The "Walsingham" theme, as arranged for keyboard by John Bull
The tune provided inspiration for Elizabethan composers, notably William Byrd. Byrd wrote a set of keyboard variations called Have with Yow to Walsingame ("Be off to Walsingham"). In some sources it is called "As I went to Walsingham", the first line of the following quatrain.
As I went to Walsingham, To the shrine with speed, Met I with a jolly palmer[1] In a pilgrim's weed.
Walsingham is a pilgrimage site in Norfolk, England, where, according to Catholic belief, a Saxon noblewoman, Richeldis de Faverches, had a vision of the Virgin Mary. The shrine was dismantled in 1538 during the Dissolution of the Monasteries. (It has since been revived). In the sixteenth century attitudes towards pilgrimages varied, reflecting the Catholic/Protestant divide.
Balladsedit
The ballad literature includes on the one hand laments for the lost shrine and, on the other, suggestions that, as alleged by religious reformers, pilgrims were looking for encounters of a sexual nature. Ophelia in Hamlet sings a version of the Walsingham lyrics in which a woman asks about her pilgrim lover.[2]
Byrd's arrangementedit
Byrd composed 22 variations on the Walsingham tune. The composition takes about 9 or 10 minutes in performance. It is included in two of the most important collections of keyboard music of the Renaissance, My Ladye Nevells Booke and the Fitzwilliam Virginal Book. In these variations, which Byrd wrote in the 1570s or 1580s, he shows his mastery of the keyboard, but also includes elements more characteristic of his vocal music.
Musicologist Margaret Gynn described how Byrd had taken what was originally "a love-song of the road" and transformed it by giving it the "serious religious character of a pilgrimage".[3] According to Bradley Brookshire, the variations form a sort of "covert speech" addressed to Catholic recusants in Elizabethan culture. He argues that it includes "musically encoded symbols of Catholic veneration and lament."[3]
Bull's arrangementedit
Byrd's younger rival John Bull also composed variations on Walsingham for keyboard. It is the first composition in the Fitzwilliam Virginal Book, and with 30 variations is longer than Byrd's version.
^"Palmer" meant a pilgrim in those days, since pilgrims returning from the Holy Land traditionally brought back a palm branch.
^"Ophelia's Version of the Walsingham Song". F. W. Sternfeld Music & Letters, Vol. 45, No. 2 (Apr., 1964), pp. 108-113 Published by: Oxford University Press. Accessed via JSTOR: article Stable URL: https://www.jstor.org/stable/732068 (subscription required)
^ abBradley Brookshire, "Bare ruined quiers, where late the sweet birds sang", Covert Speech in William Byrd's Walsingham variations, in Walsingham in Literature and Culture from the Middle Ages to Modernity, Ashgate Publishing, Ltd., 2010, pp. 199ff.
External linksedit
My Ladye Nevells Booke, digitised version at the British Library
"Have with Yow to Walsingame" on YouTube, performed by Rosemary Blandford Thoma
April 16, 2024
walsingham, music, walsingham, popular, elizabethan, ballad, tune, there, various, versions, lyrics, which, relate, pilgrimage, site, suppressed, during, english, reformation, walsingham, theme, arranged, keyboard, john, bullthe, tune, provided, inspiration, e. Walsingham was a popular Elizabethan ballad tune There are various versions of the lyrics which relate to a pilgrimage site suppressed during the English Reformation The Walsingham theme as arranged for keyboard by John BullThe tune provided inspiration for Elizabethan composers notably William Byrd Byrd wrote a set of keyboard variations called Have with Yow to Walsingame Be off to Walsingham In some sources it is called As I went to Walsingham the first line of the following quatrain As I went to Walsingham To the shrine with speed Met I with a jolly palmer 1 In a pilgrim s weed Contents 1 History of the pilgrimage 2 Ballads 3 Byrd s arrangement 4 Bull s arrangement 5 See also 6 Notes 7 External linksHistory of the pilgrimage editWalsingham is a pilgrimage site in Norfolk England where according to Catholic belief a Saxon noblewoman Richeldis de Faverches had a vision of the Virgin Mary The shrine was dismantled in 1538 during the Dissolution of the Monasteries It has since been revived In the sixteenth century attitudes towards pilgrimages varied reflecting the Catholic Protestant divide Ballads editThe ballad literature includes on the one hand laments for the lost shrine and on the other suggestions that as alleged by religious reformers pilgrims were looking for encounters of a sexual nature Ophelia in Hamlet sings a version of the Walsingham lyrics in which a woman asks about her pilgrim lover 2 Byrd s arrangement editByrd composed 22 variations on the Walsingham tune The composition takes about 9 or 10 minutes in performance It is included in two of the most important collections of keyboard music of the Renaissance My Ladye Nevells Booke and the Fitzwilliam Virginal Book In these variations which Byrd wrote in the 1570s or 1580s he shows his mastery of the keyboard but also includes elements more characteristic of his vocal music Musicologist Margaret Gynn described how Byrd had taken what was originally a love song of the road and transformed it by giving it the serious religious character of a pilgrimage 3 According to Bradley Brookshire the variations form a sort of covert speech addressed to Catholic recusants in Elizabethan culture He argues that it includes musically encoded symbols of Catholic veneration and lament 3 Bull s arrangement editByrd s younger rival John Bull also composed variations on Walsingham for keyboard It is the first composition in the Fitzwilliam Virginal Book and with 30 variations is longer than Byrd s version See also editOur Lady of WalsinghamNotes edit Palmer meant a pilgrim in those days since pilgrims returning from the Holy Land traditionally brought back a palm branch Ophelia s Version of the Walsingham Song F W Sternfeld Music amp Letters Vol 45 No 2 Apr 1964 pp 108 113 Published by Oxford University Press Accessed via JSTOR article Stable URL https www jstor org stable 732068 subscription required a b Bradley Brookshire Bare ruined quiers where late the sweet birds sang Covert Speech in William Byrd s Walsingham variations in Walsingham in Literature and Culture from the Middle Ages to Modernity Ashgate Publishing Ltd 2010 pp 199ff External links editMy Ladye Nevells Booke digitised version at the British Library Have with Yow to Walsingame on YouTube performed by Rosemary Blandford Thoma Retrieved from https en wikipedia org w index php title Walsingham music amp oldid 1136951902, wikipedia, wiki, book, books, library,
