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Fano Altarpiece

The Fano Altarpiece is a painting by the Italian Renaissance artist Pietro Perugino, executed in 1497, and housed in the church of Santa Maria Nuova, Fano, central Italy. It also includes a lunette with a Pietà and several predella panels.

Fano Altarpiece
ArtistPietro Perugino
Year1497
MediumOil on panel
Dimensions262 cm × 215 cm (103 in × 85 in)
LocationChurch of Santa Maria Nuova, Fano

Perugino had already painted an Annunciation in 1488-1490. Several scholars have supposed that a young Raphael collaborated on the predella.

Lunette.

Description edit

The Madonna is portrayed on a luminous landscape of hills, on a high throne; in front of her is a pedestal with, on it, a mystic vase, and featuring the signature and date, which were always added by Perugino when the painting was produced in his workshop and then shipped to the destination. Mary holds the Child in the same fashion of the Decemviri Altarpiece of 1495-1496.

At the sides are the saints John the Baptist (with a camel skin and a stick with the cross), Louis of Toulouse, who wears a bishop dress, Francis of Assisi (reading), Peter with the Keys of Heaven, Paul (with a long beard and a red vest) and Mary Magdalene with offerings to the Madonna. The portico is a typical element of Perugino's paintings of the period, such as the Albani Torlonia Polyptych; also typical of his late works is the Madonna's figure as a more mature woman, different than the elegantly youthful portrayal painted before. Less usual are the differentiated proportions of the saints and of the Madonna herself.

The lunette depicts Jesus raised from his sepulchre by Joseph of Arimathea and Nicodemus, with Mary and John the Apostle at the sides. The predella includes the scenes of the Nativity of Mary, the Presentation of Jesus at the Temple, the Marriage of the Virgin, the Annunciation and the Assumption. In these secondary paintings, Perugino used some of his typical themes, including the portico and the oval in a valley.

         

Predella.

Sources edit

  • Garibaldi, Vittoria (2004). "Perugino". Pittori del Rinascimento (in Italian). Florence: Scala.

fano, altarpiece, this, article, includes, list, references, related, reading, external, links, sources, remain, unclear, because, lacks, inline, citations, please, help, improve, this, article, introducing, more, precise, citations, january, 2015, learn, when. This article includes a list of references related reading or external links but its sources remain unclear because it lacks inline citations Please help improve this article by introducing more precise citations January 2015 Learn how and when to remove this message The Fano Altarpiece is a painting by the Italian Renaissance artist Pietro Perugino executed in 1497 and housed in the church of Santa Maria Nuova Fano central Italy It also includes a lunette with a Pieta and several predella panels Fano AltarpieceArtistPietro PeruginoYear1497MediumOil on panelDimensions262 cm 215 cm 103 in 85 in LocationChurch of Santa Maria Nuova Fano Perugino had already painted an Annunciation in 1488 1490 Several scholars have supposed that a young Raphael collaborated on the predella Lunette Description editThe Madonna is portrayed on a luminous landscape of hills on a high throne in front of her is a pedestal with on it a mystic vase and featuring the signature and date which were always added by Perugino when the painting was produced in his workshop and then shipped to the destination Mary holds the Child in the same fashion of the Decemviri Altarpiece of 1495 1496 At the sides are the saints John the Baptist with a camel skin and a stick with the cross Louis of Toulouse who wears a bishop dress Francis of Assisi reading Peter with the Keys of Heaven Paul with a long beard and a red vest and Mary Magdalene with offerings to the Madonna The portico is a typical element of Perugino s paintings of the period such as the Albani Torlonia Polyptych also typical of his late works is the Madonna s figure as a more mature woman different than the elegantly youthful portrayal painted before Less usual are the differentiated proportions of the saints and of the Madonna herself The lunette depicts Jesus raised from his sepulchre by Joseph of Arimathea and Nicodemus with Mary and John the Apostle at the sides The predella includes the scenes of the Nativity of Mary the Presentation of Jesus at the Temple the Marriage of the Virgin the Annunciation and the Assumption In these secondary paintings Perugino used some of his typical themes including the portico and the oval in a valley nbsp nbsp nbsp nbsp nbsp Predella Sources editGaribaldi Vittoria 2004 Perugino Pittori del Rinascimento in Italian Florence Scala Retrieved from https en wikipedia org w index php title Fano Altarpiece amp oldid 1221801664, wikipedia, wiki, book, books, library,

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