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Costa Rican literature

August 20, 2023

Costa Rican literature has roots in colonization and is marked by European influences. Because Costa Rica is a young country, its literary tradition is also young. The history of Costa Rican literature dates to the end of the 19th century.

Shelf with Costa Rican books

Chronology

Currently, the most accepted chronology of Costa Rican literature is that proposed by professor Álvaro Quesada Soto. According to Soto, from the first literary publications in Costa Rica at the end of the 19th century, until now, there are five literary periods, which are traditionally called "generations". However, these periods are not "generations" in the traditional literary sense. Thus, the periods of Costa Rican literature are as follows.

The Olympus generation (1890–1920)

Main article: Olympus Generation

These are the writers within the model of the liberal oligarchic state. The literature of this era is characterized by its being written during a process of formation and consolidation of a national consciousness.

The repertory generation (1920–1940)

So called because of its link to the magazine Repertorio Americano de Joaquín García Monge. During this period there was a crisis of the liberal oligarchic regime, and so the literature of the era is characterized by new forms of language, such as the grotesque style, fierce and corrosive humor, parody, and satire.

The 40s generation (1940–1960)

During this era, social democracy was implanted in Costa Rica. It was a time of questioning and renewal, with major social reforms and a new concept of the state. Major literary themes included social problems, land distribution, and transnational corporations.

The urban generation (1960–1980)

At this time, modernization and industrialization took shape in Costa Rica. In the literature of this era the city is the predominant theme.

The generation of disenchantment (1980–present)

A new period of Costa Rican literature began in the 1980s. During this time, there has been a departure from the tendencies that have characterized Costa Rican literature from its beginnings. In particular, realism has been abandoned, and new forms of writing have appeared in its wake. This has led to a plurality of styles, times, and spaces within Costa Rican literature. Nevertheless, the works tend to fit within the same thematic context: disenchantment with the model of the state provided by Costa Rican politicians.

History

Origins

According to literary theorist Álvaro Quesada, "The formation of a national literature in Costa Rica was similar, in general terms, to the formation of national literatures in other Latin American countries, particularly those of Central America. This process formed part of a broader effort, the construction or invention of the 'nation', as an 'imagined community' more than a substantive reality: an effort that then responded to a project of unification and centralization of economic, political, and ideological power around a hegemonic criollo group linked to the exportation of agricultural products for the international market.[1]

There are authors recognized today that date from the 19th century. These include those belonging to the "Lira costarricense" such as Aquileo J. Echeverría and Lisímaco Chavarría, and those of the Olympus generation such as Carlos Gagini and Ricardo Fernández Guardia. However, it is not until the 20th century that one can speak of a consolidated and coherent Costa Rican literature.

Twentieth century

Twentieth-century Costa Rican literature continued to be influenced by European literature.

Modernism

Literature at the beginning of the century marked a new stage in Costa Rican cultural life. At this time, modernism was not very influential despite Rubén Darío's stay in the country, where he wrote poems and published articles in local newspapers. Modernism was not as important in Costa Rica as in other Latin American countries. However, it arrived particularly late in poetry. Modernism can be seen mixed with national themes as much in the work of writers favoring modernism (e.g. Fernández Guardia) as in that of those opposed to it (e.g. Gagini and Magón).

Starting in the 1920s, a shift occurred in the discourse of modernist literature in Costa Rica, in which writers laid aside the idealization of the European world praised by earlier writers and focused on a more immediate and inward-looking reality. Thus began post-modernism or late modernism. As a result, characters and environments from Greco-Roman and German mythology, which had been common, appeared less frequently.

The new modernists, or post-modernists, continued to employ the usual Précieuses style, this time with different content. Notable poets of this era include Roberto Brenes Mesén, Rogelio Sotela, Lisímaco Chavarría, Rafael Cardona, Rafael Estrada, Carlos Luis Sáenz, and Julián Marchena. Marchena is one of the most important despite his having written only one book (Alas en fuga), which published in 1941, when modernism had become obsolete in other Hispanic countries.

The '90s generation

The '90s generation (la generación del 90) was a group of writers of the late 19th and early 20th centuries. This period corresponds to the height of liberalism, which caused major changes in social and working structures.

Despite this narrative's coexistence with modernism, the 90s generation put forward a narrative of opposing character, form, and content: with a strong nationalist (anti-imperialist character), not seeking remote landscapes or characters from fables. Their books were the first works of social protest against the older moral and ethical values of the oligarchic period, the new values brought by businessmen, especially from the United States, and the "submission" of local political leaders. Their criticism, however, was social in nature and did not take the form of political opposition.

Examples of this movement include the novels Las hijas del campo and El moto by Joaquín García Monge, which harshly criticize the old rural society and the oligarchy of village chiefs, and El árbol enfermo y La caída del águila by Carlos Gagini, which warn against the danger of foreign influence.

Avant-garde movement

In the 1930s and 1940s, a new generation of writers, especially poets, set a new course for literature. Such is the case of poets Isaac Felipe Azofeifa and Eunice Odio. The Costa Rican avant garde movement has generally been disregarded in the study of Latin American literature, though admittedly the Costa Rican movement was smaller and less influential internationally than that of other countries. Other writers of this movement included Max Jiménez, José Marín Cañas, and Francisco Amighett. This literary movement coincided with avant-gardism in the visual arts, developed by artists like Francisco Zúñiga, Amighetti himself, Juan Manuel Sánchez, and Juan Rafael Chacón.

'40s generation

The '40s generation was marked by realism; their works addressed issues of land, country, and land tenure. These writers included Joaquín Gutiérrez (Puerto Limón, Muramonos Federico, Te accordás hermano), Carlos Luis Fallas (Mamita Yunai), León Pacheco (Los pantanos del infierno), and José Marín Cañas (El infierno verde).

Circle of Costa Rican poets

The circle of Costa Rican poets (círculo de poetas costarricenses) is a group of poets founded by Jorge Debravo and Laureano Albán in the early 1960s. This group of poets published the Manifiesto trascendentalista (1977), signed by Laureano Albán, Julieta Dobles, Carlos Francisco Monge, and Ronald Bonilla. Carlos Francisco Monge wrote the essay "Un manifiesto veinte años después" on the same topic in 1997; it is included in his book '

'70s generation

The '70s generation is a group of novelists that have criticized the exhaustion of the political project carried out after the founding of the Second Republic after the end of the civil war of 1948. It includes authors such as Carmen Naranjo, Gerardo César Hurtado, Quince Duncan, and Alfonso Chase.

Late 20th and early 21st century

Writers born before 1965 who have published works after 1990 include Jorge Arroyo, Rodolfo Arias Formoso, Adriano Corrales Arias, Anacristina Rossi, Francisco Rodríguez Barrientos, Osvaldo Sauma, Guillermo Fernández Álvarez, Rodrigo Soto, Carlos Cortés, Jorge Arturo, Vernor Muñoz, Tatiana Lobo, Uriel Quesada, Ana Istarú, José Maria Zonta, Hugo Rivas (deceased), Wilbert Bogantes, José Ricardo Chaves, Dorelia Barahona, Fernando Contreras Castro, Carlos Morales, and Alexánder Obando.

Poets born after 1965 who have published after 1990 include Juan Antillón, Mauricio Molina Delgado, David Maradiaga, Luis Chaves, Melvyn Aguilar, María Montero, Esteban Ureña, Jeanette Amit, Julio Acuña (deceased), Alfredo Trejos, Joan Bernal, Gustavo Solórzano Alfaro, Mauricio Vargas Ortega, Alejandra Castro, Patrick Cotter, Felipe Granados (deceased), Paula Piedra, Laura Fuentes, Camila Schumaher, David Cruz, Vivian Cruz, Alejandro Cordero, William Eduarte, and Luis Chacón.

Fiction writers born after 1965 who have published after 1990 include Heriberto Rodríguez, Mauricio Ventanas, Catalina Murillo, Manuel Marín, Jessica Clark Cohen, Juan Murillo, Laura Quijano, Alí Víquez Jiménez, Marco Castro, Mario León, Guillermo Barquero, Antonio Chamu, Jesús Vargas Garita, Gustavo Adolfo Chaves, Carlos Alvarado, Albán Mora, David Eduarte, Diego Montero, Mauricio Chaves Mesén.

Major writers

Major Costa Rican writers include Roberto Brenes Mesén, with his poems in En el silencio; Carmen Lyra, writer of Cuentos de mi Tía Panchita; Carlos Luis Fallas Sibaja, with his novels Mamita Yunai, Gentes y gentecillas, Mi madrina and Marcos Ramírez; Fabián Dobles, with the novel El sitio de las abras; Joaquín Gutiérrez, with novels including Puerto Limón, Muramonos, Federico and Te accordás, hermano; Yolanda Oreamuno with her novel La ruta de su evasión; Carlos Salazar Herrera, with Cuentos de angustias y paisajes; Eunice Odio, with her poetry collection Tránsito de fuego; and Isaac Felipe Azofeifa, with Cima del gozo.

Julián Marchena with his only poetry collection Alas en fuga; José León Sánchez, with the novel La isla de los hombres solos, Ana Antillón with poetry collections including Antro Fuego, Jorge Debravo with poetry collections including Nosotros los hombres; and Laureano Albán with books including Herencia del otoño. Authors whose works began to appear in the 1970s and 1980s include Rodolfo Arias, Jorge Arroyo, Carlos Cortés, Ana Istarú, Mía Gallegos, Carlos Francisco Monge, Rodrigo Quirós (1944–1997), Alfredo Trejos, Anacristina Rossi, Juan Carlos Olivas, Rodrigo Soto, Osvaldo Sauma, Milton Zárate and Juan Antillón with his multiawarded poetry collection Isla and other books.

References

Notes

  1. ^ "La formación de una literatura nacional en Costa Rica se asemeja, en líneas generales, a la formación de otras literaturas nacionales en los países latinoamericanos y particularmente los centroamericanos. Ese proceso forma parte de un esfuerzo más amplio, la construcción o invención de la 'nación', como una 'comunidad imaginada' más que una realidad sustantiva: esfuerzo que a su vez, responde a un proyecto de unificación y centralización del poder económico, político e ideológico, alrededor de un grupo hegemónico criollo ligado a la exportación de productos agrícolas para el mercado internacional." Uno y los otros, San José: EUCR, 1998: 17.

Bibliography

  • Bonilla, Abelardo. Historia de la literatura costarricense. San José, Editorial Universidad de Costa Rica, 1957.
  • Corrales Arias, Adriano. Sostener la palabra. Antología de poesía costarricense contemporánea. San José, Editorial Arboleda, 2007.
  • Monge, Carlos Francisco. Antología crítica de la poesía de Costa Rica. San José, Editorial Universidad de Costa Rica, 1993.
  • Monge, Carlos Francisco. El vanguardismo literario en Costa Rica, Editorial Universidad Nacional, 2005.
  • Ovares, Flora, Margarita Rojas, María Elena Carballo y Carlos Santander. La casa paterna. Escritura y nación en Costa Rica. San José, EUCR, 1993.
  • Ovares, Flora y Margarita Rojas. El sello del ángel. Ensayos sobre literatura centroamericana. Heredia, Editorial Universidad Nacional, 2000.
  • Rojas, Margarita Álvaro Quesada, Flora Ovares y Carlos Santander. En el tinglado de la eterna comedia. El teatro costarricense (1890–1930). Heredia, Editorial Universidad Nacional, 1995.
  • Rojas, Margarita y Flora Ovares. Cien años de literatura costarricense. San José, Farben, 1995.
  • Rojas, Margarita y Flora Ovares, En el tinglado de la eterna comedia. El teatro costarricense (1930–1950). Heredia, Editorial Universidad Nacional, 1995.
  • Rojas, Margarita. La ciudad y la noche. Narrativa latinoamericana contemporánea. San José, Farben, 2006.
  • Valldeperas Acosta, Jorge. Para una nueva interpretación de la literatura costarricense. San José, Editorial Costa Rica, 1978.

External links

Acquirir Libros de la Literatura Costarricense

August 20, 2023
costa, rican, literature, roots, colonization, marked, european, influences, because, costa, rica, young, country, literary, tradition, also, young, history, dates, 19th, century, shelf, with, costa, rican, books, contents, chronology, olympus, generation, 189. Costa Rican literature has roots in colonization and is marked by European influences Because Costa Rica is a young country its literary tradition is also young The history of Costa Rican literature dates to the end of the 19th century Shelf with Costa Rican books Contents 1 Chronology 1 1 The Olympus generation 1890 1920 1 2 The repertory generation 1920 1940 1 3 The 40s generation 1940 1960 1 4 The urban generation 1960 1980 1 5 The generation of disenchantment 1980 present 2 History 2 1 Origins 2 2 Twentieth century 2 2 1 Modernism 2 3 The 90s generation 2 3 1 Avant garde movement 2 3 2 40s generation 2 3 3 Circle of Costa Rican poets 2 3 4 70s generation 2 4 Late 20th and early 21st century 3 Major writers 4 References 4 1 Notes 4 2 Bibliography 5 External linksChronology EditCurrently the most accepted chronology of Costa Rican literature is that proposed by professor Alvaro Quesada Soto According to Soto from the first literary publications in Costa Rica at the end of the 19th century until now there are five literary periods which are traditionally called generations However these periods are not generations in the traditional literary sense Thus the periods of Costa Rican literature are as follows The Olympus generation 1890 1920 Edit Main article Olympus Generation These are the writers within the model of the liberal oligarchic state The literature of this era is characterized by its being written during a process of formation and consolidation of a national consciousness Manuel Arguello Mora Manuel de Jesus Jimenez Pio Viquez Roberto Brenes Mesen Aquileo Echeverria Ricardo Fernandez Guardia Carlos Gagini Manuel Gonzalez ZeledonThe repertory generation 1920 1940 Edit So called because of its link to the magazine Repertorio Americano de Joaquin Garcia Monge During this period there was a crisis of the liberal oligarchic regime and so the literature of the era is characterized by new forms of language such as the grotesque style fierce and corrosive humor parody and satire Joaquin Garcia Monge Omar Dengo Carmen Lyra Mario Sancho Max JimenezThe 40s generation 1940 1960 Edit During this era social democracy was implanted in Costa Rica It was a time of questioning and renewal with major social reforms and a new concept of the state Major literary themes included social problems land distribution and transnational corporations Jose Basileo Acuna Isaac Felipe Azofeifa Fabian Dobles Carlos Luis Fallas Joaquin Gutierrez Julian Marchena Yolanda Oreamuno Jose Marin Canas Carlos Luis Saenz Carlos Salazar Herrera Moises VincenziThe urban generation 1960 1980 Edit At this time modernization and industrialization took shape in Costa Rica In the literature of this era the city is the predominant theme Alberto Canas Jorge Charpentier Daniel Gallegos Virginia Grutter Carmen Naranjo Eunice Odio Samuel Rovinski Jose Leon Sanchez Laureano Alban Julieta Dobles Jorge Debravo Alfonso ChaseThe generation of disenchantment 1980 present Edit A new period of Costa Rican literature began in the 1980s During this time there has been a departure from the tendencies that have characterized Costa Rican literature from its beginnings In particular realism has been abandoned and new forms of writing have appeared in its wake This has led to a plurality of styles times and spaces within Costa Rican literature Nevertheless the works tend to fit within the same thematic context disenchantment with the model of the state provided by Costa Rican politicians History EditOrigins Edit According to literary theorist Alvaro Quesada The formation of a national literature in Costa Rica was similar in general terms to the formation of national literatures in other Latin American countries particularly those of Central America This process formed part of a broader effort the construction or invention of the nation as an imagined community more than a substantive reality an effort that then responded to a project of unification and centralization of economic political and ideological power around a hegemonic criollo group linked to the exportation of agricultural products for the international market 1 There are authors recognized today that date from the 19th century These include those belonging to the Lira costarricense such as Aquileo J Echeverria and Lisimaco Chavarria and those of the Olympus generation such as Carlos Gagini and Ricardo Fernandez Guardia However it is not until the 20th century that one can speak of a consolidated and coherent Costa Rican literature Twentieth century Edit Twentieth century Costa Rican literature continued to be influenced by European literature Modernism Edit Literature at the beginning of the century marked a new stage in Costa Rican cultural life At this time modernism was not very influential despite Ruben Dario s stay in the country where he wrote poems and published articles in local newspapers Modernism was not as important in Costa Rica as in other Latin American countries However it arrived particularly late in poetry Modernism can be seen mixed with national themes as much in the work of writers favoring modernism e g Fernandez Guardia as in that of those opposed to it e g Gagini and Magon Starting in the 1920s a shift occurred in the discourse of modernist literature in Costa Rica in which writers laid aside the idealization of the European world praised by earlier writers and focused on a more immediate and inward looking reality Thus began post modernism or late modernism As a result characters and environments from Greco Roman and German mythology which had been common appeared less frequently The new modernists or post modernists continued to employ the usual Precieuses style this time with different content Notable poets of this era include Roberto Brenes Mesen Rogelio Sotela Lisimaco Chavarria Rafael Cardona Rafael Estrada Carlos Luis Saenz and Julian Marchena Marchena is one of the most important despite his having written only one book Alas en fuga which published in 1941 when modernism had become obsolete in other Hispanic countries The 90s generation Edit The 90s generation la generacion del 90 was a group of writers of the late 19th and early 20th centuries This period corresponds to the height of liberalism which caused major changes in social and working structures Despite this narrative s coexistence with modernism the 90s generation put forward a narrative of opposing character form and content with a strong nationalist anti imperialist character not seeking remote landscapes or characters from fables Their books were the first works of social protest against the older moral and ethical values of the oligarchic period the new values brought by businessmen especially from the United States and the submission of local political leaders Their criticism however was social in nature and did not take the form of political opposition Examples of this movement include the novels Las hijas del campo and El moto by Joaquin Garcia Monge which harshly criticize the old rural society and the oligarchy of village chiefs and El arbol enfermo y La caida del aguila by Carlos Gagini which warn against the danger of foreign influence Avant garde movement Edit In the 1930s and 1940s a new generation of writers especially poets set a new course for literature Such is the case of poets Isaac Felipe Azofeifa and Eunice Odio The Costa Rican avant garde movement has generally been disregarded in the study of Latin American literature though admittedly the Costa Rican movement was smaller and less influential internationally than that of other countries Other writers of this movement included Max Jimenez Jose Marin Canas and Francisco Amighett This literary movement coincided with avant gardism in the visual arts developed by artists like Francisco Zuniga Amighetti himself Juan Manuel Sanchez and Juan Rafael Chacon 40s generation Edit The 40s generation was marked by realism their works addressed issues of land country and land tenure These writers included Joaquin Gutierrez Puerto Limon Muramonos Federico Te accordas hermano Carlos Luis Fallas Mamita Yunai Leon Pacheco Los pantanos del infierno and Jose Marin Canas El infierno verde Circle of Costa Rican poets Edit The circle of Costa Rican poets circulo de poetas costarricenses is a group of poets founded by Jorge Debravo and Laureano Alban in the early 1960s This group of poets published the Manifiesto trascendentalista 1977 signed by Laureano Alban Julieta Dobles Carlos Francisco Monge and Ronald Bonilla Carlos Francisco Monge wrote the essay Un manifiesto veinte anos despues on the same topic in 1997 it is included in his book 70s generation Edit The 70s generation is a group of novelists that have criticized the exhaustion of the political project carried out after the founding of the Second Republic after the end of the civil war of 1948 It includes authors such as Carmen Naranjo Gerardo Cesar Hurtado Quince Duncan and Alfonso Chase Late 20th and early 21st century Edit Writers born before 1965 who have published works after 1990 include Jorge Arroyo Rodolfo Arias Formoso Adriano Corrales Arias Anacristina Rossi Francisco Rodriguez Barrientos Osvaldo Sauma Guillermo Fernandez Alvarez Rodrigo Soto Carlos Cortes Jorge Arturo Vernor Munoz Tatiana Lobo Uriel Quesada Ana Istaru Jose Maria Zonta Hugo Rivas deceased Wilbert Bogantes Jose Ricardo Chaves Dorelia Barahona Fernando Contreras Castro Carlos Morales and Alexander Obando Poets born after 1965 who have published after 1990 include Juan Antillon Mauricio Molina Delgado David Maradiaga Luis Chaves Melvyn Aguilar Maria Montero Esteban Urena Jeanette Amit Julio Acuna deceased Alfredo Trejos Joan Bernal Gustavo Solorzano Alfaro Mauricio Vargas Ortega Alejandra Castro Patrick Cotter Felipe Granados deceased Paula Piedra Laura Fuentes Camila Schumaher David Cruz Vivian Cruz Alejandro Cordero William Eduarte and Luis Chacon Fiction writers born after 1965 who have published after 1990 include Heriberto Rodriguez Mauricio Ventanas Catalina Murillo Manuel Marin Jessica Clark Cohen Juan Murillo Laura Quijano Ali Viquez Jimenez Marco Castro Mario Leon Guillermo Barquero Antonio Chamu Jesus Vargas Garita Gustavo Adolfo Chaves Carlos Alvarado Alban Mora David Eduarte Diego Montero Mauricio Chaves Mesen Major writers EditMajor Costa Rican writers include Roberto Brenes Mesen with his poems in En el silencio Carmen Lyra writer of Cuentos de mi Tia Panchita Carlos Luis Fallas Sibaja with his novels Mamita Yunai Gentes y gentecillas Mi madrina and Marcos Ramirez Fabian Dobles with the novel El sitio de las abras Joaquin Gutierrez with novels including Puerto Limon Muramonos Federico and Te accordas hermano Yolanda Oreamuno with her novel La ruta de su evasion Carlos Salazar Herrera with Cuentos de angustias y paisajes Eunice Odio with her poetry collection Transito de fuego and Isaac Felipe Azofeifa with Cima del gozo Julian Marchena with his only poetry collection Alas en fuga Jose Leon Sanchez with the novel La isla de los hombres solos Ana Antillon with poetry collections including Antro Fuego Jorge Debravo with poetry collections including Nosotros los hombres and Laureano Alban with books including Herencia del otono Authors whose works began to appear in the 1970s and 1980s include Rodolfo Arias Jorge Arroyo Carlos Cortes Ana Istaru Mia Gallegos Carlos Francisco Monge Rodrigo Quiros 1944 1997 Alfredo Trejos Anacristina Rossi Juan Carlos Olivas Rodrigo Soto Osvaldo Sauma Milton Zarate and Juan Antillon with his multiawarded poetry collection Isla and other books References EditNotes Edit La formacion de una literatura nacional en Costa Rica se asemeja en lineas generales a la formacion de otras literaturas nacionales en los paises latinoamericanos y particularmente los centroamericanos Ese proceso forma parte de un esfuerzo mas amplio la construccion o invencion de la nacion como una comunidad imaginada mas que una realidad sustantiva esfuerzo que a su vez responde a un proyecto de unificacion y centralizacion del poder economico politico e ideologico alrededor de un grupo hegemonico criollo ligado a la exportacion de productos agricolas para el mercado internacional Uno y los otros San Jose EUCR 1998 17 Bibliography Edit Bonilla Abelardo Historia de la literatura costarricense San Jose Editorial Universidad de Costa Rica 1957 Corrales Arias Adriano Sostener la palabra Antologia de poesia costarricense contemporanea San Jose Editorial Arboleda 2007 Monge Carlos Francisco Antologia critica de la poesia de Costa Rica San Jose Editorial Universidad de Costa Rica 1993 Monge Carlos Francisco El vanguardismo literario en Costa Rica Editorial Universidad Nacional 2005 Ovares Flora Margarita Rojas Maria Elena Carballo y Carlos Santander La casa paterna Escritura y nacion en Costa Rica San Jose EUCR 1993 Ovares Flora y Margarita Rojas El sello del angel Ensayos sobre literatura centroamericana Heredia Editorial Universidad Nacional 2000 Rojas Margarita Alvaro Quesada Flora Ovares y Carlos Santander En el tinglado de la eterna comedia El teatro costarricense 1890 1930 Heredia Editorial Universidad Nacional 1995 Rojas Margarita y Flora Ovares Cien anos de literatura costarricense San Jose Farben 1995 Rojas Margarita y Flora Ovares En el tinglado de la eterna comedia El teatro costarricense 1930 1950 Heredia Editorial Universidad Nacional 1995 Rojas Margarita La ciudad y la noche Narrativa latinoamericana contemporanea San Jose Farben 2006 Valldeperas Acosta Jorge Para una nueva interpretacion de la literatura costarricense San Jose Editorial Costa Rica 1978 External links EditAcquirir Libros de la Literatura Costarricense http www editlegado com Retrieved from https en wikipedia org w index php title Costa Rican literature amp oldid 1160612434, wikipedia, wiki, book, books, library,

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