Erill la Vall Descent from the Cross is a set of seven 12th-century wooden sculptures from the Pyrenees village of Erill la Vall in Catalonia. Originally painted, it comprises a complete RomanesqueDescent from the Cross sculpture group, which in Catalonia has the peculiarity that it is made up of seven figures. Two of the carvings are kept at the National Art Museum of Catalonia (MNAC) and the rest at the Vic Episcopal Museum.[1]
In the centre was the figure of Jesus Christ held by Joseph of Arimathea and unnailed by Nicodemus, flanked by the Virgin Mary and Saint John the Evangelist on either side, with the penitent and impenitent thieves, Dismas and Gestas, at the ends, respectively. The subject of the Descent adds a more narrative and dramatic feel to the representation of the Passion of Christ, and these sculptures were probably used in Medieval liturgical drama. The MNAC's collection preserves figures from the Descents of Santa Maria de Taüll and Durro, both in the Vall de Boí (Boí Valley, a UNESCO World Heritage Site).[2]
The Virgin and Saint Johnedit
The monumental sculptural groups in wood of the Descent from the Cross are an important chapter in Romanesque carving in Catalonia on account of the high artistic quality of the works preserved and of the unique features of their iconography. A significant proportion comes from the Boí Valley (Vall de Boí). One aspect that sets these Catalan series of carvings apart from other renderings of this theme is the presence of seven figures: in the centre was the figure of Christ, sustained by Joseph of Arimathea (on his right, the left for the observer) and Nicodemus on his right; on either side are Mary and St John, and at the ends the figures of the two thieves, Dismas and Gestas.
The theme of the Descent brings a greater narrative and dramatic sense to the treatment of the two episodes of the Calvary and may be related to the liturgical plays of the time. But the presence of these groups in Catalonia during the twelfth and thirteenth centuries, as some have tried to demonstrate, could also correspond to the struggle against the heresy of Catharism. As the subject could have a Eucharistic meaning, it could be used as a reply to the Cathars' negation of the death of Christ and of the Eucharist itself.
The Erill la Vall Descent is the most complete of all the known groups from the Catalan western Pyrenees, but all the figures are not exhibited together, being dispersed between the Vic Episcopal Museum and the National Art Museum of Catalonia, although the two museums sometimes loan the works out to one another to display them as a complete set.
As a whole it is a masterpiece of Romanesque carving in Catalonia, to the extent that other works have been arranged around it, such as the Descent from Santa Maria de Taüll,[3] what remains of the one from Durro,[4] as well as works of other types (altar frontals, crucifixes)
Castiñeiras, Manuel; Camps, Jordi (2008). Romanesque art in the MNAC collections. MNAC. ISBN978-84-8043-196-5. Retrieved 3 September 2012.
Museu Nacional D'Art de Catalunya. MNAC. 1 March 2009. ISBN978-84-8043-200-9. Retrieved 3 September 2012.
Carbonell, Eduard; Pagès, Montserrat; Camps, Jordi; Marot, Teresa (1998). Romanesque Art Guide: Museu Nacional D'Art de Catalunya. Museu Nacional d'Art de Catalunya. ISBN9788480430395. Retrieved 3 September 2012.
Carbonell, Eduard; Sureda i Pons, Joan (1997). The Medieval Treasures of the Museu Nacional D'Art de Catalunya. Lunwerg. Retrieved 3 September 2012.
External linksedit
Wikimedia Commons has media related to Davallament d'Erill la Vall.
The artwork at Museum's website
The Art of medieval Spain, A.D. 500-1200, an exhibition catalog from The Metropolitan Museum of Art Libraries (fully available online as PDF), which contains material on Erill la Vall Descent from the Cross (164)
January 01, 1970
erill, vall, descent, from, cross, seven, 12th, century, wooden, sculptures, from, pyrenees, village, erill, vall, catalonia, originally, painted, comprises, complete, romanesque, descent, from, cross, sculpture, group, which, catalonia, peculiarity, that, mad. Erill la Vall Descent from the Cross is a set of seven 12th century wooden sculptures from the Pyrenees village of Erill la Vall in Catalonia Originally painted it comprises a complete Romanesque Descent from the Cross sculpture group which in Catalonia has the peculiarity that it is made up of seven figures Two of the carvings are kept at the National Art Museum of Catalonia MNAC and the rest at the Vic Episcopal Museum 1 Erill la Vall Descent from the CrossArtistUnknownYearSecond half of the 12th centuryTypeWood carving with tempera polychrome remainsLocationMuseu Nacional d Art de Catalunya and Museu Episcopal de Vic Barcelona and Vic Contents 1 Description 1 1 The Virgin and Saint John 2 References 3 Further reading 4 External linksDescription editIn the centre was the figure of Jesus Christ held by Joseph of Arimathea and unnailed by Nicodemus flanked by the Virgin Mary and Saint John the Evangelist on either side with the penitent and impenitent thieves Dismas and Gestas at the ends respectively The subject of the Descent adds a more narrative and dramatic feel to the representation of the Passion of Christ and these sculptures were probably used in Medieval liturgical drama The MNAC s collection preserves figures from the Descents of Santa Maria de Taull and Durro both in the Vall de Boi Boi Valley a UNESCO World Heritage Site 2 The Virgin and Saint John edit The monumental sculptural groups in wood of the Descent from the Cross are an important chapter in Romanesque carving in Catalonia on account of the high artistic quality of the works preserved and of the unique features of their iconography A significant proportion comes from the Boi Valley Vall de Boi One aspect that sets these Catalan series of carvings apart from other renderings of this theme is the presence of seven figures in the centre was the figure of Christ sustained by Joseph of Arimathea on his right the left for the observer and Nicodemus on his right on either side are Mary and St John and at the ends the figures of the two thieves Dismas and Gestas The theme of the Descent brings a greater narrative and dramatic sense to the treatment of the two episodes of the Calvary and may be related to the liturgical plays of the time But the presence of these groups in Catalonia during the twelfth and thirteenth centuries as some have tried to demonstrate could also correspond to the struggle against the heresy of Catharism As the subject could have a Eucharistic meaning it could be used as a reply to the Cathars negation of the death of Christ and of the Eucharist itself The Erill la Vall Descent is the most complete of all the known groups from the Catalan western Pyrenees but all the figures are not exhibited together being dispersed between the Vic Episcopal Museum and the National Art Museum of Catalonia although the two museums sometimes loan the works out to one another to display them as a complete set As a whole it is a masterpiece of Romanesque carving in Catalonia to the extent that other works have been arranged around it such as the Descent from Santa Maria de Taull 3 what remains of the one from Durro 4 as well as works of other types altar frontals crucifixes nbsp Original statue of the Virgin in Museu Nacional d Art de Catalunya nbsp Original statue of Saint John Museu Nacional d Art de CatalunyaReferences edit Guide of the Museu Nacional d Art de Catalunya MNAC 2004 ISBN 84 8043 136 9 The artwork at MNAC s Website MNAC MAC 3925 MNAC MAC 15895 Further reading editCastineiras Manuel Camps Jordi 2008 Romanesque art in the MNAC collections MNAC ISBN 978 84 8043 196 5 Retrieved 3 September 2012 Museu Nacional D Art de Catalunya MNAC 1 March 2009 ISBN 978 84 8043 200 9 Retrieved 3 September 2012 Carbonell Eduard Pages Montserrat Camps Jordi Marot Teresa 1998 Romanesque Art Guide Museu Nacional D Art de Catalunya Museu Nacional d Art de Catalunya ISBN 9788480430395 Retrieved 3 September 2012 Carbonell Eduard Sureda i Pons Joan 1997 The Medieval Treasures of the Museu Nacional D Art de Catalunya Lunwerg Retrieved 3 September 2012 External links edit nbsp Wikimedia Commons has media related to Davallament d Erill la Vall The artwork at Museum s website The Art of medieval Spain A D 500 1200 an exhibition catalog from The Metropolitan Museum of Art Libraries fully available online as PDF which contains material on Erill la Vall Descent from the Cross 164 Retrieved from https en wikipedia org w index php title Erill la Vall Descent from the Cross amp oldid 1221918375, wikipedia, wiki, book, books, library,
