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G. H. Palmer

George Herbert Palmer (Grantchester, 9 August 1846 - Oxford, 20 June 1926) was an English Anglo-Catholic priest, musicologist, organist, and expert on plainchant, particularly of the Sarum Use. Named after the priest and poet George Herbert, he was ordained a priest in Chester in 1871 and later was organist of St Margaret's Church in Toxteth Park, Liverpool, and St Barnabas, Pimlico, London. He helped found the Plainsong and Medieval Music Society (PMMS) in 1888. The majority of his extensive editions of liturgical music and texts were produced by the PMMS and the Community of St Mary the Virgin at Wantage in Oxfordshire. He was notable and influential for his musically sensitive translations of Latin hymns into English.[1]

Works edit

  • The Antiphoner and Grail: Being the Words of the Antiphons and Hymns at Mattins and Evening, and also of the Introits, Graduals, and Sequences at the Holy Eucharist, Derived Mainly from the Sarum Breviary and Missal, and Adapted to the Use of the Book of Common Prayer (1880)
  • The Hymner, Containing Translations of Hymns from the Sarum and Other English Service-books, Supplemented by Sequences from Various Sources (1891)
  • The Office Hymn-Book, Part II: Harmonies for Organists (1891)
  • The Sarum Psalter, 1894
  • The Introduction and Tone-Table to the Sarum Psalter (1898)
  • The Psalms of David, Pointed to the Eight Gregorian Tones as Given in the Sarum Tonale (1898)
  • The Order of Compline from the Sarum Breviary (1899)
  • The Order of Vespers from the Sarum Breviary (1899)
  • The Responds at Vespers throughout the Year, with the Musical Notation, from the Salisbury Antiphoner (1899-1902)
    • Proper of the Season, Advent
    • Christmas to Lent
    • Lent and Passion-tide
    • Common of Saints
  • The Order of Compline Throughout the Year: With the Musical Notation from the Salisbury Antiphoner (1899)
  • The Antiphons to Magnificat Throughout the Year: From the Sarum Breviary (1900)
  • A Selection of Offices, Grails and Alleluyas for Sundays and Festivals from the Sarum Gradale (1900)
    • volume one
  • Additional Settings of Certain of the Canticles at Mattins and Evensong adapted from Sarum Service-books (1902)
  • Requiem Services, Containing the Music of Vespers and Mass, Together with the Order for the Burial of the Dead (1902-1903)
    • The Order for 'Placebo' or Vespers of the Dead, with the Musical Notation from the Salisbury Antiphoner
    • The Musick of the Mass for the Dead Adapted to the English Text from the Sarum Manuale
    • The Order for the Burial of the Dead Adapted to Plain-Chant from the Sarum Antiphoner
  • The Hymner: Containing Translations of the Hymns from the Sarum Breviary Together with Sundry Sequences and Processions (1905)
  • The Great Advent Antiphons: With the Musical Notation from the Salisbury Antiphoner (1910)
  • Salve festa dies: A Hymn for Easter Day, with Words and Musick Drawn from the Sarum Processionale (1912)
  • The Psalms and Canticles at Mattins and Evensong Pointed to the Eight Gregorian Tones from the Sarum Tonale (1920)
  • The Diurnal After the Use of the Illustrious Church of Salisbury (1921-1930)[2]
  • The Diurnal Noted: From the Salisbury Use, translated into English and Adapted to the Original Music-note (1926)
  • The Order of Tenebrae, Or Mattins and Lauds, of the Last Three Days of Holy Week, from the Salisbury Antiphoner (1929)
  • The Antiphons upon Benedictus from the Salisbury Antiphoner (1958)

References edit

  1. ^ Modern translation - Page 77 Ernest Stuart Bates - 1936 - G. H. Palmer. The latter made it the main concern of the latter part of a long life to anglicize the Latin words of the medieval English liturgy so that they should harmonize as faithfully with the original accompaniment of 'plain-chant' as did the Latin. He combined qualifications rarely found in unison: a scholar's gift for research, a poet's sense of words, a musician's knowledge of music, and a sense of perfection entirely his own. His Salisbury 'Diurnal' is, in consequence, not only a model ...
  2. ^ Worship: A Review Devoted to the Liturgical Apostolate 1952. Another office book used by a limited number of sisterhoods is The Salisbury Diurnal, edited by Dr. G. H. Palmer, the plainchant authority, and published by the Community of St Mary the Virgin, Wantage.

palmer, george, herbert, palmer, grantchester, august, 1846, oxford, june, 1926, english, anglo, catholic, priest, musicologist, organist, expert, plainchant, particularly, sarum, named, after, priest, poet, george, herbert, ordained, priest, chester, 1871, la. George Herbert Palmer Grantchester 9 August 1846 Oxford 20 June 1926 was an English Anglo Catholic priest musicologist organist and expert on plainchant particularly of the Sarum Use Named after the priest and poet George Herbert he was ordained a priest in Chester in 1871 and later was organist of St Margaret s Church in Toxteth Park Liverpool and St Barnabas Pimlico London He helped found the Plainsong and Medieval Music Society PMMS in 1888 The majority of his extensive editions of liturgical music and texts were produced by the PMMS and the Community of St Mary the Virgin at Wantage in Oxfordshire He was notable and influential for his musically sensitive translations of Latin hymns into English 1 Works editThe Antiphoner and Grail Being the Words of the Antiphons and Hymns at Mattins and Evening and also of the Introits Graduals and Sequences at the Holy Eucharist Derived Mainly from the Sarum Breviary and Missal and Adapted to the Use of the Book of Common Prayer 1880 The Hymner Containing Translations of Hymns from the Sarum and Other English Service books Supplemented by Sequences from Various Sources 1891 The Office Hymn Book Part II Harmonies for Organists 1891 The Sarum Psalter 1894 The Introduction and Tone Table to the Sarum Psalter 1898 The Psalms of David Pointed to the Eight Gregorian Tones as Given in the Sarum Tonale 1898 The Order of Compline from the Sarum Breviary 1899 The Order of Vespers from the Sarum Breviary 1899 The Responds at Vespers throughout the Year with the Musical Notation from the Salisbury Antiphoner 1899 1902 Proper of the Season Advent Christmas to Lent Lent and Passion tide Common of Saints The Order of Compline Throughout the Year With the Musical Notation from the Salisbury Antiphoner 1899 The Antiphons to Magnificat Throughout the Year From the Sarum Breviary 1900 A Selection of Offices Grails and Alleluyas for Sundays and Festivals from the Sarum Gradale 1900 volume one Additional Settings of Certain of the Canticles at Mattins and Evensong adapted from Sarum Service books 1902 Requiem Services Containing the Music of Vespers and Mass Together with the Order for the Burial of the Dead 1902 1903 The Order for Placebo or Vespers of the Dead with the Musical Notation from the Salisbury Antiphoner The Musick of the Mass for the Dead Adapted to the English Text from the Sarum Manuale The Order for the Burial of the Dead Adapted to Plain Chant from the Sarum Antiphoner The Hymner Containing Translations of the Hymns from the Sarum Breviary Together with Sundry Sequences and Processions 1905 The Great Advent Antiphons With the Musical Notation from the Salisbury Antiphoner 1910 Salve festa dies A Hymn for Easter Day with Words and Musick Drawn from the Sarum Processionale 1912 The Psalms and Canticles at Mattins and Evensong Pointed to the Eight Gregorian Tones from the Sarum Tonale 1920 The Diurnal After the Use of the Illustrious Church of Salisbury 1921 1930 2 The Diurnal Noted From the Salisbury Use translated into English and Adapted to the Original Music note 1926 The Order of Tenebrae Or Mattins and Lauds of the Last Three Days of Holy Week from the Salisbury Antiphoner 1929 The Antiphons upon Benedictus from the Salisbury Antiphoner 1958 References edit Modern translation Page 77 Ernest Stuart Bates 1936 G H Palmer The latter made it the main concern of the latter part of a long life to anglicize the Latin words of the medieval English liturgy so that they should harmonize as faithfully with the original accompaniment of plain chant as did the Latin He combined qualifications rarely found in unison a scholar s gift for research a poet s sense of words a musician s knowledge of music and a sense of perfection entirely his own His Salisbury Diurnal is in consequence not only a model Worship A Review Devoted to the Liturgical Apostolate 1952 Another office book used by a limited number of sisterhoods is The Salisbury Diurnal edited by Dr G H Palmer the plainchant authority and published by the Community of St Mary the Virgin Wantage Retrieved from https en wikipedia org w index php title G H Palmer amp oldid 1150724611, wikipedia, wiki, book, books, library,

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