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Johnny Hartman

March 11, 2023

John Maurice Hartman (July 3, 1923 – September 15, 1983)[1] was an American jazz singer who specialized in ballads. He sang and recorded with Earl Hines' and Dizzy Gillespie's big bands and with Erroll Garner. Hartman is best remembered for his collaboration in 1963 with saxophonist John Coltrane, John Coltrane and Johnny Hartman, a landmark album for both him and Coltrane.

Johnny Hartman
Hartman at the Village Jazz Lounge in Walt Disney World
Background information
Birth nameJohn Maurice Hartman
Born(1923-07-03)July 3, 1923
Houma, Louisiana, U.S.
DiedSeptember 15, 1983(1983-09-15) (aged 60)
New York City, U.S.
GenresJazz
Occupation(s)Singer
Instrument(s)Vocals, piano
Years active1946–1983
LabelsRCA Victor, Bethlehem, Impulse!, ABC, Perception, Blue Note, Savoy

Biography

Born in Louisiana and raised in Chicago, Hartman began singing and playing the piano by the age of eight. He attended DuSable High School studying music under Walter Dyett before receiving a scholarship to the Chicago Musical College.[2] He sang as a private in the Army's Special Services during World War II, but his first professional break came in September 1946 when he won a singing contest at the Apollo Theater, earning him a one-week engagement with Earl Hines, which lasted a year. Hartman's first recordings were with Marl Young during that time, though it was his collaboration with Hines that gave him notable exposure. After the Hines orchestra broke up, Dizzy Gillespie invited Hartman to join his big band for an eight-week tour of California in 1948. After leaving Gillespie, Hartman worked for a short time with pianist Erroll Garner before beginning a solo early in 1950.

After recording several singles with different orchestras, Hartman finally made a breakthrough in 1955 with the release of his first solo album, Songs from the Heart, for Bethlehem Records featuring a quartet led by trumpeter Howard McGhee. The album showcased Hartman's romantic and tender style of ballad singing. While these ballads were his bread and butter, he was also capable of swinging. For his next album, All Of Me: The Debonair Mr. Hartman (1957), also for Bethlehem, he worked with Ernie Wilkins' orchestra and the Frank Hunter Strings. Most of the songs on the album are ballads, with a few up-tempo numbers including the title track and the song "The Birth of the Blues".

Releasing two more albums with small, independent labels, Hartman got a career-altering offer in 1963 to record with John Coltrane. The album from that session, John Coltrane and Johnny Hartman, is widely considered Hartman's best work. It is also Coltrane's only album with a singer. Its popularity led to Hartman recording four more albums with Impulse! and its parent label ABC, all produced by Bob Thiele, Coltrane's producer at Impulse. Hartman was dubious when, at Coltrane's request, Thiele approached him about working with Coltrane. "I didn't know if John could play that kind of stuff I did," he told writer Frank Kofsky a decade later. "So I was a little reluctant at first. John was working at Birdland, and he asked me to come down there, and after hearing him play ballads the way he did, man, I said, 'Hey ..., beautiful.' So that's how we got together." After the club closed, Hartman, Coltrane, and Coltrane's pianist, McCoy Tyner, went over some songs together. Some time after the initial recordings, Coltrane returned to the studio to fill in some solo parts. The myth of additional tracks or alternate takes gained credibility when Impulse released an early pressing of the album without Coltrane's additions. They quickly replaced that album with the completed versions but some people, having heard both pressings and noticing more saxophone in places, assumed they were hearing entirely different takes rather than the same takes with added tracks.

Coltrane was very much in favor of recording a third album of ballads at that time and specifically sought out Hartman. Later, in an interview with Frank Kofsky, he said:

"I just felt something about him; I don't know what it was. I like his sound, I thought there was something there I had to hear, so I looked him up and did that album."[3]

By the mid-1960s, popular tastes were embracing rock and roll, and Hartman's style had much less commercial appeal. With the 1970s being difficult times for singers working from the American songbook, Hartman turned to playing cocktail lounges in New York City and Chicago. He did a television special in Australia and recorded several albums in Japan, including a tribute to Coltrane after the saxophonist's death in 1967.

Recording with small, independent labels such as Perception and Musicor, Hartman produced music of mixed quality as he attempted to be viewed as a more versatile vocalist. Speaking about his approach to interpreting a song, he said: "Well, to me a lyric is a story, almost like talking, telling somebody a story, try to make it believable."[4] When he returned to the jazz combo format of his earlier albums, Hartman recorded Once in Every Life for the Bee Hive label, which earned him a Grammy nomination for Best Male Jazz Vocalist in 1981. He quickly followed this up with his last album of new material, This One's for Tedi, a tribute to his wife, Theodora.[5]

Hartman recorded new tracks for Grenadilla Records on their jazz label, Grapevine. These were dance tracks of "Beyond the Sea" and "Caravan," with the latter also having an extended six-minute version.

In the early 1980s, Hartman gave several performances at jazz festivals and for television and radio before succumbing to lung cancer at the age of 60. He died at the Memorial-Sloan Kettering Cancer Center in New York City.[6] More than a decade after he died, Clint Eastwood featured four songs from the then out-of-print album Once in Every Life for the dreamy, romantic scenes in The Bridges of Madison County (1995).

A biography, The Last Balladeer: The Johnny Hartman Story by Dr. Gregg Akkerman, was published in June 2012 by Scarecrow Press as part of their "Studies in Jazz" series.

Memorial

In 1984, the New York City Council designated the area formed by Amsterdam Avenue, Hamilton Place, and West 143rd Street in the Hamilton Heights neighborhood of Manhattan as Johnny Hartman Plaza.[7]

Discography

  • Dizzy Gillespie - The Complete RCA Victor Recordings (Bluebird 1995) - the four studio tracks with Dizzy's orchestra.
  • The Complete Regent Recordings (Disconforme) and (Jazz Factory) 2001, plus three tracks from 1961 with Andrew Hill.
  • The Complete Bethlehem Sessions - both Bethlehem albums with extra tracks, the four studio sides with Dizzy Gillespie's Orchestra, the four Erroll Garner Trio singles and the six singles with Earl Hines and his Orchestra (Essential Jazz Classics) 2015

Noal Cohen's Johnny Hartman discography - https://attictoys.com/johnny-hartman-discography/

References

  1. ^ "Johnny Hartman Songs, Albums, Reviews, Bio & More". AllMusic. Retrieved September 2, 2021.
  2. ^ . Archived from the original on September 18, 2012. Retrieved January 31, 2012. :the author of this website was shown Hartman's Louisiana birth certificate by family members.
  3. ^ Kofsky, Frank. Black Nationalism and The Revolution in Jazz. New York: Pathfinder Press, 1970, p. 237.
  4. ^ 1978 phone interview by Frank Kofsky in the special collections at UC Santa Cruz.
  5. ^ "Johnny Hartman Square". NYC Parks. Retrieved January 29, 2013.
  6. ^ "Johnny Hartman, Jazz Singer; Album Was >TO>". The New York Times. Associated Press. September 16, 1983.
  7. ^ Johnny Hartman Plaza — New York City Department of Parks & Recreation.

External links

  • Joan Merrill, "Johnny Hartman", Jazz Profiles, NPR
  • , JazzBiographies.com
  • JohnnyHartmanBook.com
  • Comprehensive Johnny Hartman Discography at Noal Cohen's Jazz History Website.

March 11, 2023
johnny, hartman, this, article, needs, additional, citations, verification, please, help, improve, this, article, adding, citations, reliable, sources, unsourced, material, challenged, removed, find, sources, news, newspapers, books, scholar, jstor, june, 2019. This article needs additional citations for verification Please help improve this article by adding citations to reliable sources Unsourced material may be challenged and removed Find sources Johnny Hartman news newspapers books scholar JSTOR June 2019 Learn how and when to remove this template message John Maurice Hartman July 3 1923 September 15 1983 1 was an American jazz singer who specialized in ballads He sang and recorded with Earl Hines and Dizzy Gillespie s big bands and with Erroll Garner Hartman is best remembered for his collaboration in 1963 with saxophonist John Coltrane John Coltrane and Johnny Hartman a landmark album for both him and Coltrane Johnny HartmanHartman at the Village Jazz Lounge in Walt Disney WorldBackground informationBirth nameJohn Maurice HartmanBorn 1923 07 03 July 3 1923Houma Louisiana U S DiedSeptember 15 1983 1983 09 15 aged 60 New York City U S GenresJazzOccupation s SingerInstrument s Vocals pianoYears active1946 1983LabelsRCA Victor Bethlehem Impulse ABC Perception Blue Note Savoy Contents 1 Biography 2 Memorial 3 Discography 4 References 5 External linksBiography EditBorn in Louisiana and raised in Chicago Hartman began singing and playing the piano by the age of eight He attended DuSable High School studying music under Walter Dyett before receiving a scholarship to the Chicago Musical College 2 He sang as a private in the Army s Special Services during World War II but his first professional break came in September 1946 when he won a singing contest at the Apollo Theater earning him a one week engagement with Earl Hines which lasted a year Hartman s first recordings were with Marl Young during that time though it was his collaboration with Hines that gave him notable exposure After the Hines orchestra broke up Dizzy Gillespie invited Hartman to join his big band for an eight week tour of California in 1948 After leaving Gillespie Hartman worked for a short time with pianist Erroll Garner before beginning a solo early in 1950 After recording several singles with different orchestras Hartman finally made a breakthrough in 1955 with the release of his first solo album Songs from the Heart for Bethlehem Records featuring a quartet led by trumpeter Howard McGhee The album showcased Hartman s romantic and tender style of ballad singing While these ballads were his bread and butter he was also capable of swinging For his next album All Of Me The Debonair Mr Hartman 1957 also for Bethlehem he worked with Ernie Wilkins orchestra and the Frank Hunter Strings Most of the songs on the album are ballads with a few up tempo numbers including the title track and the song The Birth of the Blues Releasing two more albums with small independent labels Hartman got a career altering offer in 1963 to record with John Coltrane The album from that session John Coltrane and Johnny Hartman is widely considered Hartman s best work It is also Coltrane s only album with a singer Its popularity led to Hartman recording four more albums with Impulse and its parent label ABC all produced by Bob Thiele Coltrane s producer at Impulse Hartman was dubious when at Coltrane s request Thiele approached him about working with Coltrane I didn t know if John could play that kind of stuff I did he told writer Frank Kofsky a decade later So I was a little reluctant at first John was working at Birdland and he asked me to come down there and after hearing him play ballads the way he did man I said Hey beautiful So that s how we got together After the club closed Hartman Coltrane and Coltrane s pianist McCoy Tyner went over some songs together Some time after the initial recordings Coltrane returned to the studio to fill in some solo parts The myth of additional tracks or alternate takes gained credibility when Impulse released an early pressing of the album without Coltrane s additions They quickly replaced that album with the completed versions but some people having heard both pressings and noticing more saxophone in places assumed they were hearing entirely different takes rather than the same takes with added tracks Coltrane was very much in favor of recording a third album of ballads at that time and specifically sought out Hartman Later in an interview with Frank Kofsky he said I just felt something about him I don t know what it was I like his sound I thought there was something there I had to hear so I looked him up and did that album 3 By the mid 1960s popular tastes were embracing rock and roll and Hartman s style had much less commercial appeal With the 1970s being difficult times for singers working from the American songbook Hartman turned to playing cocktail lounges in New York City and Chicago He did a television special in Australia and recorded several albums in Japan including a tribute to Coltrane after the saxophonist s death in 1967 Recording with small independent labels such as Perception and Musicor Hartman produced music of mixed quality as he attempted to be viewed as a more versatile vocalist Speaking about his approach to interpreting a song he said Well to me a lyric is a story almost like talking telling somebody a story try to make it believable 4 When he returned to the jazz combo format of his earlier albums Hartman recorded Once in Every Life for the Bee Hive label which earned him a Grammy nomination for Best Male Jazz Vocalist in 1981 He quickly followed this up with his last album of new material This One s for Tedi a tribute to his wife Theodora 5 Hartman recorded new tracks for Grenadilla Records on their jazz label Grapevine These were dance tracks of Beyond the Sea and Caravan with the latter also having an extended six minute version In the early 1980s Hartman gave several performances at jazz festivals and for television and radio before succumbing to lung cancer at the age of 60 He died at the Memorial Sloan Kettering Cancer Center in New York City 6 More than a decade after he died Clint Eastwood featured four songs from the then out of print album Once in Every Life for the dreamy romantic scenes in The Bridges of Madison County 1995 A biography The Last Balladeer The Johnny Hartman Story by Dr Gregg Akkerman was published in June 2012 by Scarecrow Press as part of their Studies in Jazz series Memorial EditIn 1984 the New York City Council designated the area formed by Amsterdam Avenue Hamilton Place and West 143rd Street in the Hamilton Heights neighborhood of Manhattan as Johnny Hartman Plaza 7 Discography EditDizzy Gillespie The Complete RCA Victor Recordings Bluebird 1995 the four studio tracks with Dizzy s orchestra The Complete Regent Recordings Disconforme and Jazz Factory 2001 plus three tracks from 1961 with Andrew Hill The Complete Bethlehem Sessions both Bethlehem albums with extra tracks the four studio sides with Dizzy Gillespie s Orchestra the four Erroll Garner Trio singles and the six singles with Earl Hines and his Orchestra Essential Jazz Classics 2015First Lasting amp Always Regent 1947 reissued Savoy 1984 Just You Just Me Regent 1956 Savoy 1984 Songs from the Heart Bethlehem 1956 All of Me The Debonair Mr Hartman Bethlehem 1957 And I Thought About You Roost 1959 John Coltrane and Johnny Hartman Impulse 1963 The Voice That Is Impulse 1964 I Just Dropped By to Say Hello Impulse 1964 Unforgettable Songs by Johnny Hartman ABC Paramount 1966 I Love Everybody ABC 1966 Today Perception 1972 Hartman Meets Hino Capitol Music Japan 1972 For Trane Blue Note 1972 released 1995 Hartman Sings Trane s Favorites Capitol Music Japan 1973 I ve Been There Perception 1973 Johnny Hartman Johnny Hartman Musicor 1977 Thank You for Everything privately recorded 1978 Audiophile 1998 Once in Every Life Bee Hive 1980 This One s for Tedi Audiophile 1980 Noal Cohen s Johnny Hartman discography https attictoys com johnny hartman discography References Edit Johnny Hartman Songs Albums Reviews Bio amp More AllMusic Retrieved September 2 2021 Bio the Last Balladeer The Johnny Hartman Story Archived from the original on September 18 2012 Retrieved January 31 2012 the author of this website was shown Hartman s Louisiana birth certificate by family members Kofsky Frank Black Nationalism and The Revolution in Jazz New York Pathfinder Press 1970 p 237 1978 phone interview by Frank Kofsky in the special collections at UC Santa Cruz Johnny Hartman Square NYC Parks Retrieved January 29 2013 Johnny Hartman Jazz Singer Album Was gt TO gt The New York Times Associated Press September 16 1983 Johnny Hartman Plaza New York City Department of Parks amp Recreation External links EditJoan Merrill Johnny Hartman Jazz Profiles NPR Johnny Hartman JazzBiographies com JohnnyHartmanBook com Comprehensive Johnny Hartman Discography at Noal Cohen s Jazz History Website Retrieved from https en wikipedia org w index php title Johnny Hartman amp oldid 1122991726, wikipedia, wiki, book, books, library,

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