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Giovanna Garzoni

February 06, 2023

Giovanna Garzoni (1600–1670) was an Italian painter of the Baroque period. She began her career painting religious, mythological, and allegorical subjects but gained fame for her botanical subjects painted in tempera and watercolour.[2][3] Her works were praised for their precision and balance and for the exactitude of the objects depicted.[4] More recently, her paintings have been seen to have female bodily associations and proto-feminist sentiments.[5][6] She combined objects very inventively, including Asian porcelain, exotic seashells, and botanical specimens.[7] She was often called the Chaste Giovanna due to her vow to remain a virgin.[8] Scholars have speculated Garzoni may have been influenced by fellow botanical painter Jacopo Ligozzi[9] although details about Garzoni's training are unknown.

Giovanna Garzoni, self-portrait
Still Life with Bowl of Citrons, late 1640s, now in J. Paul Getty Museum.[1]

Early life

Giovanna Garzoni was born in 1600 in Ascoli Piceno in the Marche district of Italy to Giacomo Garzoni and Isabetta Gaia.[10] Both of Garzoni's parents were of Venetian origin and are believed to have come from a long line of Venetian painters - a fact that is often disputed.[2] Garzoni's grandfather Nicola and Uncle Vincenzo from her mother's side were both goldsmiths while her other uncle, Pietro Gaia, was a painter who studied under Palma the Younger.[11] Historians have widely speculated that Garzoni started off her career as an apprentice under her uncle sometime before 1615. Garzoni also had a brother, Mattio, with whom she would travel throughout her career.[12]

Career

 
Taffeta antependium embroidered in silk with flowers around central medallion of God in splendour, 1640-1650. Uffizi Gallery.

Garzoni's first known commission was in the city where she grew up, Rome. It was in 1616, from the chemist Giovanni Vorvino to paint a herbarium.[10] Garzoni visited the Medici court in Florence sometime between 1618 and 1620, where she probably encountered Artemisia Gentileschi.[5] Four years later in 1620 Garzoni arrived in Venice and painted a Saint Andrew for the Venetian Church of the Ospedale degli Incurabili. Garzoni stayed in Venice for a few more years and during that time attended the calligraphy school of Giacomo Rogni. Shortly after her studies, Garzoni produced a book of cursive characters illustrated with birds, flowers and insects called the Libro de'caratteri Cancellereschi Corsivi (Biblioteca Accademica di San Luca, Rome).[11][5]

After finishing her education, Garzoni and her brother Mattio left Venice in 1630 for Naples where she worked for the Spanish viceroy, the Duke of Alcalá. Garzoni may have travelled with Gentileschi.[5] Garzoni remained in Naples for a year before returning to Rome in 1631. Garzoni's stay in Rome was short lived however, due to Christina of France's persistent efforts to have the artist come to Turin to serve as the miniaturist for the Turinese court.[13] Garzoni reached Turin in 1632 and lived there until 1637. After staying in Turin, Garzoni became familiar with the work of fellow artists Fede Galizia and Panfilo Nuvolone.[14] A few years later in 1640, Garzoni arrived in Paris and stayed there until 1642 when she went to Rome. Garzoni traveled back and forth from Rome to Florence until 1651 where her primary clients were in the Medici Family, particularly Grand Duke Ferdinando II, Grand Duchess Victoria, and Cardinal Giovan Carlo.[15]

After serving the Medici Court, Garzoni decided to settle in Rome in 1651 where she worked continue producing work for the Florentine Court.[16] As well as painting, Garzoni attended the Accademia di San Luca, where she followed events and discussion aimed at educating, socializing, and professionalizing painters, architects and sculptors of Rome.[17] It is noted by several historians that Garzoni's pieces were so well received by the public; she was able to ask any price for her paintings.[18]

Notable works and clients

 
Plate with White Beans, ca. 1650–1662. Gouache on parchment. Galleria Paletina, Florence.
 
Piatto di ciliege con rose, baccello e ape legnaiola
 
Vaso cinese con tulipani e altri fiori, due susine e due piselli, c.1641-52

One of Garzoni's earliest works, Self-portrait as Apollo in which she appears rational and contained, appears to have been modelled on Gentileschi's Self-portrait as a Lute Player, although to very different ends.[5]

Around 1626-1633, Cassiano dal Pozzo acquired several studies of citrus fruit painted in watercolor on parchment by Garzoni for a treatise about the fruit.[19] One study of citrus fruit from dal Pozzo's collection, attributed to Garzoni, was sold Sotheby's, New York, 25 January 2011, Lot 122.[20] She probably had links to the Accademia dei Lincei.[5]

In 1635, Garzoni made the first known portrait miniature of a Black person, Ethiopian traveller Zaga Christ (c. 1616–1638), possibly commissioned by Christ himself as a present for the French court.[7]

Plate with White Beans:

Plate with White Beans was one of the several works of art commissioned by the Medici family. The still life, painted sometime between 1650-1662, is a naturalistic study of beans in various stages of ripeness and decay. It is collection of the Galleria Palatina in Florence.[21]

Portrait of Carlo Emanuele I, Duke of Savory:

Created between 1623–1637 when Garzoni was invited to work for the court of Turin by Christina of France in 1632, this painting is now located in Palazzo Reale, Turin and was last restored in 1995.[22]

Still Life with a Basket of Fruit, a Vase with Carnations and Shells on a Table:

This gouache on vellum piece is one of the twenty still-life miniatures that Garzoni produced for the Medici family from the years 1650–1662. The piece depicts carnations, conch shells, as well as a basket of fruit. Due to her work for the Medici Court, Garzoni became a favorite within the Florentine court for her depictions of nature and botanical subjects. It is now located in the Wallace and Wilhelmina Holladay Collection in Washington, DC.[23]

Two important manuscript notebooks by Garzoni exist. The rare books library in Washington DC, Dumbarton Oaks, contains a self-portrait of the elderly artist, in addition to a number of botanical studies. Another album, held by the Accademia di San Luca, the artists' institute to which Garzoni left her estate, includes flower studies and still lifes.[24]

Personal life

 
Portrait of Giovanna Garzoni by Carlo Maratti, c. 1665

It is believed by historians that Garzoni never married, but others speculate that the artist was once married to Venetian portrait painter Tiberio Tinelli in 1622.[25] If so, the marriage was short lived, possibly resulting in separation in 1624.[25]

Death

In 1666, Garzoni devised a will that left her estate to the Church of Santa Martina, the church of the Accademia di San Luca on the basis that she would be buried in the church. Garzoni died in Rome in February 1670 at the age of 70.[14] Today, Garzoni's tomb remains at the Church of Santa Martina but it was not interred there until 1698, nearly 29 years after her death. Roman painter Giuseppe Ghezzi's portrait of Garzoni is also located at the Accademia.[26]

Exhibitions

“La grandezza del universo” nell'arte di Giovanna Garzoni / "The immensity of the universe" in the art of Giovanna Garzoni, Florence, Gallerie degli Uffizi, Palazzo Pitti, Andito degli Angiolini, 28 May - 28 June 2020, exhib. cat. edited by Sheila Barker.[27]

Le Signore dell’Arte. Storie di donne tra ’500 e ’600, Milan, Palazzo Reale, 02.03.2021 to 22.08.2021, curated by Anna Maria Bava, Gioia Mori and Alain Tapié, exhib. cat published by Skira.[28]

By Her Hand: Artemisia Gentileschi and Women Artists in Italy, 1500–1800, Wadsworth Atheneum and the Detroit Institute of Arts, September 30, 2021 – January 9, 2022, exhib. cat Yale University Press, edited by Eve Straussman-Pflanzer and Oliver Tostmann

References

  1. ^ "Still Life with Bowl of Citrons (Getty Museum)". The J. Paul Getty in Los Angeles.
  2. ^ a b Jordi Vigué. Great Women Masters of Art. (New York: Watson-Guptill, 2003), 77.
  3. ^ Fumagalli, Elena (2000). Giovanna Garzoni: Still Lifes. Bibliotheque de l'Image.
  4. ^ Sheila McTighe. “Foods and the Body in Italian Genre Paintings, about 1580: Campi,Passarotti, Carracci”. The Art Bulletin, College Art Association 86 (2004):301–323,accessed October 23, 2014, doi 10.2307/3177419.
  5. ^ a b c d e f Garrard, Mary D. (20 April 2020). "Two of a Kind: Giovanna Garzoni and Artemisia Gentileschi". Art Herstory. Retrieved 19 September 2021.{{cite web}}: CS1 maint: url-status (link)
  6. ^ Steinkraus, Emma (9 August 2019). "The Protofeminist Insects of Giovanna Garzoni and Maria Sibylla Merian". Art Herstory. Retrieved 19 September 2021.{{cite web}}: CS1 maint: url-status (link)
  7. ^ a b Letvin, Alexandra (17 August 2021). "Giovanna Garzoni's Portrait of Zaga Christ (Ṣägga Krǝstos)". Art Herstory. Retrieved 19 September 2021.{{cite web}}: CS1 maint: url-status (link)
  8. ^ Jane Fortune, and Linda Falcone.Invisible Women. (Florence: The Florentine Press, 2010), 101.
  9. ^ "Giovanna Garzoni (Italian, 1600 - 1670) (Getty Museum)". The J. Paul Getty in Los Angeles.
  10. ^ a b Jordi Vigué. Great Women Masters of Art. (New York: Watson-Guptill, 2003), 77.
  11. ^ a b Carole Collier Frick, Stefania Biancani, and Elizabeth S. G. Nicholson. Italian Women Artists: from Renaissance to Baroque. (Milano: Skira, 2007), 220.
  12. ^ Carole Collier Frick, Stefania Biancani, and Elizabeth S. G. Nicholson. Italian Women Artists: from Renaissance to Baroque. (Milano: Skira, 2007), 220–21.
  13. ^ Carole Collier Frick, Stefania Biancani, and Elizabeth S. G. Nicholson. Italian Women Artists: from Renaissance to Baroque. (Milano: Skira, 2007), 221.
  14. ^ a b Carole Collier Frick, Stefania Biancani, and Elizabeth S. G. Nicholson. Italian Women Artists: from Renaissance to Baroque. (Milano: Skira, 2007), 221.
  15. ^ Carole Collier Frick, StefaniaBiancani, and Elizabeth S. G. Nicholson. Italian Women Artists: from Renaissance to Baroque. (Milano: Skira, 2007), 221.
  16. ^ Carole Collier Frick, StefaniaBiancani, and Elizabeth S. G. Nicholson. Italian Women Artists: from Renaissance to Baroque. (Milano: Skira, 2007), 221.
  17. ^ “The History of the Accademia di San Luca, c. 1590–1635: Archived from the Archivio di Stato di Roma”. National Gallery of Art. Accessed November 25, 2014. . Archived from the original on 2014-11-16. Retrieved 2014-12-16..
  18. ^ “The Flowering of Florence: Botanical Art for the Medici”. National Gallery of Art. Accessed October 22, 2014. . Archived from the original on 2007-09-16. Retrieved 2007-01-27.
  19. ^ "Watercolours from the Paper Museum of Cassiano dal Pozzo". V&A. December 2020. Retrieved 19 September 2021.{{cite web}}: CS1 maint: url-status (link)
  20. ^ "Property From The Collection Of Charles Ryskamp Sold For The Primary Benefit Of Princeton University". Sotheby's New York. 25 January 2011. Retrieved 19 September 2021.{{cite web}}: CS1 maint: url-status (link)
  21. ^ Jordi Vigué. Great Women Masters of Art. (New York: Watson-Guptill, 2003), 79.
  22. ^ Carole Collier Frick, Stefania Biancani, and Elizabeth S. G. Nicholson. Italian Women Artists: from Renaissance to Baroque. (Milano: Skira, 2007), 222.
  23. ^ Carole Collier Frick, Stefania Biancani, and Elizabeth S. G. Nicholson. Italian Women Artists: from Renaissance to Baroque. (Milano: Skira, 2007), 238.
  24. ^ Tongiorgi Tomasi, Lucia; Hirschauer, Gretchen A; National Gallery of Art (U.S.) (2002-01-01). The flowering of Florence: botanical art for the Medici. Washington, D.C.: National Gallery of Art. pp. 77–81. ISBN 0894682881. OCLC 48507800.
  25. ^ a b Francesca Bottacin, Appunti per il soggiorno veneziano di Giovanna Garzoni: documenti inediti, in “Arte Veneta”, 52, 1998, pp. 141–147
  26. ^ Jane Fortune and Linda Falcone. Invisible Women. (Florence: The Florentine Press, 2010), 103.
  27. ^ Matthews-Grieco, Sara (10 July 2020). "La grandezza del universo" nell'arte di Giovanna Garzoni / "The grandeur of the universe" in the art of Giovanna Garzoni". Art Herstory. Retrieved 19 September 2021.{{cite web}}: CS1 maint: url-status (link)
  28. ^ Gamberini, Cecilia (5 July 2021). "The Ladies of Art are in Milan". Art Herstory. Retrieved 19 September 2021.{{cite web}}: CS1 maint: url-status (link)

Sources

  • Ferraro, Joanne M. Marriage Wars in Late Renaissance Venice. (New York: Oxford University Press, 2001).
  • Fortune, Jane, and Linda Falcone. Invisible Women. (Florence: The Florentine Press, 2010).
  • Frick, Carole Collier, Stefania Biancani, and Elizabeth S. G. Nicholson. Italian Women Artists: from Renaissance to Baroque. (Milano: Skira, 2007).
  • McTighe, Sheila. Foods and the Body in Italian Genre Paintings, about 1580: Campi, Passarotti, Carracci. The Art Bulletin, College Art Association 86 (2004):301–323, doi 10.2307/3177419.
  • Anon. The Flowering of Florence: Botanical Art for the Medici. National Gallery of Art. Accessed October 22, 2014.
  • The History of the Accademia di San Luca, c. 1590–1635: Archived from the Archivio di Stato di Roma. National Gallery of Art.
  • Vigué, Jordi. Great Women Masters of Art. (New York: Watson-Guptill, 2003).

External links

  Media related to Giovanna Garzoni at Wikimedia Commons

  • Web Gallery of Art (images)
  • Cleveland Institute of Art
  • Giovanna Garzoni Notebook: Garzoni, Giovanna, 1600–1670. Piante varie. ca. 1650. RARE RBR G-3-3. Dumbarton Oaks Research Library, Washington, DC
  • CLARA Database of Women Artists 2012-03-02 at the Wayback Machine

February 06, 2023
giovanna, garzoni, 1600, 1670, italian, painter, baroque, period, began, career, painting, religious, mythological, allegorical, subjects, gained, fame, botanical, subjects, painted, tempera, watercolour, works, were, praised, their, precision, balance, exacti. Giovanna Garzoni 1600 1670 was an Italian painter of the Baroque period She began her career painting religious mythological and allegorical subjects but gained fame for her botanical subjects painted in tempera and watercolour 2 3 Her works were praised for their precision and balance and for the exactitude of the objects depicted 4 More recently her paintings have been seen to have female bodily associations and proto feminist sentiments 5 6 She combined objects very inventively including Asian porcelain exotic seashells and botanical specimens 7 She was often called the Chaste Giovanna due to her vow to remain a virgin 8 Scholars have speculated Garzoni may have been influenced by fellow botanical painter Jacopo Ligozzi 9 although details about Garzoni s training are unknown Giovanna Garzoni self portrait Still Life with Bowl of Citrons late 1640s now in J Paul Getty Museum 1 Contents 1 Early life 2 Career 3 Notable works and clients 4 Personal life 5 Death 6 Exhibitions 7 References 8 Sources 9 External linksEarly life EditGiovanna Garzoni was born in 1600 in Ascoli Piceno in the Marche district of Italy to Giacomo Garzoni and Isabetta Gaia 10 Both of Garzoni s parents were of Venetian origin and are believed to have come from a long line of Venetian painters a fact that is often disputed 2 Garzoni s grandfather Nicola and Uncle Vincenzo from her mother s side were both goldsmiths while her other uncle Pietro Gaia was a painter who studied under Palma the Younger 11 Historians have widely speculated that Garzoni started off her career as an apprentice under her uncle sometime before 1615 Garzoni also had a brother Mattio with whom she would travel throughout her career 12 Career Edit Taffeta antependium embroidered in silk with flowers around central medallion of God in splendour 1640 1650 Uffizi Gallery Garzoni s first known commission was in the city where she grew up Rome It was in 1616 from the chemist Giovanni Vorvino to paint a herbarium 10 Garzoni visited the Medici court in Florence sometime between 1618 and 1620 where she probably encountered Artemisia Gentileschi 5 Four years later in 1620 Garzoni arrived in Venice and painted a Saint Andrew for the Venetian Church of the Ospedale degli Incurabili Garzoni stayed in Venice for a few more years and during that time attended the calligraphy school of Giacomo Rogni Shortly after her studies Garzoni produced a book of cursive characters illustrated with birds flowers and insects called the Libro de caratteri Cancellereschi Corsivi Biblioteca Accademica di San Luca Rome 11 5 After finishing her education Garzoni and her brother Mattio left Venice in 1630 for Naples where she worked for the Spanish viceroy the Duke of Alcala Garzoni may have travelled with Gentileschi 5 Garzoni remained in Naples for a year before returning to Rome in 1631 Garzoni s stay in Rome was short lived however due to Christina of France s persistent efforts to have the artist come to Turin to serve as the miniaturist for the Turinese court 13 Garzoni reached Turin in 1632 and lived there until 1637 After staying in Turin Garzoni became familiar with the work of fellow artists Fede Galizia and Panfilo Nuvolone 14 A few years later in 1640 Garzoni arrived in Paris and stayed there until 1642 when she went to Rome Garzoni traveled back and forth from Rome to Florence until 1651 where her primary clients were in the Medici Family particularly Grand Duke Ferdinando II Grand Duchess Victoria and Cardinal Giovan Carlo 15 After serving the Medici Court Garzoni decided to settle in Rome in 1651 where she worked continue producing work for the Florentine Court 16 As well as painting Garzoni attended the Accademia di San Luca where she followed events and discussion aimed at educating socializing and professionalizing painters architects and sculptors of Rome 17 It is noted by several historians that Garzoni s pieces were so well received by the public she was able to ask any price for her paintings 18 Notable works and clients Edit Plate with White Beans ca 1650 1662 Gouache on parchment Galleria Paletina Florence Piatto di ciliege con rose baccello e ape legnaiola Vaso cinese con tulipani e altri fiori due susine e due piselli c 1641 52 One of Garzoni s earliest works Self portrait as Apollo in which she appears rational and contained appears to have been modelled on Gentileschi s Self portrait as a Lute Player although to very different ends 5 Around 1626 1633 Cassiano dal Pozzo acquired several studies of citrus fruit painted in watercolor on parchment by Garzoni for a treatise about the fruit 19 One study of citrus fruit from dal Pozzo s collection attributed to Garzoni was sold Sotheby s New York 25 January 2011 Lot 122 20 She probably had links to the Accademia dei Lincei 5 In 1635 Garzoni made the first known portrait miniature of a Black person Ethiopian traveller Zaga Christ c 1616 1638 possibly commissioned by Christ himself as a present for the French court 7 Plate with White Beans Plate with White Beans was one of the several works of art commissioned by the Medici family The still life painted sometime between 1650 1662 is a naturalistic study of beans in various stages of ripeness and decay It is collection of the Galleria Palatina in Florence 21 Portrait of Carlo Emanuele I Duke of Savory Created between 1623 1637 when Garzoni was invited to work for the court of Turin by Christina of France in 1632 this painting is now located in Palazzo Reale Turin and was last restored in 1995 22 Still Life with a Basket of Fruit a Vase with Carnations and Shells on a Table This gouache on vellum piece is one of the twenty still life miniatures that Garzoni produced for the Medici family from the years 1650 1662 The piece depicts carnations conch shells as well as a basket of fruit Due to her work for the Medici Court Garzoni became a favorite within the Florentine court for her depictions of nature and botanical subjects It is now located in the Wallace and Wilhelmina Holladay Collection in Washington DC 23 Two important manuscript notebooks by Garzoni exist The rare books library in Washington DC Dumbarton Oaks contains a self portrait of the elderly artist in addition to a number of botanical studies Another album held by the Accademia di San Luca the artists institute to which Garzoni left her estate includes flower studies and still lifes 24 Personal life Edit Portrait of Giovanna Garzoni by Carlo Maratti c 1665 It is believed by historians that Garzoni never married but others speculate that the artist was once married to Venetian portrait painter Tiberio Tinelli in 1622 25 If so the marriage was short lived possibly resulting in separation in 1624 25 Death EditIn 1666 Garzoni devised a will that left her estate to the Church of Santa Martina the church of the Accademia di San Luca on the basis that she would be buried in the church Garzoni died in Rome in February 1670 at the age of 70 14 Today Garzoni s tomb remains at the Church of Santa Martina but it was not interred there until 1698 nearly 29 years after her death Roman painter Giuseppe Ghezzi s portrait of Garzoni is also located at the Accademia 26 Exhibitions Edit La grandezza del universo nell arte di Giovanna Garzoni The immensity of the universe in the art of Giovanna Garzoni Florence Gallerie degli Uffizi Palazzo Pitti Andito degli Angiolini 28 May 28 June 2020 exhib cat edited by Sheila Barker 27 Le Signore dell Arte Storie di donne tra 500 e 600 Milan Palazzo Reale 02 03 2021 to 22 08 2021 curated by Anna Maria Bava Gioia Mori and Alain Tapie exhib cat published by Skira 28 By Her Hand Artemisia Gentileschi and Women Artists in Italy 1500 1800 Wadsworth Atheneum and the Detroit Institute of Arts September 30 2021 January 9 2022 exhib cat Yale University Press edited by Eve Straussman Pflanzer and Oliver TostmannReferences Edit Still Life with Bowl of Citrons Getty Museum The J Paul Getty in Los Angeles a b Jordi Vigue Great Women Masters of Art New York Watson Guptill 2003 77 Fumagalli Elena 2000 Giovanna Garzoni Still Lifes Bibliotheque de l Image Sheila McTighe Foods and the Body in Italian Genre Paintings about 1580 Campi Passarotti Carracci The Art Bulletin College Art Association 86 2004 301 323 accessed October 23 2014 doi 10 2307 3177419 a b c d e f Garrard Mary D 20 April 2020 Two of a Kind Giovanna Garzoni and Artemisia Gentileschi Art Herstory Retrieved 19 September 2021 a href Template Cite web html title Template Cite web cite web a CS1 maint url status link Steinkraus Emma 9 August 2019 The Protofeminist Insects of Giovanna Garzoni and Maria Sibylla Merian Art Herstory Retrieved 19 September 2021 a href Template Cite web html title Template Cite web cite web a CS1 maint url status link a b Letvin Alexandra 17 August 2021 Giovanna Garzoni s Portrait of Zaga Christ Ṣagga Krǝstos Art Herstory Retrieved 19 September 2021 a href Template Cite web html title Template Cite web cite web a CS1 maint url status link Jane Fortune and Linda Falcone Invisible Women Florence The Florentine Press 2010 101 Giovanna Garzoni Italian 1600 1670 Getty Museum The J Paul Getty in Los Angeles a b Jordi Vigue Great Women Masters of Art New York Watson Guptill 2003 77 a b Carole Collier Frick Stefania Biancani and Elizabeth S G Nicholson Italian Women Artists from Renaissance to Baroque Milano Skira 2007 220 Carole Collier Frick Stefania Biancani and Elizabeth S G Nicholson Italian Women Artists from Renaissance to Baroque Milano Skira 2007 220 21 Carole Collier Frick Stefania Biancani and Elizabeth S G Nicholson Italian Women Artists from Renaissance to Baroque Milano Skira 2007 221 a b Carole Collier Frick Stefania Biancani and Elizabeth S G Nicholson Italian Women Artists from Renaissance to Baroque Milano Skira 2007 221 Carole Collier Frick StefaniaBiancani and Elizabeth S G Nicholson Italian Women Artists from Renaissance to Baroque Milano Skira 2007 221 Carole Collier Frick StefaniaBiancani and Elizabeth S G Nicholson Italian Women Artists from Renaissance to Baroque Milano Skira 2007 221 The History of the Accademia di San Luca c 1590 1635 Archived from the Archivio di Stato di Roma National Gallery of Art Accessed November 25 2014 The History of the Accademia di San Luca c 1590 1635 Documents from the Archivio di Stato di Roma Archived from the original on 2014 11 16 Retrieved 2014 12 16 The Flowering of Florence Botanical Art for the Medici National Gallery of Art Accessed October 22 2014 National Gallery of Art the Flowering of Florence Botanical Art for the Medici Archived from the original on 2007 09 16 Retrieved 2007 01 27 Watercolours from the Paper Museum of Cassiano dal Pozzo V amp A December 2020 Retrieved 19 September 2021 a href Template Cite web html title Template Cite web cite web a CS1 maint url status link Property From The Collection Of Charles Ryskamp Sold For The Primary Benefit Of Princeton University Sotheby s New York 25 January 2011 Retrieved 19 September 2021 a href Template Cite web html title Template Cite web cite web a CS1 maint url status link Jordi Vigue Great Women Masters of Art New York Watson Guptill 2003 79 Carole Collier Frick Stefania Biancani and Elizabeth S G Nicholson Italian Women Artists from Renaissance to Baroque Milano Skira 2007 222 Carole Collier Frick Stefania Biancani and Elizabeth S G Nicholson Italian Women Artists from Renaissance to Baroque Milano Skira 2007 238 Tongiorgi Tomasi Lucia Hirschauer Gretchen A National Gallery of Art U S 2002 01 01 The flowering of Florence botanical art for the Medici Washington D C National Gallery of Art pp 77 81 ISBN 0894682881 OCLC 48507800 a b Francesca Bottacin Appunti per il soggiorno veneziano di Giovanna Garzoni documenti inediti in Arte Veneta 52 1998 pp 141 147 Jane Fortune and Linda Falcone Invisible Women Florence The Florentine Press 2010 103 Matthews Grieco Sara 10 July 2020 La grandezza del universo nell arte di Giovanna Garzoni The grandeur of the universe in the art of Giovanna Garzoni Art Herstory Retrieved 19 September 2021 a href Template Cite web html title Template Cite web cite web a CS1 maint url status link Gamberini Cecilia 5 July 2021 The Ladies of Art are in Milan Art Herstory Retrieved 19 September 2021 a href Template Cite web html title Template Cite web cite web a CS1 maint url status link Sources EditFerraro Joanne M Marriage Wars in Late Renaissance Venice New York Oxford University Press 2001 Fortune Jane and Linda Falcone Invisible Women Florence The Florentine Press 2010 Frick Carole Collier Stefania Biancani and Elizabeth S G Nicholson Italian Women Artists from Renaissance to Baroque Milano Skira 2007 McTighe Sheila Foods and the Body in Italian Genre Paintings about 1580 Campi Passarotti Carracci The Art Bulletin College Art Association 86 2004 301 323 doi 10 2307 3177419 Anon The Flowering of Florence Botanical Art for the Medici National Gallery of Art Accessed October 22 2014 The History of the Accademia di San Luca c 1590 1635 Archived from the Archivio di Stato di Roma National Gallery of Art Vigue Jordi Great Women Masters of Art New York Watson Guptill 2003 External links Edit Media related to Giovanna Garzoni at Wikimedia Commons Accademia of San Luca Giovanna Garzoni Getty Museum National Gallery of Art Web Gallery of Art images Cleveland Institute of Art Giovanna Garzoni Notebook Garzoni Giovanna 1600 1670 Piante varie ca 1650 RARE RBR G 3 3 Dumbarton Oaks Research Library Washington DC CLARA Database of Women Artists Archived 2012 03 02 at the Wayback Machine Retrieved from https en wikipedia org w index php title Giovanna Garzoni amp oldid 1137551722, wikipedia, wiki, book, books, library,

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