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Shōji Hamada

August 21, 2023

Shōji Hamada (濱田 庄司, Hamada Shōji, December 9, 1894 – January 5, 1978) was a Japanese potter. He had a significant influence on studio pottery of the twentieth century, and a major figure of the mingei (folk-art) movement, establishing the town of Mashiko as a world-renowned pottery centre.[1] In 1955 he was designated a "Living National Treasure".

Hamada at the University of Michigan, 1967 or 1968
Thrown, combed tea bowl by Shoji Hamada

Biography

Hamada was born in Kawasaki, Japan, in 1894, and was named Shoji (象ニ).

After finishing his studies at the elite Hibiya High School, he studied ceramics at Tokyo Institute of Technology, then known as Tokyo Industrial College[2] with Kawai Kanjirō under Itaya Hazan. As the sole students in the school interested in becoming artist-potters, Hamada and the slightly elder Kawai were soon friends, touring the city in search of inspiration.[3][4] They worked together in Kyoto at the former body of the Kyoto Municipal Institute of Industrial Technology and Culture[5] where they experimented on glazes using various minerals. They were acquainted by Yanagi Sōetsu and Tomimoto Kenkichi while visiting potteries and exhibitions.

Hamada was deeply impressed by a Tokyo exhibition of ceramic art by Bernard Leach, who was then staying with Yanagi Sōetsu, and wrote to Leach seeking an introduction.[3] The two found much in common and became good friends, so much so that Hamada asked and was granted permission to accompany Leach to England in 1920 when the latter decided to return and establish a pottery there.[2]

Pottery in Mashiko

Having spent three years in St Ives with Bernard Leach, he returned to Japan in 1923 and traveled to potteries and stayed at Tsuboya in Okinawa Prefecture for weeks, then eventually established his workshop in Mashiko, about 100 km (62 mi) north-east of Tokyo. Here, he built his own pottery and committed himself to using only locally sourced materials, not only in the clay he used, but also the glazes he created and the brushes he manufactured himself from dog hair and bamboo.[6]

In 1955 the Japanese government designated him "Living National Treasure", the first time for someone from the field of crafts. The previous year on 29 May 1954, the Cultural Property Protection Act had been amended, and a new Preservers of Important Intangible Cultural Properties (Jūyō Mukei Bunkazai Hojisha) designation was passed the bill in November for its criteria and approval details.[7]

Following Yanagi Muneyoshi, Hamada was enthusiastic about folk art movement in Japan. When Yanagi died in 1961, he succeeded as the second director of the Japanese Folk Crafts Museum, and in 1977, he opened his own museum at his home, Mashiko Sankōkan (present Shoji Hamada Memorial Mashiko Sankokan Museum),[8] and exhibited his collection of folk crafts from Japan and abroad.

Hamada Shoji was very supportive of young artists who moved to Mashiko such as his student Shimaoka Tatsuzō, and Kamoda Shōji, and was also important in establishing Mashiko as a destination for day tourism. He provided housing and hosted workplace for visiting potters from abroad as well.

Hamada died in Mashiko on January 5, 1978.

Preserving local architecture

 
Shōji Hamada Memorial Mashiko Sankokan Museum

Since he moved to Mashiko, Hamada bought, relocated, and refurbished traditional farm houses, stone warehouses, and nagaya-mon gatehouses of Edo period unique to southern Tochigi Prefecture on his property. The first was his residence in 1930,[8] followed by others he used as workshops and for entertaining guests and apprentices, with the last one used since 1942 as his workshop. In 1989 his residence was donated to and rebuilt at Mashiko Museum of Ceramic Art, or Ceramic Art Messe Mashiko,[8] after the house was designated a cultural property of Mashiko.[9] The museum is still open today and visitors can view Hamada's studio, living quarters, and various craft collections.[8]

Influence

Throughout a lifetime dedicated to making pottery he achieved international recognition and his works have been collected by museums across the world. Hamada’s influence was felt not only in his native Japan, particularly in Mashiko, but also in the West. In the United Kingdom and the US, his style and philosophy became well known amongst studio potters, and he was revered as the archetypal "Oriental" potter.

 
A square plate with iron pigment brushwork by Shōji Hamada

Today Hamada's works attain high prices at auction.[10][11] In the UK, examples of his work can be seen at the York Art Gallery.

Awards and merits

Degrees

Further reading

Books

Hamada's own works

  1. Hamada, Shoji; Yanagi, Muneyoshi (1966). Shoji Hamada. Tokyo: Asahi Shimbun Publishing Company.[† 1]
  2. Hamada, S. (1969). The Works in Shoji Hamada, 1921-1969. Tokyo: Asahi Shimbun Publishing Company.[† 1]
  3. Hamada, S. (1977). Hamada Shoji Ten [Hamada Shoji Exhibition] (in Japanese). Tokyo: Nihon Keizai Shinbunsha.[† 1]
  4. Hamada, S. (1972). Okinawan pottery. Okinawa: Ryukyu Telegraph and Telephone Public Corp. OCLC 84482222.
  5. Hamada, S.; Serizawa, Keisuke; Tonomura, Kichinosuke (1972). Sekai no mingei [Mingei of the World] (in Japanese). Sugano Yoshikatsu (photograph). Asahi Shimbun Publishing Company. OCLC 703795769.[† 2]
  6. Hamada, S. (1974). Mujinzo [Limitless]. Asahi Shimbun Publishing Company. With time table by Mizuo Hiroshi, pp. 336–341[† 3]
  7. Hamada, S. (1976). Kama ni makasete [As the Kiln Goes]. Nihon Keizai Shinbunsha. OCLC 703789746. With time table by Mizuo Hiroshi, pp. 185–204.[† 4]
  8. "Shoji Hamada Memorial Mashiko Sankokan Museum". Jnto Japan.[† 1]
  9. "Hamada, Shoji". Encyclopedia.com. The Gale Group Inc. Retrieved 29 October 2017.

Works by others

  • Leach, Bernard (1940). A Potter's Book. Soyetsu Yanagi, Michael Cardew (introductions). London: Faber and Faber. OCLC 1942788.[† 5]
  • Leach, Bernard (1960). A Potter in Japan, 1952–1954. London: Faber and Faber. OCLC 922076982. 246 pp. Ill., ports.; 21 cm.[† 6]
  • Peterson, Susan; Green, Richard (1974). Shoji Hamada: a potter's way and work. Tokyo; New York: Kodansha International, distributed by Harper & Row. ISBN 9780870114649. OCLC 456509609. 239 pp. Ill. (some col.); 27 cm.
  • Leach, Bernard (1990). Hamada, Potter. Warren MacKenzie (preface), Janet Darnell Leach (foreword). Tokyo; New York: Kodansha International, distributed in the US by Kodansha International/USA. ISBN 9780870112522. OCLC 2401330. 232 pp. Ill. (some col.); 26 cm.
  • Birks, Tony; Digby, Cornelia Wingfield (1990). Bernard Leach, Hamada & Their Circle. Peter Kinnear (photographs). Oxford: Phaidon Christie's. OCLC 123753963.[† 1]

Exhibition catalogs

  • Kawai, Kanjirō; Hamada, Shōji (1929). Beaux Arts Gallery (ed.). Exhibition of stoneware pottery by Kanjiro Kawai (of Kyoto, Japan). London: Beaux Arts Gallery. OCLC 913358760.[† 7]
  • Hamada, Shoji; Leach, Bernard (1990). The Quiet Eye: Pottery of Shoji Hamada and Bernard Leach. Monterey, CA: Monterey Peninsula Museum of Art; San Francisco Craft and Folk Art Museum. OCLC 733070373.[† 1]
  • Anderson, Laura; Hamada, Shoji; Picasso, Pablo; Prieto, Antonio (1993). From the Fire, Three Exhibitions in Clay: from the Prieto collection. Palo Alto, CA: Palo Alto Cultural Center.[† 1][† 8]
  • Six master potters of the modern age: an exhibition celebrating the 75th anniversary of the founding of the Leach Pottery. Babcock Galleries. 1995. OCLC 225128578.[† 9]
  • Hamada, S.; Wilcox, Timothy (1998). Shoji Hamada: Master Potter. Translated by Kikuchi, Yuko. London: Lund Humphries Publishers in association with Ditchling Museum. ISBN 9780853317289. OCLC 716255305.[† 1][† 10]
  • Hamada, Tomoo; Hamada, Shōji; Hamada, Shinsaku (2015). Into the Present: The Ceramic Art of Tomoo Hamada, Including Works by Shoji and Shinsaku Hamada. Boston, Massachusetts: Pucker Gallery. OCLC 913507820.[† 11]

Audio visual materials

Videos

  • Mashiko village pottery, Japan, 1937 [videorecording]: pottery-making in Japan.1 videocassette (VHS) (22 min.): si., black and white; 1/2 in. Shows the pottery techniques used by Mashiko potters. From the 1850s, these potters produced utilitarian ware for local markets, but the post-war period saw a change with the influence of renowned potter, Shoji Hamada. Held at University of Tasmania & Edith Cowan University. Edith Cowan University Library
  • The Potters' Society of Australia presents Shoji Hamada [videorecording]. Sydney: Closed Circuit Television, University of New South Wales, 1965. 1 videocassette (VHS)(50 min): sd., black and white; 1/2.Famous Japanese artist potter, Shoji Hamada demonstrates his unique techniques. Held in The University of Sydney. University of Sydney Library.
  • The Potters' Society of Australia presents...Shoji Hamada [videorecording]. Kensington, NSW: University of New South Wales. Audio Visual Unit, (198?)1 videocassette (VHS) (55 min.): sd., black and white; 1/2 in. Held in University of Newcastle. University of Newcastle Library
  • Shoji Hamada [videorecording]: a demonstration by Shoji Hamada.Audio-Visual Unit, UNSW, 1984. 1 videocassette (VHS) (48 min.): sd., black and white; 1/2 in. Held in Southern Cross University. University Library Lismore.
  • Shoji Hamada [videorecording]: a potter's way and work / written and narrated by Susan Peterson. New York: Weatherhill Press, 1995, c. 1996. 1 videocassette (VHS)(027 min.): sd., col.; 1/2 in.

Films

  • Three potters throwing. [Motion picture]. Research & Education Dept, American Crafts Council, 1958. 20 mins: si. color; 16 mm.[† 12]
  • Fingers and Clay. 1 film reel (11 mins): sd., black and white; 16 mm. Producer, Malcolm Otton; director, editor, Christopher Cordeaux; script, J. Hawes; photographers, Edward Cranstone, Tom Cowan; sound, Gordon Wraxall.[† 13][† 14]
  • The art of the potter. [Motion picture] / Sidney Reichman and David Outerbridge. New York : Phoenix Films, 1977. 2 reels, 50 mins: sd., col.; 16 mm.[† 15][† 14]

Slides

  • Shoji Hamada [Pottery] [slide]. Tanyard, Wilts: Slides for Potters, [197-]. Held in The University of Melbourne. 23 slides: col. & + guide (Set 19). The University Library.[† 16]

Footnotes

  1. ^ a b c d e f g h "Shoji Hamada (1894-1978)" (PDF). Arizona State University. Retrieved 2017-10-09.
  2. ^ Reprint, Hamada, S.; Serizawa, Keisuke; Tonomura, Kichinosuke (2012). Sekai no mingei [Mingei of the World] (in Japanese). Sugano Yoshikatsu (photograph). Nihon Tosho Center. ISBN 9784284502832. OCLC 779138648.
  3. ^ Reprint in paperbackHamada, S. (2000). Mujinzo [Limitless]. Kodansha bungei bunko. Kodansha. ISBN 9784061982161. OCLC 674842709.
  4. ^ Reprint.Hamada, S. (1997). Hamada Shoji: Kama ni makasete [Hamada Shoji: As the Kiln Goes]. Ningen no Kiroku. Nihon Tosho Center. ISBN 4820542931. OCLC 675393250. With time table, pp.161-177.
  5. ^ Translated into German, Japanese, and Spanish. Reprint in hardback. Leach, Bernard (2015). A Potter's Book. London: Unicorn. ISBN 9781910065167. OCLC 930816596.
  6. ^ Reprint. Leach, Bernard (2015). A Potter in Japan, 1952–1954. London: Unicorn Press. ISBN 9781910065174. OCLC 927982934.
  7. ^ Held between 9–27 July 1929.
  8. ^ Held between 17 January-25 April 1993. Works exhibited also included by Howard Kottler, Bernard Leach, Harrison McIntosh, Paul Soldner, Peter Voulkos, Beatrice Wood, Robert Arneson, and F. Carlton Ball.
  9. ^ Exhibition lasted between 15 September-14 October 1995, with works of Bernard Leach, Shoji Hamada, Warren MacKenzie, Shimaoka Tatsuzō, Randy Johnston, and Matsuzaki Ken.
  10. ^ Exhibitions held at
  11. ^ Exhibition held between 16 May-12 July 2015.
  12. ^ Shows potters Shōji Hamada, Antonio Prieto, and Peter Voulkos throwing pots.Held in University of New England. Dixson Library.
  13. ^ Pottery making as an artistic craft. Australian students and the Japanese master potter Shoji Hamada demonstrate techniques involved, and typical creative work is shown.
  14. ^ a b Held in www.sl.nsw.gov.au State Library of NSW
  15. ^ Presents the work of English potter Bernard Leach and Japanese potter Shōji Hamada. Shows each potter demonstrating and discussing his craft, beginning with the digging of clay through its firing in a kiln.
  16. ^ Slides for Potters
    • a. Bottle 1963. Slab-built, salt glaze.
    • b. Bottle. 1963. Slab, "Kaki" ash glaze.
    • c. Bottle, 1963. Tall slab-built, "Kaki".
    • d. Vase.1963. "Kaki" glaze, wax resist.
    • e. Pot. 1963. Flattened, iron brushwork.
    • f. Bottle. 1963. Tall rectangular wax resist.
    • g. Pot. 1963. Flattened, block glaze trail.
    • h. Bottle. 1963. Curved slab, wax resist.
    • i. Bottle. 1963. Thrown square brushwork, salt glaze.
    • j. Bottle. 1963. Slab, panelled decoration.
    • k. Bottle. 1963. Rectangular, finger sgraffito. Pot.

References

  1. ^ Organization, Japan National Tourism. "Mashiko | Tochigi Attractions | Travel Japan | JNTO". Travel Japan. Retrieved 2021-09-04.
  2. ^ a b Bernard, Leach (1975). Hamada, Potter. New York: Kodansha International Ltd. p. 34. ISBN 978-0870118289.
  3. ^ a b Leach, 1990:93
  4. ^ "Kawai Kanjiro". Eocene Arts. Retrieved 2017-10-09.
  5. ^ Kyoto Municipal Institute of Industrial Technology and Culture
  6. ^ Riddick, Sarah (1990). Green, Richard (ed.). Pioneer Studio Pottery: The Milner-White Collection. Lund Humphries Publishers Ltd. ISBN 0853315906. OCLC 214380411.
  7. ^ "Nihon dento kogeiten enkaku—Showa 29-nen (1954)" [History of traditional Japanese craft exhibition: 1954 (Showa 29)] (in Japanese). Japan Kōgei Association. Retrieved 2017-10-09.
  8. ^ a b c d "Hamada Shoji Kinen Mashiko Sankokan" [Shoji Hamada Memorial Mashiko Sankokan Museum] (in Japanese). Retrieved 2017-10-09.
  9. ^ "Shoji Hamada's House". Mashiko Museum of Ceramic Art. Retrieved 2017-10-09.
  10. ^ "Hamada Shoji: past results". Christie’s. Retrieved 2017-10-09.
  11. ^ "Shoji Hamada, prices and estimates". Retrieved 2017-10-09.
  12. ^ "Hamada Shōji" [Hamada Shoji] (in Japanese). Retrieved 2017-10-09.

External links

  • Shoji Hamada Memorial Mashiko Sankokan Museum stands on the site of Hamada's home and holds workshops. (in Japanese) 濱田庄司記念益子参考館
  • Mashiko Museum of Ceramic Art showcases ceramicists in Mashiko including residency program attendees. Reserves Hamada's house as a historical architecture. 益子陶芸美術館
  • The Museum of New Zealand Te Papa Tongarewa holds a collection of works by Shōji Hamada.
  • Gallery Oldham, Greater Manchester holds works by Shoji Hamada.

August 21, 2023
shōji, hamada, this, article, require, cleanup, meet, wikipedia, quality, standards, specific, problem, sections, citations, need, reformatted, please, help, improve, this, article, november, 2014, learn, when, remove, this, template, message, 濱田, 庄司, hamada, . This article may require cleanup to meet Wikipedia s quality standards The specific problem is sections citations need to be reformatted Please help improve this article if you can November 2014 Learn how and when to remove this template message Shōji Hamada 濱田 庄司 Hamada Shōji December 9 1894 January 5 1978 was a Japanese potter He had a significant influence on studio pottery of the twentieth century and a major figure of the mingei folk art movement establishing the town of Mashiko as a world renowned pottery centre 1 In 1955 he was designated a Living National Treasure Hamada at the University of Michigan 1967 or 1968Thrown combed tea bowl by Shoji Hamada Contents 1 Biography 2 Pottery in Mashiko 3 Preserving local architecture 4 Influence 5 Awards and merits 6 Further reading 6 1 Books 6 1 1 Hamada s own works 6 1 2 Works by others 6 1 3 Exhibition catalogs 6 2 Audio visual materials 6 2 1 Videos 6 2 2 Films 6 2 3 Slides 7 Footnotes 8 References 9 External linksBiography EditHamada was born in Kawasaki Japan in 1894 and was named Shoji 象ニ After finishing his studies at the elite Hibiya High School he studied ceramics at Tokyo Institute of Technology then known as Tokyo Industrial College 2 with Kawai Kanjirō under Itaya Hazan As the sole students in the school interested in becoming artist potters Hamada and the slightly elder Kawai were soon friends touring the city in search of inspiration 3 4 They worked together in Kyoto at the former body of the Kyoto Municipal Institute of Industrial Technology and Culture 5 where they experimented on glazes using various minerals They were acquainted by Yanagi Sōetsu and Tomimoto Kenkichi while visiting potteries and exhibitions Hamada was deeply impressed by a Tokyo exhibition of ceramic art by Bernard Leach who was then staying with Yanagi Sōetsu and wrote to Leach seeking an introduction 3 The two found much in common and became good friends so much so that Hamada asked and was granted permission to accompany Leach to England in 1920 when the latter decided to return and establish a pottery there 2 Pottery in Mashiko EditHaving spent three years in St Ives with Bernard Leach he returned to Japan in 1923 and traveled to potteries and stayed at Tsuboya in Okinawa Prefecture for weeks then eventually established his workshop in Mashiko about 100 km 62 mi north east of Tokyo Here he built his own pottery and committed himself to using only locally sourced materials not only in the clay he used but also the glazes he created and the brushes he manufactured himself from dog hair and bamboo 6 In 1955 the Japanese government designated him Living National Treasure the first time for someone from the field of crafts The previous year on 29 May 1954 the Cultural Property Protection Act had been amended and a new Preservers of Important Intangible Cultural Properties Juyō Mukei Bunkazai Hojisha designation was passed the bill in November for its criteria and approval details 7 Following Yanagi Muneyoshi Hamada was enthusiastic about folk art movement in Japan When Yanagi died in 1961 he succeeded as the second director of the Japanese Folk Crafts Museum and in 1977 he opened his own museum at his home Mashiko Sankōkan present Shoji Hamada Memorial Mashiko Sankokan Museum 8 and exhibited his collection of folk crafts from Japan and abroad Hamada Shoji was very supportive of young artists who moved to Mashiko such as his student Shimaoka Tatsuzō and Kamoda Shōji and was also important in establishing Mashiko as a destination for day tourism He provided housing and hosted workplace for visiting potters from abroad as well Hamada died in Mashiko on January 5 1978 Preserving local architecture Edit Shōji Hamada Memorial Mashiko Sankokan MuseumSince he moved to Mashiko Hamada bought relocated and refurbished traditional farm houses stone warehouses and nagaya mon gatehouses of Edo period unique to southern Tochigi Prefecture on his property The first was his residence in 1930 8 followed by others he used as workshops and for entertaining guests and apprentices with the last one used since 1942 as his workshop In 1989 his residence was donated to and rebuilt at Mashiko Museum of Ceramic Art or Ceramic Art Messe Mashiko 8 after the house was designated a cultural property of Mashiko 9 The museum is still open today and visitors can view Hamada s studio living quarters and various craft collections 8 Influence EditThroughout a lifetime dedicated to making pottery he achieved international recognition and his works have been collected by museums across the world Hamada s influence was felt not only in his native Japan particularly in Mashiko but also in the West In the United Kingdom and the US his style and philosophy became well known amongst studio potters and he was revered as the archetypal Oriental potter A square plate with iron pigment brushwork by Shōji HamadaToday Hamada s works attain high prices at auction 10 11 In the UK examples of his work can be seen at the York Art Gallery Awards and merits EditLiving National Treasure in 1955 Medals of Honor Japan Purple Ribbon in 1964 Order of Culture in 1968DegreesHonorary degree in arts Royal College of Art 12 Further reading EditBooks Edit Hamada s own works Edit Hamada Shoji Yanagi Muneyoshi 1966 Shoji Hamada Tokyo Asahi Shimbun Publishing Company 1 Hamada S 1969 The Works in Shoji Hamada 1921 1969 Tokyo Asahi Shimbun Publishing Company 1 Hamada S 1977 Hamada Shoji Ten Hamada Shoji Exhibition in Japanese Tokyo Nihon Keizai Shinbunsha 1 Hamada S 1972 Okinawan pottery Okinawa Ryukyu Telegraph and Telephone Public Corp OCLC 84482222 Hamada S Serizawa Keisuke Tonomura Kichinosuke 1972 Sekai no mingei Mingei of the World in Japanese Sugano Yoshikatsu photograph Asahi Shimbun Publishing Company OCLC 703795769 2 Hamada S 1974 Mujinzo Limitless Asahi Shimbun Publishing Company With time table by Mizuo Hiroshi pp 336 341 3 Hamada S 1976 Kama ni makasete As the Kiln Goes Nihon Keizai Shinbunsha OCLC 703789746 With time table by Mizuo Hiroshi pp 185 204 4 Shoji Hamada Memorial Mashiko Sankokan Museum Jnto Japan 1 Hamada Shoji Encyclopedia com The Gale Group Inc Retrieved 29 October 2017 Works by others Edit Leach Bernard 1940 A Potter s Book Soyetsu Yanagi Michael Cardew introductions London Faber and Faber OCLC 1942788 5 Leach Bernard 1960 A Potter in Japan 1952 1954 London Faber and Faber OCLC 922076982 246 pp Ill ports 21 cm 6 Peterson Susan Green Richard 1974 Shoji Hamada a potter s way and work Tokyo New York Kodansha International distributed by Harper amp Row ISBN 9780870114649 OCLC 456509609 239 pp Ill some col 27 cm Leach Bernard 1990 Hamada Potter Warren MacKenzie preface Janet Darnell Leach foreword Tokyo New York Kodansha International distributed in the US by Kodansha International USA ISBN 9780870112522 OCLC 2401330 232 pp Ill some col 26 cm Birks Tony Digby Cornelia Wingfield 1990 Bernard Leach Hamada amp Their Circle Peter Kinnear photographs Oxford Phaidon Christie s OCLC 123753963 1 Exhibition catalogs Edit Kawai Kanjirō Hamada Shōji 1929 Beaux Arts Gallery ed Exhibition of stoneware pottery by Kanjiro Kawai of Kyoto Japan London Beaux Arts Gallery OCLC 913358760 7 Hamada Shoji Leach Bernard 1990 The Quiet Eye Pottery of Shoji Hamada and Bernard Leach Monterey CA Monterey Peninsula Museum of Art San Francisco Craft and Folk Art Museum OCLC 733070373 1 Anderson Laura Hamada Shoji Picasso Pablo Prieto Antonio 1993 From the Fire Three Exhibitions in Clay from the Prieto collection Palo Alto CA Palo Alto Cultural Center 1 8 Six master potters of the modern age an exhibition celebrating the 75th anniversary of the founding of the Leach Pottery Babcock Galleries 1995 OCLC 225128578 9 Hamada S Wilcox Timothy 1998 Shoji Hamada Master Potter Translated by Kikuchi Yuko London Lund Humphries Publishers in association with Ditchling Museum ISBN 9780853317289 OCLC 716255305 1 10 Hamada Tomoo Hamada Shōji Hamada Shinsaku 2015 Into the Present The Ceramic Art of Tomoo Hamada Including Works by Shoji and Shinsaku Hamada Boston Massachusetts Pucker Gallery OCLC 913507820 11 Audio visual materials Edit Videos Edit Mashiko village pottery Japan 1937 videorecording pottery making in Japan 1 videocassette VHS 22 min si black and white 1 2 in Shows the pottery techniques used by Mashiko potters From the 1850s these potters produced utilitarian ware for local markets but the post war period saw a change with the influence of renowned potter Shoji Hamada Held at University of Tasmania amp Edith Cowan University Edith Cowan University Library The Potters Society of Australia presents Shoji Hamada videorecording Sydney Closed Circuit Television University of New South Wales 1965 1 videocassette VHS 50 min sd black and white 1 2 Famous Japanese artist potter Shoji Hamada demonstrates his unique techniques Held in The University of Sydney University of Sydney Library The Potters Society of Australia presents Shoji Hamada videorecording Kensington NSW University of New South Wales Audio Visual Unit 198 1 videocassette VHS 55 min sd black and white 1 2 in Held in University of Newcastle University of Newcastle Library Shoji Hamada videorecording a demonstration by Shoji Hamada Audio Visual Unit UNSW 1984 1 videocassette VHS 48 min sd black and white 1 2 in Held in Southern Cross University University Library Lismore Shoji Hamada videorecording a potter s way and work written and narrated by Susan Peterson New York Weatherhill Press 1995 c 1996 1 videocassette VHS 027 min sd col 1 2 in Films Edit Three potters throwing Motion picture Research amp Education Dept American Crafts Council 1958 20 mins si color 16 mm 12 Fingers and Clay 1 film reel 11 mins sd black and white 16 mm Producer Malcolm Otton director editor Christopher Cordeaux script J Hawes photographers Edward Cranstone Tom Cowan sound Gordon Wraxall 13 14 The art of the potter Motion picture Sidney Reichman and David Outerbridge New York Phoenix Films 1977 2 reels 50 mins sd col 16 mm 15 14 Slides Edit Shoji Hamada Pottery slide Tanyard Wilts Slides for Potters 197 Held in The University of Melbourne 23 slides col amp guide Set 19 The University Library 16 Footnotes Edit a b c d e f g h Shoji Hamada 1894 1978 PDF Arizona State University Retrieved 2017 10 09 Reprint Hamada S Serizawa Keisuke Tonomura Kichinosuke 2012 Sekai no mingei Mingei of the World in Japanese Sugano Yoshikatsu photograph Nihon Tosho Center ISBN 9784284502832 OCLC 779138648 Reprint in paperbackHamada S 2000 Mujinzo Limitless Kodansha bungei bunko Kodansha ISBN 9784061982161 OCLC 674842709 Reprint Hamada S 1997 Hamada Shoji Kama ni makasete Hamada Shoji As the Kiln Goes Ningen no Kiroku Nihon Tosho Center ISBN 4820542931 OCLC 675393250 With time table pp 161 177 Translated into German Japanese and Spanish Reprint in hardback Leach Bernard 2015 A Potter s Book London Unicorn ISBN 9781910065167 OCLC 930816596 Reprint Leach Bernard 2015 A Potter in Japan 1952 1954 London Unicorn Press ISBN 9781910065174 OCLC 927982934 Held between 9 27 July 1929 Held between 17 January 25 April 1993 Works exhibited also included by Howard Kottler Bernard Leach Harrison McIntosh Paul Soldner Peter Voulkos Beatrice Wood Robert Arneson and F Carlton Ball Exhibition lasted between 15 September 14 October 1995 with works of Bernard Leach Shoji Hamada Warren MacKenzie Shimaoka Tatsuzō Randy Johnston and Matsuzaki Ken Exhibitions held at Ditchling Museum Sussex 4 April 2 June 1998High Cross House Dartington Hall Devon 20 June 26 July 1998Ashmolean Museum Oxford 3 30 August 1998 Exhibition held between 16 May 12 July 2015 Shows potters Shōji Hamada Antonio Prieto and Peter Voulkos throwing pots Held in University of New England Dixson Library Pottery making as an artistic craft Australian students and the Japanese master potter Shoji Hamada demonstrate techniques involved and typical creative work is shown a b Held in www sl nsw gov au State Library of NSW Presents the work of English potter Bernard Leach and Japanese potter Shōji Hamada Shows each potter demonstrating and discussing his craft beginning with the digging of clay through its firing in a kiln Slides for Potters a Bottle 1963 Slab built salt glaze b Bottle 1963 Slab Kaki ash glaze c Bottle 1963 Tall slab built Kaki d Vase 1963 Kaki glaze wax resist e Pot 1963 Flattened iron brushwork f Bottle 1963 Tall rectangular wax resist g Pot 1963 Flattened block glaze trail h Bottle 1963 Curved slab wax resist i Bottle 1963 Thrown square brushwork salt glaze j Bottle 1963 Slab panelled decoration k Bottle 1963 Rectangular finger sgraffito Pot References Edit Organization Japan National Tourism Mashiko Tochigi Attractions Travel Japan JNTO Travel Japan Retrieved 2021 09 04 a b Bernard Leach 1975 Hamada Potter New York Kodansha International Ltd p 34 ISBN 978 0870118289 a b Leach 1990 93 Kawai Kanjiro Eocene Arts Retrieved 2017 10 09 Kyoto Municipal Institute of Industrial Technology and Culture Riddick Sarah 1990 Green Richard ed Pioneer Studio Pottery The Milner White Collection Lund Humphries Publishers Ltd ISBN 0853315906 OCLC 214380411 Nihon dento kogeiten enkaku Showa 29 nen 1954 History of traditional Japanese craft exhibition 1954 Showa 29 in Japanese Japan Kōgei Association Retrieved 2017 10 09 a b c d Hamada Shoji Kinen Mashiko Sankokan Shoji Hamada Memorial Mashiko Sankokan Museum in Japanese Retrieved 2017 10 09 Shoji Hamada s House Mashiko Museum of Ceramic Art Retrieved 2017 10 09 Hamada Shoji past results Christie s Retrieved 2017 10 09 Shoji Hamada prices and estimates Retrieved 2017 10 09 Hamada Shōji Hamada Shoji in Japanese Retrieved 2017 10 09 External links EditShoji Hamada Memorial Mashiko Sankokan Museum stands on the site of Hamada s home and holds workshops in Japanese 濱田庄司記念益子参考館 Mashiko Museum of Ceramic Art showcases ceramicists in Mashiko including residency program attendees Reserves Hamada s house as a historical architecture 益子陶芸美術館 The Museum of New Zealand Te Papa Tongarewa holds a collection of works by Shōji Hamada Gallery Oldham Greater Manchester holds works by Shoji Hamada Retrieved from https en wikipedia org w index php title Shōji Hamada amp oldid 1160044095, wikipedia, wiki, book, books, library,

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