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Christine Jackob-Marks

January 01, 1970

Christine Jackob-Marks (born 1943 in Mainz) is a contemporary German painter of subtle abstraction in mostly serial works and is classified as an informal artist.[1] Christine Jackob-Marks became known to the general public when, in the mid-1990s, her award-winning design for the Memorial to the Murdered Jews of Europe was not implemented due to the veto by Chancellor Helmut Kohl.

Christine Jackob-Marks

Biography edit

At the age of 17, Christine Jackob moved to London and applied to the Royal Academy of Dramatic Art. After the audition, she was narrowly turned down, with the kind hint of her young age to try again next year. But since Jackob was interested in the fine arts as well as acting, she visited the London museums. In the National Gallery, in front of Renoir’s painting Les Parapluies (the umbrellas), she decided to pursue painting and applied to the Académie de la Grande Chaumière in Paris. In the class of the French painter Ives Breyer, the first pictures were made from models.

Christine Jackob then moved to the Berlin University of the Arts and studied fine arts in the painting classes of Professors Hartmann, Jaenisch and Jansen. In the early 1960s, she married the architect Volker Theissen and they had two children: Jessica and Felix Theissen. The family moved from Berlin-Moabit to an old villa in Nikolassee. The house, formerly also inhabited by Claus Schenk Graf von Stauffenberg, was often used as an original motif for film sequences about the preparations for the 20 July plot, but initially, the couple rented the upper floor to the DAAD Artists-in-Berlin Program program. This is how they met artists such as Lawrence Weiner, Franz Gertsch and Roman Opalka. Christine Jackob was fascinated by Gertsch's photorealism, as by the paintings of Markus Lüpertz, from whom her husband bought several works.

At the same time, Jackob dealt with the social challenges in post-war Germany and "how to change society". Painting did not seem to give her a satisfactory answer to such complexes of questions: The change in society had to happen "from below", especially through engaged work with children. In addition to her work in the Berlin design studio, Christine Jackob studied educational science and worked as a therapist for children with behavioral problems and their parents. During this time she also met Marina, a toddler whom she and her second husband, Alan D. Marks [de], adopted.

Artistic development edit

The art scene, to which Gerhard Richter, Otto Piene, Emil Schumacher and Anselm Kiefer belonged, and also the inspiration that Christine Jackob-Marks received from the work of Paul Cézanne and Gustave Courbet, for example, and from the extensive 1982 Zeitgeist exhibition in Martin-Gropius-Bau, motivated Jackob-Marks to express her personal perception of the present with her own works.

The first exhibitions follow starting in 1984, mainly with still lifes, including animals; but there were also tombstone paintings with Hebrew inscriptions: "Their souls remain among us". Since the painter was now married to Alan D. Marks, an American concert pianist with Jewish roots, the artistic examination of the crimes of National Socialism became an increasingly important topic for Jackob-Marks. As part of the discussion about a German Shoah memorial, Christine Jackob-Marks sharpened her reflections artistically and took part in the 1994 competition.

The jury around Walter Jens awarded her the first prize in the artistic competition for the Memorial to the Murdered Jews of Europe together with Hella Rolfes, Hans Scheib and Reinhard Stangl. But voices were raised that rejected the decision, and due to the intervention of the incumbent Chancellor Helmut Kohl, their design was not built. This started a year-long reorientation with discussions on the location of the monument in Berlin, on the groups of victims of the Nazi dictatorship honored with it, and on the importance of memorials in the 20th and 21st century.[2][3] In his book Tacheles—In the Struggle for Facts in History and Politics, published in 2020 by Herder Verlag, Michael Wolffsohn describes the central background in the chapter Art as Politics: The Berlin Holocaust Memorial;[4] and Michael S. Cullen [de] put it: "Winning a competition fairly is ideal. Losing a competition by fair means is perhaps not ideal, but no less honorable."[5] Christine Jackob-Marks turned to painting again and worked on new pictures; often to music and often to the Schubert interpretations of her deceased husband:[6] She made drawings with Indian ink and charcoal, in addition there were strong color changes in mixed media of landscapes, of layers of earth: edges of the open-pit coal mines of the Lusatia region, the wild sea, to cosmic black holes, to spiral nebulae from distant suns and back again to earthly nature with its creatures. Manfred Eichel [de] describes her works as sliding into abstractions, as landscapes of the soul: as "pictures in which something actually happens, which are not satisfied with depicting what is available more or less exactly. There is something deeply theatrical about her (Christine Jackob-Marks) interpretations of nature. Her forests blaze, flooded with light, as if they were on fire ... ";[7] the former head of the ZDF feature editorial team for literature and art adds: "What makes your horses comparable to your dogs and elephants is the treatment of the eyes. They literally suck in the viewers. It's strange when you look at her monkeys."

 
Christine Jackob-Marks in her studio (2023)

From the mid-2000s, Jackob-Marks moved away from figurative motifs and developed her core themes: Landscape, animals and nature to non-figurative pictorial worlds. In the lecture Breathing and Painting, on the occasion of the exhibition "SOIL" in Berlin 2023, the art historian Mark Gisbourne described her paintings as significant works of Informal Painting of German provenance, in which "the actual painting process precedes the meaningful definition of a theme in her work. It would therefore be wrong to see Christine Jackob-Marks as a compositional painter, as if there were a predetermined design that is subsequently executed or painted. She is a painter oriented towards the painting process, and her pictures are primarily created in the act of painting itself."[8]

Christine Jackob-Marks has been a lecturer at the HdK and at the Thuringian Summer Academy. Her work has been exhibited nationally and internationally since 1988: in Germany at the gallery at Savignyplatz, from 1995 in the Gallery Poll,[9] 1996 on the ZDF in Mainz, several times in the Hamburg gallery Rose, in Bielefeld in the Samuelis Baumgarte gallery, in the gallery in the Körnerpark, Berlin and until 2018 in the DNA Gallery; 2020 also from the Berlin Gallery Kewenig in Palma de Mallorca.

Christine Jackob-Marks lives and works in Berlin and on Ibiza.

Exhibitions (selected) edit

Solo edit

  • 2023 Galerie feinart, Berlin Soil
  • 2021 Galerie Mutare, Berlin Christine Jackob-Marks
  • 2021 Werkbund, Berlin Alles ist im Fluss
  • 2020 Gallery Kewenig, Palma de Mallorca (Spain) Easy in difficulty
  • 2018 DNA Gallery, Berlin Happy Birthday
  • 2016 DNA gallery, retrospective
  • 2014 Gallery in the Körnerpark Let there be light!
  • 2012 Gallery in the Körnerpark, landscape views
  • 2012 Galerie Cornelissen, Wiesbaden, Moments
  • 2010 Gallery in the Körnerpark, Animals
  • 2009 Galerie Eva Poll, Berlin, Animals
  • 2008 Bauscher Gallery, Potsdam Painting – Drawings
  • 2008 First Sound Gallery (798 district) (with Dieter Finke), Beijing (China)
  • 2006 Arte plus Arte, Casa Colonial, Ibiza (Spain)
  • 2005 Art Academy Galerie Döbele, Dresden Structures, rifts and patterns
  • 2004 Wall AG headquarters, Berlin, Everything in flux
  • 2004 Gallery in the media house GIMM, Mainz
  • 2002 Rose Gallery, Hamburg Summer 2002
  • 2001 Samuelis Baumgarte Gallery, Bielefeld
  • 2000 Galerie Eva Poll, Berlin, Earth transformations
  • 1999 SESA AG in cooperation with Galerie Eva Poll, Berlin
  • 1999 Bauscher Gallery, Potsdam, Between heaven and earth
  • 1998 Galerie Libro Azul, Art Ibiza Fair, Ibiza (Spain)
  • 1996 Samuelis Baumgarte Gallery, Bielefeld: Pictures and drawings
  • 1996 ZDF Mainz
  • 1996 Bauscher Gallery, Potsdam, Landscape and Visions
  • 1995 Garden-Park-Landscape, Berlin
  • 1995 Galerie Mutter Fourage
  • 1995 Rose Gallery, Hamburg
  • 1995 Eva Poll Gallery, Berlin
  • 1994 Art & Concept Gallery, Munich
  • 1993 Rose Gallery, Hamburg
  • 1991 Galerie Rose, Hamburg (with Reinhard Stangl)
  • 1991 Kunstverein Schering, Berlin
  • 1988 Center Artistique International, St. Etienne (France)
  • 1988 Gallery at Savignyplatz, Berlin

Group edit

  • 2021 Classically Modern. Historical and contemporary works by female artists, Salongalerie Die Möwe, Berlin
  • 2015–2018 DNA Galerie, Berlin
  • 2015 Galerie Cornelissen, Wiesbaden
  • 2012 Art Academy, Zürich Erlenbach
  • 2009 Hoher Dom zu Mainz, Kunstverein Eisenturm, Mainz
  • 2005 Bilderleben Katholisches Stadthaus, Wuppertal
  • 2003 15 Jahre Galerie Bauscher, Potsdam
  • 2001 Erde Feuer Wasser Luft Galerie Bauscher, Potsdam
  • 1995–1997 Art Cologne Galerie Eva Poll, Berlin
  • 1995 Memorial to the Murdered Jews of Europe, Competition entry together with Hella Rolfes, Hans Scheib and Reinhard Stangl (won)
  • 1995 'Art auction for Otto Dix, Neue Nationalgalerie, Berlin
  • 1989 Galerie Rose, Hamburg
  • 1987–1991 Freie Berliner Kunstausstellung

Awards (selected) edit

  • 1995 First prize in the artistic competition Memorial to the Murdered Jews of Europe together with Hella Rolfes, Hans Scheib and Reinhard Stangl

Literature (selected) edit

  • In der Schwere leicht: 2017–2019, Gallery Kewenig, Ausstellungskatalog, 32 Seiten, Text: Manfred Eichel, Mallorca 2020.
  • Ulf Meyer zu Kueingdorf (Hrsg.): Christine Jackob-Marks. Es muss im Leben mehr als alles geben. (German, English) Kerber Verlag, Bielefeld/Berlin 2016, ISBN 978-3-7356-0225-1
  • Christine Jackob-Marks: Tiere und Landschaften: 2006–2008, Katalog, Texte: Manfred Eichel, Christina Wendenburg, Siebenhaar Verlag 2009, ISBN 978-3-936962-76-5.
  • Christine Jackob-Marks und Dieter Finke: 2008, Katalog, 64 Seiten, Text: Christina Wendenburg, Fotos: u. a. Bernd Kuhnert, China 2008.
  • Christine Jackob-Marks: 2003–2005, Katalog, 64 Seiten, Text: Peter Herbstreuth, Fotos: Bernd Kuhnert, Berlin 2005.
  • Christine Jackob-Marks: Erdwandlungen 2000–2002, Katalog als Schuber, 39 Seiten, Text: Stefan Franz Mayer, Fotos: Bernd Kuhnert, Berlin 2002.
  • Christine Jackob-Marks: 1998–1999, Katalog, 64 Seiten, Text: Viktoria von Flemming, Fotos: Bernd Kuhnert, Berlin 1999.
  • Christine Jackob-Marks: 1996–1997, Katalog, 64 Seiten, Text: Jacqueline Frowein, Fotos: Bernd Kuhnert, Berlin 1997.
  • Christine Jackob-Marks: Bilder und Zeichnungen, Ausstellungskatalog, 10 Abbildungen mit Auszügen der Rede des ZDF-Intendanten Dieter Stolte zur Ausstellung von Christine Jackob-Marks im Sendezentrum Mainz, Fotos: Bernd Kuhnert, 1996.
  • Christine Jackob Marks: 1991–1995, vier Kataloge im Schuber, Texte: Peter Raue, Hermann Wiesler, Friedrich Rohde, Fotos: Bernd Kuhnert, 1995.

References edit

  1. ^ Mark Gisbourne (2023). "Mark Gisbourne" (in German). Webarchiv Christine Jackob-Marks: Zitate – Literatur. Retrieved 2023-11-19.
  2. ^ Ingolf Kern (1997-01-10). "Welches Dimension hat das Grauen?". Die Welt.net (in German).
  3. ^ Thomas Holl (2005-05-10). "Chronik eines Mahnmals". faz.net (in German).
  4. ^ Michael Wolffsohn (2 March 2020). Tacheles – Im Kampf um die Fakten in Geschichte und Politik (in German). Verlag Herder GmbH. ISBN 9783451819551.
  5. ^ "Christine Jackob-Marks (S. 237)" (in German). kerberverlag.de.
  6. ^ Klaus Geitel (15 November 2011). "Elfeinhalb Sonaten oder Alan Mark ein Pianist voller Spiellust". Welt.de (in German).
  7. ^ "Christine Jackob-Marks S. 7" (in German). kerberverlag.de.
  8. ^ Mark Gisbourne (2023-06-04). "Effekt und Affekt in der Informellen Malerei – die Gemälde von Christine Jackob-Marks" (in German). Webarchiv Christine Jackob-Marks: quotes 2020–2023. Retrieved 2024-02-03.
  9. ^ Elfi Kreis (2001-09-14). "Christine Jackob-Marks: Berge versetzen". Tagesspiegel.de (in German).

External links edit

  • website
  • Gallery Kewenig: In der Schwere leicht Prof. Manfred Eichel in: "Ocula", Mai 2020
  • [1] Landschaftsansichten: Galerie im Körnerpark
  • [2] in: DNA Galerie
  • [3] in: Galerie Poll
  • [4] in: Eröffnungsrede von Prof. Manfred Eichel zur Ausstellung "Augenblicke" in Wiesbaden am 23. September 2012
  • [5] In: KUNSTFORUM International.
  • [6] Galerie Bauscher: Die Schwellenangst vor der Kunst nehmen. In: die Welt, 2002
  • Holocaust-Mahnmal: Zehn Jahre Streit – Chronik der Auseinandersetzung um die Gedenkstätte in Berlin. In: Der Tagesspiegel, 7. Juli 2000.

January 01, 1970
christine, jackob, marks, born, 1943, mainz, contemporary, german, painter, subtle, abstraction, mostly, serial, works, classified, informal, artist, became, known, general, public, when, 1990s, award, winning, design, memorial, murdered, jews, europe, impleme. Christine Jackob Marks born 1943 in Mainz is a contemporary German painter of subtle abstraction in mostly serial works and is classified as an informal artist 1 Christine Jackob Marks became known to the general public when in the mid 1990s her award winning design for the Memorial to the Murdered Jews of Europe was not implemented due to the veto by Chancellor Helmut Kohl Christine Jackob Marks Contents 1 Biography 2 Artistic development 3 Exhibitions selected 3 1 Solo 3 2 Group 4 Awards selected 5 Literature selected 6 References 7 External linksBiography editAt the age of 17 Christine Jackob moved to London and applied to the Royal Academy of Dramatic Art After the audition she was narrowly turned down with the kind hint of her young age to try again next year But since Jackob was interested in the fine arts as well as acting she visited the London museums In the National Gallery in front of Renoir s painting Les Parapluies the umbrellas she decided to pursue painting and applied to the Academie de la Grande Chaumiere in Paris In the class of the French painter Ives Breyer the first pictures were made from models Christine Jackob then moved to the Berlin University of the Arts and studied fine arts in the painting classes of Professors Hartmann Jaenisch and Jansen In the early 1960s she married the architect Volker Theissen and they had two children Jessica and Felix Theissen The family moved from Berlin Moabit to an old villa in Nikolassee The house formerly also inhabited by Claus Schenk Graf von Stauffenberg was often used as an original motif for film sequences about the preparations for the 20 July plot but initially the couple rented the upper floor to the DAAD Artists in Berlin Program program This is how they met artists such as Lawrence Weiner Franz Gertsch and Roman Opalka Christine Jackob was fascinated by Gertsch s photorealism as by the paintings of Markus Lupertz from whom her husband bought several works At the same time Jackob dealt with the social challenges in post war Germany and how to change society Painting did not seem to give her a satisfactory answer to such complexes of questions The change in society had to happen from below especially through engaged work with children In addition to her work in the Berlin design studio Christine Jackob studied educational science and worked as a therapist for children with behavioral problems and their parents During this time she also met Marina a toddler whom she and her second husband Alan D Marks de adopted Artistic development editThe art scene to which Gerhard Richter Otto Piene Emil Schumacher and Anselm Kiefer belonged and also the inspiration that Christine Jackob Marks received from the work of Paul Cezanne and Gustave Courbet for example and from the extensive 1982 Zeitgeist exhibition in Martin Gropius Bau motivated Jackob Marks to express her personal perception of the present with her own works The first exhibitions follow starting in 1984 mainly with still lifes including animals but there were also tombstone paintings with Hebrew inscriptions Their souls remain among us Since the painter was now married to Alan D Marks an American concert pianist with Jewish roots the artistic examination of the crimes of National Socialism became an increasingly important topic for Jackob Marks As part of the discussion about a German Shoah memorial Christine Jackob Marks sharpened her reflections artistically and took part in the 1994 competition The jury around Walter Jens awarded her the first prize in the artistic competition for the Memorial to the Murdered Jews of Europe together with Hella Rolfes Hans Scheib and Reinhard Stangl But voices were raised that rejected the decision and due to the intervention of the incumbent Chancellor Helmut Kohl their design was not built This started a year long reorientation with discussions on the location of the monument in Berlin on the groups of victims of the Nazi dictatorship honored with it and on the importance of memorials in the 20th and 21st century 2 3 In his book Tacheles In the Struggle for Facts in History and Politics published in 2020 by Herder Verlag Michael Wolffsohn describes the central background in the chapter Art as Politics The Berlin Holocaust Memorial 4 and Michael S Cullen de put it Winning a competition fairly is ideal Losing a competition by fair means is perhaps not ideal but no less honorable 5 Christine Jackob Marks turned to painting again and worked on new pictures often to music and often to the Schubert interpretations of her deceased husband 6 She made drawings with Indian ink and charcoal in addition there were strong color changes in mixed media of landscapes of layers of earth edges of the open pit coal mines of the Lusatia region the wild sea to cosmic black holes to spiral nebulae from distant suns and back again to earthly nature with its creatures Manfred Eichel de describes her works as sliding into abstractions as landscapes of the soul as pictures in which something actually happens which are not satisfied with depicting what is available more or less exactly There is something deeply theatrical about her Christine Jackob Marks interpretations of nature Her forests blaze flooded with light as if they were on fire 7 the former head of the ZDF feature editorial team for literature and art adds What makes your horses comparable to your dogs and elephants is the treatment of the eyes They literally suck in the viewers It s strange when you look at her monkeys nbsp Christine Jackob Marks in her studio 2023 From the mid 2000s Jackob Marks moved away from figurative motifs and developed her core themes Landscape animals and nature to non figurative pictorial worlds In the lecture Breathing and Painting on the occasion of the exhibition SOIL in Berlin 2023 the art historian Mark Gisbourne described her paintings as significant works of Informal Painting of German provenance in which the actual painting process precedes the meaningful definition of a theme in her work It would therefore be wrong to see Christine Jackob Marks as a compositional painter as if there were a predetermined design that is subsequently executed or painted She is a painter oriented towards the painting process and her pictures are primarily created in the act of painting itself 8 Christine Jackob Marks has been a lecturer at the HdK and at the Thuringian Summer Academy Her work has been exhibited nationally and internationally since 1988 in Germany at the gallery at Savignyplatz from 1995 in the Gallery Poll 9 1996 on the ZDF in Mainz several times in the Hamburg gallery Rose in Bielefeld in the Samuelis Baumgarte gallery in the gallery in the Kornerpark Berlin and until 2018 in the DNA Gallery 2020 also from the Berlin Gallery Kewenig in Palma de Mallorca Christine Jackob Marks lives and works in Berlin and on Ibiza Exhibitions selected editSolo edit 2023 Galerie feinart Berlin Soil 2021 Galerie Mutare Berlin Christine Jackob Marks 2021 Werkbund Berlin Alles ist im Fluss 2020 Gallery Kewenig Palma de Mallorca Spain Easy in difficulty 2018 DNA Gallery Berlin Happy Birthday 2016 DNA gallery retrospective 2014 Gallery in the Kornerpark Let there be light 2012 Gallery in the Kornerpark landscape views 2012 Galerie Cornelissen Wiesbaden Moments 2010 Gallery in the Kornerpark Animals 2009 Galerie Eva Poll Berlin Animals 2008 Bauscher Gallery Potsdam Painting Drawings 2008 First Sound Gallery 798 district with Dieter Finke Beijing China 2006 Arte plus Arte Casa Colonial Ibiza Spain 2005 Art Academy Galerie Dobele Dresden Structures rifts and patterns 2004 Wall AG headquarters Berlin Everything in flux 2004 Gallery in the media house GIMM Mainz 2002 Rose Gallery Hamburg Summer 2002 2001 Samuelis Baumgarte Gallery Bielefeld 2000 Galerie Eva Poll Berlin Earth transformations 1999 SESA AG in cooperation with Galerie Eva Poll Berlin 1999 Bauscher Gallery Potsdam Between heaven and earth 1998 Galerie Libro Azul Art Ibiza Fair Ibiza Spain 1996 Samuelis Baumgarte Gallery Bielefeld Pictures and drawings 1996 ZDF Mainz 1996 Bauscher Gallery Potsdam Landscape and Visions 1995 Garden Park Landscape Berlin 1995 Galerie Mutter Fourage 1995 Rose Gallery Hamburg 1995 Eva Poll Gallery Berlin 1994 Art amp Concept Gallery Munich 1993 Rose Gallery Hamburg 1991 Galerie Rose Hamburg with Reinhard Stangl 1991 Kunstverein Schering Berlin 1988 Center Artistique International St Etienne France 1988 Gallery at Savignyplatz Berlin Group edit 2021 Classically Modern Historical and contemporary works by female artists Salongalerie Die Mowe Berlin 2015 2018 DNA Galerie Berlin 2015 Galerie Cornelissen Wiesbaden 2012 Art Academy Zurich Erlenbach 2009 Hoher Dom zu Mainz Kunstverein Eisenturm Mainz 2005 Bilderleben Katholisches Stadthaus Wuppertal 2003 15 Jahre Galerie Bauscher Potsdam 2001 Erde Feuer Wasser Luft Galerie Bauscher Potsdam 1995 1997 Art Cologne Galerie Eva Poll Berlin 1995 Memorial to the Murdered Jews of Europe Competition entry together with Hella Rolfes Hans Scheib and Reinhard Stangl won 1995 Art auction for Otto Dix Neue Nationalgalerie Berlin 1989 Galerie Rose Hamburg 1987 1991 Freie Berliner KunstausstellungAwards selected edit1995 First prize in the artistic competition Memorial to the Murdered Jews of Europe together with Hella Rolfes Hans Scheib and Reinhard StanglLiterature selected editIn der Schwere leicht 2017 2019 Gallery Kewenig Ausstellungskatalog 32 Seiten Text Manfred Eichel Mallorca 2020 Ulf Meyer zu Kueingdorf Hrsg Christine Jackob Marks Es muss im Leben mehr als alles geben German English Kerber Verlag Bielefeld Berlin 2016 ISBN 978 3 7356 0225 1 Christine Jackob Marks Tiere und Landschaften 2006 2008 Katalog Texte Manfred Eichel Christina Wendenburg Siebenhaar Verlag 2009 ISBN 978 3 936962 76 5 Christine Jackob Marks und Dieter Finke 2008 Katalog 64 Seiten Text Christina Wendenburg Fotos u a Bernd Kuhnert China 2008 Christine Jackob Marks 2003 2005 Katalog 64 Seiten Text Peter Herbstreuth Fotos Bernd Kuhnert Berlin 2005 Christine Jackob Marks Erdwandlungen 2000 2002 Katalog als Schuber 39 Seiten Text Stefan Franz Mayer Fotos Bernd Kuhnert Berlin 2002 Christine Jackob Marks 1998 1999 Katalog 64 Seiten Text Viktoria von Flemming Fotos Bernd Kuhnert Berlin 1999 Christine Jackob Marks 1996 1997 Katalog 64 Seiten Text Jacqueline Frowein Fotos Bernd Kuhnert Berlin 1997 Christine Jackob Marks Bilder und Zeichnungen Ausstellungskatalog 10 Abbildungen mit Auszugen der Rede des ZDF Intendanten Dieter Stolte zur Ausstellung von Christine Jackob Marks im Sendezentrum Mainz Fotos Bernd Kuhnert 1996 Christine Jackob Marks 1991 1995 vier Kataloge im Schuber Texte Peter Raue Hermann Wiesler Friedrich Rohde Fotos Bernd Kuhnert 1995 References edit Mark Gisbourne 2023 Mark Gisbourne in German Webarchiv Christine Jackob Marks Zitate Literatur Retrieved 2023 11 19 Ingolf Kern 1997 01 10 Welches Dimension hat das Grauen Die Welt net in German Thomas Holl 2005 05 10 Chronik eines Mahnmals faz net in German Michael Wolffsohn 2 March 2020 Tacheles Im Kampf um die Fakten in Geschichte und Politik in German Verlag Herder GmbH ISBN 9783451819551 Christine Jackob Marks S 237 in German kerberverlag de Klaus Geitel 15 November 2011 Elfeinhalb Sonaten oder Alan Mark ein Pianist voller Spiellust Welt de in German Christine Jackob Marks S 7 in German kerberverlag de Mark Gisbourne 2023 06 04 Effekt und Affekt in der Informellen Malerei die Gemalde von Christine Jackob Marks in German Webarchiv Christine Jackob Marks quotes 2020 2023 Retrieved 2024 02 03 Elfi Kreis 2001 09 14 Christine Jackob Marks Berge versetzen Tagesspiegel de in German External links editwebsite Gallery Kewenig In der Schwere leicht Prof Manfred Eichel in Ocula Mai 2020 1 Landschaftsansichten Galerie im Kornerpark 2 in DNA Galerie 3 in Galerie Poll 4 in Eroffnungsrede von Prof Manfred Eichel zur Ausstellung Augenblicke in Wiesbaden am 23 September 2012 5 In KUNSTFORUM International 6 Galerie Bauscher Die Schwellenangst vor der Kunst nehmen In die Welt 2002 Holocaust Mahnmal Zehn Jahre Streit Chronik der Auseinandersetzung um die Gedenkstatte in Berlin In Der Tagesspiegel 7 Juli 2000 Retrieved from https en wikipedia org w index php title Christine Jackob Marks amp oldid 1215438870, wikipedia, wiki, book, books, library,

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