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The Love for Three Oranges

October 19, 2023

For other uses, see The Love for Three Oranges (disambiguation).

L'amour des trois oranges, Op. 33, is a satirical French-language opera by Sergei Prokofiev. He wrote his own libretto, basing it on the Italian play L'amore delle tre melarance, or The Love for Three Oranges (Russian: Любовь к трём апельсинам), by Carlo Gozzi, and conducted the premiere, which took place at the Auditorium Theatre in Chicago on 30 December 1921.

The Love for Three Oranges
Satirical opera by Sergei Prokofiev
Native title
  • L'amour des trois oranges
LibrettistProkofiev
LanguageFrench
Based onL'amore delle tre melarance
by Carlo Gozzi
Premiere
30 December 1921 (1921-12-30)
Auditorium Theatre, Chicago

History Edit

Composition Edit

The opera resulted from a commission during Prokofiev's first visit to the United States in 1918. After well-received concerts of his works in Chicago, including his First Symphony, Prokofiev was approached by the director of the Chicago Opera Association, Cleofonte Campanini, to write an opera.

Conveniently the composer had already drafted a libretto during his voyage to America, one based on Gozzi's Italian play in mock commedia dell'arte style (itself an adaptation of Giambattista Basile's fairy tale). He had done so using Vsevolod Meyerhold's Russian translation of the Gozzi and had injected a dose of Surrealism into the commedia dell'arte mix. But Russian would have been unacceptable to an American audience, and Prokofiev's English was scanty, so, with possible help from soprano Vera Janacopoulos, he settled on French.[1]

Performance Edit

Prokofiev conducted the premiere, which took place at the Auditorium Theatre in Chicago on 30 December 1921. Initial criticism was harsh. "It left many of our best people dazed and wondering"; "Russian jazz with Bolshevik trimmings"; and "The work is intended, one learns, to poke fun. As far as I am able to discern, it pokes fun chiefly at those who paid money for it".[2] However, one newspaperman and author gave it an enthusiastic review. Ben Hecht wrote: "There is nothing difficult about this music, unless you are unfortunate enough to be a music critic. But to the untutored ear there is a charming capriciousness about the sounds from the orchestra".[3][4]

Five years after the premiere, in 1926, the French opera received its first production in Russian, in Petrograd.

L'amour des trois oranges was not performed again in the United States until 1949 when the New York City Opera resurrected it. As staged by Vladimir Rosing and conducted by Laszlo Halasz, the production was successful. Life magazine featured it in a color photo spread. The New York City Opera mounted a touring company of the production, and the opera was again staged in New York for three successive seasons.[5]

Memorably a 1988 production by Richard Jones for Opera North,[6][7] later seen at English National Opera, New York City Opera and elsewhere, used "scratch'n'sniff" cards handed out to the audience, suggesting various scents matching events in the staging (gunshots, Truffaldino's "wind", the aroma of oranges).

The work has entered the standard repertory, with regular stagings on both sides of the Atlantic and at least a dozen complete recordings, six of them videos, to its credit.

Popular culture Edit

Its most familiar section is the March, used by CBS in the radio-drama series The FBI in Peace and War from 1944 to 1958,[8][9] as an "FBI" leitmotiv in films such as The Brink's Job (1978), and by Prokofiev himself in the ballet Cinderella.

Roles Edit

Roles, voice types, premiere cast
Role
(name / equivalent in English) 		Voice type Premiere cast, 30 December 1921
conductor: Sergei Prokofiev
Le roi de trèfle / The King of Clubs — ruler of an imaginary kingdom bass James Francis
Le prince / The Prince — his son tenor José Mojica
Princesse Clarice / Princess Clarice — the king's niece contralto Irene Pavloska
Léandre / Leandro — prime minister baritone William Beck
Trouffaldino / Truffaldino — court jester tenor Octave Dua
Pantalon / Pantalone — the king's advisor baritone Désiré Defrère
Tchélio / Chelio — magician and the king's (and prince's) protector bass Hector Dufranne
Fata Morgana — witch and the prime minister's protectress soprano Nina Koshetz
Linette / Linetta — princess in Orange No. 1 contralto Philine Falco
Nicolette / Nicoletta — princess in Orange No. 2 mezzo-soprano Frances Paperte
Ninette / Ninetta — princess in Orange No. 3 soprano Jeanne Dusseau [de]
Sméraldine / Smeraldina — Fata Morgana's negress slave [sic] mezzo-soprano Jeanne Schneider
Farfarello — a demon baritone (or bass) James Wolf
La cuisinière / Woman-Cook — Créonte in the form of a giant custodian of the oranges bass Constantin Nikolay
Le maître de cérémonies / The Master of Ceremonies baritone (or tenor) Lodovico Oliviero
L'héraut / The Herald bass Jerome Uhl
Advocates of Tragedy, Comedy, Lyric Drama and Farce; Ten "Ridicules" (Cranks); demons, courtiers, monsters, drunkards, gluttons, guards, servants and soldiers

Synopsis Edit

Prologue Edit

Advocates of Tragedy, Comedy, Lyric Drama, and Farce argue for their favourite form before the curtain goes up for a play. The Ridicules (Cranks) round them up and tell them they are to witness "The Love for Three Oranges".

Act 1 Edit

The King of Clubs and his adviser Pantalone lament the sickness of the Prince, brought on by an indulgence in tragic poetry. Doctors inform the King that his son's hypochondria can only be cured with laughter, so Pantalone summons the jester Truffaldino to arrange a grand entertainment, together with the (secretly inimical) prime minister, Leandro.

The magician Tchelio, who supports the King, and the witch Fata Morgana, who supports Leandro and Clarice (niece of the King, lover of Leandro), play cards to see who will be successful. Tchelio loses three times in succession to Fata Morgana, who brandishes the King of Spades, alias of Leandro.

Leandro and Clarice plot to kill the Prince so that Clarice can succeed to the throne. The supporters of Tragedy are delighted at this turn of events. The servant Smeraldina reveals that she is also in the service of Fata Morgana, who will support Leandro.

Act 2 Edit

All efforts to make the Prince laugh fail, despite the urgings of the supporters of Comedy, until Fata Morgana is knocked over by Truffaldino and falls down, revealing her underclothes—the Prince laughs, as do all the others except for Leandro and Clarice. Fata Morgana curses him: henceforth, he will be obsessed by a "love for three oranges". At once, the Prince and Truffaldino march off to seek them.

Act 3 Edit

Tchelio tells the Prince and Truffaldino where the three oranges are, but warns them that they must have water available when the oranges are opened. He also gives Truffaldino a magic ribbon with which to seduce the giant (female) Cook (a bass voice) who guards the oranges in the palace of the witch Creonte.

They are blown to the palace with the aid of winds created by the demon Farfarello, who has been summoned by Tchelio. Using the ribbon to distract the Cook, they grab the oranges and carry them into the surrounding desert.

While the Prince sleeps, Truffaldino opens two of the oranges. Fairy princesses emerge but quickly die of thirst. The Ridicules give the Prince water to save the third princess, Ninette. The Prince and Ninette fall in love. Several soldiers conveniently appear, and the Prince orders them to bury the two dead princesses. He leaves to seek clothing for Ninette so he can take her home to marry her, but, while he is gone, Fata Morgana transforms Ninette into a giant rat and substitutes Smeraldina in disguise.

Act 4 Edit

Everyone returns to the King's palace, where the Prince is now forced to prepare to marry Smeraldina. Tchelio and Fata Morgana meet, each accusing the other of cheating, but the Ridicules intervene and spirit the witch away, leaving the field clear for Tchelio. While Leandro and the Master of Ceremonies see that the palace is prepared for the wedding, Tchelio restores Ninette to her natural form. The plotters are sentenced to die but Fata Morgana helps them escape through a trapdoor, and the opera ends with everyone praising the Prince and his bride.

Arrangements Edit

Suite from The Love for Three Oranges, Op. 33bis

Prokofiev compiled a 15–20 minute orchestral suite from the opera for concert use. The suite is in 6 movements:

  1. The Ridicules
  2. The Magician Tchelio and Fata Morgana Play Cards (Infernal Scene)
  3. March
  4. Scherzo
  5. The Prince and the Princess
  6. Flight

March and Scherzo from The Love for Three Oranges, Op. 33ter

This is a transcription for piano solo prepared by the composer.

Recordings Edit

Videos Edit

In French

In Russian

  • 1970: The Love for Three Oranges [ru][11]
  • 2004: Alexey Tanovitsky (King of Clubs), Andrey Ilyushnikov (the Prince), Nadezhda Serdjuk (Princess Clarissa), Eduard Tsanga (Leandro), Kirill Dusheschkin (Trouffaldino), Vladislas Sulimsky (Pantalone), Pavel Schmulevich (the magician, Chelio), Ekaterina Shimanovitch (Fata Morgana), Sophie Tellier (Linetta), Natalia Yevstafieva (Nicoletta), Julia Smorodina (Ninetta), Yuriy Vorobiev (the Cook), Alexander Gerasimov (Farfarello), Wojciek Ziarnik (Herald), Juan Noval (Master of Ceremonies), Michel Fau (The Diva). EuropaChorAkademie & Mahler Chamber Orchestra, conducted Tugan Sokhiev. Stage Direction, Philippe Calvario. Coproduction Festival d'Aix-en-Provence 2004, Teatro Real de Madrid. DVD Tugan Sokhiev Bel Air Classics. Russian subtitles.

In English

Audio Edit

Year Cast: (King of Clubs,
The Prince,
The Princess,
Leandro,
Truffaldino,
Pantalone,
Tchelio,
Fata Morgana 		Conductor,
opera house and orchestra 		Label[12]
1961 Viktor Ribinsky,
Vladimir Markhov,
Lyutsia Rashkovets,
Boris Dobrin,
Yuri Yelnikov,
Ivan Budrin,
Gennady Troitsky,
Nina Polyakova 		Dzemal Dalgat,
All-Union Radio Chorus and Symphony Orchestra
(Performed in Russian) 		CD: Melodiya
Cat: 100194
1989 Gabriel Bacquier,
Jean-Luc Viala,
Hélène Perraguin,
Vincent Le Texier,
Georges Gautier,
Didier Henry,
Gregory Reinhart,
Michèle Lagrange 		Kent Nagano,
Lyons Opera Orchestra and Chorus
(Live performance in French) 		CD: EMI
Cat: 358694-2; Virgin Classics,
Cat: 58694
DVD: Arthaus Musik
Cat: 100404
1997/98 Mikail Kit,
Yevgeny Akimov,
Larissa Diadkova,
Alexander Morozov,
Konstantin Pluzhnikov,
Vassily Gerelo,
Vladimir Vaneyev,
Larissa Shevchenko 		Valery Gergiev,
Kirov Theater Orchestra and Chorus
(Performed in Russian) 		CD: Philips,
Cat: 462 913-2
2005 Bruce Martin,
John MacMaster,
Deborah Humble,
Teddy Tahu Rhodes,
William Ferguson,
Warwick Fyfe,
Jud Arthur,
Elizabeth Whitehouse 		Richard Hickox,
Australian Opera and Ballet Orchestra and Opera Australia Chorus
(Performed in English) 		CD: Chandos Records
Cat: CHAN 10347

Recordings of the Suite Edit

References Edit

Notes

  1. ^ Pisani 1997, p. 490 and n. 13.
  2. ^ Pisani 1997, pp. 491–492, 495.
  3. ^ Ben Hecht, A Thousand and One Afternoons in Chicago, Bibliobazaar, 2006 (1922), p. 93.
  4. ^ "Ben Hecht and Prokofiev's Love of Three Oranges", introduction by Florice Whyte Kovan and Hecht's "Fantastic Lollypops, by Ben Hecht".
  5. ^ "The Love for Three Oranges: A Slaphappy Fairy Tale Makes a Smash-Hit Opera", Life, 2 October 1950.
  6. ^ a b Leeks, Stuart, ed. (2003). Opera North @ 25. Leeds: Opera North. p. 58.
  7. ^ a b "The Gambler grabs you and doesn't let go" by Tom Service, The Guardian, 5 February 2010, and correction from 3 March 2010
  8. ^ Pisani 1997, p. 496.
  9. ^ Bergman, Elizabeth. "The FBI March by Sergei Prokofiev". Sprkfv.net. Retrieved 26 February 2012.
  10. ^ The Love for Three Oranges: the Glyndebourne version, Frank Corsaro, Maurice Sendak. Bodley Head, 1984, 119 pages
  11. ^ The Love for Three Oranges (1970) at IMDb
  12. ^ Recordings on operadis-opera-discography.org.uk

Sources

  • Pisani, Michael V. (Winter 1997). "'A Kapustnik' in the American Opera House: Modernism and Prokofiev's Love for Three Oranges". The Musical Quarterly. 81 (4): 487–515. doi:10.1093/mq/81.4.487. JSTOR 742283.

Further reading Edit

External links Edit

October 19, 2023
love, three, oranges, other, uses, disambiguation, amour, trois, oranges, satirical, french, language, opera, sergei, prokofiev, wrote, libretto, basing, italian, play, amore, delle, melarance, russian, Любовь, трём, апельсинам, carlo, gozzi, conducted, premie. For other uses see The Love for Three Oranges disambiguation L amour des trois oranges Op 33 is a satirical French language opera by Sergei Prokofiev He wrote his own libretto basing it on the Italian play L amore delle tre melarance or The Love for Three Oranges Russian Lyubov k tryom apelsinam by Carlo Gozzi and conducted the premiere which took place at the Auditorium Theatre in Chicago on 30 December 1921 The Love for Three OrangesSatirical opera by Sergei ProkofievAt the Theatre du Capitole 1971Native titleL amour des trois orangesLibrettistProkofievLanguageFrenchBased onL amore delle tre melaranceby Carlo GozziPremiere30 December 1921 1921 12 30 Auditorium Theatre Chicago Contents 1 History 1 1 Composition 1 2 Performance 1 3 Popular culture 2 Roles 3 Synopsis 3 1 Prologue 3 2 Act 1 3 3 Act 2 3 4 Act 3 3 5 Act 4 4 Arrangements 5 Recordings 5 1 Videos 5 2 Audio 5 3 Recordings of the Suite 6 References 7 Further reading 8 External linksHistory EditComposition Edit The opera resulted from a commission during Prokofiev s first visit to the United States in 1918 After well received concerts of his works in Chicago including his First Symphony Prokofiev was approached by the director of the Chicago Opera Association Cleofonte Campanini to write an opera Conveniently the composer had already drafted a libretto during his voyage to America one based on Gozzi s Italian play in mock commedia dell arte style itself an adaptation of Giambattista Basile s fairy tale He had done so using Vsevolod Meyerhold s Russian translation of the Gozzi and had injected a dose of Surrealism into the commedia dell arte mix But Russian would have been unacceptable to an American audience and Prokofiev s English was scanty so with possible help from soprano Vera Janacopoulos he settled on French 1 Performance Edit Prokofiev conducted the premiere which took place at the Auditorium Theatre in Chicago on 30 December 1921 Initial criticism was harsh It left many of our best people dazed and wondering Russian jazz with Bolshevik trimmings and The work is intended one learns to poke fun As far as I am able to discern it pokes fun chiefly at those who paid money for it 2 However one newspaperman and author gave it an enthusiastic review Ben Hecht wrote There is nothing difficult about this music unless you are unfortunate enough to be a music critic But to the untutored ear there is a charming capriciousness about the sounds from the orchestra 3 4 Five years after the premiere in 1926 the French opera received its first production in Russian in Petrograd L amour des trois oranges was not performed again in the United States until 1949 when the New York City Opera resurrected it As staged by Vladimir Rosing and conducted by Laszlo Halasz the production was successful Life magazine featured it in a color photo spread The New York City Opera mounted a touring company of the production and the opera was again staged in New York for three successive seasons 5 Memorably a 1988 production by Richard Jones for Opera North 6 7 later seen at English National Opera New York City Opera and elsewhere used scratch n sniff cards handed out to the audience suggesting various scents matching events in the staging gunshots Truffaldino s wind the aroma of oranges The work has entered the standard repertory with regular stagings on both sides of the Atlantic and at least a dozen complete recordings six of them videos to its credit Popular culture Edit Its most familiar section is the March used by CBS in the radio drama series The FBI in Peace and War from 1944 to 1958 8 9 as an FBI leitmotiv in films such as The Brink s Job 1978 and by Prokofiev himself in the ballet Cinderella Roles EditRoles voice types premiere cast Role name equivalent in English Voice type Premiere cast 30 December 1921conductor Sergei ProkofievLe roi de trefle The King of Clubs ruler of an imaginary kingdom bass James FrancisLe prince The Prince his son tenor Jose MojicaPrincesse Clarice Princess Clarice the king s niece contralto Irene PavloskaLeandre Leandro prime minister baritone William BeckTrouffaldino Truffaldino court jester tenor Octave DuaPantalon Pantalone the king s advisor baritone Desire DefrereTchelio Chelio magician and the king s and prince s protector bass Hector DufranneFata Morgana witch and the prime minister s protectress soprano Nina KoshetzLinette Linetta princess in Orange No 1 contralto Philine FalcoNicolette Nicoletta princess in Orange No 2 mezzo soprano Frances PaperteNinette Ninetta princess in Orange No 3 soprano Jeanne Dusseau de Smeraldine Smeraldina Fata Morgana s negress slave sic mezzo soprano Jeanne SchneiderFarfarello a demon baritone or bass James WolfLa cuisiniere Woman Cook Creonte in the form of a giant custodian of the oranges bass Constantin NikolayLe maitre de ceremonies The Master of Ceremonies baritone or tenor Lodovico OlivieroL heraut The Herald bass Jerome UhlAdvocates of Tragedy Comedy Lyric Drama and Farce Ten Ridicules Cranks demons courtiers monsters drunkards gluttons guards servants and soldiersSynopsis EditPrologue Edit Advocates of Tragedy Comedy Lyric Drama and Farce argue for their favourite form before the curtain goes up for a play The Ridicules Cranks round them up and tell them they are to witness The Love for Three Oranges Act 1 Edit The King of Clubs and his adviser Pantalone lament the sickness of the Prince brought on by an indulgence in tragic poetry Doctors inform the King that his son s hypochondria can only be cured with laughter so Pantalone summons the jester Truffaldino to arrange a grand entertainment together with the secretly inimical prime minister Leandro The magician Tchelio who supports the King and the witch Fata Morgana who supports Leandro and Clarice niece of the King lover of Leandro play cards to see who will be successful Tchelio loses three times in succession to Fata Morgana who brandishes the King of Spades alias of Leandro Leandro and Clarice plot to kill the Prince so that Clarice can succeed to the throne The supporters of Tragedy are delighted at this turn of events The servant Smeraldina reveals that she is also in the service of Fata Morgana who will support Leandro Act 2 Edit All efforts to make the Prince laugh fail despite the urgings of the supporters of Comedy until Fata Morgana is knocked over by Truffaldino and falls down revealing her underclothes the Prince laughs as do all the others except for Leandro and Clarice Fata Morgana curses him henceforth he will be obsessed by a love for three oranges At once the Prince and Truffaldino march off to seek them Act 3 Edit Tchelio tells the Prince and Truffaldino where the three oranges are but warns them that they must have water available when the oranges are opened He also gives Truffaldino a magic ribbon with which to seduce the giant female Cook a bass voice who guards the oranges in the palace of the witch Creonte They are blown to the palace with the aid of winds created by the demon Farfarello who has been summoned by Tchelio Using the ribbon to distract the Cook they grab the oranges and carry them into the surrounding desert While the Prince sleeps Truffaldino opens two of the oranges Fairy princesses emerge but quickly die of thirst The Ridicules give the Prince water to save the third princess Ninette The Prince and Ninette fall in love Several soldiers conveniently appear and the Prince orders them to bury the two dead princesses He leaves to seek clothing for Ninette so he can take her home to marry her but while he is gone Fata Morgana transforms Ninette into a giant rat and substitutes Smeraldina in disguise Act 4 Edit Everyone returns to the King s palace where the Prince is now forced to prepare to marry Smeraldina Tchelio and Fata Morgana meet each accusing the other of cheating but the Ridicules intervene and spirit the witch away leaving the field clear for Tchelio While Leandro and the Master of Ceremonies see that the palace is prepared for the wedding Tchelio restores Ninette to her natural form The plotters are sentenced to die but Fata Morgana helps them escape through a trapdoor and the opera ends with everyone praising the Prince and his bride Arrangements EditSuite from The Love for Three Oranges Op 33bisProkofiev compiled a 15 20 minute orchestral suite from the opera for concert use The suite is in 6 movements The Ridicules The Magician Tchelio and Fata Morgana Play Cards Infernal Scene March Scherzo The Prince and the Princess FlightMarch and Scherzo from The Love for Three Oranges Op 33terThis is a transcription for piano solo prepared by the composer Recordings EditVideos Edit In French 1982 Glyndebourne Festival Opera 10 conductor Bernard Haitink Staging design by Maurice Sendak Warner box 1989 Gabriel Bacquier Jean Luc Viala Georges Gautier Catherine Dubosc Jules Bastin Chorus amp Orchestra of the Lyon Opera conductor Kent Nagano stage director Louis Erlo 2005 Alain Vernhes Martial Defontaine Francois Le Roux Serghei Khomov Sandrine Piau Anna Shafajinskaja Willard White Rotterdam Philharmonic Orchestra amp Chorus of De Nederlandse Opera Stephane Deneve Laurent Pelly stage director Recorded live at Het Muziektheater Amsterdam Opus Arte 2005 Charles Workman de Le Prince Jose van Dam Tchelio Philippe Rouillon Le roi de Trefle Barry Banks Trouffaldino amp Beatrice Uria Monzon Fata Morgana Opera National de Paris Sylvain Cambreling conductor Gilbert Deflo stage director Set and costumes by William Orlandi In Russian 1970 The Love for Three Oranges ru 11 2004 Alexey Tanovitsky King of Clubs Andrey Ilyushnikov the Prince Nadezhda Serdjuk Princess Clarissa Eduard Tsanga Leandro Kirill Dusheschkin Trouffaldino Vladislas Sulimsky Pantalone Pavel Schmulevich the magician Chelio Ekaterina Shimanovitch Fata Morgana Sophie Tellier Linetta Natalia Yevstafieva Nicoletta Julia Smorodina Ninetta Yuriy Vorobiev the Cook Alexander Gerasimov Farfarello Wojciek Ziarnik Herald Juan Noval Master of Ceremonies Michel Fau The Diva EuropaChorAkademie amp Mahler Chamber Orchestra conducted Tugan Sokhiev Stage Direction Philippe Calvario Coproduction Festival d Aix en Provence 2004 Teatro Real de Madrid DVD Tugan Sokhiev Bel Air Classics Russian subtitles In English 1989 Opera North 6 7 Mark Glanville King of Clubs Peter Jeffes the Prince Patricia Payne Princess Clarissa Andrew Shore Leander Paul Harrhy Trouffaldino Alan Oke Pantalone Roger Bryson the magician Chelio Maria Moll Fata Morgana Lesley Roberts Linetta Victoria Sharp Nicoletta Juliet Booth Ninetta Richard Angas the Cook Mark Lufton Farfarello Stephen Dowson Herald Terry Whan Acrobat Maria Jagusz Smeraldina Chorus Opera North amp English Northern Philharmonia conducted David Lloyd Jones Stage Direction Richard Jones Audio Edit Year Cast King of Clubs The Prince The Princess Leandro Truffaldino Pantalone Tchelio Fata Morgana Conductor opera house and orchestra Label 12 1961 Viktor Ribinsky Vladimir Markhov Lyutsia Rashkovets Boris Dobrin Yuri Yelnikov Ivan Budrin Gennady Troitsky Nina Polyakova Dzemal Dalgat All Union Radio Chorus and Symphony Orchestra Performed in Russian CD MelodiyaCat 1001941989 Gabriel Bacquier Jean Luc Viala Helene Perraguin Vincent Le Texier Georges Gautier Didier Henry Gregory Reinhart Michele Lagrange Kent Nagano Lyons Opera Orchestra and Chorus Live performance in French CD EMICat 358694 2 Virgin Classics Cat 58694DVD Arthaus MusikCat 1004041997 98 Mikail Kit Yevgeny Akimov Larissa Diadkova Alexander Morozov Konstantin Pluzhnikov Vassily Gerelo Vladimir Vaneyev Larissa Shevchenko Valery Gergiev Kirov Theater Orchestra and Chorus Performed in Russian CD Philips Cat 462 913 22005 Bruce Martin John MacMaster Deborah Humble Teddy Tahu Rhodes William Ferguson Warwick Fyfe Jud Arthur Elizabeth Whitehouse Richard Hickox Australian Opera and Ballet Orchestra and Opera Australia Chorus Performed in English CD Chandos RecordsCat CHAN 10347Recordings of the Suite Edit National Symphony Orchestra cond Leonard Slatkin BMG Classics 1998 ORTF National Orchestra cond Lorin Maazel Sony Classical 1991 Royal Scottish National Orchestra cond Neeme Jarvi Chandos 1989 Dallas Symphony Orchestra cond Eduardo Mata Red Seal Digital 1985References EditNotes Pisani 1997 p 490 and n 13 Pisani 1997 pp 491 492 495 Ben Hecht A Thousand and One Afternoons in Chicago Bibliobazaar 2006 1922 p 93 Ben Hecht and Prokofiev s Love of Three Oranges introduction by Florice Whyte Kovan and Hecht s Fantastic Lollypops by Ben Hecht The Love for Three Oranges A Slaphappy Fairy Tale Makes a Smash Hit Opera Life 2 October 1950 a b Leeks Stuart ed 2003 Opera North 25 Leeds Opera North p 58 a b The Gambler grabs you and doesn t let go by Tom Service The Guardian 5 February 2010 and correction from 3 March 2010 Pisani 1997 p 496 Bergman Elizabeth The FBI March by Sergei Prokofiev Sprkfv net Retrieved 26 February 2012 The Love for Three Oranges the Glyndebourne version Frank Corsaro Maurice Sendak Bodley Head 1984 119 pages The Love for Three Oranges 1970 at IMDb Recordings on operadis opera discography org uk Sources Pisani Michael V Winter 1997 A Kapustnik in the American Opera House Modernism and Prokofiev s Love for Three Oranges The Musical Quarterly 81 4 487 515 doi 10 1093 mq 81 4 487 JSTOR 742283 Further reading EditFrolova Walker Marina 2005 11 Russian opera Two anti operas The Love for Three Oranges and The Nose In Mervyn Cooke ed The Cambridge Companion to Twentieth Century Opera Cambridge Companions to Music London Cambridge University Press pp 182 186 ISBN 0 521 78393 3 Taruskin Richjard 2001 Love for Three Oranges The Lyubov k tryom apel sinam L amour des trois oranges Grove Music Online 8th ed Oxford University Press doi 10 1093 gmo 9781561592630 article O902857 ISBN 978 1 56159 263 0 Dassia N Posner and Kevin Bartig Three Loves for Three Oranges Gozzi Meyerhold Prokofiev Indiana University Press 2021 External links EditThe Love for Three Oranges Scores at the International Music Score Library Project Lyubov k trem apelsinam Love for Three Oranges 1970 on YouTube in Russian Retrieved from https en wikipedia org w index php title The Love for Three Oranges amp oldid 1175587124, wikipedia, wiki, book, books, library,

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