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Heinz-Klaus Metzger

Heinz-Klaus Metzger (6 February 1932 – 25 October 2009) was a German music critic and theorist.

Born in Konstanz, Metzger studied piano under Carl Seemann in Freiburg im Breisgau and composition under Max Deutsch in Paris. Later, he met Theodor W. Adorno, Edgard Varèse, Karlheinz Stockhausen and Luigi Nono at the Darmstadt International Summer Courses for New Music. Here he found his role as a notable theoretician and proponent of serialism in musical theory. He participated as a distinguished contributor to a series of important texts in the journal Die Reihe. Metzger was among the first critics to promote Stockhausen's music, but was soon a substantial critic of Stockhausen's compositional development.

In the 1960s, Metzger was one of the first European commentators on John Cage, and spokesman of "compositional anarchy", which resulted in the Kölner Manifest of 1960, and serving as a copy editor of the magazine Collage in Palermo. From 1965 until 1969 he worked as a music critic for the magazine Die Weltwoche in Zürich. In 1969, he founded, together with his partner, composer and conductor Rainer Riehn, the Ensemble Musica Negativa, where they embraced the performance of radical new music. In 1987, Metzger and Riehn became the chief dramatic advisors of the Oper Frankfurt under Gary Bertini. During their tenure, Oper Frankfurt commissioned and premiered John Cage's Europeras I and II.

Grave of Riehn and Metzger, Berlin

From 1977 to 2002, Metzger and Riehn founded, edited, researched, and provided texts criticism for the musicology series Musik-Konzepte (Concepts of music); for this they received the Deutscher Kritikerpreis (German critics prize) in 1983. Also, they edited the two first volumes of the compositions of Adorno. Metzger has received honorary doctorates from the Berlin University of the Arts and from the University of Palermo.

Metzger died in Berlin in 2009 at the age of 77.[1]

Works edit

  • Musik wozu. Literatur zu Noten, with Rainer Riehn, Frankfurt a.M.: Suhrkamp 1980
  • Die freigelassene Musik. Schriften zu John Cage, Rainer Riehn and Florian Neuner [de] (editors), Wien: Klever Verlag 2012

References edit

  1. ^ . Archived from the original on 2009-11-01. Retrieved 2022-05-20.{{cite web}}: CS1 maint: bot: original URL status unknown (link), Internationales Musikinstitut Darmstadt, 26 October 2009 (in German)

External links edit

heinz, klaus, metzger, this, article, needs, additional, citations, verification, please, help, improve, this, article, adding, citations, reliable, sources, unsourced, material, challenged, removed, find, sources, news, newspapers, books, scholar, jstor, 2022. This article needs additional citations for verification Please help improve this article by adding citations to reliable sources Unsourced material may be challenged and removed Find sources Heinz Klaus Metzger news newspapers books scholar JSTOR May 2022 Learn how and when to remove this message Heinz Klaus Metzger 6 February 1932 25 October 2009 was a German music critic and theorist Born in Konstanz Metzger studied piano under Carl Seemann in Freiburg im Breisgau and composition under Max Deutsch in Paris Later he met Theodor W Adorno Edgard Varese Karlheinz Stockhausen and Luigi Nono at the Darmstadt International Summer Courses for New Music Here he found his role as a notable theoretician and proponent of serialism in musical theory He participated as a distinguished contributor to a series of important texts in the journal Die Reihe Metzger was among the first critics to promote Stockhausen s music but was soon a substantial critic of Stockhausen s compositional development In the 1960s Metzger was one of the first European commentators on John Cage and spokesman of compositional anarchy which resulted in the Kolner Manifest of 1960 and serving as a copy editor of the magazine Collage in Palermo From 1965 until 1969 he worked as a music critic for the magazine Die Weltwoche in Zurich In 1969 he founded together with his partner composer and conductor Rainer Riehn the Ensemble Musica Negativa where they embraced the performance of radical new music In 1987 Metzger and Riehn became the chief dramatic advisors of the Oper Frankfurt under Gary Bertini During their tenure Oper Frankfurt commissioned and premiered John Cage s Europeras I and II Grave of Riehn and Metzger Berlin From 1977 to 2002 Metzger and Riehn founded edited researched and provided texts criticism for the musicology series Musik Konzepte Concepts of music for this they received the Deutscher Kritikerpreis German critics prize in 1983 Also they edited the two first volumes of the compositions of Adorno Metzger has received honorary doctorates from the Berlin University of the Arts and from the University of Palermo Metzger died in Berlin in 2009 at the age of 77 1 Works editMusik wozu Literatur zu Noten with Rainer Riehn Frankfurt a M Suhrkamp 1980 Die freigelassene Musik Schriften zu John Cage Rainer Riehn and Florian Neuner de editors Wien Klever Verlag 2012References edit Heinz Klaus Metzger gestorben Archived from the original on 2009 11 01 Retrieved 2022 05 20 a href Template Cite web html title Template Cite web cite web a CS1 maint bot original URL status unknown link Internationales Musikinstitut Darmstadt 26 October 2009 in German External links edit1972 interview transcript Metzger Morton Feldman Earle Brown Portals nbsp Biography nbsp Classical music Retrieved from https en wikipedia org w index php title Heinz Klaus Metzger amp oldid 1130508105, wikipedia, wiki, book, books, library,

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