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Charles III's Departure for Spain, Seen from the Sea

Charles III's Departure for Spain, Seen from the Sea is a 1759 oil on canvas painting by Antonio Joli, showing Charles leaving Naples to be crowned king of Spain after the death of his two elder brothers. It and its pair Charles III's Departure for Spain, Seen from the Land are now in the National Museum of Capodimonte in Naples.

History and description edit

The painting was created in 1759 by Antonio Joli at the express will of the Neapolitan court to immortalize the departure of Charles III from Naples, following the death of his two older brothers, when he became king of Spain:[1] it is an event which had a notable resonance in the European courts, so much so that it is portrayed in numerous works such as those preserved at the Palazzo della Prefettura in Naples, the Prado Museum, the Kunsthistorisches Museum and the Spanish embassy in Lisbon, which was lost in 1973;[2] the one kept in room 33 of the Capodimonte Museum, in the area of the Appartamente Reale of the Capodimonte palace was made in duplicate but with a different point of view: one from the sea, the other from the ground.[3]

The painting presents in the foreground the royal fleet departing from the port of Naples towards Spain, which took place on 7 October 1759, while in the background the city of Naples is depicted: the painter uses the classic seventeenth-century scheme of a location taken from the sea, defined at a bird's eye view. In addition to the view of the port, Castel Sant'Elmo stands out and the hill on which it is built is still devoid of urbanization; the hill on the right where the Reggia di Capodimonte is depicted is also particular: however, this is an unrealistic vision, as in that period only the first courtyard of the building was created, while in the canvas is portrayed what must have been the drafted project by Giovanni Antonio Medrano.[3]

References edit

  1. ^ Sapio, Vincent De; De Sapio, Vincent (2017), "Preface", Advanced Analytical Dynamics, Cambridge: Cambridge University Press, pp. xiii–xvi, doi:10.1017/9781316832301.001, ISBN 9781107179608, retrieved 2022-03-31
  2. ^ Patrone, Matteo (2022-02-03). "Il trust e il club nella gestione del godimento turnario". Gennaio-febbraio (1): 228–240. doi:10.35948/1590-5586/2022.68. ISSN 1590-5586. S2CID 246536013.
  3. ^ a b cartografico., Touring club italiano. Servizio (1990), Atlante enciclopedico touring., Touring club italiano, ISBN 88-365-0420-5, OCLC 27897191, retrieved 2022-03-31

Sources edit


charles, departure, spain, seen, from, 1759, canvas, painting, antonio, joli, showing, charles, leaving, naples, crowned, king, spain, after, death, elder, brothers, pair, charles, departure, spain, seen, from, land, national, museum, capodimonte, naples, hist. Charles III s Departure for Spain Seen from the Sea is a 1759 oil on canvas painting by Antonio Joli showing Charles leaving Naples to be crowned king of Spain after the death of his two elder brothers It and its pair Charles III s Departure for Spain Seen from the Land are now in the National Museum of Capodimonte in Naples History and description editThe painting was created in 1759 by Antonio Joli at the express will of the Neapolitan court to immortalize the departure of Charles III from Naples following the death of his two older brothers when he became king of Spain 1 it is an event which had a notable resonance in the European courts so much so that it is portrayed in numerous works such as those preserved at the Palazzo della Prefettura in Naples the Prado Museum the Kunsthistorisches Museum and the Spanish embassy in Lisbon which was lost in 1973 2 the one kept in room 33 of the Capodimonte Museum in the area of the Appartamente Reale of the Capodimonte palace was made in duplicate but with a different point of view one from the sea the other from the ground 3 The painting presents in the foreground the royal fleet departing from the port of Naples towards Spain which took place on 7 October 1759 while in the background the city of Naples is depicted the painter uses the classic seventeenth century scheme of a location taken from the sea defined at a bird s eye view In addition to the view of the port Castel Sant Elmo stands out and the hill on which it is built is still devoid of urbanization the hill on the right where the Reggia di Capodimonte is depicted is also particular however this is an unrealistic vision as in that period only the first courtyard of the building was created while in the canvas is portrayed what must have been the drafted project by Giovanni Antonio Medrano 3 References edit Sapio Vincent De De Sapio Vincent 2017 Preface Advanced Analytical Dynamics Cambridge Cambridge University Press pp xiii xvi doi 10 1017 9781316832301 001 ISBN 9781107179608 retrieved 2022 03 31 Patrone Matteo 2022 02 03 Il trust e il club nella gestione del godimento turnario Gennaio febbraio 1 228 240 doi 10 35948 1590 5586 2022 68 ISSN 1590 5586 S2CID 246536013 a b cartografico Touring club italiano Servizio 1990 Atlante enciclopedico touring Touring club italiano ISBN 88 365 0420 5 OCLC 27897191 retrieved 2022 03 31Sources editMario Sapio Il Museo di Capodimonte Napoli Arte m 2012 ISBN 978 88 569 0303 4 Touring Club Italiano Museo di Capodimonte Milano Touring Club Editore 2012 ISBN 978 88 365 2577 5 nbsp This article about an eighteenth century painting is a stub You can help Wikipedia by expanding it vte Retrieved from https en wikipedia org w index php title Charles III 27s Departure for Spain Seen from the Sea amp oldid 1217887178, wikipedia, wiki, book, books, library,

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