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David Hesmondhalgh

January 01, 1970

David Hesmondhalgh is a British sociologist. He is currently Professor of Media, Music and Culture at the University of Leeds. His research focusses on the media and cultural industries, critical approaches to media in the digital age, and the sociology of music.

Biography edit

Hesmondhalgh is Professor of Media, Music and Culture at the University of Leeds. His interests include the cultural and creative industries, cultural policy, the politics of musical experience, and how 'cultural platforms' are transforming media. He joined the University of Leeds in 2007,[1] having previously worked at The Open University for eight years.

He obtained a PhD from Goldsmiths University of London in 1996 for his dissertation on British independent record companies, where he was supervised by Georgina Born.

His books include The Cultural Industries, first published in 2002, described by Herbert et al. in their Media Industry Studies as "a formative text for many who began their research careers at the start of the century" and as "extensively updated to keep pace with the new issues developing in an era of social and internet-distributed media".[2][3] Oakley and O'Connor describe the same book as "the most comprehensive overview of the literature and issues in the field" of cultural and creative industries.[4] He is acknowledged as a key figure in developing the "cultural industries" approach to media, which emphasises the complex and contradictory nature of cultural production under capitalism.[5] He is frequently named as one of the leading analysts of cultural labour, partly based on his book Creative Labour, co-written with Sarah Baker.[6] He is also well-known for his work on the sociology of music, especially his book Why Music Matters (2013), which provides a "nuanced case for music’s value in contributing to intimate and collective 'human flourishing'".[7][8]

Personal life edit

He is the brother of actor and activist Julie Hesmondhalgh and the father of actor and writer Rosa Hesmondhalgh. His long-term partner is the British philosopher Helen Steward.

Books edit

  • Western Music and its Others: Difference, Representation and Appropriation in Music, (Berkeley: University of California Press, 2000) ISBN 0-520-22084-6[9]
  • Popular Music Studies (London: Arnold, 2002). Eds. D. Hesmondhalgh and K. Negus[10]
  • Understanding Media: Inside Celebrity (Maidenhead Open University Press, 2005). Eds. J. Evans and D. Hesmondhalgh. ISBN 0-335-21880-6
  • Media Production (Maidenhead: Open University Press, 2006), ISBN 0-335-21884-9[11][12]
  • The Media and Social Theory (Abingdon and New York: Routledge, 2008). Eds. D Hesmondhalgh, J. Toynbee. ISBN 978-0-415-44800-0.[13]
  • Creative Labour: Media Work in Three Cultural Industries (London and New York: Routledge, 2010). D. Hesmondhalgh and S. Baker. ISBN 978-0-415-67773-8[14][15]
  • Why Music Matters (Malden, MA: Wiley-Blackwell, 2013). ISBN 978-1-4051-9241-5[16][17]
  • Culture, Economy and Politics: The Case of New Labour (London: Palgrave Macmillan, 2015) D. Hesmondhalgh, K. Oakley, D. Lee, M. Nisbett. ISBN 978-1-137-42638-3[18]
  • Media and Society, 6th edition (New York: Bloomsbury, 2019). Eds. J. Curran and D. Hesmondhalgh. ISBN 978-1-501-34073-4[19]
  • The Cultural Industries, 4th edition (London and Los Angeles: Sage, 2019). ISBN 978-1-5264-24105[20]

Selected publications edit

  • Hesmondhalgh, D. (2005) ‘The production of media entertainment’, in Curran, J. and Gurevitch, M. (eds.), Mass Media and Society, 4th edn., London, Hodder Arnold, pp. 153–71.
  • Hesmondhalgh, D. (2006) ‘Inside media organizations: production, autonomy and power’, in Hesmondhalgh, D. (ed.) (2006) Media Production, Maidenhead and Milton Keynes: The Open University Press/The Open University, pp. 49–90.
  • Hesmondhalgh, D. (2006) ‘Discourse analysis and content analysis’, in Gillespie, M. and Toynbee, J. (eds.), Analysing Media Texts, Maidenhead and Milton Keynes: The Open University Press/The Open University, pp. 119–156.
  • Hesmondhalgh, D. (2009) ‘Politics, theory and method in media industries research’, in Holt, J. and Perren, A. (eds.), Media Industries: History, Theory, Method. Malden, MA and Oxford: Blackwell, pp. 245–55.
  • Hesmondhalgh, D. (2016) ‘Exploitation and media labor’, in Richard Maxwell (ed), The Routledge Companion to Labor and Media, New York and Abingdon: Routledge, pp. 30–39.
  • Hesmondhalgh, D. (2017) ‘The media’s failure to represent the working class: explanations from media production and beyond’, in June Deery and Andrea Press (eds.), The Media and Class (New York: Routledge), pp. 21–37.
  • Hesmondhalgh, D. (2017) ‘Why it matters when big tech firms extend their power into media content’, The Conversation, 15 November.
  • Hesmondhalgh, D. (2017) ‘British election nights, despair and hope: a personal history’, Social Text Online, 20 June.
  • Hesmondhalgh, D. (2019) ‘The British General Election: the nightmare before Christmas’, Social Text Online, 13 December.

References edit

  1. ^ AHC. "Professor David Hesmondhalgh". University of Leeds.
  2. ^ Herbert, Lotz and Punathambekar, Media Industry Studies (Cambridge: Polity, 2020, p. 4).
  3. ^ Herbert, Daniel; Lotz, Amanda D.; Punathambekar, Aswin (2 June 2020). Media Industry Studies. ISBN 978-1509537778.
  4. ^ Kate Oakley and Justin O'Connor, The Routledge Companion to the Cultural Industries (London: Routledge, 2015) p. 12.
  5. ^ E.g. Aphra Kerr, Global Games (London: Routledge, 2016) p. 4, Anamik Saha, Race and the Cultural Industries (Cambridge: Polity, 2018), p. 25.
  6. ^ E.g. Mark Banks, Creative Justice: Cultural Industries, Work and Inequality (Oxford: Rowman and Littlefield, 2017, pp. 5, 151)
  7. ^ David Wilkinson, Post-Punk, Politics and Pleasure in Britain (London: Palgrave Macmillan, 2016), p. 3.
  8. ^ Fox, Aaron A. "Georgina Born and David Hesmondhalgh, eds. "Western Music and Its Others: Difference, Representation, and Appropriation in Music" (Book Review)". University of California Press.
  9. ^ Bellman, Jonathan (1 March 2002). "Western Music and its Others: Difference, Representations, and Appropriations in Music (review)". Notes. 58 (3): 567–569. doi:10.1353/not.2002.0005. ISSN 1534-150X. S2CID 191362289.
  10. ^ Moore, Allan (2003). "Review of Popular Music Studies". Popular Music. 22 (3): 386–390. doi:10.1017/S0261143003243257. ISSN 0261-1430. JSTOR 3877586. S2CID 162146674.
  11. ^ Noonan, Caitriona (1 May 2008). "Book Review: David Hesmondhalgh (ed.), Media Production. Milton Keynes: Open University Press, 2006". Media, Culture & Society. 30 (3): 425–427. doi:10.1177/0163443708088796. ISSN 0163-4437. S2CID 144725517.
  12. ^ Noonan, Caitriona. "Book Review: David Hesmondhalgh (ed.), Media Production. Milton Keynes". Media, Culture & Society.
  13. ^ West, Emily. "David Hesmondhalgh and Jason Toynbee (Eds.), The Media and Social Theory". International Journal of Communication.
  14. ^ Bielby, Denise D. (1 August 2012). "Book Review: Creative Labour: Media Work in Three Cultural Industries". Work and Occupations. 39 (3): 282–284. doi:10.1177/0730888412443223. ISSN 0730-8884. S2CID 146886158.
  15. ^ Proctor-Thomson, Sarah B (1 April 2013). "Book review: David Hesmondhalgh and Sarah Baker, Creative Labour: Media Work in Three Cultural Industries". Work, Employment and Society. 27 (2): 371–372. doi:10.1177/0950017012470981. ISSN 0950-0170. S2CID 143975408.
  16. ^ Zhongwei, Li (2016). "Book Review: Why Music Matters by David Hesmondhalgh". Networking Knowledge: Journal of the MeCCSA Postgraduate Network. 9 (2). doi:10.31165/nk.2016.92.433.
  17. ^ Dueck, Byron (2016). "David Hesmondhalgh, Why Music Matters (Malden, MA: Wiley Blackwell, 2013), ISBN: 978-1-4051-9241-5 (pb)". Twentieth-Century Music. 13 (2): 321–326. doi:10.1017/S1478572216000074. ISSN 1478-5722. S2CID 163841229.
  18. ^ "Book Review: Culture, Economy and Politics: The Case of New Labour by David Hesmondhalgh, Kate Oakley, David Lee and Melissa Nisbett". LSE Review of Books. 29 November 2016.
  19. ^ "James Curran and David Hesmondhalgh (eds), Media and Society". European Journal of Communication. 34 (4): 467–468. 1 August 2019. doi:10.1177/0267323119863867g. ISSN 0267-3231. S2CID 202165755.
  20. ^ McCurdy, Patrick M. "Cultural Studies". Topia. 12: 152. doi:10.3138/topia.12.152.

External links edit

January 01, 1970
david, hesmondhalgh, british, sociologist, currently, professor, media, music, culture, university, leeds, research, focusses, media, cultural, industries, critical, approaches, media, digital, sociology, music, contents, biography, personal, life, books, sele. David Hesmondhalgh is a British sociologist He is currently Professor of Media Music and Culture at the University of Leeds His research focusses on the media and cultural industries critical approaches to media in the digital age and the sociology of music Contents 1 Biography 2 Personal life 3 Books 4 Selected publications 5 References 6 External linksBiography editHesmondhalgh is Professor of Media Music and Culture at the University of Leeds His interests include the cultural and creative industries cultural policy the politics of musical experience and how cultural platforms are transforming media He joined the University of Leeds in 2007 1 having previously worked at The Open University for eight years He obtained a PhD from Goldsmiths University of London in 1996 for his dissertation on British independent record companies where he was supervised by Georgina Born His books include The Cultural Industries first published in 2002 described by Herbert et al in their Media Industry Studies as a formative text for many who began their research careers at the start of the century and as extensively updated to keep pace with the new issues developing in an era of social and internet distributed media 2 3 Oakley and O Connor describe the same book as the most comprehensive overview of the literature and issues in the field of cultural and creative industries 4 He is acknowledged as a key figure in developing the cultural industries approach to media which emphasises the complex and contradictory nature of cultural production under capitalism 5 He is frequently named as one of the leading analysts of cultural labour partly based on his book Creative Labour co written with Sarah Baker 6 He is also well known for his work on the sociology of music especially his book Why Music Matters 2013 which provides a nuanced case for music s value in contributing to intimate and collective human flourishing 7 8 Personal life editHe is the brother of actor and activist Julie Hesmondhalgh and the father of actor and writer Rosa Hesmondhalgh His long term partner is the British philosopher Helen Steward Books editWestern Music and its Others Difference Representation and Appropriation in Music Berkeley University of California Press 2000 ISBN 0 520 22084 6 9 Popular Music Studies London Arnold 2002 Eds D Hesmondhalgh and K Negus 10 Understanding Media Inside Celebrity Maidenhead Open University Press 2005 Eds J Evans and D Hesmondhalgh ISBN 0 335 21880 6 Media Production Maidenhead Open University Press 2006 ISBN 0 335 21884 9 11 12 The Media and Social Theory Abingdon and New York Routledge 2008 Eds D Hesmondhalgh J Toynbee ISBN 978 0 415 44800 0 13 Creative Labour Media Work in Three Cultural Industries London and New York Routledge 2010 D Hesmondhalgh and S Baker ISBN 978 0 415 67773 8 14 15 Why Music Matters Malden MA Wiley Blackwell 2013 ISBN 978 1 4051 9241 5 16 17 Culture Economy and Politics The Case of New Labour London Palgrave Macmillan 2015 D Hesmondhalgh K Oakley D Lee M Nisbett ISBN 978 1 137 42638 3 18 Media and Society 6th edition New York Bloomsbury 2019 Eds J Curran and D Hesmondhalgh ISBN 978 1 501 34073 4 19 The Cultural Industries 4th edition London and Los Angeles Sage 2019 ISBN 978 1 5264 24105 20 Selected publications editHesmondhalgh D 2005 The production of media entertainment in Curran J and Gurevitch M eds Mass Media and Society 4th edn London Hodder Arnold pp 153 71 Hesmondhalgh D 2006 Inside media organizations production autonomy and power in Hesmondhalgh D ed 2006 Media Production Maidenhead and Milton Keynes The Open University Press The Open University pp 49 90 Hesmondhalgh D 2006 Discourse analysis and content analysis in Gillespie M and Toynbee J eds Analysing Media Texts Maidenhead and Milton Keynes The Open University Press The Open University pp 119 156 Hesmondhalgh D 2009 Politics theory and method in media industries research in Holt J and Perren A eds Media Industries History Theory Method Malden MA and Oxford Blackwell pp 245 55 Hesmondhalgh D 2016 Exploitation and media labor in Richard Maxwell ed The Routledge Companion to Labor and Media New York and Abingdon Routledge pp 30 39 Hesmondhalgh D 2017 The media s failure to represent the working class explanations from media production and beyond in June Deery and Andrea Press eds The Media and Class New York Routledge pp 21 37 Hesmondhalgh D 2017 Why it matters when big tech firms extend their power into media content The Conversation 15 November Hesmondhalgh D 2017 British election nights despair and hope a personal history Social Text Online 20 June Hesmondhalgh D 2019 The British General Election the nightmare before Christmas Social Text Online 13 December References edit AHC Professor David Hesmondhalgh University of Leeds Herbert Lotz and Punathambekar Media Industry Studies Cambridge Polity 2020 p 4 Herbert Daniel Lotz Amanda D Punathambekar Aswin 2 June 2020 Media Industry Studies ISBN 978 1509537778 Kate Oakley and Justin O Connor The Routledge Companion to the Cultural Industries London Routledge 2015 p 12 E g Aphra Kerr Global Games London Routledge 2016 p 4 Anamik Saha Race and the Cultural Industries Cambridge Polity 2018 p 25 E g Mark Banks Creative Justice Cultural Industries Work and Inequality Oxford Rowman and Littlefield 2017 pp 5 151 David Wilkinson Post Punk Politics and Pleasure in Britain London Palgrave Macmillan 2016 p 3 Fox Aaron A Georgina Born and David Hesmondhalgh eds Western Music and Its Others Difference Representation and Appropriation in Music Book Review University of California Press Bellman Jonathan 1 March 2002 Western Music and its Others Difference Representations and Appropriations in Music review Notes 58 3 567 569 doi 10 1353 not 2002 0005 ISSN 1534 150X S2CID 191362289 Moore Allan 2003 Review of Popular Music Studies Popular Music 22 3 386 390 doi 10 1017 S0261143003243257 ISSN 0261 1430 JSTOR 3877586 S2CID 162146674 Noonan Caitriona 1 May 2008 Book Review David Hesmondhalgh ed Media Production Milton Keynes Open University Press 2006 Media Culture amp Society 30 3 425 427 doi 10 1177 0163443708088796 ISSN 0163 4437 S2CID 144725517 Noonan Caitriona Book Review David Hesmondhalgh ed Media Production Milton Keynes Media Culture amp Society West Emily David Hesmondhalgh and Jason Toynbee Eds The Media and Social Theory International Journal of Communication Bielby Denise D 1 August 2012 Book Review Creative Labour Media Work in Three Cultural Industries Work and Occupations 39 3 282 284 doi 10 1177 0730888412443223 ISSN 0730 8884 S2CID 146886158 Proctor Thomson Sarah B 1 April 2013 Book review David Hesmondhalgh and Sarah Baker Creative Labour Media Work in Three Cultural Industries Work Employment and Society 27 2 371 372 doi 10 1177 0950017012470981 ISSN 0950 0170 S2CID 143975408 Zhongwei Li 2016 Book Review Why Music Matters by David Hesmondhalgh Networking Knowledge Journal of the MeCCSA Postgraduate Network 9 2 doi 10 31165 nk 2016 92 433 Dueck Byron 2016 David Hesmondhalgh Why Music Matters Malden MA Wiley Blackwell 2013 ISBN 978 1 4051 9241 5 pb Twentieth Century Music 13 2 321 326 doi 10 1017 S1478572216000074 ISSN 1478 5722 S2CID 163841229 Book Review Culture Economy and Politics The Case of New Labour by David Hesmondhalgh Kate Oakley David Lee and Melissa Nisbett LSE Review of Books 29 November 2016 James Curran and David Hesmondhalgh eds Media and Society European Journal of Communication 34 4 467 468 1 August 2019 doi 10 1177 0267323119863867g ISSN 0267 3231 S2CID 202165755 McCurdy Patrick M Cultural Studies Topia 12 152 doi 10 3138 topia 12 152 External links editDavid Hesmondhalgh publications indexed by Google Scholar Retrieved from https en wikipedia org w index php title David Hesmondhalgh amp oldid 1170423326, wikipedia, wiki, book, books, library,

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