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Discipline Global Mobile

January 01, 1970

For other uses, see DGM.

Discipline Global Mobile (DGM, or Discipline GM) is an independent record label founded in 1992 by Robert Fripp (best known as guitarist and main composer for the band King Crimson) and producer/online content developer David Singleton.[1] DGM has released solo music by Fripp as well as work by various affiliated musicians and bands including King Crimson, The Vicar, the California Guitar Trio and others.[2] The label has offices in Salisbury, England, and Los Angeles, California.[3]

Discipline Global Mobile
Founded1992
England
FounderRobert Fripp
Distributor(s)MNRK Music Group
LocationSalisbury, England
Official websitedgmlive.com

DGM has aimed to be "a model of ethical business in an industry founded on exploitation, oiled by deceit, riven with theft and fueled by greed," according to Fripp.[4] Its policy is that its artists retain all copyrights; consequently, even DGM's corporate logo is owned by its designer.[5] The label was an early adopter of the digital download system. DGM's aims have been hailed as "exemplary", and the label has been credited with having expanded "the possibilities of experimental music" and having improved the environment for King Crimson.[6]

The DGM label name is derived from the title of a 1981 King Crimson album (Discipline) and from the name of Singleton's previous recording business (The Mobile). The label logo also partly reflects the artwork for the Discipline album (featuring a new but similar knotwork commissioned from the artist Steve Ball).[7]

Foundation and business aims edit

 
The founder of Discipline Global Mobile, Robert Fripp has called music "an industry founded on exploitation, oiled by deceit, riven with theft and fueled by greed".[4]

Having been a professional musician since the mid-1960s (and the guitarist for King Crimson since 1969), by the late 1980s Robert Fripp found himself in conflict with his longtime record label E.G. Records and management company (E.G. Management) over royalties allegedly owed by E.G. to himself and to other band members. During this period, Fripp met and began working with producer and online developer David Singleton, initially on a Guitar Craft tour in 1990 and subsequently on the production of two albums - the League of Crafty Guitarists' Show of Hands and the eponymous album for the Fripp-and-Toyah-fronted group Sunday All Over the World. Fripp and Singleton's production partnership was sealed by work on two King Crimson boxed sets (1991's Frame by Frame and 1992's The Great Deceiver) and continues to the present day under the name of TonProb.

After seven years, Fripp and E.G. reached a settlement[8][9] but the experience left Fripp determined to take control of his own work and financial affairs wherever possible. As part of this aim, he founded Discipline Global Mobile (DGM) as an independent music label in 1992, as a fifty-fifty partnership with Singleton.[10][11][12]

DGM's mission statement consists of five "DGM business aims", as follows:

  • "The first aim of DGM is to help bring music into the world which would otherwise be unlikely to do so, or under conditions prejudicial to the music and / or musicians.",[13]
  • "The second aim of DGM is to operate in the market place, while being free of the values of the market place."
  • "The third aim of DGM is to help the artists and staff of DGM achieve what they wish for themselves."
  • "The fourth aim of DGM is to find its audience."
  • "The fifth aim of DGM is to be a model of ethical business in an industry founded on exploitation, oiled by deceit, riven with theft and fueled by greed."[4][8][13][14]
 
Formerly the bass guitarist of Led Zeppelin, John Paul Jones has recorded albums with DGM without signing a contract, stating that the relationship "is pure trust".[15]

These aims were called "exemplary" by Bill Martin, who wrote that "Fripp has done something very important for the possibilities of experimental music" in creating DGM, and that DGM "has played a major role in creating favorable conditions for" King Crimson.[6]

Since at least the early 1960s, the recording industry has required artists to sign over copyrights and moral rights to their cover art, music, and lyrics. DGM rejects this practice, and since its 1992 founding has maintained its policy that its artists retain the copyrights and the moral rights to their works,[8][14] be those works musical or visual art.[12] Fripp wrote,

"The phonographic copyright in these performances is operated by Discipline Global Mobile on behalf of the artists, with whom it resides, contrary to common practice in the record industry. Discipline accepts no reason for artists to assign the copyright interests in their work to either record company or management by virtue of a 'common practice' which was always questionable, often improper, and is now indefensible."[16]

This extends even to DGM's knotwork corporate logo, the copyright of which is owned not by the company, but by its designer,[5] Steve Ball.[17][18][19][20]

DGM does not require that its artists sign written contracts.[21] Former Led Zeppelin bassist John Paul Jones said, "It's pure trust," and noted that "there are dangers on both sides. I could have a successful album and just sign with a major, or they could decide not to pay me." Jones explained that he was accustomed to "working in situations that do rely on trust and integrity, those old-fashioned words" because Led Zeppelin had no contract with its manager.[11][15] Another DGM band, alternative rock group The Rosenbergs, opted to work with the label following conflicts with their previous label Universal Records, which had even demanded control of the band's domain name: in contrast, DGM had encouraged them to retain control of their own master recordings and provided them with funds for touring and promoting their album.[22]

Royalties are paid above the prevailing rate, as announced at DGM's launch.[8] In return, DGM artists are responsible for promoting their albums through concert tours and interviews.[14]

Artists and back catalogue edit

 
King Crimson guitarist Adrian Belew has recorded several albums with DGM.

Discipline Global Mobile specializes in art rock, progressive rock, jazz, and assorted experimental and crossover music (the label has also released recordings of Renaissance lute music and mainstream alternative rock). DGM has released more than a hundred King Crimson recordings, including remastered albums with bonus tracks and DVDs with archival footage. In addition to King Crimson, DGM's current active roster includes assorted Robert Fripp projects and The Vicar (a songwriter project).[23] The label has previously released music by various Fripp-affiliated ensembles; The League of Crafty Guitarists, Les Gauchos Allemagnes, the California Guitar Trio and the Robert Fripp String Quartet (all of which stem from or are connected with Fripp's Guitar Craft courses)[11][24]

Current/recent DGM artists edit

Past DGM artists edit

Mail-order and on-line services edit

According to a 1998 profile in Billboard magazine, Discipline Global Mobile had seven staff members in Salisbury, England, and three in Los Angeles, California.[11] DGM "is actually housed in a dull pebbledash building in a village near Salisbury, south-west England".[10]

Its label manager reported that the country with the largest market was Japan, where mail-orders accounted for only 10% of sales, but 50% of profits. In 1998, DGM was distributed in Japan by Pony Canyon; in the United Kingdom by Pinnacle;[11] and in the United States by Rykodisc.[11][22] Sound samples have been offered in addition to DGM's mail-order services.[11] Free downloads from DGM have strengthened the relations between artists and fans.[14]

In 2012, DGM's site had the following introduction: "The aim of DGM is to connect music, musician and audience in a way that supports the power of music, the integrity of the musician and the needs of the audience. DGM Live offers music for download with photographs, diary archives and audience commentary for browsing".[25] DGM's successful transition to an age of digital distribution was called "unique" among music labels in 2009; this success was credited to its provision of legal, high-quality recordings of concerts, which effectively reverse-engineered the distribution-networks for unlicensed recordings ("bootlegs") of concerts.[26]

DGM publishes on-line diaries by Robert Fripp and David Singleton.[27] A moderated forum allows fans to ask questions or to leave comments. Together, the diaries and the fan forum display delayed dialogs in which the artists and fans discuss diary-entries and forum-postings. Fripp's public writing of his diary has challenged his readers to become more active listeners and intelligent participants in performances of music.[28]

Conflict with Grooveshark edit

Fripp's diaries were internationally discussed following his publication of documents from a dispute with Grooveshark, an on-line distributor of music. Fripp and Singleton complained that Grooveshark had been continuing to distribute his music, even after repeated takedown notices and other complaints. Their correspondence with Grooveshark was published by Digital Music News[29][30][31] and in his DGM diary.[32] Fripp's exchange with Grooveshark was included in a suit against Grooveshark by Universal Music Group, which was filed in November 2011.[29][33]

See also edit

Notes edit

  1. ^ "The Wire". August 2014.
  2. ^ About DGMLive. "Statement at foot of homepage".
  3. ^ Billboard, 1998
  4. ^ a b c Fripp (1998, p. 9) according to Bruns (2003, p. 3)
  5. ^ a b Fripp (1998a, p. 3)
  6. ^ a b Martin (1997, p. 269)
  7. ^ Discipline Global Mobile - Ball Diary 13
  8. ^ a b c d Bambarger (1998, p. 86)
  9. ^ Bruford (2009, p. 142)
  10. ^ a b Hunter-Tilney, Ludovic (3 August 2012). "The day the music died: In a rare interview, prog rock legend Robert Fripp speaks about standing up to the music industry". The Financial Times. Event occurs at 7:27 pm. Retrieved 5 August 2012.
  11. ^ a b c d e f g Bambarger (1998)
  12. ^ a b Atton (2001, p. 39)
  13. ^ a b . Discipline Global Mobile. Archived from the original on 2 March 2012. Retrieved 25 March 2012.
  14. ^ a b c d Atton (2004, Chapter 6 "Fan culture and the Internet: Musicians and fanzines", p. 153)
  15. ^ a b Shepherd, Fiona (1999). . The Scotsman. ECM Publishers, Inc. Archived from the original on 11 June 2014. Retrieved 14 April 2012.
  16. ^ Kozar (2012, "Fripp's aim was to move his music in new directions that others did not always understand", p. 2)
  17. ^ Ball, Steve (1 October 2001). "Saturday September 29". Steve Ball diary. Steve Ball. Retrieved 25 March 2012.

    Ball (2001) cites as the original inspiration for the first cover for Discipline a design by Bain (1973, "Pictish knotwork borders from Gospels of Lindifarme and Book of Kells", p. 40): Bain, George (1973) [1951]. Celtic art: The methods of construction (Reprint of Constable Press ed.). Mineola, New York: Dover Publications. ISBN 0-486-22923-8.

  18. ^ Ball, Steve (21 May 2009). "Steve Ball extended history". Steve Ball Roadshow. Steve Ball. Retrieved 25 March 2012.
  19. ^ Fripp, Robert (22 August 1999). "Robert Fripp's Diary - 22 August 1999". Discipline Global Mobile. Retrieved 25 March 2012. Steve Ball is ... designer of the [League of Crafty Guitarists] & Discipline knotworks (among others in which he holds the copyright)
  20. ^ Hegarty & Halliwell (2011, "Illustration credits: Chapter 9", p. xii)
  21. ^ Mehle, Michael (22 October 1999). . Rocky Mountain News. Denver, CO. Archived from the original on 29 March 2015. Retrieved 14 April 2012.
  22. ^ a b Spellman (2002, p. 87))
  23. ^ Cook, Richard (1 January 1996). . New Statesman. New Statesman Ltd. Archived from the original on 21 September 2014. Retrieved 14 April 2012.
  24. ^ Molenda, Michael (1 January 2000). "California Guitar Trio: Paul Richards, Bert Lams, Hideyo Moriya". Guitar Player. NewBay Media LLC. Retrieved 14 April 2012.
  25. ^ "Welcome to DGM Live". Discipline Global Mobile. Retrieved 25 March 2012.
  26. ^ Anonymous (18 August 2009). . Belfast Telegraph. Independent News and Media PLC. Archived from the original on 23 May 2013. Retrieved 14 April 2012.
  27. ^ "Word". DGM Live. Retrieved 24 August 2019.
  28. ^ Atton (2001, p. 43)
  29. ^ a b Sisario, Ben (14 December 2011). "Sony and Warner are said to sue web music service". New York Times. Retrieved 30 May 2012.
  30. ^ Peoples, Glenn (21 November 2011). "Grooveshark Lawsuit Reveals Details of Universal Music Group's Allegations". billboard.com. Retrieved 5 February 2021.
  31. ^ Abonalla, Rochell (13 October 2011). "King Crimson Can't Get Their Music Off of Grooveshark. So They cc'd Digital Music News…". Digital Music News. Retrieved 1 February 2021.
  32. ^ Smith, Sid (1 May 2015). "Going, Going, Grooveshark Gone". dgmlive.com. Retrieved 22 March 2021.
  33. ^ Lawsuit claims Grooveshark workers posted 100,000 pirated songs. Greg Sandoval, CNET, 21 November 2011

References edit

  • Anonymous, Billboard (5 March 2002). "Zeppelin's John Paul Jones brings the 'thunder'". Billboard. Billboard.com.
  • Atton, Chris (2001). "'Living in the Past'?: Value discourses in progressive rock fanzines". Popular Music. 20 (1). Cambridge University Press: 29–46. doi:10.1017/S0261143001001295. JSTOR 853693. S2CID 191358373.
  • Atton, Chris (2004). An alternative Internet. Edinburgh University Press. pp. 138–154 and 107. ISBN 978-0-7486-1770-8. Retrieved 25 March 2012.
  • Bambarger, Bradley (11 July 1998). "Fripp label does it his way: Guitarist follows own muse in business, too". Billboard. Vol. 110, no. 28. pp. 13 and 86.
  • Bruford, Bill (2009). Bill Bruford: The autobiography: Yes, King Crimson, Earthworks, and more. Jawbone Press. ISBN 978-1-906002-23-7.
  • Bruns, Axel (2003). "Fight for survival: The RIAA's sustained attack on streaming media" (PDF). M/C: A Journal of Media and Culture. 6 (1): 1–6. "RIAA" abbreviates "Recording Industry Association of America".
  • Fripp, Robert (1998). "Discipline Global Mobile: A small, mobile and independent record company". Space Groove (CD booklet). ProjeKct Two. Discipline Global Mobile. pp. 9–10. Space Groove at AllMusic. Retrieved 25 March 2012. sku DGM9801. Cited by Bruns (2003, p. 3).
  • Fripp, Robert (1998a). "CD booklet". Absent Lovers: Live in Montreal (Liner notes). King Crimson. Discipline Global Mobile. pp. 3 and 17. Absent Lovers at AllMusic. Retrieved 25 March 2012. sku DGM9804.
  • Hegarty, Paul; Halliwell, Martin (25 August 2011). Beyond and before: Progressive rock since the 1960s. Continuum. pp. xii+328. ISBN 978-0-8264-4075-4.
  • Kozar, Ron (23 March 2012). "Robert Fripp: An appreciation". Pop Matters. No. RiskTakers. Retrieved 12 April 2012.
  • Martin, Bill (1997). Listening to the future: The time of progressive rock, 1968–1978. Open Court. p. 376. ISBN 0-8126-9368-X.
  • Spellman, Peter (2002). "8 Signing a deal with off-line and on-line record labels". The musician's Internet: On-line strategies for success in the music industry. Berklee Guide, and Music business. Berklee Press, and Hal Leonard Corporation. p. 124. ISBN 978-0-634-03586-9. LCCN 2002283637. Retrieved 25 March 2012.
  • Tamm, Eric (2003) [1990]. "9 King Crimson IV and Andy Summers: 'Discipline: The band' and 'King Crimson born again'". Robert Fripp: From crimson king to crafty master (Progressive Ears ed.). Faber and Faber (1990). ISBN 0-571-16289-4. Zipped Microsoft Word Document. Retrieved 25 March 2012.

Further reading edit

  • Fripp, Robert (January 1980). "The new realism: A musical manifesto for the 80s". Musician, Player and Listener. 22: 34. Cited in Tamm (2003).
  • Fripp, Robert (April–May 1980). "The vinyl solution". Musician, Player and Listener. 24: 24. Cited in Tamm (2003).
  • Fripp, Robert (April–May 1981). "Bootlegging, royalties, and the moment". Musician, Player and Listener. 32: 28. Cited in Tamm (2003).
  • Kirk, Cynthia (8 August 1979). "Fripp 'anti-tour' unconventional, but artist says it proves point". Variety. 296: 59. Cited in Tamm (2003).
  • Schruers, Fred (26 July 1979). "Robert Fripp's public Exposure: The return to 'an intelligent way of listening'". Rolling Stone. Vol. 296. p. 16. Cited in Tamm (2003).
  • Smith, Sid (2001). In the court of King Crimson. Helter Skelter Publishing. ISBN 1-900924-26-9.

External links edit

  • Anonymous, DGM Live! (2012). "Welcome to DGM Live". Discipline Global Mobile. Retrieved 25 March 2012.
  • Ball, Steve (21 December 2010). "steveball.com—the official steve ball website". steveball.com. Retrieved 25 March 2012.

January 01, 1970
discipline, global, mobile, other, uses, discipline, independent, record, label, founded, 1992, robert, fripp, best, known, guitarist, main, composer, band, king, crimson, producer, online, content, developer, david, singleton, released, solo, music, fripp, we. For other uses see DGM Discipline Global Mobile DGM or Discipline GM is an independent record label founded in 1992 by Robert Fripp best known as guitarist and main composer for the band King Crimson and producer online content developer David Singleton 1 DGM has released solo music by Fripp as well as work by various affiliated musicians and bands including King Crimson The Vicar the California Guitar Trio and others 2 The label has offices in Salisbury England and Los Angeles California 3 Discipline Global MobileFounded1992EnglandFounderRobert FrippDistributor s MNRK Music GroupLocationSalisbury EnglandOfficial websitedgmlive wbr com DGM has aimed to be a model of ethical business in an industry founded on exploitation oiled by deceit riven with theft and fueled by greed according to Fripp 4 Its policy is that its artists retain all copyrights consequently even DGM s corporate logo is owned by its designer 5 The label was an early adopter of the digital download system DGM s aims have been hailed as exemplary and the label has been credited with having expanded the possibilities of experimental music and having improved the environment for King Crimson 6 The DGM label name is derived from the title of a 1981 King Crimson album Discipline and from the name of Singleton s previous recording business The Mobile The label logo also partly reflects the artwork for the Discipline album featuring a new but similar knotwork commissioned from the artist Steve Ball 7 Contents 1 Foundation and business aims 2 Artists and back catalogue 2 1 Current recent DGM artists 2 2 Past DGM artists 3 Mail order and on line services 3 1 Conflict with Grooveshark 4 See also 5 Notes 6 References 7 Further reading 8 External linksFoundation and business aims edit nbsp The founder of Discipline Global Mobile Robert Fripp has called music an industry founded on exploitation oiled by deceit riven with theft and fueled by greed 4 Having been a professional musician since the mid 1960s and the guitarist for King Crimson since 1969 by the late 1980s Robert Fripp found himself in conflict with his longtime record label E G Records and management company E G Management over royalties allegedly owed by E G to himself and to other band members During this period Fripp met and began working with producer and online developer David Singleton initially on a Guitar Craft tour in 1990 and subsequently on the production of two albums the League of Crafty Guitarists Show of Hands and the eponymous album for the Fripp and Toyah fronted group Sunday All Over the World Fripp and Singleton s production partnership was sealed by work on two King Crimson boxed sets 1991 s Frame by Frame and 1992 s The Great Deceiver and continues to the present day under the name of TonProb After seven years Fripp and E G reached a settlement 8 9 but the experience left Fripp determined to take control of his own work and financial affairs wherever possible As part of this aim he founded Discipline Global Mobile DGM as an independent music label in 1992 as a fifty fifty partnership with Singleton 10 11 12 DGM s mission statement consists of five DGM business aims as follows The first aim of DGM is to help bring music into the world which would otherwise be unlikely to do so or under conditions prejudicial to the music and or musicians 13 The second aim of DGM is to operate in the market place while being free of the values of the market place The third aim of DGM is to help the artists and staff of DGM achieve what they wish for themselves The fourth aim of DGM is to find its audience The fifth aim of DGM is to be a model of ethical business in an industry founded on exploitation oiled by deceit riven with theft and fueled by greed 4 8 13 14 nbsp Formerly the bass guitarist of Led Zeppelin John Paul Jones has recorded albums with DGM without signing a contract stating that the relationship is pure trust 15 These aims were called exemplary by Bill Martin who wrote that Fripp has done something very important for the possibilities of experimental music in creating DGM and that DGM has played a major role in creating favorable conditions for King Crimson 6 Since at least the early 1960s the recording industry has required artists to sign over copyrights and moral rights to their cover art music and lyrics DGM rejects this practice and since its 1992 founding has maintained its policy that its artists retain the copyrights and the moral rights to their works 8 14 be those works musical or visual art 12 Fripp wrote The phonographic copyright in these performances is operated by Discipline Global Mobile on behalf of the artists with whom it resides contrary to common practice in the record industry Discipline accepts no reason for artists to assign the copyright interests in their work to either record company or management by virtue of a common practice which was always questionable often improper and is now indefensible 16 This extends even to DGM s knotwork corporate logo the copyright of which is owned not by the company but by its designer 5 Steve Ball 17 18 19 20 DGM does not require that its artists sign written contracts 21 Former Led Zeppelin bassist John Paul Jones said It s pure trust and noted that there are dangers on both sides I could have a successful album and just sign with a major or they could decide not to pay me Jones explained that he was accustomed to working in situations that do rely on trust and integrity those old fashioned words because Led Zeppelin had no contract with its manager 11 15 Another DGM band alternative rock group The Rosenbergs opted to work with the label following conflicts with their previous label Universal Records which had even demanded control of the band s domain name in contrast DGM had encouraged them to retain control of their own master recordings and provided them with funds for touring and promoting their album 22 Royalties are paid above the prevailing rate as announced at DGM s launch 8 In return DGM artists are responsible for promoting their albums through concert tours and interviews 14 Artists and back catalogue edit nbsp King Crimson guitarist Adrian Belew has recorded several albums with DGM Discipline Global Mobile specializes in art rock progressive rock jazz and assorted experimental and crossover music the label has also released recordings of Renaissance lute music and mainstream alternative rock DGM has released more than a hundred King Crimson recordings including remastered albums with bonus tracks and DVDs with archival footage In addition to King Crimson DGM s current active roster includes assorted Robert Fripp projects and The Vicar a songwriter project 23 The label has previously released music by various Fripp affiliated ensembles The League of Crafty Guitarists Les Gauchos Allemagnes the California Guitar Trio and the Robert Fripp String Quartet all of which stem from or are connected with Fripp s Guitar Craft courses 11 24 Current recent DGM artists edit King Crimson over 100 releases of archive material and additional releases outside of current major label product The ProjeKcts King Crimson subgroups Robert Fripp solo releases Soundscape recordings Fripp amp Eno The Vicar David Sylvian amp Robert Fripp reissues Jakszyk Fripp amp Collins Past DGM artists edit Adrian Belew BPM amp M Bill Bruford with Ralph Towner amp Eddie Gomez Bill Bruford s Earthworks Bruford Levin Upper Extremities California Guitar Trio Europa String Choir Robert Fripp String Quintet Tony Geballe Gitbox Trey Gunn Peter Hammill Steve Hancoff Jacob Heringman John Paul Jones Tony Levin Los Gauchos Alemanes Mr McFall s Chamber Bill Nelson Opus 20 Juan Carlos Quintero The Rosenbergs Ten SecondsMail order and on line services editAccording to a 1998 profile in Billboard magazine Discipline Global Mobile had seven staff members in Salisbury England and three in Los Angeles California 11 DGM is actually housed in a dull pebbledash building in a village near Salisbury south west England 10 Its label manager reported that the country with the largest market was Japan where mail orders accounted for only 10 of sales but 50 of profits In 1998 DGM was distributed in Japan by Pony Canyon in the United Kingdom by Pinnacle 11 and in the United States by Rykodisc 11 22 Sound samples have been offered in addition to DGM s mail order services 11 Free downloads from DGM have strengthened the relations between artists and fans 14 In 2012 DGM s site had the following introduction The aim of DGM is to connect music musician and audience in a way that supports the power of music the integrity of the musician and the needs of the audience DGM Live offers music for download with photographs diary archives and audience commentary for browsing 25 DGM s successful transition to an age of digital distribution was called unique among music labels in 2009 this success was credited to its provision of legal high quality recordings of concerts which effectively reverse engineered the distribution networks for unlicensed recordings bootlegs of concerts 26 DGM publishes on line diaries by Robert Fripp and David Singleton 27 A moderated forum allows fans to ask questions or to leave comments Together the diaries and the fan forum display delayed dialogs in which the artists and fans discuss diary entries and forum postings Fripp s public writing of his diary has challenged his readers to become more active listeners and intelligent participants in performances of music 28 Conflict with Grooveshark edit Fripp s diaries were internationally discussed following his publication of documents from a dispute with Grooveshark an on line distributor of music Fripp and Singleton complained that Grooveshark had been continuing to distribute his music even after repeated takedown notices and other complaints Their correspondence with Grooveshark was published by Digital Music News 29 30 31 and in his DGM diary 32 Fripp s exchange with Grooveshark was included in a suit against Grooveshark by Universal Music Group which was filed in November 2011 29 33 See also editList of record labels P J Crook Painter owning copyrights to album covers Notes edit The Wire August 2014 About DGMLive Statement at foot of homepage Billboard 1998 a b c Fripp 1998 p 9 according to Bruns 2003 p 3 a b Fripp 1998a p 3 a b Martin 1997 p 269 Discipline Global Mobile Ball Diary 13 a b c d Bambarger 1998 p 86 Bruford 2009 p 142 a b Hunter Tilney Ludovic 3 August 2012 The day the music died In a rare interview prog rock legend Robert Fripp speaks about standing up to the music industry The Financial Times Event occurs at 7 27 pm Retrieved 5 August 2012 a b c d e f g Bambarger 1998 a b Atton 2001 p 39 a b About DGM DGM business aims Discipline Global Mobile Archived from the original on 2 March 2012 Retrieved 25 March 2012 a b c d Atton 2004 Chapter 6 Fan culture and the Internet Musicians and fanzines p 153 a b Shepherd Fiona 1999 Recognise the face of bass Clue Think Led Zeppelin The Scotsman ECM Publishers Inc Archived from the original on 11 June 2014 Retrieved 14 April 2012 Kozar 2012 Fripp s aim was to move his music in new directions that others did not always understand p 2 Ball Steve 1 October 2001 Saturday September 29 Steve Ball diary Steve Ball Retrieved 25 March 2012 Ball 2001 cites as the original inspiration for the first cover for Discipline a design by Bain 1973 Pictish knotwork borders from Gospels of Lindifarme and Book of Kells p 40 Bain George 1973 1951 Celtic art The methods of construction Reprint of Constable Press ed Mineola New York Dover Publications ISBN 0 486 22923 8 Ball Steve 21 May 2009 Steve Ball extended history Steve Ball Roadshow Steve Ball Retrieved 25 March 2012 Fripp Robert 22 August 1999 Robert Fripp s Diary 22 August 1999 Discipline Global Mobile Retrieved 25 March 2012 Steve Ball is designer of the League of Crafty Guitarists amp Discipline knotworks among others in which he holds the copyright Hegarty amp Halliwell 2011 Illustration credits Chapter 9 p xii Mehle Michael 22 October 1999 Been a long time John Paul Jones hitting the road 19 years after Zeppelin s demise Rocky Mountain News Denver CO Archived from the original on 29 March 2015 Retrieved 14 April 2012 a b Spellman 2002 p 87 Cook Richard 1 January 1996 In praise of older men New Statesman New Statesman Ltd Archived from the original on 21 September 2014 Retrieved 14 April 2012 Molenda Michael 1 January 2000 California Guitar Trio Paul Richards Bert Lams Hideyo Moriya Guitar Player NewBay Media LLC Retrieved 14 April 2012 Welcome to DGM Live Discipline Global Mobile Retrieved 25 March 2012 Anonymous 18 August 2009 Jam and the joys of music distribution in today s world Belfast Telegraph Independent News and Media PLC Archived from the original on 23 May 2013 Retrieved 14 April 2012 Word DGM Live Retrieved 24 August 2019 Atton 2001 p 43 a b Sisario Ben 14 December 2011 Sony and Warner are said to sue web music service New York Times Retrieved 30 May 2012 Peoples Glenn 21 November 2011 Grooveshark Lawsuit Reveals Details of Universal Music Group s Allegations billboard com Retrieved 5 February 2021 Abonalla Rochell 13 October 2011 King Crimson Can t Get Their Music Off of Grooveshark So They cc d Digital Music News Digital Music News Retrieved 1 February 2021 Smith Sid 1 May 2015 Going Going Grooveshark Gone dgmlive com Retrieved 22 March 2021 Lawsuit claims Grooveshark workers posted 100 000 pirated songs Greg Sandoval CNET 21 November 2011References editAnonymous Billboard 5 March 2002 Zeppelin s John Paul Jones brings the thunder Billboard Billboard com Atton Chris 2001 Living in the Past Value discourses in progressive rock fanzines Popular Music 20 1 Cambridge University Press 29 46 doi 10 1017 S0261143001001295 JSTOR 853693 S2CID 191358373 Atton Chris 2004 An alternative Internet Edinburgh University Press pp 138 154 and 107 ISBN 978 0 7486 1770 8 Retrieved 25 March 2012 Bambarger Bradley 11 July 1998 Fripp label does it his way Guitarist follows own muse in business too Billboard Vol 110 no 28 pp 13 and 86 Bruford Bill 2009 Bill Bruford The autobiography Yes King Crimson Earthworks and more Jawbone Press ISBN 978 1 906002 23 7 Bruns Axel 2003 Fight for survival The RIAA s sustained attack on streaming media PDF M C A Journal of Media and Culture 6 1 1 6 RIAA abbreviates Recording Industry Association of America Fripp Robert 1998 Discipline Global Mobile A small mobile and independent record company Space Groove CD booklet ProjeKct Two Discipline Global Mobile pp 9 10 Space Groove at AllMusic Retrieved 25 March 2012 sku DGM9801 Cited by Bruns 2003 p 3 Fripp Robert 1998a CD booklet Absent Lovers Live in Montreal Liner notes King Crimson Discipline Global Mobile pp 3 and 17 Absent Lovers at AllMusic Retrieved 25 March 2012 sku DGM9804 Hegarty Paul Halliwell Martin 25 August 2011 Beyond and before Progressive rock since the 1960s Continuum pp xii 328 ISBN 978 0 8264 4075 4 Kozar Ron 23 March 2012 Robert Fripp An appreciation Pop Matters No RiskTakers Retrieved 12 April 2012 Martin Bill 1997 Listening to the future The time of progressive rock 1968 1978 Open Court p 376 ISBN 0 8126 9368 X Spellman Peter 2002 8 Signing a deal with off line and on line record labels The musician s Internet On line strategies for success in the music industry Berklee Guide and Music business Berklee Press and Hal Leonard Corporation p 124 ISBN 978 0 634 03586 9 LCCN 2002283637 Retrieved 25 March 2012 Tamm Eric 2003 1990 9 King Crimson IV and Andy Summers Discipline The band and King Crimson born again Robert Fripp From crimson king to crafty master Progressive Ears ed Faber and Faber 1990 ISBN 0 571 16289 4 Zipped Microsoft Word Document Retrieved 25 March 2012 Further reading editFripp Robert January 1980 The new realism A musical manifesto for the 80s Musician Player and Listener 22 34 Cited in Tamm 2003 Fripp Robert April May 1980 The vinyl solution Musician Player and Listener 24 24 Cited in Tamm 2003 Fripp Robert April May 1981 Bootlegging royalties and the moment Musician Player and Listener 32 28 Cited in Tamm 2003 Kirk Cynthia 8 August 1979 Fripp anti tour unconventional but artist says it proves point Variety 296 59 Cited in Tamm 2003 Schruers Fred 26 July 1979 Robert Fripp s public Exposure The return to an intelligent way of listening Rolling Stone Vol 296 p 16 Cited in Tamm 2003 Smith Sid 2001 In the court of King Crimson Helter Skelter Publishing ISBN 1 900924 26 9 External links editAnonymous DGM Live 2012 Welcome to DGM Live Discipline Global Mobile Retrieved 25 March 2012 Ball Steve 21 December 2010 steveball com the official steve ball website steveball com Retrieved 25 March 2012 Retrieved from https en wikipedia org w index php title Discipline Global Mobile amp oldid 1218143132, wikipedia, wiki, book, books, library,

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