Christus factus est ("Christ became obedient") is taken from Saint Paul's Epistle to the Philippians. It is a gradual in the Catholic liturgy of the Mass. In pre-Vatican II Roman Rite practice, it was sung as the gradual at Mass on Maundy Thursday, however since the promulgation of the post-Vatican II Mass by Pope Paul VI in 1969 it has been employed instead as the gradual on Palm Sunday. Up until 1970 it was also sung daily at the conclusion of Tenebrae (Matins and Lauds) on the last days of Holy Week. It appeared first at Tenebrae of Maundy Thursday, but was not recited in full, ending with "...usque ad mortem". The following day at Tenebrae of Good Friday it was sung from the beginning until "...mortem autem crucis" and at Tenebrae of Holy Saturday it was sung in full. Up until the reform of the Holy Week liturgy promulgated by Pius XII in 1955 these Tenebrae services were sung in the late afternoon and evening of the previous day, and were well attended by the laity. Thus Tenebrae of Maundy Thursday was sung during the evening of Spy Wednesday; Tenebrae of Good Friday in the evening Maundy Thursday etc. For this reason Christus factus est (along with the famous Tenebrae responsories) was set by many composers of church music. From 1956 through 1969, and in the liturgical books of 1962 which are currently in use as the extraordinary form of the Roman Rite, these services have been place back in early mornings of the last three days of Holy Week, with the effect that complex musical settings of this text are rarely heard in their liturgical context.
Christus factus est pro nobis obediens usque ad mortem, mortem autem crucis. Propter quod et Deus exaltavit illum et dedit illi nomen, quod est super omne nomen.
Christ became obedient for us unto death, even to the death, death on the cross. Therefore God exalted Him and gave Him a name which is above all names.[1]
Anton Bruckner - Sämtliche Werke, Band 21: Kleine Kirchenmusikwerke, Musikwissenschaftlicher Verlag der Internationalen Bruckner-Gesellschaft, Hans Bauernfeind and Leopold Nowak (Eds.), Vienna, 1984
Cornelis van Zwol, Anton Bruckner - Leven en Werken , Thoth, Bussum (Netherlands), 2012. ISBN90-686-8590-2
April 11, 2024
christus, factus, christ, became, obedient, taken, from, saint, paul, epistle, philippians, gradual, catholic, liturgy, mass, vatican, roman, rite, practice, sung, gradual, mass, maundy, thursday, however, since, promulgation, post, vatican, mass, pope, paul, . Christus factus est Christ became obedient is taken from Saint Paul s Epistle to the Philippians It is a gradual in the Catholic liturgy of the Mass In pre Vatican II Roman Rite practice it was sung as the gradual at Mass on Maundy Thursday however since the promulgation of the post Vatican II Mass by Pope Paul VI in 1969 it has been employed instead as the gradual on Palm Sunday Up until 1970 it was also sung daily at the conclusion of Tenebrae Matins and Lauds on the last days of Holy Week It appeared first at Tenebrae of Maundy Thursday but was not recited in full ending with usque ad mortem The following day at Tenebrae of Good Friday it was sung from the beginning until mortem autem crucis and at Tenebrae of Holy Saturday it was sung in full Up until the reform of the Holy Week liturgy promulgated by Pius XII in 1955 these Tenebrae services were sung in the late afternoon and evening of the previous day and were well attended by the laity Thus Tenebrae of Maundy Thursday was sung during the evening of Spy Wednesday Tenebrae of Good Friday in the evening Maundy Thursday etc For this reason Christus factus est along with the famous Tenebrae responsories was set by many composers of church music From 1956 through 1969 and in the liturgical books of 1962 which are currently in use as the extraordinary form of the Roman Rite these services have been place back in early mornings of the last three days of Holy Week with the effect that complex musical settings of this text are rarely heard in their liturgical context Contents 1 Text 2 See also 3 References 4 SourcesText editThe text is derived from Philippians 2 8 9 Christus factus est pro nobis obediens usque ad mortem mortem autem crucis Propter quod et Deus exaltavit illum et dedit illi nomen quod est super omne nomen Christ became obedient for us unto death even to the death death on the cross Therefore God exalted Him and gave Him a name which is above all names 1 In the Roman Rite liturgy it is used as Gregorian gradual on Palm Sunday Maundy Thursday and Good Friday The melody is found in the Graduale Romanum 1974 p 148 Over the centuries the text has been set to music by several composers 1 Anton Bruckner set the text to music three times He set it first in 1844 as the gradual of the Messe fur den Grundonnerstag WAB 9 The second setting Christus factus est WAB 10 of 1873 is a motet in D minor for eight voice mixed choir 3 trombones and double bass quintet ad libitum The third setting Christus factus est WAB 11 of 1884 is a motet for SATB choir a cappella in D minor This third setting is with Locus iste and Ave Maria among Bruckner s most popular motets See also editCrotalus instrument Liturgical clapper used during the Pascal Triduum Stripping of the Altar Religious ceremonyReferences edit a b Christus factus est on ChoralWikiSources editAnton Bruckner Samtliche Werke Band 21 Kleine Kirchenmusikwerke Musikwissenschaftlicher Verlag der Internationalen Bruckner Gesellschaft Hans Bauernfeind and Leopold Nowak Eds Vienna 1984 Cornelis van Zwol Anton Bruckner Leven en Werken Thoth Bussum Netherlands 2012 ISBN 90 686 8590 2 Retrieved from https en wikipedia org w index php title Christus factus est amp oldid 1213736381, wikipedia, wiki, book, books, library,
