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LasTesis

January 01, 1970

LASTESIS (styled all in capital letters) are a Chilean interdisciplinary, intersectional and trans-inclusive feminist collective, whose members are Sibila Sotomayor Van Rysseghem, Daffne Valdés Vargas and Paula Cometa Stange.[1] Sotomayor and Valdés are from a theater background, while Cometa from a background in design and history.[2][3]  The collective’s name embodies the group's interest in promoting the tesis (theses) of important feminist thinkers, such as Silvia Federici and Rita Segato,[4] in their performances.[5] LASTESIS direct their performances toward institutionalized sexual violence against women committed by police, government officials, and other systems of power.[6] An important component of LASTESIS’ anti-patriarchal art is their choreography: distinct movements that transition as each song unfolds in front of the audience and which engage the audience.[7]

LASTESIS in 2020.

The collective is most prominently known for their performance of “Un Violador en tu Camino” (A Rapist in Your Path), a song with accompanying choreography that was first staged in front of a police station by a small group during a protest on 20 November 2019 in Valparaíso, Chile, and then on 25 November in Santiago, Chile,[4] as part of International Day for the Elimination of Violence Against Women demonstrations.[1][7][8] The performance was then replicated across Latin America and other Spanish-speaking countries, and spread all over the world: London, Berlin, Paris, Madrid, Barcelona, Tel Aviv, New Delhi, Tokyo, Beirut, Istanbul, Mexico City, Caracas, Lima, Buenos Aires, among other places. In Manhattan, according to The Associated Press, it caused “a commotion so loud that it could be heard in a 15th-floor courtroom.”[7] It has been performed in over 200 locations globally.[1] The performance was influenced by Argentine feminist anthropologist Rita Segato's studies on rape.[1][4] It also drew from statistics for sexual assault in Chile, “where only 8% of resolved sexual-assault cases in 2018[8] ended up in some sort of conviction against the perpetrator, according to government statistics compiled by the Chilean Network Against Violence Against Women.”[5]

Origins edit

The collective was formed in 2018[6] with the aim of engaging feminist theory, or "tesis" (thesis), through art. Their name, LASTESIS, or "the (feminine) thesis," derives from the group’s drive to promote a feminist thesis and the theses by feminist thinkers.[8] Group members have said that their performances are conceived as an attempt to translate feminist theories into a format that would be accessible to those who would not ordinarily encounter them.[1][3][4] “Our interventions are only 15 minutes long, the idea is for it to be like that, precise, concise and effective.”[3] Their first performance was influenced by the writings of Italian feminist Silvia Federici and their second by the works of Argentine feminist anthropologist and decolonial thinker Rita Segato.[3][1][8]

Notable Performances edit

"Patriarcado y Capital es alianza criminal" ("Patriarchy and Capital are a Criminal Alliance"), the first performance by LASTESIS, was performed in halls, academic venues and parties.[3] It was based on Silvia Federici's book Caliban and the Witch: Women, the Body and Primitive Accumulation (2004),[3] which explores the history of witch hunts and the murder of hundreds of thousands of women in America and Europe.[1][3] Through their performance, LASTESIS ask: "How is our economic system linked to the exploited bodies of women?"[1] At moments, performing movements inspired by Jane Fonda’s aerobics videos.[2]

“Un Violador en tu Camino” (A Rapist in Your Path), a song with accompanying choreography that was first staged in front of a police station by a small group during a protest on 20 November 2019 in Valparaíso, Chile.[5] The performance was influenced by Argentine feminist anthropologist Rita Segato's studies on rape.[4] It also drew from statistics for sexual assault in Chile, “where only 8% of resolved sexual-assault cases in 2018 ended up in some sort of conviction against the perpetrator, according to government statistics compiled by the Chilean Network Against Violence Against Women.”[5]

LASTESIS performed “Un Violador en tu Camino” in Valparaíso with 50 women and people from the LGBTQIA+ community on 20 November 2019 as part of an intervention with the artistic collective, Fuego Acciones en Cemento (FAEC) in their series of public interventions Barricadas Escénicas (Theatrical Barricades).[9] Barricadas Escenicas was a series of public interventions in which the group would barricade streets and walkways with brief public performances.[9] It was "part of a series of 'barricades,' in the sense of the artistic barricades that interrupt people's day-to-day life – not with fire or physical structures, like a usual barricade, but through art."[6]

In September 2022, at the Theater Spektakel festival in Zurich, LASTESIS gave a 4-day workshop and staged their performance RESISTENCIA o la reivindicación de un derecho colectivo (RESISTANCE or the vindication of a collective right) with more than 30 local participants.[2] The performance sought to translate ideas from Judith Butler, Paul B. Preciado and María Lugones, through a theatrical device supported by the bodies and experiences of the participants. In the antagonism between repression and pleasure, death and party, denunciation and resistance, the performance addressed the claim of the right to a life free of violence in a context of colonization and active extractivism.[10] They have toured with RESISTENCIA in Chile, México, Spain, Germany and The Netherlands.

Ideology edit

The central idea to LASTESIS is resistance through experience, through the individual body becoming part of a collective body.[8][4][1] Even though they delve into difficult and horrifying subjects (political and sexual violence, femicides, street harassment), they believe in the importance of celebration and fun as an integral component to resistance,[8] that it is a communal effort that is important to enjoy, to have fun together, and to preserve this atmosphere of joy and party because they are resisting together through their bodies,[2][4] stating "our bodies are territories of oppressions and institutional forms of violence, which of course affect us in different ways. But they are also the primary foundations of a collective body that resists.[2]

Members of the LASTESIS collective explain:

“We feel part of an underground network of women and dissidences that do not answer to national, cultural or idiomatic borders. This power is something beautiful, a true gift. Yet at the same time it shows that the problem is transversal, that sexual violence, and all violence stemming from the patriarchy, is global. Art is the trench of struggle and resistance we have chosen and do not tire of saying so. We believe in the transformative potential of art and performance, of art from bodies and for male and female bodies, collectiviZed art, appropriated through common experiences.”[11]

This format of resistance may have had concrete structural impact when on 4 March 2020 both houses of the Chilean congress passed a constitutional reform establishing gender parity for conventional delegates elections.[12][13] The debate in the Chilean Congress on gender parity reform coincided with the worldwide phenomenon of LASTESIS and their powerful performance “A Rapist in Your Way” (Un violador en tu camino).[12][4]

On 28 May 2020, LASTESIS performed and published a manifesto against global police violence, co-authored with Pussy Riot. The manifesto was translated into English was a collaboration between Moira Santoro (a Mexico-based member of Pussy Riot) and the members of LASTESIS.[14] The two groups, represented by five masked women in the video, “call on the compañeras, the comrades because as a comandante in the Sierra Maestra once said, a compañero is someone whose lips tremble with rage in the face of injustice committed anywhere on earth” in minutes 6:05–6:20.[14] In her essay titled Anyone Can be Pussy Riot, Jessica Gokberg explains that the groups are arguing that “transnationally collaborative governments are taking advantage of the enforced confinement during the global pandemic to escalate police brutality, army invasions, and the stripping of civil rights. They call on their global audience to take the blatant exertion of militarized government power as a ‘historic moment to set it all on fire’” in minute 4:13 of the video.[14]

In 2021, the collective published Quemar el Miedo (Set Fear on Fire) in print, and in it they outline a queerfeminist and decolonial critique of patriarchal violence based on the unique Latin American experiences of women and gender dissident persons, and in which they declare bodies and performance as the central means of transnational resistance.[2] The book was translated into German (2021, S. Fisher), Italian (2022, Capvolte) and English (2023, Verso books).

Work edit

Performances edit

  • Patriarcado y Capital es alianza criminal (Patriarchy and Capital is a Criminal Alliance), 2018[2][3][1]
  • Un Violador en tu Camino (A Rapist in Your Path), 2019[1][3]
  • The Rapist Is You (2020)
  • RESISTANCE or the Vindication of a Collective Right (2021)[15]
  • La ciudad del futuro (The City of the Future) collaboration with Delight Lab (2022)[16][17]
  • Canciones para cocinar (work in progress 2022-2023).

Books edit

  • Antología Feminista. Penguin RandomHouse DEBATE series, 2021[18]
  • Quemar el miedo. Planeta, 2021[19]
  • Set Fear on Fire (English translation by Camila Valle). Verso, 2022[20]
  • About Wild Capitalism & its Patriarchal Performance in Our Lives (in Why Theatre? Golden Book, NTGent, 2020)[21]
  • Polifonías Feministas (2022, Random House).

Awards edit

  • Jaime Castillo Velasco Award from the Chilean Human Rights Commission (2020)[22]
  • Design of the Year Award, digital category, The Design Museum, UK (2020)[23]
  • The TIME100: Most Influential People 2020.[24][25]

Legal Problems edit

On May 27, 2020, they collaborated with Russian feminist art collective Pussy Riot on a video titled "Manifesto Against Police Violence / RIOT x LASTESIS."[6][1][14] Ironically, their message resulted in an immediate backlash from Chilean authorities. After the video was published, the police sued LASTESIS for allegedly "inciting violence" against their institution. On 6 June 2020 Carabineros de Chile filed a complaint against the collective.[26] Police claimed to have felt intimidated and fearful of attacks after the performance outside a police station.[27] When asked for more evidence by the prosecutor, they investigated "Un violador en tu camino," which resulted in a second lawsuit filed with what the police felt was "stronger evidence" of hate speech.[6]

colectivo LASTESIS commented the following about the case:

“They want us in the kitchen, confined to the tedium of the domestic, to the private sphere, silenced, invisible. They want to make us return to that place of subordination to which we have historically been confined”, adding that “This only demonstrates the systematic abuse of power by this institution, equating poetry with the true violence which they perpetrate, denying the space to metaphors, art, activism and the legitimate denounce that since October the people have been shouting everywhere.”[28]

On 4 January 2021, Judge Ingrid Alveal dismissed the case against LASTESIS, specifying the artistic nature of the collective and confirming that there was no evidence linking the group and their statements to violence against the police.[28][27]

In response to the verdict LASTESIS expressed hope that no other artistic group or performer in Chile would face legal proceedings because of their work, stating “We also hope that public resources will be invested in fighting against the impunity of sexual abusers, rapists.”[27]

References edit

  1. ^ a b c d e f g h i j k l Burdiles, Noelia Figueroa (2020). "Comunicación Feminista y Arte Performático: El proyecto político del Colectivo Lastesis". Nomadías (in Spanish) (29): 257–279. ISSN 0719-0905.
  2. ^ a b c d e f g "Performing in the Urgency of the Now. An Interview with Colectivo LASTESIS – Crisis and Communitas". crisisandcommunitas.com. Retrieved 2022-12-29.
  3. ^ a b c d e f g h i "Las mujeres chilenas detrás de la performance 'Un violador en tu camino'". Interferencia (in Spanish). 2019-11-28. Retrieved 2022-12-29.
  4. ^ a b c d e f g h Martin, Deborah; Shaw, Deborah (November 2021). "Chilean and Transnational Performances of Disobedience: LasTesis and the Phenomenon of Un violador en tu camino". Bulletin of Latin American Research. 40 (5): 712–729. doi:10.1111/blar.13215. ISSN 0261-3050. S2CID 234137225.
  5. ^ a b c d "How the viral protest 'A Rapist in Your Path' became a defiant anthem for 2019". Los Angeles Times. 2019-12-10. Retrieved 2022-12-29.
  6. ^ a b c d e "LASTESIS — ARC". artistsatriskconnection.org. Retrieved 2022-12-29.
  7. ^ a b c Barbara, Vanessa (2020-01-28). "Opinion | Latin America's Radical Feminism Is Spreading". The New York Times. ISSN 0362-4331. Retrieved 2022-12-29.
  8. ^ a b c d e f Gutiérrez, Karina (2020). From Collectivism to Professionalism: The Struggle for the Survival of Social Protest Theatre in Post-1980s Latinx America. ProQuest Central: Stanford University. pp. 24, 121.
  9. ^ a b "'Barricadas escénicas' de Valparaíso: La cuna donde nació el performance de LASTESIS". Interferencia (in Spanish). 2019-12-24. Retrieved 2022-12-29.
  10. ^ El Mostrador Cultura (15 November 2022). "Convocatoria a performance "Resistencia o reivindicación de un derecho colectivo"". El Mostrador. Retrieved 29 December 2022.
  11. ^ "Actividad - The LASTESIS Collective. Practices for the Feminist Revolt -". www.museoreinasofia.es. Retrieved 2022-12-29.
  12. ^ a b Suarez-Cao, Julieta (2021-12-01). "Reconstructing Legitimacy After Crisis: The Chilean Path to a New Constitution". Hague Journal on the Rule of Law. 13 (2): 253–264. doi:10.1007/s40803-021-00160-8. ISSN 1876-4053. S2CID 239922251.
  13. ^ Arce-Riffo, Javiera. "Gender Parity in the Chilean Constitutional Convention: What Does it Mean for Chilean Democracy? | OHRH". Retrieved 2022-12-30.
  14. ^ a b c d Gokhberg, Jessica (2021). "Anyone can be Pussy Riot": Exploring the Possibilities of Transnational Digital Feminism" (PDF). Feminist Formations. 33 (3): 94–115. doi:10.1353/ff.2021.0041. S2CID 245504992 – via ProQuest.
  15. ^ "LasTesis feminist collective performs pre-8M artistic performance in chile". CE Noticias Financieras. 8 March 2021. ProQuest 2499369874. Retrieved 30 December 2022.
  16. ^ Mostrador, El (2022-01-19). "Proyectar el futuro con mirada feminista: Las Tesis y Delight Lab realizan intervención urbana en Santiago a Mil". El Mostrador (in Spanish). Retrieved 2022-12-29.
  17. ^ Grayrids; areaweb.cl. "La ciudad del futuro". Fundación Teatro a Mil. Retrieved 2022-12-29.
  18. ^ Bazán, Cristina (2022-03-22). "LasTesis: "Hay que revisar el pasado para que el futuro sea feminista"". EFEMINISTA (in Spanish). Retrieved 2022-12-29.
  19. ^ Quemar el miedo - Colectivo Lastesis | PlanetadeLibros (in European Spanish).
  20. ^ "Verso". www.versobooks.com. Retrieved 2022-12-29.
  21. ^ admin (2020-09-24). "014 About wild capitalism & its patriarchal performance in our lives | Colectivo LASTESIS". Why Theatre. Retrieved 2022-12-29.
  22. ^ "Las Tesis son reconocidas con el premio Jaime Castillo Velasco por su aporte a los DD.HH". El Desconcierto - Prensa digital libre (in Spanish). Retrieved 2022-12-29.
  23. ^ Q42, Fabrique &. "Digital". Design Museum. Retrieved 2022-12-29.{{cite web}}: CS1 maint: numeric names: authors list (link)
  24. ^ "The Latin American Speakers Series presents: Colectivo LASTESIS". Akimbo. Retrieved 2022-12-29.
  25. ^ "LASTESIS: The 100 Most Influential People of 2020". Time. Retrieved 2022-12-29.
  26. ^ "Hablan LASTESIS tras ser demandadas: "Decir que por nosotras todos odian a Carabineros es minimizar el descontento"". Interferencia (in Spanish). 2020-06-25. Retrieved 2022-12-29.
  27. ^ a b c "Chile drops charges against Las Tesis after military police lawsuit over song that protests violence against women". Morning Star. 2021-01-06. Retrieved 2022-12-29.
  28. ^ a b "LasTesis Collective". Front Line Defenders. 2020-06-24. Retrieved 2022-12-29.

January 01, 1970
lastesis, lastesis, styled, capital, letters, chilean, interdisciplinary, intersectional, trans, inclusive, feminist, collective, whose, members, sibila, sotomayor, rysseghem, daffne, valdés, vargas, paula, cometa, stange, sotomayor, valdés, from, theater, bac. LASTESIS styled all in capital letters are a Chilean interdisciplinary intersectional and trans inclusive feminist collective whose members are Sibila Sotomayor Van Rysseghem Daffne Valdes Vargas and Paula Cometa Stange 1 Sotomayor and Valdes are from a theater background while Cometa from a background in design and history 2 3 The collective s name embodies the group s interest in promoting the tesis theses of important feminist thinkers such as Silvia Federici and Rita Segato 4 in their performances 5 LASTESIS direct their performances toward institutionalized sexual violence against women committed by police government officials and other systems of power 6 An important component of LASTESIS anti patriarchal art is their choreography distinct movements that transition as each song unfolds in front of the audience and which engage the audience 7 LASTESIS in 2020 The collective is most prominently known for their performance of Un Violador en tu Camino A Rapist in Your Path a song with accompanying choreography that was first staged in front of a police station by a small group during a protest on 20 November 2019 in Valparaiso Chile and then on 25 November in Santiago Chile 4 as part of International Day for the Elimination of Violence Against Women demonstrations 1 7 8 The performance was then replicated across Latin America and other Spanish speaking countries and spread all over the world London Berlin Paris Madrid Barcelona Tel Aviv New Delhi Tokyo Beirut Istanbul Mexico City Caracas Lima Buenos Aires among other places In Manhattan according to The Associated Press it caused a commotion so loud that it could be heard in a 15th floor courtroom 7 It has been performed in over 200 locations globally 1 The performance was influenced by Argentine feminist anthropologist Rita Segato s studies on rape 1 4 It also drew from statistics for sexual assault in Chile where only 8 of resolved sexual assault cases in 2018 8 ended up in some sort of conviction against the perpetrator according to government statistics compiled by the Chilean Network Against Violence Against Women 5 Contents 1 Origins 2 Notable Performances 3 Ideology 4 Work 4 1 Performances 4 2 Books 4 3 Awards 5 Legal Problems 6 ReferencesOrigins editThe collective was formed in 2018 6 with the aim of engaging feminist theory or tesis thesis through art Their name LASTESIS or the feminine thesis derives from the group s drive to promote a feminist thesis and the theses by feminist thinkers 8 Group members have said that their performances are conceived as an attempt to translate feminist theories into a format that would be accessible to those who would not ordinarily encounter them 1 3 4 Our interventions are only 15 minutes long the idea is for it to be like that precise concise and effective 3 Their first performance was influenced by the writings of Italian feminist Silvia Federici and their second by the works of Argentine feminist anthropologist and decolonial thinker Rita Segato 3 1 8 Notable Performances edit Patriarcado y Capital es alianza criminal Patriarchy and Capital are a Criminal Alliance the first performance by LASTESIS was performed in halls academic venues and parties 3 It was based on Silvia Federici s book Caliban and the Witch Women the Body and Primitive Accumulation 2004 3 which explores the history of witch hunts and the murder of hundreds of thousands of women in America and Europe 1 3 Through their performance LASTESIS ask How is our economic system linked to the exploited bodies of women 1 At moments performing movements inspired by Jane Fonda s aerobics videos 2 Un Violador en tu Camino A Rapist in Your Path a song with accompanying choreography that was first staged in front of a police station by a small group during a protest on 20 November 2019 in Valparaiso Chile 5 The performance was influenced by Argentine feminist anthropologist Rita Segato s studies on rape 4 It also drew from statistics for sexual assault in Chile where only 8 of resolved sexual assault cases in 2018 ended up in some sort of conviction against the perpetrator according to government statistics compiled by the Chilean Network Against Violence Against Women 5 LASTESIS performed Un Violador en tu Camino in Valparaiso with 50 women and people from the LGBTQIA community on 20 November 2019 as part of an intervention with the artistic collective Fuego Acciones en Cemento FAEC in their series of public interventions Barricadas Escenicas Theatrical Barricades 9 Barricadas Escenicas was a series of public interventions in which the group would barricade streets and walkways with brief public performances 9 It was part of a series of barricades in the sense of the artistic barricades that interrupt people s day to day life not with fire or physical structures like a usual barricade but through art 6 In September 2022 at the Theater Spektakel festival in Zurich LASTESIS gave a 4 day workshop and staged their performance RESISTENCIA o la reivindicacion de un derecho colectivo RESISTANCE or the vindication of a collective right with more than 30 local participants 2 The performance sought to translate ideas from Judith Butler Paul B Preciado and Maria Lugones through a theatrical device supported by the bodies and experiences of the participants In the antagonism between repression and pleasure death and party denunciation and resistance the performance addressed the claim of the right to a life free of violence in a context of colonization and active extractivism 10 They have toured with RESISTENCIA in Chile Mexico Spain Germany and The Netherlands Ideology editThe central idea to LASTESIS is resistance through experience through the individual body becoming part of a collective body 8 4 1 Even though they delve into difficult and horrifying subjects political and sexual violence femicides street harassment they believe in the importance of celebration and fun as an integral component to resistance 8 that it is a communal effort that is important to enjoy to have fun together and to preserve this atmosphere of joy and party because they are resisting together through their bodies 2 4 stating our bodies are territories of oppressions and institutional forms of violence which of course affect us in different ways But they are also the primary foundations of a collective body that resists 2 Members of the LASTESIS collective explain We feel part of an underground network of women and dissidences that do not answer to national cultural or idiomatic borders This power is something beautiful a true gift Yet at the same time it shows that the problem is transversal that sexual violence and all violence stemming from the patriarchy is global Art is the trench of struggle and resistance we have chosen and do not tire of saying so We believe in the transformative potential of art and performance of art from bodies and for male and female bodies collectiviZed art appropriated through common experiences 11 This format of resistance may have had concrete structural impact when on 4 March 2020 both houses of the Chilean congress passed a constitutional reform establishing gender parity for conventional delegates elections 12 13 The debate in the Chilean Congress on gender parity reform coincided with the worldwide phenomenon of LASTESIS and their powerful performance A Rapist in Your Way Un violador en tu camino 12 4 On 28 May 2020 LASTESIS performed and published a manifesto against global police violence co authored with Pussy Riot The manifesto was translated into English was a collaboration between Moira Santoro a Mexico based member of Pussy Riot and the members of LASTESIS 14 The two groups represented by five masked women in the video call on the companeras the comrades because as a comandante in the Sierra Maestra once said a companero is someone whose lips tremble with rage in the face of injustice committed anywhere on earth in minutes 6 05 6 20 14 In her essay titled Anyone Can be Pussy Riot Jessica Gokberg explains that the groups are arguing that transnationally collaborative governments are taking advantage of the enforced confinement during the global pandemic to escalate police brutality army invasions and the stripping of civil rights They call on their global audience to take the blatant exertion of militarized government power as a historic moment to set it all on fire in minute 4 13 of the video 14 In 2021 the collective published Quemar el Miedo Set Fear on Fire in print and in it they outline a queerfeminist and decolonial critique of patriarchal violence based on the unique Latin American experiences of women and gender dissident persons and in which they declare bodies and performance as the central means of transnational resistance 2 The book was translated into German 2021 S Fisher Italian 2022 Capvolte and English 2023 Verso books Work editPerformances edit Patriarcado y Capital es alianza criminal Patriarchy and Capital is a Criminal Alliance 2018 2 3 1 Un Violador en tu Camino A Rapist in Your Path 2019 1 3 The Rapist Is You 2020 RESISTANCE or the Vindication of a Collective Right 2021 15 La ciudad del futuro The City of the Future collaboration with Delight Lab 2022 16 17 Canciones para cocinar work in progress 2022 2023 Books edit Antologia Feminista Penguin RandomHouse DEBATE series 2021 18 Quemar el miedo Planeta 2021 19 Set Fear on Fire English translation by Camila Valle Verso 2022 20 About Wild Capitalism amp its Patriarchal Performance in Our Lives in Why Theatre Golden Book NTGent 2020 21 Polifonias Feministas 2022 Random House Awards edit Jaime Castillo Velasco Award from the Chilean Human Rights Commission 2020 22 Design of the Year Award digital category The Design Museum UK 2020 23 The TIME100 Most Influential People 2020 24 25 Legal Problems editOn May 27 2020 they collaborated with Russian feminist art collective Pussy Riot on a video titled Manifesto Against Police Violence RIOT x LASTESIS 6 1 14 Ironically their message resulted in an immediate backlash from Chilean authorities After the video was published the police sued LASTESIS for allegedly inciting violence against their institution On 6 June 2020 Carabineros de Chile filed a complaint against the collective 26 Police claimed to have felt intimidated and fearful of attacks after the performance outside a police station 27 When asked for more evidence by the prosecutor they investigated Un violador en tu camino which resulted in a second lawsuit filed with what the police felt was stronger evidence of hate speech 6 colectivo LASTESIS commented the following about the case They want us in the kitchen confined to the tedium of the domestic to the private sphere silenced invisible They want to make us return to that place of subordination to which we have historically been confined adding that This only demonstrates the systematic abuse of power by this institution equating poetry with the true violence which they perpetrate denying the space to metaphors art activism and the legitimate denounce that since October the people have been shouting everywhere 28 On 4 January 2021 Judge Ingrid Alveal dismissed the case against LASTESIS specifying the artistic nature of the collective and confirming that there was no evidence linking the group and their statements to violence against the police 28 27 In response to the verdict LASTESIS expressed hope that no other artistic group or performer in Chile would face legal proceedings because of their work stating We also hope that public resources will be invested in fighting against the impunity of sexual abusers rapists 27 References edit a b c d e f g h i j k l Burdiles Noelia Figueroa 2020 Comunicacion Feminista y Arte Performatico El proyecto politico del Colectivo Lastesis Nomadias in Spanish 29 257 279 ISSN 0719 0905 a b c d e f g Performing in the Urgency of the Now An Interview with Colectivo LASTESIS Crisis and Communitas crisisandcommunitas com Retrieved 2022 12 29 a b c d e f g h i Las mujeres chilenas detras de la performance Un violador en tu camino Interferencia in Spanish 2019 11 28 Retrieved 2022 12 29 a b c d e f g h Martin Deborah Shaw Deborah November 2021 Chilean and Transnational Performances of Disobedience LasTesis and the Phenomenon of Un violador en tu camino Bulletin of Latin American Research 40 5 712 729 doi 10 1111 blar 13215 ISSN 0261 3050 S2CID 234137225 a b c d How the viral protest A Rapist in Your Path became a defiant anthem for 2019 Los Angeles Times 2019 12 10 Retrieved 2022 12 29 a b c d e LASTESIS ARC artistsatriskconnection org Retrieved 2022 12 29 a b c Barbara Vanessa 2020 01 28 Opinion Latin America s Radical Feminism Is Spreading The New York Times ISSN 0362 4331 Retrieved 2022 12 29 a b c d e f Gutierrez Karina 2020 From Collectivism to Professionalism The Struggle for the Survival of Social Protest Theatre in Post 1980s Latinx America ProQuest Central Stanford University pp 24 121 a b Barricadas escenicas de Valparaiso La cuna donde nacio el performance de LASTESIS Interferencia in Spanish 2019 12 24 Retrieved 2022 12 29 El Mostrador Cultura 15 November 2022 Convocatoria a performance Resistencia o reivindicacion de un derecho colectivo El Mostrador Retrieved 29 December 2022 Actividad The LASTESIS Collective Practices for the Feminist Revolt www museoreinasofia es Retrieved 2022 12 29 a b Suarez Cao Julieta 2021 12 01 Reconstructing Legitimacy After Crisis The Chilean Path to a New Constitution Hague Journal on the Rule of Law 13 2 253 264 doi 10 1007 s40803 021 00160 8 ISSN 1876 4053 S2CID 239922251 Arce Riffo Javiera Gender Parity in the Chilean Constitutional Convention What Does it Mean for Chilean Democracy OHRH Retrieved 2022 12 30 a b c d Gokhberg Jessica 2021 Anyone can be Pussy Riot Exploring the Possibilities of Transnational Digital Feminism PDF Feminist Formations 33 3 94 115 doi 10 1353 ff 2021 0041 S2CID 245504992 via ProQuest LasTesis feminist collective performs pre 8M artistic performance in chile CE Noticias Financieras 8 March 2021 ProQuest 2499369874 Retrieved 30 December 2022 Mostrador El 2022 01 19 Proyectar el futuro con mirada feminista Las Tesis y Delight Lab realizan intervencion urbana en Santiago a Mil El Mostrador in Spanish Retrieved 2022 12 29 Grayrids areaweb cl La ciudad del futuro Fundacion Teatro a Mil Retrieved 2022 12 29 Bazan Cristina 2022 03 22 LasTesis Hay que revisar el pasado para que el futuro sea feminista EFEMINISTA in Spanish Retrieved 2022 12 29 Quemar el miedo Colectivo Lastesis PlanetadeLibros in European Spanish Verso www versobooks com Retrieved 2022 12 29 admin 2020 09 24 014 About wild capitalism amp its patriarchal performance in our lives Colectivo LASTESIS Why Theatre Retrieved 2022 12 29 Las Tesis son reconocidas con el premio Jaime Castillo Velasco por su aporte a los DD HH El Desconcierto Prensa digital libre in Spanish Retrieved 2022 12 29 Q42 Fabrique amp Digital Design Museum Retrieved 2022 12 29 a href Template Cite web html title Template Cite web cite web a CS1 maint numeric names authors list link The Latin American Speakers Series presents Colectivo LASTESIS Akimbo Retrieved 2022 12 29 LASTESIS The 100 Most Influential People of 2020 Time Retrieved 2022 12 29 Hablan LASTESIS tras ser demandadas Decir que por nosotras todos odian a Carabineros es minimizar el descontento Interferencia in Spanish 2020 06 25 Retrieved 2022 12 29 a b c Chile drops charges against Las Tesis after military police lawsuit over song that protests violence against women Morning Star 2021 01 06 Retrieved 2022 12 29 a b LasTesis Collective Front Line Defenders 2020 06 24 Retrieved 2022 12 29 Retrieved from https en wikipedia org w index php title LasTesis amp oldid 1222280484, wikipedia, wiki, book, books, library,

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