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Le diable à quatre (opera)

Le diable à quatre (The Devil to Pay) is an opéra comique in three acts by Christoph Willibald Gluck. The French-language libretto is by Michel-Jean Sedaine and Pierre Baurans, after a translation by Claude-Pierre Patu of the 1731 ballad opera by Charles Coffey entitled The Devil to Pay, or The Wives Metamorphos’d.[1] It was first performed at Laxenburg on May 28, 1759. The work was a popular success. Joseph Haydn used a melody from it, "Je n’aimais pas le tabac beaucoup (I didn’t like tobacco much)" in the first movement of his symphony Le soir.[2][3]

Klaus Hortschansky has noted that Le diable à quatre is one of Gluck's few stageworks where the composer neither used musical material from prior works nor recycled material from it into future works.[4] Bruce Brown has discussed Gluck's authorship of the music in detail,[5] and has also edited the work for the Gluck Sämtliche Werke.[6]

(The same libretto was set to music arranged by Andre Danican Philidor and Jean-Louis Laruette and first staged with the above title on 19 August 1756 in Paris.)

Roles edit

Role Voice type Premiere Cast,
(Conductor:)
The Marquise soprano
The Marquis tenor
Margot soprano
Jacques, a cobbler, Margot's husband baritone
An astrologer tenor

Synopsis edit

The story concerns an ill-natured Marquise. An astrologer, to whom she had refused shelter at her chateau, transforms her into the wife of a surly cobbler named Jacques and transforms the cobbler's sweet-natured wife into the Marquise. After the Marquise learns her lesson, the astrologer reverses the spell.[7]

References edit

  1. ^ Brown, Bruce Alan (1992), 'Diable à quatre, Le' in The New Grove Dictionary of Opera, ed. Stanley Sadie (London) ISBN 0-333-73432-7
  2. ^ Clark, Caryl, Review of New Directions for Haydn Research: Internationaler Joseph Haydn Kongress, Wien, 1982 (edited by Eva Badura-Skoda) (Spring 1988). The Journal of Musicology, 6 (2): pp. 245-257.
  3. ^ Churgin, Bathia, "Music Reviews: Six Symphonies a più strumenti, opus 4 (Pierre van Maldere; edited by Craig Lister) and Sinfonien 1761 bis 1763 (Joseph Haydn; edited by Jürgen Braun and Sonja Gerlach)" (June 1993). Notes (2nd Ser.), 49 (4): pp. 1630-1632.
  4. ^ Selden, Margery Stomne, Review of Parodie und Entlehnung im Schaffen Christoph Willibald Glucks by Klaus Hortschansky (Spring 1976). Journal of the American Musicological Society, 29 (1): p. 148-151.
  5. ^ Smith, Marian, Review of Gluck and the French Theatre in Vienna by Bruce Alan Brown ( Autumn 1993). Dance Research Journal, 25 (2): pp. 34-36.
  6. ^ Charlton, David, Review of Gluck and the French Theatre in Vienna by Bruce Alan Brown (March 1995). Cambridge Opera Journal, 7 (1): p. 73-79.
  7. ^ Synopsis on Naxos Records
  • Casaglia, Gherardo (2005). "Le diable à quatre, 28 May 1759". L'Almanacco di Gherardo Casaglia (in Italian).

diable, quatre, opera, this, article, about, 1759, gluck, opera, other, operas, with, similar, titles, diable, quatre, disambiguation, diable, quatre, devil, opéra, comique, three, acts, christoph, willibald, gluck, french, language, libretto, michel, jean, se. This article is about the 1759 Gluck opera For other operas with similar titles see Le diable a quatre disambiguation Le diable a quatre The Devil to Pay is an opera comique in three acts by Christoph Willibald Gluck The French language libretto is by Michel Jean Sedaine and Pierre Baurans after a translation by Claude Pierre Patu of the 1731 ballad opera by Charles Coffey entitled The Devil to Pay or The Wives Metamorphos d 1 It was first performed at Laxenburg on May 28 1759 The work was a popular success Joseph Haydn used a melody from it Je n aimais pas le tabac beaucoup I didn t like tobacco much in the first movement of his symphony Le soir 2 3 Klaus Hortschansky has noted that Le diable a quatre is one of Gluck s few stageworks where the composer neither used musical material from prior works nor recycled material from it into future works 4 Bruce Brown has discussed Gluck s authorship of the music in detail 5 and has also edited the work for the Gluck Samtliche Werke 6 The same libretto was set to music arranged by Andre Danican Philidor and Jean Louis Laruette and first staged with the above title on 19 August 1756 in Paris Roles editRole Voice type Premiere Cast Conductor The Marquise soprano The Marquis tenor Margot soprano Jacques a cobbler Margot s husband baritone An astrologer tenorSynopsis editThe story concerns an ill natured Marquise An astrologer to whom she had refused shelter at her chateau transforms her into the wife of a surly cobbler named Jacques and transforms the cobbler s sweet natured wife into the Marquise After the Marquise learns her lesson the astrologer reverses the spell 7 References edit Brown Bruce Alan 1992 Diable a quatre Le in The New Grove Dictionary of Opera ed Stanley Sadie London ISBN 0 333 73432 7 Clark Caryl Review of New Directions for Haydn Research Internationaler Joseph Haydn Kongress Wien 1982 edited by Eva Badura Skoda Spring 1988 The Journal of Musicology 6 2 pp 245 257 Churgin Bathia Music Reviews Six Symphonies a piu strumenti opus 4 Pierre van Maldere edited by Craig Lister and Sinfonien 1761 bis 1763 Joseph Haydn edited by Jurgen Braun and Sonja Gerlach June 1993 Notes 2nd Ser 49 4 pp 1630 1632 Selden Margery Stomne Review of Parodie und Entlehnung im Schaffen Christoph Willibald Glucks by Klaus Hortschansky Spring 1976 Journal of the American Musicological Society 29 1 p 148 151 Smith Marian Review of Gluck and the French Theatre in Vienna by Bruce Alan Brown Autumn 1993 Dance Research Journal 25 2 pp 34 36 Charlton David Review of Gluck and the French Theatre in Vienna by Bruce Alan Brown March 1995 Cambridge Opera Journal 7 1 p 73 79 Synopsis on Naxos Records Casaglia Gherardo 2005 Le diable a quatre 28 May 1759 L Almanacco di Gherardo Casaglia in Italian Retrieved from https en wikipedia org w index php title Le diable a quatre opera amp oldid 1085731889, wikipedia, wiki, book, books, library,

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