros reviven en documental EMOL in Spanish Empresa El Mercurio S A P 18 October 2007 Archived from the original on 24 September 2015 Retrieved 29 August 2012 Los Angeles Negros premiados en Mexico La Nacion in Spanish Empresa Periodistica La Nacion S A 26 March 2012 Archived from the original on 5 October 2013 Retrieved 29 August 2012 Lavin Thea 12 February 2004 Mi Rancho the place for Valentine s Day dance tickets The Oakland Tribune Alameda Newspaper Group Archived from the original on 11 October 2013 Retrieved 30 August 2012 subscription required Los Angeles Negros la rompe con un temazo en el GTA V La Cuarta in Spanish Santiago Chile COPESA 24 September 2013 Archived from the original on 5 October 2013 Retrieved 4 October 2013 External links EditGutierrez s Angeles Negros official website in Spanish Retrieved from https en wikipedia org w index php title Los Angeles Negros amp oldid 1094195998, wikipedia, wiki, book, books, library,

article

, read, download, free, free download, mp3, video, mp4, 3gp, jpg, jpeg, gif, png, picture, music, song, movie, book, game, games.