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Dorothy Mead

January 01, 1970

Dorothy Mead (1928 – 12 June 1975) was a British painter, lecturer and member of the London Group of artists.[1][2]

Early life and education edit

Mead was born in London, England, and adopted at three months old by a family in Walthamstow. Her mother had a florist shop.[3]

She first met David Bomberg when he was teaching at the South east Essex School of Art at Dagenham School of Art in 1944. She followed him when he moved to the City Literary Institute in London and then to the Borough Polytechnic where she studied under Bomberg from 1945 to 1951. Mead was a founder member of the Borough Group[4] in 1946 together with other pupils of Bomberg including Cliff Holden.[5]

From 1956 until 1959, Mead was a mature student at the Slade School of Art.[6] Here she met the artist and teacher Andrew Forge.[7] She had a major influence on students such as Patrick Procktor and Mario Dubsky and was the first woman president of the student annual exhibiting society, Young Contemporaries (later renamed New Contemporaries) in 1959. The previous year, the Slade awarded her the Figure Painting Prize, and the Steer Prize. In 1959 she was asked to leave the Slade, in spite of her award-winning work, because she refused to sit the course on perspective. She believed - with Bomberg - that the stylistic approach was invalid. Her thesis, explaining her view was not accepted by the principal, William Coldstream.

Career edit

In the Arts Council England series of touring exhibitions, Six Young Painters, Mead exhibited in 1964 with other artists including Peter Blake, William Crozier, David Hockney, Bridget Riley and Euan Uglow. Mead joined the London Group of artists in 1960. The New Statesman, the left-wing magazine singled her out, when critic David Sylvester remarked she "tends to affirm the supremacy of light, as women's painting often does." Holden, her partner said "Dorothy sticks to her principals, but like myself and Bomberg was an outsider".[8]

In 1964, Mead arrived as a lecturer at Goldsmiths College "like a breath of fresh air" according to pupil and painter Barry Martin. She swept aside the old gentlemanly bohemian and class pretensions that she thought "stubborn preconceptions". Her family saw her "living on the edge" of reality all the time. She worked in a garret studio in Ladbroke Grove, yet went up to Berkeley Square to buy paints. She was described by Dennis Creffield, artist and fellow student of Bomberg, as having an "abundant personality...a great love of art...stylish in appearance." Her daring, precarious act of existential expressionism can be seen in The Acrobat, an exhibition of 1970 at Borough Road Gallery.[9]

Mead was President of the London Group from 1971 to 1973, succeeding Andrew Forge, a progressive art historian with whom she was long associated, and also had an affair with.[10] Mead spent two spells teaching at Morley College: between 1963 and 1965 she taught 'Painting', and from 1973 to 1975 she taught 'Drawing & Painting' ("for advanced students of some considerable experience") and 'Improvisation from the Model' in the Morley Summer Painting School.[11] Mead was also a part-time lecturer at Chelsea College of Art in London between 1962 and 1964. She was a feminist with a principled individualism - she once remarked that if she changed her name to George, she stood a greater chance of selling her work![12]

Exhibitions and works in museum collections edit

The collection of the Tate Gallery and other art museums include work by Mead.[13] Mead's paintings were shown at the 1991 exhibition Bomberg and his Legacy, held in Eastbourne at the Towner Art Gallery.[3]

In 2005, a retrospective exhibition was held thirty years after her death.[14] Despite the esteem she had earned from fellow artists, it was her first ever solo exhibition.[15]

Shortly following her early death on 12 June 1975, it has been claimed that some of Mead's paintings were stolen from a secure warehouse in Essex, although this is disputed and no evidence to substantiate this has ever been published over the decades.

UK Government probate records establish that Mead died without a will. One of Mead's two sisters, Valerie Long, has been a holder of a number of Mead's works and has been represented by Waterhouse & Dodd for sales and disposals. Many other paintings, where not already in the public domain, have been held and sold from another family member's estate in recent years.

A number of her works are held in the Sarah Rose Collection at London South Bank University[16] and an exhibition of her works alongside those of Edna Mann took place at the Borough Road Gallery there in early 2024.[17]

A list of works edit

  • Portrait of Dinora Mendelson Oil on board (1947)
  • Looking South Oil on Canvas (1947)
  • Menton Harbour Oil on board (1947)
  • Looking into the distance Oil on canvas (1947-8)
  • Self portrait Oil on board (1953)
  • Landscape Oil on board (Circa 1955)
  • Self portrait Oil on canvas (Circa 1955)
  • Nude study Charcoal on paper (1956)
  • Rooftops Oil on board (1956)
  • Cityscape Oil on canvas (1956)
  • Landscape Charcoal on paper (1957)
  • Portrait study Charcoal on paper (1957)
  • Still life with flowers Charcoal on paper (1957)
  • Self portrait study Charcoal on paper (1958)
  • Still life Oil on canvas (1958)
  • Still life Charcoal on paper (1959)
  • Still life with flowers Charcoal on paper (1959)
  • Life Room Oil on board (1959)
  • Nude study Charcoal on paper (Oct 1959)
  • Reclining with figure Oil on board (1961)
  • Seated figure Oil on canvas (1962)
  • Afternoon Oil on board (1962)
  • Seascape (Holland-on-Sea) Oil on canvas (1966)
  • The taking of Christ I Oil on canvas (1966)
  • The Temptation (after Michelangelo) Oil on canvas (1966)
  • Wheat fields Oil on canvas (1966)
  • The taking of Christ II Oil on canvas (1967)[18]
  • Arcade Oil on canvas (1967)
  • Blue nude Oil on canvas (Circa 1968)
  • Overlooking London Oil on canvas (1969)
  • Abstract composition Oil on canvas (1969)
  • Pieta (after Van Gogh) Oil on canvas (1971)
  • Woman in chair Oil on canvas (Circa 1972)
  • Life class study Etching (ed.20) (Circa 1973)
Work Repository
Light on the sea Government Art Collection
Still life with Aubergine Government Art Collection
Standing figure UCL Art Museum
Study after the Antique UCL Art museum
Still life with Green Pepper UCL Art museum
Flowers Arts Council Collection
Portrait Oil on Canvas 1962 The Sarah Rose Collection, London South Bank University
Vase of Flowers London South Bank Collection
Vase of Flowers [2] London South Bank Collection
Figure Composition after Goya London South Bank Collection
Self-portrait London South Bank Collection
Standing Female Figure London South Bank Collection
Meeting London South Bank Collection
Two Figures London South Bank Collection
Model Resting London South Bank Collection
Self Portrait London South Bank Collection
Hands London South Bank Collection
Reclining Nude London South Bank Collection
Reclining Nude [2] London South Bank Collection
Landscape London South Bank Collection
Acrobat London South Bank Collection
Transvestite London South Bank Collection
Chessboard Oil on Canvas 1958 Tate
Industrial Landscape, Evening British Academy
Seascape, Brighton British Academy
Tombs Oil on board 1947 British Academy
The Pianist II British Academy
Reclining Figure Sarah Rose Collection, London South Bank University.

References edit

  1. ^ "Dorothy Mead (1928–1975)". artfact.com. Retrieved 18 April 2011.
  2. ^ "Dorothy Mead (British, 1928–1975)". artnet.com. Retrieved 18 April 2011.
  3. ^ a b Vann, Philip (2004). "Dorothy Mead (1928–1975)". Face to Face: British Self-Portraits in the Twentieth Century. Sansom & Company. ISBN 1-904537-08-1.
  4. ^ . artonlinelimited.com. Archived from the original on 11 October 2008. Retrieved 9 April 2011.
  5. ^ Westbury, Douglas (2004–2011). "The Borough Group". cliffholden.co.uk. Retrieved 9 April 2011.
  6. ^ . Boundary Gallery. Archived from the original on 22 July 2011. Retrieved 17 April 2011.
  7. ^ Trewhela, Paul (17 September 2002). "Andrew Forge: Erudite painter and critic". The Independent. Retrieved 17 April 2011.[dead link]
  8. ^ D Sylvester, New Statesman, January 1960,
  9. ^ "None".
  10. ^ . The London Group. Archived from the original on 24 July 2011. Retrieved 16 April 2011.
  11. ^ Morley College Library Archive, retrieved 22 July 2013
  12. ^ . Borough Road Gallery. 2013. Archived from the original on 22 February 2014. Retrieved 28 June 2018.
  13. ^ "Dorothy Mead". Tate Gallery. Retrieved 17 April 2011.
  14. ^ . Boundary Gallery. 2005. Archived from the original on 22 July 2011. Retrieved 17 April 2011.
  15. ^ "Exhibition of lost paintings by 'overlooked' female artists". London South Bank University. 9 January 2024. Retrieved 9 January 2024.
  16. ^ "Dorothy Mead". Borough Road Collection Archive. Retrieved 9 January 2024.
  17. ^ "Exhibition of lost paintings by 'overlooked' female artists". London South Bank University. 9 January 2024. Retrieved 9 January 2024.
  18. ^ "Dorothy Mead - Works". Waterhouse & Dodd.

External links edit

  • 29 artworks by or after Dorothy Mead at the Art UK site

January 01, 1970
dorothy, mead, 1928, june, 1975, british, painter, lecturer, member, london, group, artists, contents, early, life, education, career, exhibitions, works, museum, collections, list, works, references, external, linksearly, life, education, editmead, born, lond. Dorothy Mead 1928 12 June 1975 was a British painter lecturer and member of the London Group of artists 1 2 Contents 1 Early life and education 2 Career 3 Exhibitions and works in museum collections 4 A list of works 5 References 6 External linksEarly life and education editMead was born in London England and adopted at three months old by a family in Walthamstow Her mother had a florist shop 3 She first met David Bomberg when he was teaching at the South east Essex School of Art at Dagenham School of Art in 1944 She followed him when he moved to the City Literary Institute in London and then to the Borough Polytechnic where she studied under Bomberg from 1945 to 1951 Mead was a founder member of the Borough Group 4 in 1946 together with other pupils of Bomberg including Cliff Holden 5 From 1956 until 1959 Mead was a mature student at the Slade School of Art 6 Here she met the artist and teacher Andrew Forge 7 She had a major influence on students such as Patrick Procktor and Mario Dubsky and was the first woman president of the student annual exhibiting society Young Contemporaries later renamed New Contemporaries in 1959 The previous year the Slade awarded her the Figure Painting Prize and the Steer Prize In 1959 she was asked to leave the Slade in spite of her award winning work because she refused to sit the course on perspective She believed with Bomberg that the stylistic approach was invalid Her thesis explaining her view was not accepted by the principal William Coldstream Career editIn the Arts Council England series of touring exhibitions Six Young Painters Mead exhibited in 1964 with other artists including Peter Blake William Crozier David Hockney Bridget Riley and Euan Uglow Mead joined the London Group of artists in 1960 The New Statesman the left wing magazine singled her out when critic David Sylvester remarked she tends to affirm the supremacy of light as women s painting often does Holden her partner said Dorothy sticks to her principals but like myself and Bomberg was an outsider 8 In 1964 Mead arrived as a lecturer at Goldsmiths College like a breath of fresh air according to pupil and painter Barry Martin She swept aside the old gentlemanly bohemian and class pretensions that she thought stubborn preconceptions Her family saw her living on the edge of reality all the time She worked in a garret studio in Ladbroke Grove yet went up to Berkeley Square to buy paints She was described by Dennis Creffield artist and fellow student of Bomberg as having an abundant personality a great love of art stylish in appearance Her daring precarious act of existential expressionism can be seen in The Acrobat an exhibition of 1970 at Borough Road Gallery 9 Mead was President of the London Group from 1971 to 1973 succeeding Andrew Forge a progressive art historian with whom she was long associated and also had an affair with 10 Mead spent two spells teaching at Morley College between 1963 and 1965 she taught Painting and from 1973 to 1975 she taught Drawing amp Painting for advanced students of some considerable experience and Improvisation from the Model in the Morley Summer Painting School 11 Mead was also a part time lecturer at Chelsea College of Art in London between 1962 and 1964 She was a feminist with a principled individualism she once remarked that if she changed her name to George she stood a greater chance of selling her work 12 Exhibitions and works in museum collections editThe collection of the Tate Gallery and other art museums include work by Mead 13 Mead s paintings were shown at the 1991 exhibition Bomberg and his Legacy held in Eastbourne at the Towner Art Gallery 3 In 2005 a retrospective exhibition was held thirty years after her death 14 Despite the esteem she had earned from fellow artists it was her first ever solo exhibition 15 Shortly following her early death on 12 June 1975 it has been claimed that some of Mead s paintings were stolen from a secure warehouse in Essex although this is disputed and no evidence to substantiate this has ever been published over the decades UK Government probate records establish that Mead died without a will One of Mead s two sisters Valerie Long has been a holder of a number of Mead s works and has been represented by Waterhouse amp Dodd for sales and disposals Many other paintings where not already in the public domain have been held and sold from another family member s estate in recent years A number of her works are held in the Sarah Rose Collection at London South Bank University 16 and an exhibition of her works alongside those of Edna Mann took place at the Borough Road Gallery there in early 2024 17 A list of works editPortrait of Dinora Mendelson Oil on board 1947 Looking South Oil on Canvas 1947 Menton Harbour Oil on board 1947 Looking into the distance Oil on canvas 1947 8 Self portrait Oil on board 1953 Landscape Oil on board Circa 1955 Self portrait Oil on canvas Circa 1955 Nude study Charcoal on paper 1956 Rooftops Oil on board 1956 Cityscape Oil on canvas 1956 Landscape Charcoal on paper 1957 Portrait study Charcoal on paper 1957 Still life with flowers Charcoal on paper 1957 Self portrait study Charcoal on paper 1958 Still life Oil on canvas 1958 Still life Charcoal on paper 1959 Still life with flowers Charcoal on paper 1959 Life Room Oil on board 1959 Nude study Charcoal on paper Oct 1959 Reclining with figure Oil on board 1961 Seated figure Oil on canvas 1962 Afternoon Oil on board 1962 Seascape Holland on Sea Oil on canvas 1966 The taking of Christ I Oil on canvas 1966 The Temptation after Michelangelo Oil on canvas 1966 Wheat fields Oil on canvas 1966 The taking of Christ II Oil on canvas 1967 18 Arcade Oil on canvas 1967 Blue nude Oil on canvas Circa 1968 Overlooking London Oil on canvas 1969 Abstract composition Oil on canvas 1969 Pieta after Van Gogh Oil on canvas 1971 Woman in chair Oil on canvas Circa 1972 Life class study Etching ed 20 Circa 1973 Work Repository Light on the sea Government Art Collection Still life with Aubergine Government Art Collection Standing figure UCL Art Museum Study after the Antique UCL Art museum Still life with Green Pepper UCL Art museum Flowers Arts Council Collection Portrait Oil on Canvas 1962 The Sarah Rose Collection London South Bank University Vase of Flowers London South Bank Collection Vase of Flowers 2 London South Bank Collection Figure Composition after Goya London South Bank Collection Self portrait London South Bank Collection Standing Female Figure London South Bank Collection Meeting London South Bank Collection Two Figures London South Bank Collection Model Resting London South Bank Collection Self Portrait London South Bank Collection Hands London South Bank Collection Reclining Nude London South Bank Collection Reclining Nude 2 London South Bank Collection Landscape London South Bank Collection Acrobat London South Bank Collection Transvestite London South Bank Collection Chessboard Oil on Canvas 1958 Tate Industrial Landscape Evening British Academy Seascape Brighton British Academy Tombs Oil on board 1947 British Academy The Pianist II British Academy Reclining Figure Sarah Rose Collection London South Bank University References edit Dorothy Mead 1928 1975 artfact com Retrieved 18 April 2011 Dorothy Mead British 1928 1975 artnet com Retrieved 18 April 2011 a b Vann Philip 2004 Dorothy Mead 1928 1975 Face to Face British Self Portraits in the Twentieth Century Sansom amp Company ISBN 1 904537 08 1 The Borough Group artonlinelimited com Archived from the original on 11 October 2008 Retrieved 9 April 2011 Westbury Douglas 2004 2011 The Borough Group cliffholden co uk Retrieved 9 April 2011 Dorothy Mead Boundary Gallery Archived from the original on 22 July 2011 Retrieved 17 April 2011 Trewhela Paul 17 September 2002 Andrew Forge Erudite painter and critic The Independent Retrieved 17 April 2011 dead link D Sylvester New Statesman January 1960 None History The London Group Archived from the original on 24 July 2011 Retrieved 16 April 2011 Morley College Library Archive retrieved 22 July 2013 Talk by Katy Deepwell Dorothy Mead and the problem of recognition for a woman artist Borough Road Gallery 2013 Archived from the original on 22 February 2014 Retrieved 28 June 2018 Dorothy Mead Tate Gallery Retrieved 17 April 2011 Dorothy Mead Retrospective exhibition Boundary Gallery 2005 Archived from the original on 22 July 2011 Retrieved 17 April 2011 Exhibition of lost paintings by overlooked female artists London South Bank University 9 January 2024 Retrieved 9 January 2024 Dorothy Mead Borough Road Collection Archive Retrieved 9 January 2024 Exhibition of lost paintings by overlooked female artists London South Bank University 9 January 2024 Retrieved 9 January 2024 Dorothy Mead Works Waterhouse amp Dodd External links edit29 artworks by or after Dorothy Mead at the Art UK site Retrieved from https en wikipedia org w index php title Dorothy Mead amp oldid 1220537352, 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