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Eliza Ridgely

January 01, 1970

Eliza Eichelberger Ridgely (February 10, 1803 – December 20, 1867) was an American heiress, traveler, arbiter of fashion, and mistress of Hampton, the Ridgely plantation north of Towson, Maryland. She is the Lady with a Harp of Thomas Sully's portrait, now in the National Gallery of Art, Washington, D.C.[1][2]

Lady with a Harp, portrait of Eliza Ridgely by Thomas Sully, 1818

Early life edit

Eliza Ridgely was born on February 10, 1803, the only child of Nicholas Greenbury Ridgely (1770–1829), a rich wine merchant from Baltimore and Elisabeth (née Eichelberger) Ridgely, who married on July 30, 1801.[3] Her mother, who was born on December 6, 1783, was the daughter of Johann Martin Eichelberger and his wife Elizabeth Welsh,[4] and died a few hours after the birth of Eliza, aged only nineteen years and two months.[3] Her father died in 1829 and was buried in the cemetery at Hampton.[5]

Life edit

 
Marquis de Lafayette

Eliza Ridgely was an heiress who became a foreign traveler and an arbiter of fashion.[6] She met and befriended the Marquis de Lafayette during his United States tour of 1824–1825 and stayed in contact with him for the rest of his life.[5] Ten of his letters to her have survived, including an invitation to visit La Grange, his country estate in France—a visit which took place in 1834—and his congratulations on her marriage.[6] A number of Eliza's replies and related correspondence––including the news that she was, at long last, going to visit La Grange in 1833––were discovered and published in 2019.[7]

Personal life edit

On January 8, 1828, Eliza Ridgely married John Carnan Ridgely (1790–1867). He was the son of Charles Carnan Ridgely who served as Governor of the state of Maryland from 1815 to 1818.[8] Her husband was the grandson of John Carnan and Achsah (née Ridgely) Carnan. John's great-uncle and Achsah's brother, Charles Ridgely III (d. 1790), was the builder of the Hampton plantation which was built in 1790 and had been the largest private residence in the United States.[9] He was childless and as he approached the end of his life, willed that his sister's progeny should take the Ridgely name and in doing, would inherit his vast estates. Thus, John Carnan Ridgely was, in fact, a fifth cousin of his wife, Eliza Eichelberger Ridgely.

When her husband's father died in July 1829, his estate of some 25,000 acres (100 km2) was divided, her husband John inherited the main house and 4,500 acres (18 km2).[8] Eliza thus became the third mistress of Hampton.[6] Together, Eliza and John were the parents of five children:

  • Eliza Ridgely (1828–1894), who married firstly John Campbell White (1825–1853) in 1849, becoming the mother of the diplomat Henry White. After his death, she married Dr. Thomas Hepburn Buckler (1812–1901) in 1865.[10]
  • Priscilla Ridgely (b. 1831)
  • Nicholas Greenbury Ridgely (b. 1834)
  • Charles Ridgely (1838–1872), who married Margaretta Sophia Howard (1824–1904) in 1851.
  • Julia Maria Ridgely (b. 1841)
 
Hampton Mansion

Eliza Ridgely had a serious approach to financial affairs. The daughter of a merchant, she had married into a family which recorded the smallest transaction, and she kept careful accounts of all her expenditure, even noting the nine and a half cents she paid for a piece of ribbon. As well as her personal spending, her accounts also show her expenses in ensuring that the Hampton slaves were clothed and shod, a major undertaking.[11] She also recorded her subscriptions, such as those to the Baltimore Humane Impartial Society from 1849 to 1854 and her donations to a Widows Asylum between 1849 and 1851.[12]

Eliza Ridgely ordered church services for her slaves in the attic of the Hampton carriage house. The services were taken by a white minister, Mr Galbraith, until he was dismissed for marrying a woman believed to have African blood. Ridgely herself oversaw funerals and weddings in the house's great hall. One of Ridgely's grandsons, the diplomat Henry White, recalled that she "...was very particular in having what she was pleased to describe (and which I then believed to be) 'marriages', performed by a clergyman, between the negro servants, when so inclined: not realizing – certainly I did not at the time – that slaves were unable to perform any civil act, being mere chattels". Ridgely's daughter Eliza recorded having taught a group of slave children the Lord's Prayer.[11]

Eliza Ridgely was an avid gardener, and in the 1830s and 1840s she improved the gardens and enhanced the landscape at Hampton, planting exotic trees such as the Lebanon Cedar which still stands on the house's south lawn.[13] She is said to have brought this herself as a seedling from Europe, carrying it in a shoebox.[5] She and her husband bought furniture for the house which reflected the classical influences already indulged there.[14] In 1839, the landscape gardener Henry Winthrop Sargent found that Hampton's venerable appearance and foreign air "...quite disturb one's ideas of republican America".[14]

Lady with a Harp edit

Thomas Sully's painting Lady with a Harp (pictured) is a portrait of Eliza Ridgely done in 1818, when she was only fifteen, showing her wearing an Empire satin gown with a draped shawl as she plucks the strings of a pedal harp. It was commissioned by her father, Nicholas Greenbury Ridgely, who at the same time was himself painted by Sully.[5] Eliza really did play the harp, and her surviving bills and receipts include those for music lessons and for the repair of her harp in the years 1820 to 1826.[12] Whether her arms were as long and her figure as slender as they were painted is uncertain. Sully later commented on all his work "From long experience, I know that resemblance in a portrait is essential; but no fault will be found with the artist (at least by the sitter) if he improve the appearance."[2]

The painting was kept at Hampton from the 1820s until 1945, when it was sold to the National Gallery of Art.[15] After David Finley, director of the gallery, had acquired Lady with a Harp he became an advocate for the preservation of Hampton. He helped to arrange a deal under which the Ridgelys sold the house to Ailsa Mellon Bruce's Avalon Foundation, which in 1948 gave it to the National Park Service.[9]

There is now a copy of the painting at Hampton.[9]

Surviving papers of Eliza Ridgely edit

A number of financial records kept by Eliza Ridgely have been preserved:[1][12]

  • Account book of expenses on trip to Europe (1833–1834)
  • Servants Clothing Book, (1835–1854)
  • Account Book (1838–1846)
  • Accounts of Eliza E. R. Ridgely with her Trustees for her father's estate (1840s)
  • House Accounts (1845)
  • Accounts of Eliza E. R. Ridgely with her Trustees for Nicholas G. Ridgely's estate (1840s)
  • Travel Account Book (1846–1847)
  • Account Books (1849–1853)
  • John & Eliza Ridgely, Farm Account Book (1850–1864)
  • Account Book as Trustee to Nicholas G. Ridgely (1858–1867)

Other surviving manuscripts include letters Eliza Ridgely wrote to her daughter Eliza (known as 'Didy') between May 8 and July 12, 1858, a commonplace book of poetry she kept before her marriage, and letters she wrote and received from her friend Lafayette, her son Charles at Harvard and her daughter Eliza traveling in Europe.[1][7]

Bibliography edit

  • Considine, Basil, 'Letters to a Marquis: New Documentary Findings in the Correspondence of Eliza Eichelberger Ridgely of Hampton and the Marquis de Lafayette' in Maryland Historical Magazine 114, no. 1 (Spring/Summer 2019) pp. 43–78
  • Considine, Basil and Elissa Edwards, 'Eliza Ridgely (1803–1867): Kind of a Badass. How the 'It Girl' of Antebellum America Shattered Stereotypes of Female Accomplishment in the United States' Society for American Music, Digital Lectures in American Music Series. https://www.youtube.com/watch?v=kSsa1taLxik
  • Miller, Beth L., 'The Ridgelys of Hampton: New Perspectives on Musical Life in Early-Nineteenth-Century Baltimore' in Journal of Musicological Research 14 (1994) pp. 35–54
  • Shipe, Bess Paterson, 'Eliza Eichelberger Ridgely, The Lady with a Harp', in Maryland Historical Magazine 77, no. 3 (Fall 1982) pp. 230–237
  • Torcia, Robert Wilson, 'Eliza Ridgely and the Ideal of American Womanhood, 1787-1820' in Maryland Historical Magazine 90, no. 4 (Winter 1995) pp. 405–423

References edit

  1. ^ a b c Comprehensive Guide to Collections: Eliza Eichelberger Ridgely Ridgely last revised December 4, 2007, online at nps.gov, web site of the National Park Service, accessed July 26, 2008
  2. ^ a b Lady with a Harp: Eliza Ridgely, 1818 at nga.gov, accessed July 26, 2008; as Ridgely was both her maiden name and her married name, she is sometimes called Eliza Eichelberger Ridgely Ridgely.
  3. ^ a b Eichelberger, A. W., Philip Frederick Eichelberger and his descendants 1693-1900 (Hanover Press, 1901) p. 21, quoting 'Church Records of St Paul's Parish', vol. 2, p. 6.
  4. ^ Joh. Martin Eichelberger at rootsweb.ancestry.com, accessed July 26, 2008
  5. ^ a b c d Some Notable Ridgelys at nps.gov, web site of the National Park Service, accessed July 26, 2008
  6. ^ a b c Hampton Highlights Volume 8, No. 1 - Fall 2006 2008-11-20 at the Wayback Machine at historichampton.org, accessed July 26, 2008
  7. ^ a b Considine, Basil (2019). "Letters to a Marquis: New Documentary Findings in the Correspondence of Eliza Eichelberger Ridgely of Hampton and the Marquis de Lafayette" (PDF). Maryland Historical Magazine. 114 (1): 55.
  8. ^ a b A Hampton Chronology Hampton National Historic Site (U.S. National Park Service July 2006)
  9. ^ a b c Experience architectural greatness at Md.'s Hampton Mansion at usatoday.com, accessed July 26, 2008
  10. ^ Derby, George; White, James Terry (1910). The National Cyclopædia of American Biography: Being the History of the United States as Illustrated in the Lives of the Founders, Builders, and Defenders of the Republic, and of the Men and Women who are Doing the Work and Moulding the Thought of the Present Time. J. T. White. p. 171. Retrieved 16 April 2018.
  11. ^ a b Lancaster, R. Kent, 'Chattel Slavery at Hampton/Northampton, Baltimore County' in Maryland Historical Magazine, vol. 95, no. 4 (Winter 2000) online at Antebellum Plantation Life 2007-10-25 at the Wayback Machine (see section headed 'chatelaine')
  12. ^ a b c Ridgely Papers, 1664-1882, Maryland Historical Society at mdhs.org, accessed July 26, 2008
  13. ^ Gutek, Gerald Lee & Patricia, Plantations and Outdoor Museums in America's Historic South (University of South Carolina Press, 1996, ISBN 1-57003-071-5)
  14. ^ a b A Palace in the Wilderness at nps.gov, accessed July 26, 2008
  15. ^ Thomas Sully, American, 1783–1872, Lady with a Harp: Eliza Ridgely, 1818 at nga.gov, accessed July 26, 2008

External links edit

January 01, 1970
eliza, ridgely, eliza, eichelberger, ridgely, february, 1803, december, 1867, american, heiress, traveler, arbiter, fashion, mistress, hampton, ridgely, plantation, north, towson, maryland, lady, with, harp, thomas, sully, portrait, national, gallery, washingt. Eliza Eichelberger Ridgely February 10 1803 December 20 1867 was an American heiress traveler arbiter of fashion and mistress of Hampton the Ridgely plantation north of Towson Maryland She is the Lady with a Harp of Thomas Sully s portrait now in the National Gallery of Art Washington D C 1 2 Lady with a Harp portrait of Eliza Ridgely by Thomas Sully 1818 Contents 1 Early life 2 Life 2 1 Personal life 3 Lady with a Harp 4 Surviving papers of Eliza Ridgely 5 Bibliography 6 References 7 External linksEarly life editEliza Ridgely was born on February 10 1803 the only child of Nicholas Greenbury Ridgely 1770 1829 a rich wine merchant from Baltimore and Elisabeth nee Eichelberger Ridgely who married on July 30 1801 3 Her mother who was born on December 6 1783 was the daughter of Johann Martin Eichelberger and his wife Elizabeth Welsh 4 and died a few hours after the birth of Eliza aged only nineteen years and two months 3 Her father died in 1829 and was buried in the cemetery at Hampton 5 Life edit nbsp Marquis de Lafayette Eliza Ridgely was an heiress who became a foreign traveler and an arbiter of fashion 6 She met and befriended the Marquis de Lafayette during his United States tour of 1824 1825 and stayed in contact with him for the rest of his life 5 Ten of his letters to her have survived including an invitation to visit La Grange his country estate in France a visit which took place in 1834 and his congratulations on her marriage 6 A number of Eliza s replies and related correspondence including the news that she was at long last going to visit La Grange in 1833 were discovered and published in 2019 7 Personal life edit On January 8 1828 Eliza Ridgely married John Carnan Ridgely 1790 1867 He was the son of Charles Carnan Ridgely who served as Governor of the state of Maryland from 1815 to 1818 8 Her husband was the grandson of John Carnan and Achsah nee Ridgely Carnan John s great uncle and Achsah s brother Charles Ridgely III d 1790 was the builder of the Hampton plantation which was built in 1790 and had been the largest private residence in the United States 9 He was childless and as he approached the end of his life willed that his sister s progeny should take the Ridgely name and in doing would inherit his vast estates Thus John Carnan Ridgely was in fact a fifth cousin of his wife Eliza Eichelberger Ridgely When her husband s father died in July 1829 his estate of some 25 000 acres 100 km2 was divided her husband John inherited the main house and 4 500 acres 18 km2 8 Eliza thus became the third mistress of Hampton 6 Together Eliza and John were the parents of five children Eliza Ridgely 1828 1894 who married firstly John Campbell White 1825 1853 in 1849 becoming the mother of the diplomat Henry White After his death she married Dr Thomas Hepburn Buckler 1812 1901 in 1865 10 Priscilla Ridgely b 1831 Nicholas Greenbury Ridgely b 1834 Charles Ridgely 1838 1872 who married Margaretta Sophia Howard 1824 1904 in 1851 Julia Maria Ridgely b 1841 nbsp Hampton Mansion Eliza Ridgely had a serious approach to financial affairs The daughter of a merchant she had married into a family which recorded the smallest transaction and she kept careful accounts of all her expenditure even noting the nine and a half cents she paid for a piece of ribbon As well as her personal spending her accounts also show her expenses in ensuring that the Hampton slaves were clothed and shod a major undertaking 11 She also recorded her subscriptions such as those to the Baltimore Humane Impartial Society from 1849 to 1854 and her donations to a Widows Asylum between 1849 and 1851 12 Eliza Ridgely ordered church services for her slaves in the attic of the Hampton carriage house The services were taken by a white minister Mr Galbraith until he was dismissed for marrying a woman believed to have African blood Ridgely herself oversaw funerals and weddings in the house s great hall One of Ridgely s grandsons the diplomat Henry White recalled that she was very particular in having what she was pleased to describe and which I then believed to be marriages performed by a clergyman between the negro servants when so inclined not realizing certainly I did not at the time that slaves were unable to perform any civil act being mere chattels Ridgely s daughter Eliza recorded having taught a group of slave children the Lord s Prayer 11 Eliza Ridgely was an avid gardener and in the 1830s and 1840s she improved the gardens and enhanced the landscape at Hampton planting exotic trees such as the Lebanon Cedar which still stands on the house s south lawn 13 She is said to have brought this herself as a seedling from Europe carrying it in a shoebox 5 She and her husband bought furniture for the house which reflected the classical influences already indulged there 14 In 1839 the landscape gardener Henry Winthrop Sargent found that Hampton s venerable appearance and foreign air quite disturb one s ideas of republican America 14 Lady with a Harp editThomas Sully s painting Lady with a Harp pictured is a portrait of Eliza Ridgely done in 1818 when she was only fifteen showing her wearing an Empire satin gown with a draped shawl as she plucks the strings of a pedal harp It was commissioned by her father Nicholas Greenbury Ridgely who at the same time was himself painted by Sully 5 Eliza really did play the harp and her surviving bills and receipts include those for music lessons and for the repair of her harp in the years 1820 to 1826 12 Whether her arms were as long and her figure as slender as they were painted is uncertain Sully later commented on all his work From long experience I know that resemblance in a portrait is essential but no fault will be found with the artist at least by the sitter if he improve the appearance 2 The painting was kept at Hampton from the 1820s until 1945 when it was sold to the National Gallery of Art 15 After David Finley director of the gallery had acquired Lady with a Harp he became an advocate for the preservation of Hampton He helped to arrange a deal under which the Ridgelys sold the house to Ailsa Mellon Bruce s Avalon Foundation which in 1948 gave it to the National Park Service 9 There is now a copy of the painting at Hampton 9 Surviving papers of Eliza Ridgely editA number of financial records kept by Eliza Ridgely have been preserved 1 12 Account book of expenses on trip to Europe 1833 1834 Servants Clothing Book 1835 1854 Account Book 1838 1846 Accounts of Eliza E R Ridgely with her Trustees for her father s estate 1840s House Accounts 1845 Accounts of Eliza E R Ridgely with her Trustees for Nicholas G Ridgely s estate 1840s Travel Account Book 1846 1847 Account Books 1849 1853 John amp Eliza Ridgely Farm Account Book 1850 1864 Account Book as Trustee to Nicholas G Ridgely 1858 1867 Other surviving manuscripts include letters Eliza Ridgely wrote to her daughter Eliza known as Didy between May 8 and July 12 1858 a commonplace book of poetry she kept before her marriage and letters she wrote and received from her friend Lafayette her son Charles at Harvard and her daughter Eliza traveling in Europe 1 7 Bibliography editConsidine Basil Letters to a Marquis New Documentary Findings in the Correspondence of Eliza Eichelberger Ridgely of Hampton and the Marquis de Lafayette in Maryland Historical Magazine 114 no 1 Spring Summer 2019 pp 43 78 Considine Basil and Elissa Edwards Eliza Ridgely 1803 1867 Kind of a Badass How the It Girl of Antebellum America Shattered Stereotypes of Female Accomplishment in the United States Society for American Music Digital Lectures in American Music Series https www youtube com watch v kSsa1taLxik Miller Beth L The Ridgelys of Hampton New Perspectives on Musical Life in Early Nineteenth Century Baltimore in Journal of Musicological Research 14 1994 pp 35 54 Shipe Bess Paterson Eliza Eichelberger Ridgely The Lady with a Harp in Maryland Historical Magazine 77 no 3 Fall 1982 pp 230 237 Torcia Robert Wilson Eliza Ridgely and the Ideal of American Womanhood 1787 1820 in Maryland Historical Magazine 90 no 4 Winter 1995 pp 405 423References edit a b c Comprehensive Guide to Collections Eliza Eichelberger Ridgely Ridgely last revised December 4 2007 online at nps gov web site of the National Park Service accessed July 26 2008 a b Lady with a Harp Eliza Ridgely 1818 at nga gov accessed July 26 2008 as Ridgely was both her maiden name and her married name she is sometimes called Eliza Eichelberger Ridgely Ridgely a b Eichelberger A W Philip Frederick Eichelberger and his descendants 1693 1900 Hanover Press 1901 p 21 quoting Church Records of St Paul s Parish vol 2 p 6 Joh Martin Eichelberger at rootsweb ancestry com accessed July 26 2008 a b c d Some Notable Ridgelys at nps gov web site of the National Park Service accessed July 26 2008 a b c Hampton Highlights Volume 8 No 1 Fall 2006 Archived 2008 11 20 at the Wayback Machine at historichampton org accessed July 26 2008 a b Considine Basil 2019 Letters to a Marquis New Documentary Findings in the Correspondence of Eliza Eichelberger Ridgely of Hampton and the Marquis de Lafayette PDF Maryland Historical Magazine 114 1 55 a b A Hampton Chronology Hampton National Historic Site U S National Park Service July 2006 a b c Experience architectural greatness at Md s Hampton Mansion at usatoday com accessed July 26 2008 Derby George White James Terry 1910 The National Cyclopaedia of American Biography Being the History of the United States as Illustrated in the Lives of the Founders Builders and Defenders of the Republic and of the Men and Women who are Doing the Work and Moulding the Thought of the Present Time J T White p 171 Retrieved 16 April 2018 a b Lancaster R Kent Chattel Slavery at Hampton Northampton Baltimore County in Maryland Historical Magazine vol 95 no 4 Winter 2000 online at Antebellum Plantation Life Archived 2007 10 25 at the Wayback Machine see section headed chatelaine a b c Ridgely Papers 1664 1882 Maryland Historical Society at mdhs org accessed July 26 2008 Gutek Gerald Lee amp Patricia Plantations and Outdoor Museums in America s Historic South University of South Carolina Press 1996 ISBN 1 57003 071 5 a b A Palace in the Wilderness at nps gov accessed July 26 2008 Thomas Sully American 1783 1872 Lady with a Harp Eliza Ridgely 1818 at nga gov accessed July 26 2008External links editEliza Ridgely at Find a Grave Retrieved from https en wikipedia org w index php title Eliza Ridgely amp oldid 1116344081, wikipedia, wiki, book, books, library,

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