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Lita Stantic

March 01, 2024

Élida Stantic (born 7 April 1942), more commonly known and credited as Lita Stantic, is an Argentine producer, screenwriter, and director.[1]

Lita Stantic

Stantic is one of the most important producers working in the "New Argentine Cinema," responsible for the debut films of some of the most critically well regarded new Argentine filmmakers such as Lucrecia Martel, Pablo Trapero, and Israel Adrián Caetano.

Biography edit

She has been working in the Argentine cinema since she was hired as an assistant director for the film Diario de campamento (1965).

Stantic then began making short films in the mid 1960s, but then changed her focus to advertising.

She remained active in Argentine cinema via the "Cine Liberacion," an underground production and distribution collective that secretly showed films that would have otherwise been banned in Argentina by the military government.

During the politically tumultuous 1970s in Argentina, Stantic worked on over a dozen films including Alejandro Doria's La isla (1978), which was the first Argentine film to be a box-office hit during the dictatorship.[2]

During the 1980s she established the production company GEA Cinematografica together with Maria Luisa Bemberg.[3] Later she was the founder of Lita Stantic Productions.

When the "New Argentine Cinema" began in the late 1990s, she has produced films which have been critically widely acclaimed. Films such as A Red Bear, La Ciénaga, Bolivia, The Holy Girl and others.

Producer filmography (partial) edit

Producer television (partial) edit

  • Sol de otoño (1996) a.k.a. Autumn Sun
  • Historias de vidas, Encarnación Ezcurra (1998)
  • Historias de vidas, Silvina Ocampo (1998)

Awards edit

Wins

Footnotes edit

  1. ^ Lita Stantic at the Internet Movie Database.
  2. ^ Brennan, Sandra[dead link]. New York Times, biography of Stantic.
  3. ^ Beyond the bottom line : the producer in film and television studies. Spicer, Andrew, 1953-, McKenna, A. T. (Anthony T.), Meir, Christopher. New York. 31 July 2014. pp. 217–218. ISBN 978-1-4411-2512-5. OCLC 881429718.{{cite book}}: CS1 maint: location missing publisher (link) CS1 maint: others (link)
  4. ^ "Lita Stantic erhält Rezzonico-Preis in Locarno". derStandard.at (in Austrian German). 3 August 2007. Retrieved 14 June 2020.

External links edit

March 01, 2024
lita, stantic, Élida, stantic, born, april, 1942, more, commonly, known, credited, argentine, producer, screenwriter, director, stantic, most, important, producers, working, argentine, cinema, responsible, debut, films, some, most, critically, well, regarded, . Elida Stantic born 7 April 1942 more commonly known and credited as Lita Stantic is an Argentine producer screenwriter and director 1 Lita StanticStantic is one of the most important producers working in the New Argentine Cinema responsible for the debut films of some of the most critically well regarded new Argentine filmmakers such as Lucrecia Martel Pablo Trapero and Israel Adrian Caetano Contents 1 Biography 2 Producer filmography partial 3 Producer television partial 4 Awards 5 Footnotes 6 External linksBiography editShe has been working in the Argentine cinema since she was hired as an assistant director for the film Diario de campamento 1965 Stantic then began making short films in the mid 1960s but then changed her focus to advertising She remained active in Argentine cinema via the Cine Liberacion an underground production and distribution collective that secretly showed films that would have otherwise been banned in Argentina by the military government During the politically tumultuous 1970s in Argentina Stantic worked on over a dozen films including Alejandro Doria s La isla 1978 which was the first Argentine film to be a box office hit during the dictatorship 2 During the 1980s she established the production company GEA Cinematografica together with Maria Luisa Bemberg 3 Later she was the founder of Lita Stantic Productions When the New Argentine Cinema began in the late 1990s she has produced films which have been critically widely acclaimed Films such as A Red Bear La Cienaga Bolivia The Holy Girl and others Producer filmography partial editEl Verano del potro 1991 a k a Summer of the Colt Un Muro de Silencio 1993 a k a A Wall of Silence Darsena sur 1998 Mundo Grua 1999 a k a Crane World Bolivia 2001 La Cienaga 2001 a k a The Swamp Un Oso Rojo 2002 a k a A Red Bear Tan de repente 2002 a k a Suddenly Hamaca paraguaya 2006 akaParaguayan Hammock La Nina Santa 2004 a k a The Holy GirlProducer television partial editSol de otono 1996 a k a Autumn Sun Historias de vidas Encarnacion Ezcurra 1998 Historias de vidas Silvina Ocampo 1998 Awards editWins Havana Film Festival Special Mention for Tan de repente 2002 and Un Oso Rojo 2002 Locarno International Film Festival Silver Leopard for Tan de repente 2002 Prince Claus Award 2003 Locarno International Film Festival Raimondo Rezzonico Prize for the best independent producer 2007 4 Footnotes edit Lita Stantic at the Internet Movie Database Brennan Sandra dead link New York Times biography of Stantic Beyond the bottom line the producer in film and television studies Spicer Andrew 1953 McKenna A T Anthony T Meir Christopher New York 31 July 2014 pp 217 218 ISBN 978 1 4411 2512 5 OCLC 881429718 a href Template Cite book html title Template Cite book cite book a CS1 maint location missing publisher link CS1 maint others link Lita Stantic erhalt Rezzonico Preis in Locarno derStandard at in Austrian German 3 August 2007 Retrieved 14 June 2020 External links editOfficial website in Spanish Lita Stantic at Cinenacional com in Spanish archive Retrieved from https en wikipedia org w index php title Lita Stantic amp oldid 1147300865, wikipedia, wiki, book, books, library,

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