The pat kon (Mon: ဗာတ်ကွေန်) is a graduated brass gong chime associated with the Mon people of mainland Southeast Asia. The pat kon has been absorbed into the traditional musical ensembles of neighboring Southeast Asian societies.
Gong chimes, drums, horns in the Angkor Wat bas-reliefs Khmer temple, reign of Suryavarman II (1113–1150 AD), Siem Reap, Cambodia.
The instrument is known by various names within the region, including la gyan hsaing (Burmese: လခြမ်းဆိုင်း), la gyan kye waing (လခြမ်းကြေးဝိုင်း), khong mon (Thai: ฆ้องมอญ, pronounced[kʰɔ́ːŋmɔːn]) and kong mon (Khmer: គងមន). In the Mon language, it is called naung not (Mon: ဏံၚ်ဏောတ်) or pat kon cao (Mon: ဗာတ် ကွေန် စှ်, lit.'ten child gongs').
Design and variationsedit
The pat kon consists of about a dozen (10 - 15) gongs mounted in a vertical crescent-shaped wooden frame.[1] It produces the same range of pitches as the more common gong circles (such as the Kong toch and khong wong), but rather than resting on the ground, the wooden frame of this instrument extends into the air in the shape of a horseshoe. The instrument was formerly used in nat (spirit) propitiation ceremonies, and originally consisted of 14 gongs, but a 15th gong was added in 1962, tuned to the fifth note.[2]
The instrument's wooden frame is made of beechwood (Gmelina arborea), with rattan used to suspend the individual gongs.[2] The wooden frame is embellished with traditional arabesque or kanok designs, inlaid with glass mosaic, and carvings depicting a stylized kinnari bird or devas.[2][3] The image of a half-man, half-bird figure carved onto the frame is traditional, and is meant to symbolize a celestial musician. The frame is also typically decorated lavishly in gold paint and glass mosaic. Khong mon are featured in a special type of Thai ensemble called pi phat, which plays pi phat mon or pi phat nang hong into the mainstream of traditional Thai music as well; pi phat mon or pi phat nang hong is usually performed by Thai musicians.
^Shorto, H.L. (1962). Dictionary of Modern Spoken Mon. Oxford University Press.
^ abc"Vat-gine (Crescent-shaped Gong) Mon Traditional Crescent Gong". International Information and Networking Centre for Intangible Cultural Heritage in the Asia-Pacific Region. Retrieved 2020-04-30.
^"A Crescent-shaped Brass Gong". Virtual Collection of Asian Masterpieces. Retrieved 2020-04-30.
Clark, Mitchell (2005). "Sounds of the Silk Road: Musical Instruments of Asia." Boston: Museum of Fine Arts Publications.
January 01, 1970
graduated, brass, gong, chime, associated, with, people, mainland, southeast, asia, been, absorbed, into, traditional, musical, ensembles, neighboring, southeast, asian, societies, other, namesla, gyan, hsaingkhong, monkong, monclassificationpercussion, idioph. The pat kon Mon ဗ တ က န is a graduated brass gong chime associated with the Mon people of mainland Southeast Asia The pat kon has been absorbed into the traditional musical ensembles of neighboring Southeast Asian societies Pat konOther namesLa gyan hsaingKhong monKong monClassificationPercussion idiophone Contents 1 Names 2 Design and variations 3 See also 4 ReferencesNames edit nbsp nbsp Gong chimes drums horns in the Angkor Wat bas reliefs Khmer temple reign of Suryavarman II 1113 1150 AD Siem Reap Cambodia The instrument is known by various names within the region including la gyan hsaing Burmese လခ မ ဆ င la gyan kye waing လခ မ က ဝ င khong mon Thai khxngmxy pronounced kʰɔ ːŋ mɔːn and kong mon Khmer គងមន In the Mon language it is called naung not Mon ဏ ၚ ဏ တ or pat kon cao Mon ဗ တ က န စ lit ten child gongs Design and variations editThe pat kon consists of about a dozen 10 15 gongs mounted in a vertical crescent shaped wooden frame 1 It produces the same range of pitches as the more common gong circles such as the Kong toch and khong wong but rather than resting on the ground the wooden frame of this instrument extends into the air in the shape of a horseshoe The instrument was formerly used in nat spirit propitiation ceremonies and originally consisted of 14 gongs but a 15th gong was added in 1962 tuned to the fifth note 2 The instrument s wooden frame is made of beechwood Gmelina arborea with rattan used to suspend the individual gongs 2 The wooden frame is embellished with traditional arabesque or kanok designs inlaid with glass mosaic and carvings depicting a stylized kinnari bird or devas 2 3 The image of a half man half bird figure carved onto the frame is traditional and is meant to symbolize a celestial musician The frame is also typically decorated lavishly in gold paint and glass mosaic Khong mon are featured in a special type of Thai ensemble called pi phat which plays pi phat mon or pi phat nang hong into the mainstream of traditional Thai music as well pi phat mon or pi phat nang hong is usually performed by Thai musicians See also editKhong wong yai Khong wong lekReferences edit Shorto H L 1962 Dictionary of Modern Spoken Mon Oxford University Press a b c Vat gine Crescent shaped Gong Mon Traditional Crescent Gong International Information and Networking Centre for Intangible Cultural Heritage in the Asia Pacific Region Retrieved 2020 04 30 A Crescent shaped Brass Gong Virtual Collection of Asian Masterpieces Retrieved 2020 04 30 Clark Mitchell 2005 Sounds of the Silk Road Musical Instruments of Asia Boston Museum of Fine Arts Publications Retrieved from https en wikipedia org w index php title Pat kon amp oldid 1211192887, wikipedia, wiki, book, books, library,
