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Infection (Babylon 5)

"Infection" is the fourth episode of the first season of the science fiction television series, Babylon 5. "Infection" was the first script written for a regular Babylon 5 episode,[1] and involves the arrival aboard the station of an extremely powerful ancient bio-weapon created by the Ikarrans, a long-extinct alien race.

"Infection"
Babylon 5 episode
Episode no.Season 1
Episode 4
Directed byRichard Compton
Written byJ. Michael Straczynski
Production code101
Original air dateFebruary 18, 1994 (1994-02-18)
Guest appearances
Episode chronology
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"Born to the Purple"
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"The Parliament of Dreams"
List of episodes

Plot edit

Dr Vance Hendricks, a former college lecturer of Dr Franklin, visits him while he is checking on the cause of recent death of a Babylon 5 customs worker. Hendricks tells Franklin that while excavating the long-dead planet Ikarra VII for the corporation Interplanetary Expeditions, they had come across some artifacts that they determined were organic in nature, and something that humanity has been trying to develop themselves. Hendricks has Nelson, his assistant, bring the artifacts in, but Franklin expresses concern that they have not been properly put through quarantine; Hendricks assures him that they were processed prior to arriving on the station. As Nelson prepares the artifacts for examination, he is hit with an energy surge emanating from one of the artifacts. Over the next several hours, his body starts transforming, and unseen by the others, takes one of the devices and attaches it to himself.

The station staff, still investigating the sudden death of the customs worker, start to detect energy spikes on the station. Franklin and Hendricks realize that the Ikarra artifacts have infected Nelson and are transforming him into a weapon. Franklin studies the remaining artifacts to learn that the Ikarran people had developed these bio-weapons to fend off invaders to their planets, telling them protect the planet from anyone that was not a "pure" Ikarran. While the weapons held off the invaders, this instruction caused the weapons to turn on the Ikarrans since there was no such thing as a "pure" Ikarran. Nelson has now been transformed into one of these weapons, and will rampage through Babylon 5, gaining power over time.

Franklin explains the situation to Commander Sinclair while the station is being put into lockdown. Sinclair decides to face the weapon alone, explaining how they had wiped out their creators because they could not determine what a pure Ikarran was. The weapon pulls off the device from its armor and crushes it before collapsing, returning Nelson back to normal. Back in medbay, Franklin assures Nelson is fine, but confronts Hendricks knowing that he had instructed Nelson to smuggle the Ikarra artifacts aboard; it was Nelson's intent to kill the customs worker which allowed the Ikarran artifacts to take over his body. Hendricks is arrested, while EarthForce personnel arrive to acquire the weapons for their own bioweapons division.

Security Chief Michael Garibaldi confronts Sinclair about recklessly risking his life for the third time this year, saying that a lot of people who fought in the war came out without a purpose: they are looking for something worth dying for, as it is easier than finding something that is worth living for.

An ISN news reporter asks Sinclair whether – with what he's been through – humanity's continued presence in space is worth the effort. Sinclair replies that one day our sun will grow cold and go out, and all of humanity's achievements and culture will end: it will all be for nothing unless humanity goes to the stars. [2][3]: 53–55 

Writing edit

Straczynski, who wrote this episode first out of all the Babylon 5 scripts, felt that the episode was possibly the weakest episode in the season.[4] As nearly a year had passed since the pilot episode had been filmed, he felt it was difficult to find the "fingerprints" of the characters again. Straczynski writes, "As on any show, it takes a while to get up to speed once you hit series. That was the real problem, and there wasn't any real way to get past it except to write it, re-acquaint myself with the characters, and move on. I probably would have opted out of doing it had we had more scripts on hand, but we didn't. And oddly, many on the production team liked the script quite a lot, and kept saying it had to be done."[1]

Regarding Garibaldi confronting Sinclair, Straczynski recalled that people were startled by the scene, "Normally you don't ask the hero that question: what do you do it? He didn't have a good answer." O'Hare commented, "At that time in my life I was going through some particular things that were not related to the show at all, other parts of my life, in which I was very much looking for something to believe in. So much that I did believe in had disappointed me, so I identified with someone who's looking for something with some honor to it and was willing to risk his life over that."[3]: 56 

Concerning "racial cleansing", Straczynski made a comparison with the McCarthy Hearings where there was an obsession with communists controlling the state, and in pursuing this, they themselves became the controlling interests which they feared: "No single race is one hundred percent pure of anything. There is a certain logic when he [Sinclair] says, 'When you become obsessed with the enemy, you become the enemy.'[3]: 56 

Story arc significance edit

Straczynski wrote, concerning Sinclair's search for a reason to live, that it would tie in with his eventual destiny which would be revealed in Season 3, "He was someone casting about for a reason to live, and eventually he would find that: it would take him a thousand years of time travel to do it but he would eventually find that."[3]: 57 

Ensley Guffey and Dale Koontz note that one of the story arc seeds introduced in the episode is ISN, the Interstellar News Network, which will become important later in the series, as Straczynski highlights the tension between a free press and media which is intrusive. Also introduced is Interplanetary Expeditions (IPX) – a corporation which aims to exploit archaeological alien technologies – which will reappear several times during the series. The other seeds in the episode are in the further development of the characters of Sinclair, Franklin and Garibaldi.[5]

Production edit

Cast and filming edit

This episode was the first Season 1 episode to be filmed – as it was the easiest one to shoot – in the Babylonian Productions premises, which was being converted from a warehouse into a studio.[3]: 55 

Richard Biggs, who played a significant role in the episode as Dr Franklin, said, "It was terrible.[…] I was the new kid on the block on a Friday night. It was the last scene of the day. Everyone was under a lot of pressure. I had six lines on the Observation Deck, a lot of techno mumbo jumbo, and I hit my mark, and sixteen takes later they finally got it. I remember Michael O'Hare coming to me after sixteen takes: he patted me on the back and said (in a sarcastic tone), 'Welcome to Babylon 5.' "[3]: 55 

Vance Hendricks was played by Scottish actor David McCallum, who is known for his portrayal of Soviet agent Kuryakin in The Man from U.N.C.L.E. Biggs recalled, "He was a quiet man. […] He'd come to my trailer and say, 'How about this?' or 'How about that?'… I wanted to point out that relationship. The characters were old friends–he was a teacher of mine–and I would have liked to have investigated those relations a little bit more."[3]: 56 

Vance's assistant, Nelson Drake, was played by Marshall Teague, who would later in the series play the recurring character Ta'Lon. At the end of the series, Ta'Lon would take over from G'Kar as Narn ambassador to Babylon 5. Makeup designer Everett Burrell recalled the department dressing Teague up in the suit from the episode: "No one had seen it yet and it was pretty scary looking. So we found out that [Producer John Copeland] and J.M.S were having some intense production meeting. [...]Teague who was in the suit kicked the door open right in the middle of the big meeting. Everybody there jumped up and tried to escape, including J.M.S. I peeked around the corner and Copeland's eyes were as big as saucers. I waited for him to either get mad or fire us, but he just started laughing..."[6]

Visual effects and sound edit

For its visual effects scenes, Babylon 5 pioneered the use of computer-generated imagery (CGI) scenes – instead of using more expensive physical models – in a television series.[7] This also enabled motion effects which are difficult to create using models, such as the rotation of fighter craft along multiple axes, or the rotation and banking of a virtual camera.[8] The visual effects were created by Foundation Imaging using 24 Commodore Amiga 2000 computers with Lightwave 3D software and Video Toaster cards, 16 of which were dedicated to rending each individual frame of CGI, with each frame taking on average 45 minutes to render. In-house resource management software managed the workload of the Amiga computers to ensure that no machine was left idle during the image rendering process.[9]

The Babylon 5 makeup department involved in this episode – consisting of Everett Burrell, Greg Funk, Mary Kay Morse, Ron Pipes and John Vulich – would wiin the 1994 Emmy Award for Outstanding Individual Achievement in Makeup for the next episode, The Parliament of Dreams..[10]

Music for the title sequence and the episode was provided by the series' composer, Christopher Franke. Franke developed themes for each of the main characters, the station, for space in general, and for the alien races, endeavoring to carry a sense of the character of each race.[11]

Commentary and reviews edit

A Dream Given Form: The Unofficial Guide to the Universe of Babylon 5 comments on the interesting nature of this episode's monster-of-the-week format, in that one of the monsters is the press, embodied by abrasive ISN reporter Mary Ann Cramer, and the ISN flying drone cameras. The authors note the development of the characters of Franklin, Sinclair and Garibaldi. Franklin is depicted as a workaholic. Garibaldi is revealed as having been fired five times in different jobs for unspecified personal reasons, with the ISN reporter saying that Babylon 5 was his last chance to make good. Sinclair is called out by Garibaldi for again recklessly risking his life, as if trying to prove himself. Garibaldi suspects it is related to Sinclair's PTSD, one of the first occasions where PTSD and battle stress were elements in science fiction television. The authors continue, "At the end of 'Infection,' the viewer is left with three dedicated, talented men whose heroism is matched by their frailty, and with an early education in Straczynski's own mastery of character as a driving force of storytelling. In Babylon 5 the stories are 'real' because the characters are.[5]

Rowan Kaiser, writing in The A.V. Club, writes that, despite the poor plot, 'Infection' manages to salvage itself by the end of the episode, with a few defining character moments. He points out the scene where Garibaldi confronts Sinclair about his over-willingness to risk his life: "'I think they're looking for something worth dying for because it's easier than finding something worth living for.' It's not just an examination of the protagonist's motivations, it's also a reminder of just how bad [t]he Battle Of The Line was, and how little we know about it." [12]

Kaiser also highlights out the scene where Dr Franklin and Ivanova discuss the rising xenophobic sentiment on Earth, followed by a confirmation of their fears: EarthForce security arrives to confiscate the organic weaponry for its own bioweapons division. Kaiser writes, "Even though 'Infection' is a Star Trek-like episode, with a patriarchal captain solving a violent situation through diplomacy and application of logic, there’s still a moment where Babylon 5 builds its darker, more serialized universe a tiny bit."[12]

Elias Rosner, writing in Multiversity Comics, sums up: "The politics of Earth start to catch up to Sinclair, a weapon based in eugenics is unleashed, and the corporations rear their ugly head. Welcome my friends. This is the story of the last of the Babylon stations."[13]

Rosner also points out the scene where Garibaldi calls out Sinclair on his death wish, as a "great, small moment of characterization." He writes, "[W]hile initially it didn't seem all that out of the ordinary, having [Garibaldi] vocalize it reframes these earlier actions. [...It] wasn't telegraphed as a, this is a problem, but instead stewed in the background and only someone who knows Sinclair for a long time, would have picked up on it."[13]

References edit

  1. ^ a b Straczynski, J. Michael (25 February 1994). "The problem with "Infection" from..." JMSNews. J. Michael Straczynski. from the original on 2022-04-07.
  2. ^ Straczynski, J. Michael (1994-02-18). "Infection". Babylon 5. Season 1. Babylonian Productions. PTEN/Warner Brothers.
  3. ^ a b c d e f g Killick, Jane (1997). "Infection". Signs and Portents (1st ed.). New York Ballantine. ISBN 978-0-345-42451-8.
  4. ^ Straczynski, J. Michael (27 July 1994). "B5 in Australia, Infection, S". JMSNews. J. Michael Straczynski. from the original on 2022-04-07.
  5. ^ a b Guffey, Ensley F.; Koontz, Dale (2017). "1.04 Infection". A Dream Given Form: The Unofficial Guide to the Universe of Babylon 5. ECW Press. ISBN 9781770412651.
  6. ^ "Interviews: Everett Burrell, page 4". B5 Scrolls. Tom Smith. 2019. from the original on 2022-04-08.
  7. ^ Britt, Ryan (11 July 2019). . www.syfy.com. SYFY Media LLC. Archived from the original on 2021-10-09. And though this may seem shocking now, in the early and mid-'90s, CGI was not the default for sci-fi special effects. Most big sci-fi shows and movies (like Star Trek) all still used physical models, which are notoriously more expensive. But all of Babylon 5's spaceships and space stations were made in a computer.
  8. ^ "Interviews: Ron Thornton". B5 Scrolls. Tom Smith. 2016.
  9. ^ "How 24 Commodore Amiga 2000s created Babylon 5". GenerationAmiga.com. GenerationAmiga. 30 August 2020. from the original on 2020-09-22.
  10. ^ "Television Academy: Babylon 5: Awards & Nominations". Television Academy. Academy of Television Arts & Sciences. from the original on 2022-04-09. Retrieved 2022-04-05.
  11. ^ Straczynski, J. Michael (11 October 1993). "Next up is "Survivors."". JMSNews. J. Michael Straczynski. from the original on 2022-04-06.
  12. ^ a b Kaiser, Rowan (15 June 2012). "Babylon 5: 'Born To The Purple'/'Infection'". The A.V. Club. G/O Media Inc.
  13. ^ a b Rosner, Elias (13 June 2018). "Five Thoughts on Babylon 5's 'Infection.'". Multiversity Comics. Matthew Meylikhov.

External links edit

infection, babylon, infection, fourth, episode, first, season, science, fiction, television, series, babylon, infection, first, script, written, regular, babylon, episode, involves, arrival, aboard, station, extremely, powerful, ancient, weapon, created, ikarr. Infection is the fourth episode of the first season of the science fiction television series Babylon 5 Infection was the first script written for a regular Babylon 5 episode 1 and involves the arrival aboard the station of an extremely powerful ancient bio weapon created by the Ikarrans a long extinct alien race Infection Babylon 5 episodeEpisode no Season 1Episode 4Directed byRichard ComptonWritten byJ Michael StraczynskiProduction code101Original air dateFebruary 18 1994 1994 02 18 Guest appearancesDavid McCallum as Dr Vance Hendricks Marshall Teague as Nelson DrakeEpisode chronology Previous Born to the Purple Next The Parliament of Dreams List of episodes Contents 1 Plot 2 Writing 2 1 Story arc significance 3 Production 3 1 Cast and filming 3 2 Visual effects and sound 4 Commentary and reviews 5 References 6 External linksPlot editDr Vance Hendricks a former college lecturer of Dr Franklin visits him while he is checking on the cause of recent death of a Babylon 5 customs worker Hendricks tells Franklin that while excavating the long dead planet Ikarra VII for the corporation Interplanetary Expeditions they had come across some artifacts that they determined were organic in nature and something that humanity has been trying to develop themselves Hendricks has Nelson his assistant bring the artifacts in but Franklin expresses concern that they have not been properly put through quarantine Hendricks assures him that they were processed prior to arriving on the station As Nelson prepares the artifacts for examination he is hit with an energy surge emanating from one of the artifacts Over the next several hours his body starts transforming and unseen by the others takes one of the devices and attaches it to himself The station staff still investigating the sudden death of the customs worker start to detect energy spikes on the station Franklin and Hendricks realize that the Ikarra artifacts have infected Nelson and are transforming him into a weapon Franklin studies the remaining artifacts to learn that the Ikarran people had developed these bio weapons to fend off invaders to their planets telling them protect the planet from anyone that was not a pure Ikarran While the weapons held off the invaders this instruction caused the weapons to turn on the Ikarrans since there was no such thing as a pure Ikarran Nelson has now been transformed into one of these weapons and will rampage through Babylon 5 gaining power over time Franklin explains the situation to Commander Sinclair while the station is being put into lockdown Sinclair decides to face the weapon alone explaining how they had wiped out their creators because they could not determine what a pure Ikarran was The weapon pulls off the device from its armor and crushes it before collapsing returning Nelson back to normal Back in medbay Franklin assures Nelson is fine but confronts Hendricks knowing that he had instructed Nelson to smuggle the Ikarra artifacts aboard it was Nelson s intent to kill the customs worker which allowed the Ikarran artifacts to take over his body Hendricks is arrested while EarthForce personnel arrive to acquire the weapons for their own bioweapons division Security Chief Michael Garibaldi confronts Sinclair about recklessly risking his life for the third time this year saying that a lot of people who fought in the war came out without a purpose they are looking for something worth dying for as it is easier than finding something that is worth living for An ISN news reporter asks Sinclair whether with what he s been through humanity s continued presence in space is worth the effort Sinclair replies that one day our sun will grow cold and go out and all of humanity s achievements and culture will end it will all be for nothing unless humanity goes to the stars 2 3 53 55 Writing editStraczynski who wrote this episode first out of all the Babylon 5 scripts felt that the episode was possibly the weakest episode in the season 4 As nearly a year had passed since the pilot episode had been filmed he felt it was difficult to find the fingerprints of the characters again Straczynski writes As on any show it takes a while to get up to speed once you hit series That was the real problem and there wasn t any real way to get past it except to write it re acquaint myself with the characters and move on I probably would have opted out of doing it had we had more scripts on hand but we didn t And oddly many on the production team liked the script quite a lot and kept saying it had to be done 1 Regarding Garibaldi confronting Sinclair Straczynski recalled that people were startled by the scene Normally you don t ask the hero that question what do you do it He didn t have a good answer O Hare commented At that time in my life I was going through some particular things that were not related to the show at all other parts of my life in which I was very much looking for something to believe in So much that I did believe in had disappointed me so I identified with someone who s looking for something with some honor to it and was willing to risk his life over that 3 56 Concerning racial cleansing Straczynski made a comparison with the McCarthy Hearings where there was an obsession with communists controlling the state and in pursuing this they themselves became the controlling interests which they feared No single race is one hundred percent pure of anything There is a certain logic when he Sinclair says When you become obsessed with the enemy you become the enemy 3 56 Story arc significance edit Straczynski wrote concerning Sinclair s search for a reason to live that it would tie in with his eventual destiny which would be revealed in Season 3 He was someone casting about for a reason to live and eventually he would find that it would take him a thousand years of time travel to do it but he would eventually find that 3 57 Ensley Guffey and Dale Koontz note that one of the story arc seeds introduced in the episode is ISN the Interstellar News Network which will become important later in the series as Straczynski highlights the tension between a free press and media which is intrusive Also introduced is Interplanetary Expeditions IPX a corporation which aims to exploit archaeological alien technologies which will reappear several times during the series The other seeds in the episode are in the further development of the characters of Sinclair Franklin and Garibaldi 5 Production editCast and filming edit This episode was the first Season 1 episode to be filmed as it was the easiest one to shoot in the Babylonian Productions premises which was being converted from a warehouse into a studio 3 55 Richard Biggs who played a significant role in the episode as Dr Franklin said It was terrible I was the new kid on the block on a Friday night It was the last scene of the day Everyone was under a lot of pressure I had six lines on the Observation Deck a lot of techno mumbo jumbo and I hit my mark and sixteen takes later they finally got it I remember Michael O Hare coming to me after sixteen takes he patted me on the back and said in a sarcastic tone Welcome to Babylon 5 3 55 Vance Hendricks was played by Scottish actor David McCallum who is known for his portrayal of Soviet agent Kuryakin in The Man from U N C L E Biggs recalled He was a quiet man He d come to my trailer and say How about this or How about that I wanted to point out that relationship The characters were old friends he was a teacher of mine and I would have liked to have investigated those relations a little bit more 3 56 Vance s assistant Nelson Drake was played by Marshall Teague who would later in the series play the recurring character Ta Lon At the end of the series Ta Lon would take over from G Kar as Narn ambassador to Babylon 5 Makeup designer Everett Burrell recalled the department dressing Teague up in the suit from the episode No one had seen it yet and it was pretty scary looking So we found out that Producer John Copeland and J M S were having some intense production meeting Teague who was in the suit kicked the door open right in the middle of the big meeting Everybody there jumped up and tried to escape including J M S I peeked around the corner and Copeland s eyes were as big as saucers I waited for him to either get mad or fire us but he just started laughing 6 Visual effects and sound edit For its visual effects scenes Babylon 5 pioneered the use of computer generated imagery CGI scenes instead of using more expensive physical models in a television series 7 This also enabled motion effects which are difficult to create using models such as the rotation of fighter craft along multiple axes or the rotation and banking of a virtual camera 8 The visual effects were created by Foundation Imaging using 24 Commodore Amiga 2000 computers with Lightwave 3D software and Video Toaster cards 16 of which were dedicated to rending each individual frame of CGI with each frame taking on average 45 minutes to render In house resource management software managed the workload of the Amiga computers to ensure that no machine was left idle during the image rendering process 9 The Babylon 5 makeup department involved in this episode consisting of Everett Burrell Greg Funk Mary Kay Morse Ron Pipes and John Vulich would wiin the 1994 Emmy Award for Outstanding Individual Achievement in Makeup for the next episode The Parliament of Dreams 10 Music for the title sequence and the episode was provided by the series composer Christopher Franke Franke developed themes for each of the main characters the station for space in general and for the alien races endeavoring to carry a sense of the character of each race 11 Commentary and reviews editA Dream Given Form The Unofficial Guide to the Universe of Babylon 5 comments on the interesting nature of this episode s monster of the week format in that one of the monsters is the press embodied by abrasive ISN reporter Mary Ann Cramer and the ISN flying drone cameras The authors note the development of the characters of Franklin Sinclair and Garibaldi Franklin is depicted as a workaholic Garibaldi is revealed as having been fired five times in different jobs for unspecified personal reasons with the ISN reporter saying that Babylon 5 was his last chance to make good Sinclair is called out by Garibaldi for again recklessly risking his life as if trying to prove himself Garibaldi suspects it is related to Sinclair s PTSD one of the first occasions where PTSD and battle stress were elements in science fiction television The authors continue At the end of Infection the viewer is left with three dedicated talented men whose heroism is matched by their frailty and with an early education in Straczynski s own mastery of character as a driving force of storytelling In Babylon 5 the stories are real because the characters are 5 Rowan Kaiser writing in The A V Club writes that despite the poor plot Infection manages to salvage itself by the end of the episode with a few defining character moments He points out the scene where Garibaldi confronts Sinclair about his over willingness to risk his life I think they re looking for something worth dying for because it s easier than finding something worth living for It s not just an examination of the protagonist s motivations it s also a reminder of just how bad t he Battle Of The Line was and how little we know about it 12 Kaiser also highlights out the scene where Dr Franklin and Ivanova discuss the rising xenophobic sentiment on Earth followed by a confirmation of their fears EarthForce security arrives to confiscate the organic weaponry for its own bioweapons division Kaiser writes Even though Infection is a Star Trek like episode with a patriarchal captain solving a violent situation through diplomacy and application of logic there s still a moment where Babylon 5 builds its darker more serialized universe a tiny bit 12 Elias Rosner writing in Multiversity Comics sums up The politics of Earth start to catch up to Sinclair a weapon based in eugenics is unleashed and the corporations rear their ugly head Welcome my friends This is the story of the last of the Babylon stations 13 Rosner also points out the scene where Garibaldi calls out Sinclair on his death wish as a great small moment of characterization He writes W hile initially it didn t seem all that out of the ordinary having Garibaldi vocalize it reframes these earlier actions It wasn t telegraphed as a this is a problem but instead stewed in the background and only someone who knows Sinclair for a long time would have picked up on it 13 References edit a b Straczynski J Michael 25 February 1994 The problem with Infection from JMSNews J Michael Straczynski Archived from the original on 2022 04 07 Straczynski J Michael 1994 02 18 Infection Babylon 5 Season 1 Babylonian Productions PTEN Warner Brothers a b c d e f g Killick Jane 1997 Infection Signs and Portents 1st ed New York Ballantine ISBN 978 0 345 42451 8 Straczynski J Michael 27 July 1994 B5 in Australia Infection S JMSNews J Michael Straczynski Archived from the original on 2022 04 07 a b Guffey Ensley F Koontz Dale 2017 1 04 Infection A Dream Given Form The Unofficial Guide to the Universe of Babylon 5 ECW Press ISBN 9781770412651 Interviews Everett Burrell page 4 B5 Scrolls Tom Smith 2019 Archived from the original on 2022 04 08 Britt Ryan 11 July 2019 5 Things that Babylon 5 did that changed science fiction forever www syfy com SYFY Media LLC Archived from the original on 2021 10 09 And though this may seem shocking now in the early and mid 90s CGI was not the default for sci fi special effects Most big sci fi shows and movies like Star Trek all still used physical models which are notoriously more expensive But all of Babylon 5 s spaceships and space stations were made in a computer Interviews Ron Thornton B5 Scrolls Tom Smith 2016 How 24 Commodore Amiga 2000s created Babylon 5 GenerationAmiga com GenerationAmiga 30 August 2020 Archived from the original on 2020 09 22 Television Academy Babylon 5 Awards amp Nominations Television Academy Academy of Television Arts amp Sciences Archived from the original on 2022 04 09 Retrieved 2022 04 05 Straczynski J Michael 11 October 1993 Next up is Survivors JMSNews J Michael Straczynski Archived from the original on 2022 04 06 a b Kaiser Rowan 15 June 2012 Babylon 5 Born To The Purple Infection The A V Club G O Media Inc a b Rosner Elias 13 June 2018 Five Thoughts on Babylon 5 s Infection Multiversity Comics Matthew Meylikhov External links editInfection at The Lurker s Guide to Babylon 5 Actor Marshall Teague wearing the unfinished Ikarran war machine body suit in a fitting and movement test Retrieved from https en wikipedia org w index php title Infection Babylon 5 amp oldid 1203107302, wikipedia, wiki, book, books, library,

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