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Ferdinand Hummel

Ferdinand Hummel (September 6, 1855 in Berlin – April 24, 1928 in Berlin) was a German composer, harp player, pianist[citation needed] and conductor.[1]

Ferdinand Hummel.

Hummel started as a child prodigy, and his father, who was a flute player in the Royal Orchestra in Berlin, took care of his son's first musical training instructing him in both the piano and the harp from the age of four (some say seven) gaining a King Wilhelm von Preussen Stipendium, so he could study with Antonio Zamara at the Gesellschaft der Musikfreunde in Vienna.

In the years 1864 to 1867, the boy toured with his father to South and North Germany, Denmark, Sweden, Norway and Russia, where he was hailed as a great harp virtuoso. Through a Royal grant, he later went to study at New Academy of Music, Berlin (Theodor Kullak's institute) from 1868 to 1875 and later at the Royal High School for Music and Composition with Woldemar Bargiel and Friedrich Kiel as his principal teachers.

After his education, he was a harp player in B. Bilse's Orchestra, which was later to become the Berlin Philharmonic Orchestra. In 1892, Hummel was appointed leader of the stage music at the Royal Theatre in Berlin,[1] becoming director from 1897 to 1917.

As a composer, Hummel was very productive writing operas, chamber music, piano pieces and choral works. Today his music is mostly forgotten, but his operas are at least of some interest since they form a German equivalent to the Italian Verismo-style of Puccini, Mascagni and Leoncavallo.

His operas include: Mara op. 61 (1893), Angla op. 60 (1894), Ein treuer Schelm op. 64 (A faithful rogue) (1894), Assarpai op. 65 (1898), Sophie von Brabant (Sophie from Brabant) (1899). Die Beichte op. 69 (The Confession) (1900), Die Gefilde der Seligen (The Field of the Holy Ones) (1917)[1] and Jenseits des Stroms (On the Other Side of the Stream) (1922).[citation needed]

He also composed music for the plays Das heilige Lachen (The Holy Laughing) and Sakuntala – both in 1903. He composed a symphony in D major op. 105, a piano concerto in B flat major op. 35, a piano quintet, a violin sonata, a horn sonata and other minor works.

He is not related to Johann Nepomuk Hummel (1778–1837).

References Edit

  1. ^ a b c Ferdinand Hummel. Baker's Biographical Dictionary of Musicians (Schirmer; 2001)

External links Edit

ferdinand, hummel, this, article, needs, additional, citations, verification, please, help, improve, this, article, adding, citations, reliable, sources, unsourced, material, challenged, removed, find, sources, news, newspapers, books, scholar, jstor, october,. This article needs additional citations for verification Please help improve this article by adding citations to reliable sources Unsourced material may be challenged and removed Find sources Ferdinand Hummel news newspapers books scholar JSTOR October 2022 Learn how and when to remove this template message Ferdinand Hummel September 6 1855 in Berlin April 24 1928 in Berlin was a German composer harp player pianist citation needed and conductor 1 Ferdinand Hummel Hummel started as a child prodigy and his father who was a flute player in the Royal Orchestra in Berlin took care of his son s first musical training instructing him in both the piano and the harp from the age of four some say seven gaining a King Wilhelm von Preussen Stipendium so he could study with Antonio Zamara at the Gesellschaft der Musikfreunde in Vienna In the years 1864 to 1867 the boy toured with his father to South and North Germany Denmark Sweden Norway and Russia where he was hailed as a great harp virtuoso Through a Royal grant he later went to study at New Academy of Music Berlin Theodor Kullak s institute from 1868 to 1875 and later at the Royal High School for Music and Composition with Woldemar Bargiel and Friedrich Kiel as his principal teachers After his education he was a harp player in B Bilse s Orchestra which was later to become the Berlin Philharmonic Orchestra In 1892 Hummel was appointed leader of the stage music at the Royal Theatre in Berlin 1 becoming director from 1897 to 1917 As a composer Hummel was very productive writing operas chamber music piano pieces and choral works Today his music is mostly forgotten but his operas are at least of some interest since they form a German equivalent to the Italian Verismo style of Puccini Mascagni and Leoncavallo His operas include Mara op 61 1893 Angla op 60 1894 Ein treuer Schelm op 64 A faithful rogue 1894 Assarpai op 65 1898 Sophie von Brabant Sophie from Brabant 1899 Die Beichte op 69 The Confession 1900 Die Gefilde der Seligen The Field of the Holy Ones 1917 1 and Jenseits des Stroms On the Other Side of the Stream 1922 citation needed He also composed music for the plays Das heilige Lachen The Holy Laughing and Sakuntala both in 1903 He composed a symphony in D major op 105 a piano concerto in B flat major op 35 a piano quintet a violin sonata a horn sonata and other minor works He is not related to Johann Nepomuk Hummel 1778 1837 References Edit a b c Ferdinand Hummel Baker s Biographical Dictionary of Musicians Schirmer 2001 External links EditFree scores by Ferdinand Hummel at the International Music Score Library Project IMSLP Ferdinand Hummel at IMDb Retrieved from https en wikipedia org w index php title Ferdinand Hummel amp oldid 1113580393, wikipedia, wiki, book, books, library,

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