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Heinrich Hoerle

Heinrich Hoerle (1 September 1895 – 7 July 1936) was a German constructivist artist of the New Objectivity movement.

Heinrich Hoerle Selfportrait
Denkmal der unbekannten Prothesen, 1930, oil on cardboard, 70 x 85 cm. Von der Heydt-Museum, Wuppertal

Hoerle was born in Cologne. He studied at the Cologne School of Arts and Crafts but was mostly self-taught as an artist. After military service in World War I he met Franz Wilhelm Seiwert in 1919 and worked with him on the journal Ventilator.[1] Together with his wife Angelika (1899–1923), Hoerle became active in the Cologne Dada scene. He co-founded the artists' group Stupid, and in 1920 he published the Krüppelmappe (Cripples Portfolio).[1] Hoerle's work retained a certain dour absurdism after he adopted a figurative constructivist style influenced by the Russians Vladimir Tatlin and El Lissitzky, by Fernand Léger, and by the Dutch movement De Stijl.[2] His paintings feature generic-looking figures, presented in strict profile or in stiff, frontal poses.

In 1929 he began collaboration with Seiwert and Walter Stern on the publication of "a-z", the journal of the Cologne Progressives art group.[3] He was among the many German artists whose works were condemned as degenerate art when the Nazis took power in 1933.[4] He died in Cologne in 1936 at the age of 40.

Public collections holding works by Heinrich Hoerle include Museum Ludwig, Cologne; Kölnisches Stadtmuseum; Stadtmuseum Düsseldorf [de]; The Von der Heydt Museum in Wuppertal; and the Busch-Reisinger Museum in Cambridge, Massachusetts.

Notes edit

  1. ^ a b Schmied 1978, p. 127.
  2. ^ Michalski 1994, p. 116; Poore 2007, p. 34.
  3. ^ Michalski 1994, p. 116.
  4. ^ Michalski 1994, p. 212.

References edit

  • Backes, Dirk; Wolfram Hagspiel and Wulf Herzogenrath (1981). Heinrich Hoerle, Leben und Werk 1895–1936. Cologne. (Ausstellungskatalog Kölnischer Kunstverein)
  • Michalski, Sergiusz (1994). New Objectivity. Cologne: Benedikt Taschen. ISBN 3-8228-9650-0
  • Poore, Carol (2007). Disability in twentieth-century German culture. University of Michigan Press. ISBN 0-472-11595-2
  • Schmied, Wieland (1978). Neue Sachlichkeit and German Realism of the Twenties. London: Arts Council of Great Britain. ISBN 0-7287-0184-7


heinrich, hoerle, september, 1895, july, 1936, german, constructivist, artist, objectivity, movement, selfportrait, denkmal, unbekannten, prothesen, 1930, cardboard, heydt, museum, wuppertal, hoerle, born, cologne, studied, cologne, school, arts, crafts, mostl. Heinrich Hoerle 1 September 1895 7 July 1936 was a German constructivist artist of the New Objectivity movement Heinrich Hoerle Selfportrait Denkmal der unbekannten Prothesen 1930 oil on cardboard 70 x 85 cm Von der Heydt Museum Wuppertal Hoerle was born in Cologne He studied at the Cologne School of Arts and Crafts but was mostly self taught as an artist After military service in World War I he met Franz Wilhelm Seiwert in 1919 and worked with him on the journal Ventilator 1 Together with his wife Angelika 1899 1923 Hoerle became active in the Cologne Dada scene He co founded the artists group Stupid and in 1920 he published the Kruppelmappe Cripples Portfolio 1 Hoerle s work retained a certain dour absurdism after he adopted a figurative constructivist style influenced by the Russians Vladimir Tatlin and El Lissitzky by Fernand Leger and by the Dutch movement De Stijl 2 His paintings feature generic looking figures presented in strict profile or in stiff frontal poses In 1929 he began collaboration with Seiwert and Walter Stern on the publication of a z the journal of the Cologne Progressives art group 3 He was among the many German artists whose works were condemned as degenerate art when the Nazis took power in 1933 4 He died in Cologne in 1936 at the age of 40 Public collections holding works by Heinrich Hoerle include Museum Ludwig Cologne Kolnisches Stadtmuseum Stadtmuseum Dusseldorf de The Von der Heydt Museum in Wuppertal and the Busch Reisinger Museum in Cambridge Massachusetts Notes edit a b Schmied 1978 p 127 Michalski 1994 p 116 Poore 2007 p 34 Michalski 1994 p 116 Michalski 1994 p 212 References edit nbsp Wikimedia Commons has media related to Heinrich Hoerle Backes Dirk Wolfram Hagspiel and Wulf Herzogenrath 1981 Heinrich Hoerle Leben und Werk 1895 1936 Cologne Ausstellungskatalog Kolnischer Kunstverein Michalski Sergiusz 1994 New Objectivity Cologne Benedikt Taschen ISBN 3 8228 9650 0 Poore Carol 2007 Disability in twentieth century German culture University of Michigan Press ISBN 0 472 11595 2 Schmied Wieland 1978 Neue Sachlichkeit and German Realism of the Twenties London Arts Council of Great Britain ISBN 0 7287 0184 7 nbsp This article about a German artist is a stub You can help Wikipedia by expanding it vte Retrieved from https en wikipedia org w index php title Heinrich Hoerle amp oldid 1087560764, wikipedia, wiki, book, books, library,

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